24939 Résultats
Quantité:
21 videocassette(s)
21 videocassette(s)
Numéro de référence:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
Personnes et institutions:
Titre:
Lectures about Wexner Center, Colombus, Ohio and Banyoles Olympic Hotel, Banyoles, Spain and other projects
Actions:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
Lectures about Wexner Center, Colombus, Ohio and Banyoles Olympic Hotel, Banyoles, Spain and other projects
Actions:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
Quantité:
21 videocassette(s)
21 videocassette(s)
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Personnes et institutions:
Sujet:
architecture
architecture
Date:
ca. 1741
ca. 1741
Titre:
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Magnificentiores Selectioresque Urbis Venetiarum Prospectus
Actions:
DR1986:0442:001-022
Description:
- Michele Marieschi was a short-lived Venetian vedutista whose small graphic output was limited almost exclusively to this group of twenty-one etchings. The album is a modern-bound collection of the first edition (before the addition of plate numbers) of Marieschi's prints. The prints were all designed and etched by Marieschi himself, with only two exceptions. The frontpiece, with its portrait of Marieschi (and proud proclamation of his status as painter and architect) was drawn by Anzolo Trivisan (Angelo Trevisani, 1669-after 1753) and engraved by Carlo Orsolini (1710-1780). The dedication to the Prince of Beauvau-Craon and the prince's coat of arms, which appear below Marieschi's view of the Piazzetta and Ducal Palace, were also engraved by Orsolini. RH - Marieschi was probably called an architect in the frontispiece to this volume of etchings (folio 1) in reference to his activity as a stage designer. Folio 21 gives us an indication of Marieschi's activity as a stage designer. According to Fabio Mauroner (Print Collector's Quarterly, vol. 27), the painted façade shown on the Church of San Rocco on the first state of folio 21 was designed by Marieschi. Here Marieschi is probably illustrating a festival which took place on the saint's feast day, since easel paintings are also shown placed against the façades of the buildings to the right in the square. It is interesting that in the second state of the same folio, another façade is shown, the one added to the church by the architect Macarazzi in 1768. According to the text on the first state of the same folio, the original façade on San Rocco was constructed in marble according to a design by Sebastiano Serlio (Mauroner, pl. 16). In addition, the exaggerated two-point and multi-point perspectives which Marieschi uses in many of his views of Venice, also reveal the influence of the principles of stage set design as illustrated in the contemporary drawings of the Bibiera family. MNR
Classification:
oeuvres d'art
oeuvres d'art
Date:
ca. 1741
ca. 1741
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Joseph Rykwert fonds
Joseph Rykwert fonds
Numéro de référence:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Personnes et institutions:
Date:
1928-2022
1928-2022
Titre:
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1928-2022
1928-2022
Personnes et institutions:
Classification:
dessins
Quantité:
6 drawing(s)
dessins
Quantité:
6 drawing(s)
Numéro de référence:
DR1995:0307:001-006
Description:
This group of drawings entitled "Summary of current ideas" constitutes a graphic summary of Price's design concepts explored through an analysis of his own projects, although it is unclear which projects are represented. Simplified "iconic" thumbnail sketches of projects are shown loosely organized in chart format (DR1995:0307:003-006). Each thumbnail sketch is keyed to specific "factors" (DR1995:0307:002) such as site dimensions, ease of transportability, type of structure (ie. air structure, pre-fabricated structure), and state of structure (ie. existing or new structure). A doodle of Price, shown both in elevation and plan, is included (DR1995:0307:001).
DR1995:0307:001-006
Description:
This group of drawings entitled "Summary of current ideas" constitutes a graphic summary of Price's design concepts explored through an analysis of his own projects, although it is unclear which projects are represented. Simplified "iconic" thumbnail sketches of projects are shown loosely organized in chart format (DR1995:0307:003-006). Each thumbnail sketch is keyed to specific "factors" (DR1995:0307:002) such as site dimensions, ease of transportability, type of structure (ie. air structure, pre-fabricated structure), and state of structure (ie. existing or new structure). A doodle of Price, shown both in elevation and plan, is included (DR1995:0307:001).
Personnes et institutions:
Date:
1960-1985 ?
1960-1985 ?
Titre:
Summary of current ideas: Charts and conceptual sketches
Actions:
DR1995:0307:001-006
Description:
This group of drawings entitled "Summary of current ideas" constitutes a graphic summary of Price's design concepts explored through an analysis of his own projects, although it is unclear which projects are represented. Simplified "iconic" thumbnail sketches of projects are shown loosely organized in chart format (DR1995:0307:003-006). Each thumbnail sketch is keyed to specific "factors" (DR1995:0307:002) such as site dimensions, ease of transportability, type of structure (ie. air structure, pre-fabricated structure), and state of structure (ie. existing or new structure). A doodle of Price, shown both in elevation and plan, is included (DR1995:0307:001).
