12413 Résultats
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI006.S1.1929.PR2
Description:
Series documents the architectural project of Mart Stam for a Housing estate in Wiesbaden, Germany, in 1929-1930. The material in this series was produced between 1929 and 1930, and predominantly in 1929. The series contains design development drawings and working drawings.
CI006.S1.1929.PR2
Description:
Series documents the architectural project of Mart Stam for a Housing estate in Wiesbaden, Germany, in 1929-1930. The material in this series was produced between 1929 and 1930, and predominantly in 1929. The series contains design development drawings and working drawings.
Personnes et institutions:
Date:
1929-1930
1929-1930
Titre:
Housing estate, Wiesbaden, Germany (1929-1930)
Actions:
CI006.S1.1929.PR2
Description:
Series documents the architectural project of Mart Stam for a Housing estate in Wiesbaden, Germany, in 1929-1930. The material in this series was produced between 1929 and 1930, and predominantly in 1929. The series contains design development drawings and working drawings.
Housing estate, Wiesbaden, Germany (1929-1930)
Actions:
CI006.S1.1929.PR2
Description:
Series documents the architectural project of Mart Stam for a Housing estate in Wiesbaden, Germany, in 1929-1930. The material in this series was produced between 1929 and 1930, and predominantly in 1929. The series contains design development drawings and working drawings.
Niveau de description archivistique:
project
project
Date:
1929-1930
1929-1930
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Personnes et institutions:
Date:
circa 1919 -1920
circa 1919 -1920
Titre:
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Max Taut
Actions:
AP162.S9
Description:
Series documents the contribution of architect Max Taut to the correspondence circle of Die gläserne Kette, with Max Taut writing under the pseudonym Kein Name. Born in 1884 in Königsberg, Germany, Max Taut trained in carpentry and building before working in an architectural firm in Karlsruhe, Germany. In 1911, he worked independently, and later shared a practice with his brother Bruno Taut and Franz Hoffman (who joined them after 1914). His first architectural projects consisted primarily of schools. After his military service from 1914 to 1918, Max Taut joined the Arbeisrat für Kunst and the Novembersgruppe. After the First World War, he undertook several architectural projects, both private and public commissions such as housing and office buildings (mainly in Berlin), and also worked on projects for exhibitions. Unable to pratice during the Nazi Regime and the Second World War, Max Taut return to his architectural practice after the war and taught as a professor of architecture at the Hochschule für bildende Kunst in Berlin from 1945 to 1954. He undertook mainly housing development projects during this period. He died in Berlin in 1967. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Max Taut to the Die gläserne Kette circle and related drawings. The series also includes photographic materials of some of his architectural projects.
Niveau de description archivistique:
series
series
Date:
circa 1919 -1920
circa 1919 -1920
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:069:001
Description:
Portfolio containing architectural conceptual drawings and studies of elevations, notes, printouts of drawings from Melvin Charney's time as a student, or early professional career. Includes a reprographic copy of a study of C.N.E.J., completed under the supervision of architects Guillaume Gillet and Claude Charpentier of Paris, and a blueprint and two reprographic copies of sections and detail drawings for the residence of Mr. and Mrs. Zion (Miller Avenue, Montreal, Quebec) under the supervision of M. W. Roth, of Montreal.
DR2012:0012:069:001
Description:
Portfolio containing architectural conceptual drawings and studies of elevations, notes, printouts of drawings from Melvin Charney's time as a student, or early professional career. Includes a reprographic copy of a study of C.N.E.J., completed under the supervision of architects Guillaume Gillet and Claude Charpentier of Paris, and a blueprint and two reprographic copies of sections and detail drawings for the residence of Mr. and Mrs. Zion (Miller Avenue, Montreal, Quebec) under the supervision of M. W. Roth, of Montreal.
Personnes et institutions:
Date:
1956, 1962-1963
1956, 1962-1963
Titre:
Portfolio of Melvin Charney's early professional work
Actions:
DR2012:0012:069:001
Description:
Portfolio containing architectural conceptual drawings and studies of elevations, notes, printouts of drawings from Melvin Charney's time as a student, or early professional career. Includes a reprographic copy of a study of C.N.E.J., completed under the supervision of architects Guillaume Gillet and Claude Charpentier of Paris, and a blueprint and two reprographic copies of sections and detail drawings for the residence of Mr. and Mrs. Zion (Miller Avenue, Montreal, Quebec) under the supervision of M. W. Roth, of Montreal.
Portfolio of Melvin Charney's early professional work
Actions:
DR2012:0012:069:001
Description:
Portfolio containing architectural conceptual drawings and studies of elevations, notes, printouts of drawings from Melvin Charney's time as a student, or early professional career. Includes a reprographic copy of a study of C.N.E.J., completed under the supervision of architects Guillaume Gillet and Claude Charpentier of Paris, and a blueprint and two reprographic copies of sections and detail drawings for the residence of Mr. and Mrs. Zion (Miller Avenue, Montreal, Quebec) under the supervision of M. W. Roth, of Montreal.
