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Alongside building an architecture that is iconic, Spanish architect Campo Baeza also creates rational buildings that enter into a dialogue with the place and its surroundings in order to, as he suggests ‘make men happy’. This well-designed survey of the architect’s works features a total of 23 works and projects, realised between 1980 and 2009 and accompanied by colour(...)
Alberto Campo Baeza: idea, light and gravity
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Alongside building an architecture that is iconic, Spanish architect Campo Baeza also creates rational buildings that enter into a dialogue with the place and its surroundings in order to, as he suggests ‘make men happy’. This well-designed survey of the architect’s works features a total of 23 works and projects, realised between 1980 and 2009 and accompanied by colour photographs, plans, elevations and models, along with introductory comments by the architect. Featured are such projects as: the Gaspar House; De Blas House, Caja General Bank Headquarters; the Benetton Nursery; Olnick Spanu House; and, Andalucia’s Museum of Memory. Included also in the second half of the publication is a sizeable essay by Campo Baeza himself, entitled “The Built Idea/ On Architecture” in which various ideas and themes are explored, such as the use of the colour white and the role of light in architecture, and, the foundations and future of architecture.
Architecture, monographies
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The August issue celebrates the 11 winners of the 2026 Governor General’s Medals in Architecture: Arbour House (Victoria, BC) by Patkau Architects; Parkade of the Future (Calgary, AB) by 5468796 Architecture & Kasian Architecture, Interior Design and Planning; Windermere Fire Station #31 (Edmonton, AB) by gh3* (lead design architect) with S2 Architecture (prime(...)
Canadian Architect v.71 n.05, August 2026
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The August issue celebrates the 11 winners of the 2026 Governor General’s Medals in Architecture: Arbour House (Victoria, BC) by Patkau Architects; Parkade of the Future (Calgary, AB) by 5468796 Architecture & Kasian Architecture, Interior Design and Planning; Windermere Fire Station #31 (Edmonton, AB) by gh3* (lead design architect) with S2 Architecture (prime consultant); O-day’min Park Pavilion (Edmonton, AB) by gh3*; Muscowpetung?Powwow Arbour (Muscowpetung Saulteaux Nation, SK) by Oxbow Architecture with Richard Kroeker; Veil House (Winnipeg, MB) by 5468796 Architecture; Ulster House (Toronto, ON) by LGA Architectural Partners; Ace Hotel Toronto by Shim-Sutcliffe Architects & Atelier Ace; Kìwekì Point (Ottawa, ON) by Patkau Architects and Janet Rosenberg & Studio; 900 Saint-Jacques (Montreal, Quebec) by Chevalier Morales architectes and Brian Eldsen Burrows Architecte – Le Groupe Architex; Hilltop Cottage (New Brunswick) by MacKay-Lyons Sweetapple Architects.
Revues
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The exhilarating and at times unsettling work featured in this book suggests an alternative view of natural processes and ecosystems and their relationships to human society and architecture. R's Mosquito Bottleneck house in Trinidad uses a skin that actually attracts mosquitoes and moves them through the building, while keeping them separate from the occupants. In his(...)
Subnature, architecture's other environments
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The exhilarating and at times unsettling work featured in this book suggests an alternative view of natural processes and ecosystems and their relationships to human society and architecture. R's Mosquito Bottleneck house in Trinidad uses a skin that actually attracts mosquitoes and moves them through the building, while keeping them separate from the occupants. In his building designs the architect Philippe Rahm draws the dank air from the earth and the gasses and moisture from our breath to define new forms of spatial experience. In his Underground House, Mollier House, and Omnisport Hall, Rahm forces us to consider the odor of soil and the emissions from our body as the natural context of a future architecture. [Cero 9]'s design for the Magic Mountain captures excess heat emitted from a power generator in Ames, Iowa, to fuel a rose garden that embellishes the industrial site and creates a natural mountain rising above the city's skyline. Subnature looks beyond leed ratings, green roofs, and solar panels toward a progressive architecture based on a radical new conception of nature.
Architecture écologique
Riken Yamamoto
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The work of the Japanese architect, Riken Yamamoto, in particular his residential buildings, schools and university buildings, stands out amongst the diversity of Japanese architecture. Yamamoto tries to incorporate social change into his architecture. This monograph records 34 years of architectural philosophy and Yamamoto’s future vision on architecture. The book(...)