Summary of current ideas: Charts and conceptual sketches
Actions:
DR1995:0307:001-006
Description:
This group of drawings entitled "Summary of current ideas" constitutes a graphic summary of Price's design concepts explored through an analysis of his own projects, although it is unclear which projects are represented. Simplified "iconic" thumbnail sketches of projects are shown loosely organized in chart format (DR1995:0307:003-006). Each thumbnail sketch is keyed to specific "factors" (DR1995:0307:002) such as site dimensions, ease of transportability, type of structure (ie. air structure, pre-fabricated structure), and state of structure (ie. existing or new structure). A doodle of Price, shown both in elevation and plan, is included (DR1995:0307:001).
Classification:
dessins
Quantité:
6 drawing(s)
dessins
Quantité:
6 drawing(s)
Date:
1960-1985 ?
1960-1985 ?
Personnes et institutions:
Numéro de référence:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Date:
1869-1871
1869-1871
Titre:
Palais du Louvre et des Tuileries. Motifs de décorations
Actions:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
Palais du Louvre et des Tuileries. Motifs de décorations
Actions:
PH1978:0038:003
Description:
Album containing 100 photogravures made from photographs by Baldus following a special process of his own, that would restore them on the reverse side. Malcolm Daniel writes: "Baldus's Louvre photographs found their final incarnation in a gravure publication 'Palais du Louvre et des Tuileries'. The three volumes in this set largely parallel the albums that Baldus had made earlier for the Minister of State; again the majority of the images are of sculptural and ornamental details from the New Louvre, but statuary and ornament from the Tuileries Palace and Gardens are also included. The first edition of the 'Palais du Louvre et des Tuileries', published by Baldus himself, was offered for sale in fascicles beginning in late 1869, and the series was completed by the end of 1871. Two volumes, each with 100 plates, focused on interior and exterior decoration. Because of the success of the first two volumes, a third, showing both interior and exterior motifs was produced, and the three-volume set was published by Morel in 1875." ('History of Photography', p. 120-121). This album contains views of sculptural and ornamental details (some of them fragments) of the models made the decoration of the staircase of the Palais des Tuileries, the Entrance to the Gardens of the Tuileries, the façade on the Carrousel of the Louvre, the Flore Pavilion and the Minister of State.
Date:
1869-1871
1869-1871
Personnes et institutions:
Sujet:
architecture, ornement, sculpture
architecture, ornement, sculpture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Personnes et institutions:
Date:
1973-2015
1973-2015
Titre:
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Io Sono La Spia [I am the Spy] (1973)
Actions:
AP207.S1.1973.PR02
Description:
The project series documents the performance "Io Sono La Spia". It consists of a group of photographs of the founders of Global Tools taken in 1973, in Milan, in which Pettena identifies himself as "the spy" by holding a sign that reads "Io Sono La Spia" [I am the Spy]. Global Tools, was a multidisciplinary program of workshops used to promote different tools and materials in architecture and represented the peak in the radical movement in Italy. By identifying himself as "the spy", Pettena "claimed to be a betraying architect and he stated his own 'diversity' by calling into question his identified role as a 'radical architect'." [1] The project series contains the sign with the words "Io Sono La Spia" and photographs of the Global Tools team, including a photograph showing Pettena holding the sign "Io Sono La Spia". Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 184.
Niveau de description archivistique:
Project
Project
Date:
1973-2015
1973-2015
Personnes et institutions:
Titre:
Various awards and honours
Various awards and honours
Numéro de référence:
ARCH277083
Description:
File contains awards and honours in recognition of Arthur Erickson or his firms Erickson/Massey Architects, Arthur Erickson Architects or Arthur Erickson Corporation. Includes: National Design Award from the Canadian Housing Design Council for 5185 Keith Road, W. Vancouver and 3281 W. 35 Avenue, Vancouver (1964), Associate Member of the American Hospital Association (1975), Qualification to practice architecture in the state of New York (1979), Honorary Fellowship from the American Institute of Architects (1978), Charter Member of the American Planning Association (1978), Honorary Doctor of Laws from the University of Manitoba (1978), Festival of Architecture Honor Awards for Eppich House, Robson Square/The Law Courts, Habitat Pavilion, Sikh Temple and Museum of Anthropology (1980), Governor General's Medal for Architecture for the Yorkdale Rapit Transit Station, Certification of Practice firn the California State Boad of Architectural Examiners (1981), Second Prize in the Concours Europeen Cembureau for Napp Laboratories (1985), President's Award for Excellence from The American Society of Landscape Architects for Robson Square - first phase, Citation confered upon Cornelia Oberlander from the Canadian Society of Landscape Architects for the landscape architecture of the Canadian Chancery (1991), Award for Excellence in the graphic representation of architecture for the Hotel and Convention Centre and Malaysiana (1993), Honorary Member Diploma from La Sociedad de Arquitectos Mexicanos (1993), architectural licence from the National Council of Architecturall Registration Boards (1994).