Classification:
dessins
dessins
Date:
1956, 1962-1963
1956, 1962-1963
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP041.S1.1963.D2
Description:
File documents the planning stages of a metro station Mont-Royal in Montréal. Includes architectural drawings (elevations, sections, and details), and sketches, which were created under the supervision of architect Victor Prus.
AP041.S1.1963.D2
Description:
File documents the planning stages of a metro station Mont-Royal in Montréal. Includes architectural drawings (elevations, sections, and details), and sketches, which were created under the supervision of architect Victor Prus.
Personnes et institutions:
Date:
1963-1964
1963-1964
Titre:
Metro Mont-Royal, Montréal, Québec
Actions:
AP041.S1.1963.D2
Description:
File documents the planning stages of a metro station Mont-Royal in Montréal. Includes architectural drawings (elevations, sections, and details), and sketches, which were created under the supervision of architect Victor Prus.
Metro Mont-Royal, Montréal, Québec
Actions:
AP041.S1.1963.D2
Description:
File documents the planning stages of a metro station Mont-Royal in Montréal. Includes architectural drawings (elevations, sections, and details), and sketches, which were created under the supervision of architect Victor Prus.
Niveau de description archivistique:
Project
Project
Date:
1963-1964
1963-1964
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP145.S2.D29
Description:
File comprises a chronology of John Hejduk's architectural projects. The chronology was possibly made in preparation for an exhibition. Material in this file was produced probably between 1974 and 1979. File contains conceptual drawings.
AP145.S2.D29
Description:
File comprises a chronology of John Hejduk's architectural projects. The chronology was possibly made in preparation for an exhibition. Material in this file was produced probably between 1974 and 1979. File contains conceptual drawings.
Personnes et institutions:
Date:
[1974-1979?]
[1974-1979?]
Titre:
Time Sketches - Project Chronology
Actions:
AP145.S2.D29
Description:
File comprises a chronology of John Hejduk's architectural projects. The chronology was possibly made in preparation for an exhibition. Material in this file was produced probably between 1974 and 1979. File contains conceptual drawings.
Time Sketches - Project Chronology
Actions:
AP145.S2.D29
Description:
File comprises a chronology of John Hejduk's architectural projects. The chronology was possibly made in preparation for an exhibition. Material in this file was produced probably between 1974 and 1979. File contains conceptual drawings.
Niveau de description archivistique:
File 29
File 29
Date:
[1974-1979?]
[1974-1979?]
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256255
Description:
carpeting, cost, memos, correspondence, scheduling, system description, program, reports, minutes, architectural instructions and roof garden research, subway feasibility study, photocopies of sketches, interior correspondence and fabric samples, press clipping about sunken garden. notes, meetings, detail drawings, transmittals, instructions to bidders (exterior signs), product brochures.
ARCH256255
Description:
carpeting, cost, memos, correspondence, scheduling, system description, program, reports, minutes, architectural instructions and roof garden research, subway feasibility study, photocopies of sketches, interior correspondence and fabric samples, press clipping about sunken garden. notes, meetings, detail drawings, transmittals, instructions to bidders (exterior signs), product brochures.
Personnes et institutions:
Date:
1977-1984
1977-1984
Titre:
Carpeting, cost, memos, correspondence, scheduling, system description, program, reports
Actions:
ARCH256255
Description:
carpeting, cost, memos, correspondence, scheduling, system description, program, reports, minutes, architectural instructions and roof garden research, subway feasibility study, photocopies of sketches, interior correspondence and fabric samples, press clipping about sunken garden. notes, meetings, detail drawings, transmittals, instructions to bidders (exterior signs), product brochures.
Carpeting, cost, memos, correspondence, scheduling, system description, program, reports
Actions:
ARCH256255
Description:
carpeting, cost, memos, correspondence, scheduling, system description, program, reports, minutes, architectural instructions and roof garden research, subway feasibility study, photocopies of sketches, interior correspondence and fabric samples, press clipping about sunken garden. notes, meetings, detail drawings, transmittals, instructions to bidders (exterior signs), product brochures.
Classification:
documents textuels
documents textuels
Date:
1977-1984
1977-1984
Personnes et institutions:
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2006
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Date:
10 janvier 2006 au 15 septembre 2006
10 janvier 2006 au 15 septembre 2006
Titre:
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Chercheurs en résidence 2006
Actions:
Description:
Jean Attali, LÉcole Nationale Supérieure dArchitecture de Paris-Malaquais, Paris, France Sujet : Figures d’énonciation de la pensée architecturale et spatiale: manifestes et oppositions dans les oeuvres d’Aldo Rossi, Peter Eisenman et Rem Koolhaas Cammy Brothers, University of Virginia, Charlottesville, États-Unis Sujet : Drawing from Memory: Giuliano da Sangallo and(...)
