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Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a(...)
Newark: a history of race, rights, and riots in America
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Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a dissident Puritan as a refuge from intolerance, through the days of Jim Crow and World War II civil rights activism, to the height of postwar integration and the election of its first black mayor. In this broad and balanced history of Newark, Kevin Mumford applies the concept of the public sphere to the problem of race relations, demonstrating how political ideas and print culture were instrumental in shaping African American consciousness. He draws on both public and personal archives, interpreting official documents-such as newspapers, commission testimony, and government records-alongside interviews, political flyers, meeting minutes, and rare photos. From the migration out of the south to the rise of public housing and ethnic conflict, Newark explains the impact of African Americans on the reconstruction of American cities in the twentieth century.
Théorie/ philosophie
Stéphane Duroy: Unknown
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L'enjeu de ce travail, après les tragédies de l'Europe du XXe siècle, sera d'envisager l'Amérique comme terre d'accueil, réceptacle des drames de la vieille Europe, transposition optimiste de la misère, de la brutalité des guerres et révolutions. L'exil impose à l'homme américain une mutation radicale qui lui permet au prix d'un reniement de sa propre mémoire,(...)
Stéphane Duroy: Unknown
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L'enjeu de ce travail, après les tragédies de l'Europe du XXe siècle, sera d'envisager l'Amérique comme terre d'accueil, réceptacle des drames de la vieille Europe, transposition optimiste de la misère, de la brutalité des guerres et révolutions. L'exil impose à l'homme américain une mutation radicale qui lui permet au prix d'un reniement de sa propre mémoire, d'intégrer une nouvelle conception du monde fondée sur l'éphémère, l'abandon et le mouvement perpétuel, proche du nomadisme. Stucturé par son destin d'exilé, ce peuple puise sa force et son inventivité dans la rupture. La nostalgie devient mortifère et l'avenir trop distant pour en rêver. Il reste alors le privilège de créer l'instant et de s'adapter. Compte tenu de la radicalité de cet engagement dans le destin d'un homme, il me semble qu'à l'échelle d'un peuple, les conséquences seront certainement surprenantes. Ce travail photographique né d'un fort parti pris ignore les grands mouvements de cette 'jeune civilisation' où information, spiritualité, environnement, culture, diplomatie, riment avec consommation et profit. Pour la cohérence du projet, l'investigation se limite à New York, porte de l'Amérique, et à l'État du Montana, achèvement de la lente migration vers l'inconnu. Stéphane Leroy
Monographies photo
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The Salton Sea is a man-made catastrophe, redolent with the smell of algae and decomposing fish. Nevertheless, the lake's vast, placid expanses continue to attract birdwatchers, tourists and artists. In Greetings from the Salton Sea, photographer Kim Stringfellow explores the history of California's largest lake from its disastrous beginnings—the "sea" was formed when(...)
Greetings from the Salton Sea: folly and intervention in the southern California landscape, 1905-2005
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The Salton Sea is a man-made catastrophe, redolent with the smell of algae and decomposing fish. Nevertheless, the lake's vast, placid expanses continue to attract birdwatchers, tourists and artists. In Greetings from the Salton Sea, photographer Kim Stringfellow explores the history of California's largest lake from its disastrous beginnings—the "sea" was formed when Colorado River levees broke and spilled into a depression 280 feet below sea level—to its heyday as a desert paradise in the 1950s and its current state as an environmental battleground. Like the 400-plus species of birds that use the lake as a halfway point in their annual migration, developers flocked to the water too: they planted palm trees, built golf courses, and hired showstoppers such as the Beach Boys to perform at area resorts. These days, politicians seek to redirect the lake's only source of replenishment—agricultural runoff from surrounding farms—to water golf courses and green lawns elsewhere. Greetings from the Salton Sea's photographs capture the war among policymakers, environmentalists, developers, and the individuals still living along the lake's shores. As Stringfellow aptly documents, it is a war for water and, ultimately, for existence.
Théorie de l’urbanisme
Dandelions
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have(...)
Dandelions
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned? At the heart of this book brimming with the lives of remarkable and apparently unremarkable people is Thea’s grandmother Dirce, a former seamstress, who, now approaching 100, is a repository of tales that are by turns unpredictable, unreliable, significant. And that lead us deeper. There’s the one about Mussolini’s modern Icarus who crashed into the murk of a lake; about the Manchester factory worker who wanted only to be seen; about the shadowy demon who visits in your sleep; and the monument to a murdered politician that, when it rains, runs the colour of blood. Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges, in which self and place are warp and weft, tightly woven, with threads left hazardously trailing.