Riken Yamamoto
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The work of the Japanese architect, Riken Yamamoto, in particular his residential buildings, schools and university buildings, stands out amongst the diversity of Japanese architecture. Yamamoto tries to incorporate social change into his architecture. This monograph records 34 years of architectural philosophy and Yamamoto’s future vision on architecture. The book features 29 projects including the Yamakawa Villa in Nagano, the Fujii House in Kanagawa, the Yamamoto Mental Clinic in Okayama or the Saitama Prefectural University and includes sketches, blue prints and photo's of past and present buildings.
Architecture, monographies
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Le Corbusier famously said, ''A house is a machine for living in.'' We now confront the litany of environmental challenges associated with the legacy of the architectural machine: a changing climate, massive species die-off, diminished air and water quality, and resource scarcities. Brook Muller offers an alternative: water-centric urban design that fosters(...)
Blue architecture: Water, design, and environmental futures
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Le Corbusier famously said, ''A house is a machine for living in.'' We now confront the litany of environmental challenges associated with the legacy of the architectural machine: a changing climate, massive species die-off, diminished air and water quality, and resource scarcities. Brook Muller offers an alternative: water-centric urban design that fosters sustainability, equity, and architectural creativity. Inspired by the vernacular, such as the levadas of Madeira Island and both the arid and drenched places of the American West, Muller articulates a ''hydro-logical'' philosophy in which architects and planners begin by conceptualizing interactions between existing waterways and the spaces they intend to develop. From these interactions—and the new technologies and approaches enabling them—aesthetic, spatial, and experiential opportunities follow. Not content merely to work around sensitive ecology, Muller argues for genuinely climate-adapted urban landscapes in which buildings act as ecological infrastructure that actually improve watersheds while delivering functionality and beauty for diverse communities. Rich in images and practical examples, ''Blue architecture'' will change the way we think about our designed world.
Architecture écologique
Imagine 10: rapids 02
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In 2014, a 3D-printed Canal House by DUS architects caught the attention of the world – including president Obama. The 3D Print Canal House proved the potentials of Additive Manufacturing for architecture and construction. Additive Manufacturing provides the architect with completely new solutions for realizing tool-less production methods, while allowing maximum freedom(...)
Imagine 10: rapids 02
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In 2014, a 3D-printed Canal House by DUS architects caught the attention of the world – including president Obama. The 3D Print Canal House proved the potentials of Additive Manufacturing for architecture and construction. Additive Manufacturing provides the architect with completely new solutions for realizing tool-less production methods, while allowing maximum freedom of design. Additive Manufacturing is ideally suited for Rapid Prototyping. It is possible to manufacture physical presentation and functional prototypes with complex shapes quickly and cost-effi ciently without the need for manual processing – directly using three-dimensional CAD construction data. This makes theentire product development process considerably faster. Imagine 10 explores the potentials of Additive Manufacturing for architecture by charting the current state of technology, discussing its implications for design and construction processes, and presents research projects as well as concept ideas for future Additive Manufacturing applications.
Revues
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"Flat Out" 2 delves into disaster, ghost towns, domesticity, and exhibition reviews.The Cameo grasps at elusive visuals in “Get It, While You Can.” The Muckraker exposes a trifecta of blunders besieging Sydney’s urban future in “All Hollowed Out.” The Odd Couple, in “Books, Piles, and Wrinkled Sheets,” debate the significance of Kinfolk’s portraits of “slow living.” The(...)