Classification:
recherche
recherche
Date:
10 janvier 2006 au
15 septembre 2006
10 janvier 2006 au
15 septembre 2006
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Personnes et institutions:
Date:
1971-2017
1971-2017
Titre:
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Proposte per il concorso Trigon [Proposals for the Trigon competition] (1971)
Actions:
AP207.S1.1971.PR02
Description:
This project series documents five of the fifteen proposals submitted by Pettena for the Trigon competition in Graz, Austria, in 1971. The proposals documented in this project series are the following: Proposal n° 7 "Imprisonment" and "Architectural project #2 (Planes crossing)"; Proposal n° 11 "Instantaneous birth"; Proposal n° 12 "Conservazione"; Proposal n° 13 "Sedie e tavolo d’erba"; and Proposal n° 14 "Grass Architecture" I, II, and III. Pettena won the first prize for both his proposal "Imprisonment" and "Architectural Project #2" (Proposal n° 7) and for "Grass Architecture" I and II (Proposal n° 14). In these proposals, Pettena "questioned the temporal dimension of architecture as well as its relationship with nature." [1] The proposal "Grass Architecture" consists of shapes of grass rising from the ground, creating a perishable form of architecture coming from within and becoming part of the territory. The "Imprisonment" and "Architectural Project #2" proposals are a variation of Pettena's previous performance project "Cancellazione di uno stato" in 1970. These proposals consist of "trails of passing airplanes crisscrossing? the sky, creating the outlines of a grid of clouds. Here, the legacy of the grid in modern architecture is rendered formless, as if “naturalized” by the evaporation of the clouds, subject to chance and the freely drifting trails left by the airplanes." [2] The project series contains presentation drawings (five original drawings, seventeen reprographic copies, and four photographic reproductions), for Pettena's proposals "Imprisonment" and "Architectural project #2 (Planes crossing)", "Instantaneous birth", "Conservazione", "Sedie e tavolo d’erba", and "Grass Architecture" I, II, and III. The project series also includes photographs of models for the "Grass Architecture" proposal. Sources: [1] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/grass-architecture-317.html?authID=148&ensembleID=454 (last accessed 11 November 2019) [2] FRAC Centre-Val de Loire, http://www.frac-centre.fr/_en/art-and-architecture-collection/pettena-gianni/imprisonment-317.html?authID=148&ensembleID=115 (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
1971-2017
1971-2017
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2012:0012:046:006
Description:
Includes plans and sketches for an unidentified architectural project. The roll is labelled "Fontaines - Date ?", and includes one drawing that appears to be a plan for the ground floor of a school.
DR2012:0012:046:006
Description:
Includes plans and sketches for an unidentified architectural project. The roll is labelled "Fontaines - Date ?", and includes one drawing that appears to be a plan for the ground floor of a school.
Personnes et institutions:
Date:
circa 1984
circa 1984
Titre:
Sketches and designs for Public fountains for the City of Montréal, Québec
Actions:
DR2012:0012:046:006
Description:
Includes plans and sketches for an unidentified architectural project. The roll is labelled "Fontaines - Date ?", and includes one drawing that appears to be a plan for the ground floor of a school.
Sketches and designs for Public fountains for the City of Montréal, Québec
Actions:
DR2012:0012:046:006
Description:
Includes plans and sketches for an unidentified architectural project. The roll is labelled "Fontaines - Date ?", and includes one drawing that appears to be a plan for the ground floor of a school.
Classification:
dessins
dessins
Date:
circa 1984
circa 1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Village Lake Louise
Village Lake Louise
Numéro de référence:
AP022.S1.1972.PR07
Description:
File documents a planning and architectural study for a recreational resort community (not built), Banff National Park, Alberta. File contains design development drawings, presentation drwings, photographic material and textual records (includes photographs).
AP022.S1.1972.PR07
Description:
File documents a planning and architectural study for a recreational resort community (not built), Banff National Park, Alberta. File contains design development drawings, presentation drwings, photographic material and textual records (includes photographs).
Personnes et institutions:
Date:
1972
1972
Titre:
Village Lake Louise
Actions:
AP022.S1.1972.PR07
Description:
File documents a planning and architectural study for a recreational resort community (not built), Banff National Park, Alberta. File contains design development drawings, presentation drwings, photographic material and textual records (includes photographs).
Village Lake Louise
Actions:
AP022.S1.1972.PR07
Description:
File documents a planning and architectural study for a recreational resort community (not built), Banff National Park, Alberta. File contains design development drawings, presentation drwings, photographic material and textual records (includes photographs).
Niveau de description archivistique:
Project
Project
Date:
1972
1972
Personnes et institutions:
