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The Second World War came hard on the heels of a devastating Depression in which families struggled to survive. Life on the Home Front paints a poignant portrait of a city coping with the demandsof war. Montrealers, along with other Canadians, were being asked for more sacrifice but this time it would include sending their sons, brothers, fathers and husbands off to war.(...)
Life on the home front: Montreal 1939-1945
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The Second World War came hard on the heels of a devastating Depression in which families struggled to survive. Life on the Home Front paints a poignant portrait of a city coping with the demandsof war. Montrealers, along with other Canadians, were being asked for more sacrifice but this time it would include sending their sons, brothers, fathers and husbands off to war. Montrealers had to “Use it Up, Wear it Out, Make it Do, and Do Without” as one slogan cautioned, and this they did. Many women went to work for the firsttime and often enjoyed the heady success of doing “a man’s job” and earning a regular salary. Life on the Home Front describes how dissent was also an ever-present reality. Montreal was often awash with anti-war banners and angry speeches which kept the police and journalists busy. Prime Minister William Lyon Mackenzie King had to walk a fine line in keeping the country together and united at a time of grave crisis.
Architecture de Montréal
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This book reveals that historic sites and buildings have much to tell us about women's history. It documents women's contributions to the historic preservation movement at places such as Mount Vernon and explores women's history at several existing landmarks such as historic homes, as wells as in a wider array of cultural landscapes ranging from nurses' residences in(...)
Théorie de l’architecture
novembre 2002, Baltimore
Restoring womens' history through historic preservation
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This book reveals that historic sites and buildings have much to tell us about women's history. It documents women's contributions to the historic preservation movement at places such as Mount Vernon and explores women's history at several existing landmarks such as historic homes, as wells as in a wider array of cultural landscapes ranging from nurses' residences in Montreal to prostitutes' quarters in Los Angeles. The book includes essays on six exemplary projects that have advanced the integration of women's history into historic preservation and closes with three perspectives on preservation policy and practice. National in scope but applicable in any locality, Restoring Women's History through Historic Preservation combines the most important recently published information with the best new research and covers many national, state, and local initiatives of the past decade. It collects in one volume the seminal work of twenty academic historians, preservationists, and professionals at parks and monuments throughout the country who examine practical ways to represent women's history through historic preservation programs. Over the past several decades, work in the areas of women's history and historic preservation has done much to change not only how we regard history but also how we might broaden the very notion of what we consider historical. This volume reflects a growing commitment to historic preservation and shows how practitioners in both fields can benefit from an exchange of insights and create more effective public history.
Théorie de l’architecture
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This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a(...)
Feminist worldmaking and the moving image
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This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term ''feminism''; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.
livres
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped(...)
World War II and the American dream
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford explores the struggle of women and blacks for public housing. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight.
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avril 1995
Théorie de l’architecture
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
Object lessons: the Bauhaus and Harvard
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Théorie de l’architecture
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The Arts and Crafts movement in architecture, interior design, and decorative arts reached its peak between 1880 and 1910 in Britain and North America. The movement’s emphasis on aesthetic quality and a high level of craftsmanship, promoted as an antidote to the ubiquity and uninspired appearance of machine-produced products, remains much admired today. Arts and Crafts(...)
Design, époques et styles
novembre 2009
Apostles of beauty: arts and crafts from Britain to Chicago
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The Arts and Crafts movement in architecture, interior design, and decorative arts reached its peak between 1880 and 1910 in Britain and North America. The movement’s emphasis on aesthetic quality and a high level of craftsmanship, promoted as an antidote to the ubiquity and uninspired appearance of machine-produced products, remains much admired today. Arts and Crafts enjoyed special resonance in Chicago, the home of Jane Addams’s Hull House, where immigrants and women received training in handicraft skills not only to beautify domestic life but also to provide them with viable, honorable work.
Design, époques et styles
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century(...)
Hans Ulrich Obrist, the conversation series 26 : Sanaa
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Japanese architect Kazuyo Sejima (born 1956) has established her Tokyo studio SANAA, cofounded with Ryue Nishizawa, as one of the art world's favorite architectural teams. SANAA has been responsible for some of the most innovative art museums built over the past two decades, from the New Museum in New York and one of the Serpentine pavilions in London to the 21st Century Museum of Contemporary Art in Kanazawa, which won the Golden Lion in 2004 as the most significant building at the 9th International Architecture Exhibition at the Venice Biennale. In 2010, Sejima and Nishizawa co-curated the 12th International Architecture Exhibition at the Biennale. Hans Ulrich Obrist caught up with Sejima on several occasions throughout the past few years. They discussed her built and unbuilt projects, her collaborations with other architects and artists and the changing role of women within architecture.
Théorie de l’art
Carlo Mollino: Giappone 1970
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In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto. He had a camera with him and, little by little, he grew to love a civilisation which he then scarcely knew. He was fascinated by the women, the traditional places (temples, gardens and pagodas), but also by the new(...)
Carlo Mollino: Giappone 1970
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In May 1970, Carlo Mollino arrived in Osaka for the Universal Exposition. It was a long journey, with stop-offs in Bangkok, Hong Kong, Tokyo and Kyoto. He had a camera with him and, little by little, he grew to love a civilisation which he then scarcely knew. He was fascinated by the women, the traditional places (temples, gardens and pagodas), but also by the new architecture, the details in the constructions and the swarming crowds. Mollino captures a Japan suspended between ancient rituals and modernity, which over the years to come was to change the face of the country, a change of which the Expo was a mere foretaste.
Monographies photo
Carlo Mollino : arabesque
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Arabesques is a celebration of the life and achievements of Carlo Mollino (1905-1973)--architect, designer, author and photographer, and one of Italy's most extraordinary cultural innovators. In a 100 color and 80 black and white illustrations, and with commentary by an array of contemporary Mollino scholars, it examines his famously elegant furniture designs, a selection(...)
Carlo Mollino : arabesque
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Arabesques is a celebration of the life and achievements of Carlo Mollino (1905-1973)--architect, designer, author and photographer, and one of Italy's most extraordinary cultural innovators. In a 100 color and 80 black and white illustrations, and with commentary by an array of contemporary Mollino scholars, it examines his famously elegant furniture designs, a selection of his most iconic buildings, his wonderfully futuristic aeroplane and automobile designs and a portfolio of his photographic portraits of women. Mollino's approach was often synthetic; his interiors (which were almost always commissioned) integrated his furniture, interior design and architecture towards a unified aesthetic environment, expressing a coherent aesthetic of elegance and energetic sinuousness.
Design, monographies
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad(...)
Alina, Barbara, Halina, Helena, Zofia
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Aglaia Konrad’s work often takes the form of a book, each conceived as an edited archive of the ways in which she uses photography to investigate urban landscapes. Two of her book projects were part of "The lives of documents—Photography as project", the project curated by Stefano Graziani and Bas Princen, and it was while putting this exhibition together that Konrad shared her enthusiasm after researching the work of five women that conceived several residential neighbourhoods in Warsaw after the Second World War and redefined the city as a green haven. If the two book projects she presented in our exhibition—Atlas (2000) and Copy Cities (2003–2004)—brought together multiple fragments of her extensive and systematic documentary work on cities, her survey of the work of Alina Scholtz, Barbara Brukalska, Halina Skibniewska, Helena Syrkus, and Zofia Hansen leads now to a travel diary that reflects on the role of architecture and landscape architecture in defining places of bonding and belonging.
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