Flat Out 2 : claims on architecture from an unlikely cast
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"Flat Out" 2 delves into disaster, ghost towns, domesticity, and exhibition reviews.The Cameo grasps at elusive visuals in “Get It, While You Can.” The Muckraker exposes a trifecta of blunders besieging Sydney’s urban future in “All Hollowed Out.” The Odd Couple, in “Books, Piles, and Wrinkled Sheets,” debate the significance of Kinfolk’s portraits of “slow living.” The Political Economist takes a close look at the ground game behind the Obama presidential library, while The Talent Agent pays homage to Iannis Xenakis’s House in Amorgos, and The Scorekeeper gives Toyo Ito’s Taichung Metropolitan Opera House four stars. The cast for this issue features (in order of appearance) Mark Linder, R. E. Somol, Jon Yoder, Ben Nicholson, José Aragüez, Renato Rizzi, Scott Colman, Ellen Grimes, Eric Gordon, Grant Gibson, Fabrizio Gallanti, Sophia Vyzoviti, Julia Capomaggi, and Penelope Dean. Character portraits are by Tom Bachtell.
livres
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Should the Director’s House Gropius in Dessau, a masterpiece of modernism, be rebuilt? Is there any reason from a cultural-historical viewpoint for such a conservative approach? Should an attempt be made to continue the traditions of Bauhaus, or should we be discussing whether contemporary tasks and aims are commensurate to those of the past? What role do modern(...)
UmBauhaus : updating modernism
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Should the Director’s House Gropius in Dessau, a masterpiece of modernism, be rebuilt? Is there any reason from a cultural-historical viewpoint for such a conservative approach? Should an attempt be made to continue the traditions of Bauhaus, or should we be discussing whether contemporary tasks and aims are commensurate to those of the past? What role do modern principles play in today’s architecture? What is our attitude towards reconstruction? What can be expected from alternative approaches such as manipulation, collage, neutralization, redefinition, reinterpretation or entirely new design? The book „UmBauhaus – Aktualisierung der Moderne“ examines these and other questions, seeking to introduce and continue the debate concerning the Director’s House that was destroyed during the Second World War. At the peak of the debate on the reconstruction of the Gropius Director's House, the Bauhaus pulled out and decided to take a trip to record interviews. This became a lengthy, inspirational journey through current affairs, and a search for the future of modernism. With contribution from Rem Koolhaas, Dan Wieden, Oscar Niemeyer, Jonathan Park, Hans Kollhoff, Walter de'Silva, colleagues of the Bauhaus Dessau Foundation and many others.
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mars 2005, Berlin
Modernisme
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In 2015, the storied fashion house Fendi moved its headquarters into the Palazzo della Civiltà Italiana in Rome, a stark white cube perforated by symmetrical arches. Originally commissioned as part of an exhibition on Roman civilization for the 1942 world’s fair, the architects took their cues from ancient history to create a building that was quintessentially Roman yet(...)
Fendi: Palazzo della Civiltà Italiana in Rome
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In 2015, the storied fashion house Fendi moved its headquarters into the Palazzo della Civiltà Italiana in Rome, a stark white cube perforated by symmetrical arches. Originally commissioned as part of an exhibition on Roman civilization for the 1942 world’s fair, the architects took their cues from ancient history to create a building that was quintessentially Roman yet decidedly modern, earning its nickname “the Square Colosseum.” Because of its striking appearance and iconic status, the palazzo subsequently made appearances in a number of films by directors such as Roberto Rossellini, Federico Fellini, and Peter Greenaway. The building remained relatively abandoned throughout much of its existence, until its recent inhabitance by the always forward-thinking house of Fendi, an experience which Karl Lagerfeld has likened to being “on a spaceship transported into the future.” Featuring photographs by famous artists such as Gabriele Basilico, Franco Fontana, and Lagerfeld, this gorgeously illustrated volume takes the reader on a fascinating tour through art, architecture, culture, and history.
Sou Fujimoto: sketchbook
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The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures(...)
Sou Fujimoto: sketchbook
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The works of Sou Fujimoto resist any form of conventional categorization. This young Japanese architect stands for unconventional buildings that cannot be described by standard criteria and definitions such as inside/outside or public/private. Clear divisions such as between floor levels and rooms are shattered by his complex ground plans and interlocking structures which—in a reference to the idea of the cave—he describes as “Primitive Future.” With this approach he creates forms that are committed to a playful interaction between user and space. Alongside private residences, such as the well-known N House, his library for Musashino Art University has achieved particular recognition. In addition he was represented at the 2010 Venice Biennale with a design for a house. In his personal sketchbook Sou Fujimoto offers insights into his design process. Through the sketches, drawings, and notes readers can trace how his complex concepts are made manifest and develop on paper.
Architecture, monographies