Littérature et poésie
Designing the X
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As the pace of global change accelerates—ecologically, socially, and technologically—our traditional ways of understanding and responding to change fall short. We now live in an era of supercomplexity, where challenges like climate instability, migration, technological disruption, resource depletion, and systemic inequality converge and defy conventional(...)
Designing the X
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As the pace of global change accelerates—ecologically, socially, and technologically—our traditional ways of understanding and responding to change fall short. We now live in an era of supercomplexity, where challenges like climate instability, migration, technological disruption, resource depletion, and systemic inequality converge and defy conventional solutions. ''Designing the X'' meets this moment with a bold and timely proposition: when data, science, and analysis alone are insufficient to move us forward, we must turn to design as a powerful mode of reasoning through synthesis, where intuition meets insight and imagination drives action. Design enables us to move with complexity, not against it, and to shape futures beyond the limits of the present. Grounded in praxis and research—including 67 interviews with designers, technologists and scientists, innovators and entrepreneurs, urbanists, and educators— ''Designing the X'' makes a compelling case for design as an essential partner to science and technology: integrative, inventive, and profoundly human. The “X” stands for what’s missing in today’s analytic methods: the leap from parts to greater wholes, from current conditions to future potential. This book is for anyone seeking agency in an age of accelerating change. It’s a compass for those ready to imagine—and design—the future we cannot yet see.
Théorie du design
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The past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with(...)
Flashpoint! Protest photography in print, 1950-present
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The past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with ideological and tribal conflicts. Since its inception, photography has captured defining historical moments, serving as either a tool or a document of protest—or both. In placing photobooks next to posters, DIY zines and independent journals, ''Flashpoint!'' explores the diverse roles and varying aesthetics that photography in print undertakes in its support of protest and resistance. Is it a “tool” conceived through an “aesthetic of urgency” to be used during events as they unfold, as in an anonymously designed poster or ink-stained fliers plastered on street walls? Or an elegantly designed photobook, published a year or more later, often with the help of well-known photographers, writers and designers, to document a past uprising? Whether outright rage or a more subtle artist-driven commentary, protest photography in print covers all of these formats and sometimes transcends rigid media definitions, as it blurs the lines between what constitutes a book, zine, journal, poster or newspaper.
Photographie- collections
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The uncertain state of Europe is the primary concern of Multiplicity : a multidisciplinary group of Europeans architects, photographers, urban developers and artists who met to explore and develop a series of studies focusing on contemporary European cities and their ongoing changes. The group uses on-site investigations, documented with beautiful photographs by(...)
USE- Uncertain states of Europe : a trip through a changing Europe
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The uncertain state of Europe is the primary concern of Multiplicity : a multidisciplinary group of Europeans architects, photographers, urban developers and artists who met to explore and develop a series of studies focusing on contemporary European cities and their ongoing changes. The group uses on-site investigations, documented with beautiful photographs by Francesco Jodice and Gabriele Basilico, to illustrate the radical and dramatic changes occurring on European land and in its cities. Traditional spaces are slowly, yet forcefully, transforming due to the constant economic, political, and social upheavals and alterations. With an introduction by prominent political and intellectual figures such as Etienne Balibar, Rem Koolhas and Jeremy Rifkin, this volume analyses 24 cases of urban transformation. The cases cover geographical locations from Paris to Pristina, Helsinki to Bucharest, and show the extraordinary riches a modern city can offer while, at the same time, highlighting the abnormal spaces created by the existence of a so-called secondary world. The final section is dedicated to a series of ideas which view Europe as a single entity : a network of relations, trade, encounters, migration, transportation, construction, and offers an absolutely novel view of the ‘old’ world. Richly illustrated, this tome includes passages by architectural critics such as Stefano Boeri, Yorgos Semiforidis, Eduard Bru, Bart Lootsma.
Théorie de l’urbanisme
livres
Toronto sprawls
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With a landmass spanning approximately 7000 square kilometres and a population of roughly five million, the Greater Toronto Area is Canada’s largest metropolitan centre. How did a small nineteenth-century colonial capital become this sprawling urban giant, and how did government policies shape the contours of its landscape? In Toronto Sprawls, Lawrence Solomon examines(...)