ARCH277083
Description:
File contains awards and honours in recognition of Arthur Erickson or his firms Erickson/Massey Architects, Arthur Erickson Architects or Arthur Erickson Corporation. Includes: National Design Award from the Canadian Housing Design Council for 5185 Keith Road, W. Vancouver and 3281 W. 35 Avenue, Vancouver (1964), Associate Member of the American Hospital Association (1975), Qualification to practice architecture in the state of New York (1979), Honorary Fellowship from the American Institute of Architects (1978), Charter Member of the American Planning Association (1978), Honorary Doctor of Laws from the University of Manitoba (1978), Festival of Architecture Honor Awards for Eppich House, Robson Square/The Law Courts, Habitat Pavilion, Sikh Temple and Museum of Anthropology (1980), Governor General's Medal for Architecture for the Yorkdale Rapit Transit Station, Certification of Practice firn the California State Boad of Architectural Examiners (1981), Second Prize in the Concours Europeen Cembureau for Napp Laboratories (1985), President's Award for Excellence from The American Society of Landscape Architects for Robson Square - first phase, Citation confered upon Cornelia Oberlander from the Canadian Society of Landscape Architects for the landscape architecture of the Canadian Chancery (1991), Award for Excellence in the graphic representation of architecture for the Hotel and Convention Centre and Malaysiana (1993), Honorary Member Diploma from La Sociedad de Arquitectos Mexicanos (1993), architectural licence from the National Council of Architecturall Registration Boards (1994).
Personnes et institutions:
Date:
1964-1994
1964-1994
Titre:
Various awards and honours
Actions:
ARCH277083
Description:
File contains awards and honours in recognition of Arthur Erickson or his firms Erickson/Massey Architects, Arthur Erickson Architects or Arthur Erickson Corporation. Includes: National Design Award from the Canadian Housing Design Council for 5185 Keith Road, W. Vancouver and 3281 W. 35 Avenue, Vancouver (1964), Associate Member of the American Hospital Association (1975), Qualification to practice architecture in the state of New York (1979), Honorary Fellowship from the American Institute of Architects (1978), Charter Member of the American Planning Association (1978), Honorary Doctor of Laws from the University of Manitoba (1978), Festival of Architecture Honor Awards for Eppich House, Robson Square/The Law Courts, Habitat Pavilion, Sikh Temple and Museum of Anthropology (1980), Governor General's Medal for Architecture for the Yorkdale Rapit Transit Station, Certification of Practice firn the California State Boad of Architectural Examiners (1981), Second Prize in the Concours Europeen Cembureau for Napp Laboratories (1985), President's Award for Excellence from The American Society of Landscape Architects for Robson Square - first phase, Citation confered upon Cornelia Oberlander from the Canadian Society of Landscape Architects for the landscape architecture of the Canadian Chancery (1991), Award for Excellence in the graphic representation of architecture for the Hotel and Convention Centre and Malaysiana (1993), Honorary Member Diploma from La Sociedad de Arquitectos Mexicanos (1993), architectural licence from the National Council of Architecturall Registration Boards (1994).
Various awards and honours
Actions:
ARCH277083
Description:
File contains awards and honours in recognition of Arthur Erickson or his firms Erickson/Massey Architects, Arthur Erickson Architects or Arthur Erickson Corporation. Includes: National Design Award from the Canadian Housing Design Council for 5185 Keith Road, W. Vancouver and 3281 W. 35 Avenue, Vancouver (1964), Associate Member of the American Hospital Association (1975), Qualification to practice architecture in the state of New York (1979), Honorary Fellowship from the American Institute of Architects (1978), Charter Member of the American Planning Association (1978), Honorary Doctor of Laws from the University of Manitoba (1978), Festival of Architecture Honor Awards for Eppich House, Robson Square/The Law Courts, Habitat Pavilion, Sikh Temple and Museum of Anthropology (1980), Governor General's Medal for Architecture for the Yorkdale Rapit Transit Station, Certification of Practice firn the California State Boad of Architectural Examiners (1981), Second Prize in the Concours Europeen Cembureau for Napp Laboratories (1985), President's Award for Excellence from The American Society of Landscape Architects for Robson Square - first phase, Citation confered upon Cornelia Oberlander from the Canadian Society of Landscape Architects for the landscape architecture of the Canadian Chancery (1991), Award for Excellence in the graphic representation of architecture for the Hotel and Convention Centre and Malaysiana (1993), Honorary Member Diploma from La Sociedad de Arquitectos Mexicanos (1993), architectural licence from the National Council of Architecturall Registration Boards (1994).
Date:
1964-1994
1964-1994
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
À la suite de la Seconde Guerre mondiale, le besoin urgent de reconstruire les villes, ainsi que la croissance soudaine de la population, conduit les instances publiques à assumer un rôle de plus en plus important dans la conception et la construction de l’environnement urbain. Sous différents régimes politiques, de grands aménagements urbains et même des villes entières(...)
À la suite de la Seconde Guerre mondiale, le besoin urgent de reconstruire les villes, ainsi que la croissance soudaine de la population, conduit les instances publiques à assumer un rôle de plus en plus important dans la conception et la construction de l’environnement urbain. Sous différents régimes politiques, de grands aménagements urbains et même des villes entières(...)
Localisation:
Vitrines
Vitrines
Date:
12 décembre 2013 au 15 juin 2014
12 décembre 2013 au 15 juin 2014
Titre:
Vieux livres nouvelles villes
Actions:
Description:
À la suite de la Seconde Guerre mondiale, le besoin urgent de reconstruire les villes, ainsi que la croissance soudaine de la population, conduit les instances publiques à assumer un rôle de plus en plus important dans la conception et la construction de l’environnement urbain. Sous différents régimes politiques, de grands aménagements urbains et même des villes entières(...)
Vieux livres nouvelles villes
Actions:
Description:
À la suite de la Seconde Guerre mondiale, le besoin urgent de reconstruire les villes, ainsi que la croissance soudaine de la population, conduit les instances publiques à assumer un rôle de plus en plus important dans la conception et la construction de l’environnement urbain. Sous différents régimes politiques, de grands aménagements urbains et même des villes entières(...)
Classification:
expositions
expositions
Date:
12 décembre 2013 au
15 juin 2014
12 décembre 2013 au
15 juin 2014
Localisation:
Vitrines
Vitrines
Classification:
événements
événements
Actions:
Description:
Évoquant un défi célèbre lancé par Le Corbusier, « Architecture ou révolution », cette conversation établira la place du processus du SAAL au Portugal parmi les débats internationaux des années 1960 et 1970 sur le logement social et la responsabilité de l’architecte dans ce domaine. Nuno Portas, secrétaire d’État au Logement et à l’Urbanisme nommé après la révolution(...)
Évoquant un défi célèbre lancé par Le Corbusier, « Architecture ou révolution », cette conversation établira la place du processus du SAAL au Portugal parmi les débats internationaux des années 1960 et 1970 sur le logement social et la responsabilité de l’architecte dans ce domaine. Nuno Portas, secrétaire d’État au Logement et à l’Urbanisme nommé après la révolution(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
14 mai 2015 , 18h
14 mai 2015 , 18h
Titre:
Architecture ou révolution ? Une conversation avec Nuno Portas et Nuno Grande
Actions:
Description:
Évoquant un défi célèbre lancé par Le Corbusier, « Architecture ou révolution », cette conversation établira la place du processus du SAAL au Portugal parmi les débats internationaux des années 1960 et 1970 sur le logement social et la responsabilité de l’architecte dans ce domaine. Nuno Portas, secrétaire d’État au Logement et à l’Urbanisme nommé après la révolution(...)
Architecture ou révolution ? Une conversation avec Nuno Portas et Nuno Grande
Actions:
Description:
Évoquant un défi célèbre lancé par Le Corbusier, « Architecture ou révolution », cette conversation établira la place du processus du SAAL au Portugal parmi les débats internationaux des années 1960 et 1970 sur le logement social et la responsabilité de l’architecte dans ce domaine. Nuno Portas, secrétaire d’État au Logement et à l’Urbanisme nommé après la révolution(...)
Classification:
événements
événements
Date:
14 mai 2015
18h
14 mai 2015
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