Toronto sprawls
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With a landmass spanning approximately 7000 square kilometres and a population of roughly five million, the Greater Toronto Area is Canada’s largest metropolitan centre. How did a small nineteenth-century colonial capital become this sprawling urban giant, and how did government policies shape the contours of its landscape? In Toronto Sprawls, Lawrence Solomon examines the great migration from farm to the city that occurred in the last half of the nineteenth century. During this period, a disproportionate number of single women came to Toronto, while at the same time, immigration from abroad was swelling the city’s urban boundaries. Labour unions were also increasingly successful in recruiting urban workers in these years. Governments responded to these perceived threats with a series of policies designed to foster order. To promote single family dwellings conducive to the traditional family, buildings in high-density areas were razed and apartment buildings banned. To discourage returning First World War veterans from settling in cities, the government offered grants to spur rural settlement. These policies and others dispersed the city’s population and promoted sprawl. An illuminating read, Toronto Sprawls makes a convincing case that urban sprawl in Toronto was not caused by market forces, but rather policies and programs designed to disperse Toronto’s urban population.
livres
avril 2007, Toronto
Architecture du Canada
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The rural, remote, and wild territories we call "countryside", or the 98% of the earth's surface not occupied by cities, make up the front line where today's most powerful forces-climate and ecological devastation, migration, tech, demographic lurches-are playing out. Increasingly under a 'Cartesian' regime-gridded, mechanized, and optimized for maximal production-these(...)
Koolhaas. Countryside, A Report (US edition)
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The rural, remote, and wild territories we call "countryside", or the 98% of the earth's surface not occupied by cities, make up the front line where today's most powerful forces-climate and ecological devastation, migration, tech, demographic lurches-are playing out. Increasingly under a 'Cartesian' regime-gridded, mechanized, and optimized for maximal production-these sites are changing beyond recognition. In his latest publication, Rem Koolhaas explores the rapid and often hidden transformations underway across the Earth's vast non-urban areas. This book gathers travelogue essays exploring territories marked by global forces and experimentation at the edge of our consciousness: a test site near Fukushima, where the robots that will maintain Japan's infrastructure and agriculture are tested; a greenhouse city in the Netherlands that may be the origin for the cosmology of today's countryside; the rapidly thawing permafrost of Central Siberia, a region wrestling with the possibility of relocation; refugees populating dying villages in the German countryside and intersecting with climate change activists; habituated mountain gorillas confronting humans on 'their' territory in Uganda; the American Midwest, where industrial-scale farming operations are coming to grips with regenerative agriculture; and Chinese villages transformed into all-in-one factory, e-commerce stores, and fulfillment centers.
Architecture, monographies
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''Cultures of contagion'' recounts episodes in the history of contagions, from ancient times to the twenty-first century. It considers contagion not only in the medical sense but also as a process, a metaphor, and an interpretive model–as a term that describes not only the transmission of a virus but also the propagation of a phenomenon. The authors describe a wide range(...)
Cultures of contagion: A glossary
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''Cultures of contagion'' recounts episodes in the history of contagions, from ancient times to the twenty-first century. It considers contagion not only in the medical sense but also as a process, a metaphor, and an interpretive model–as a term that describes not only the transmission of a virus but also the propagation of a phenomenon. The authors describe a wide range of social, cultural, political, and anthropological instances through the prism of contagion–from anti-Semitism to migration, from the nuclear contamination of the planet to the violence of Mao’s Red Guard. The book proceeds glossary style, with a series of short texts arranged alphabetically, beginning with an entry on aluminum and ''environmental contagion'' and ending with a discussion of writing and ''textual resemblance'' caused by influence, imitation, borrowing, and plagiarism. The authors–leading scholars associated with the Center for Historical Research (CRH, Centre de recherches historiques), Paris–consider such topics as the connection between contagion and suggestion, ''waltzmania'' in post-Terror Paris, the effect of reading on sensitive imaginations, and the contagiousness of yawning. They take two distinct approaches: either examining contagion and what it signified contemporaneously, or deploying contagion as an interpretive tool. Both perspectives illuminate unexpected connections, unnoticed configurations, and invisible interactions.
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