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The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth(...)
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The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth(...)
Publication:
avril 2007, New York
avril 2007, New York
Titre:
Smith College : the campus guide
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The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth century to the present. The campus includes such diverse buildings as Peabody – Stearn's Queen Anne-style College Hall; the neo-Georgian Quadrangle by Ames, Dodge and Putnam; Skidmore, Owings – Merrill's International Style Cutter and Ziskind houses; as well as the postmodern Bass Science Center and Young Science Library by Shepley, Bullfinch, Richardson, and Abbott. The university's most recent additions include the Brown Fine Arts Center, designed by the Polshek Partnership; the Olin Fitness Center, by Leers Weinzapfel Associates; and the Campus Center by Weiss/Manfredi.
Smith College : the campus guide
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The newest title in the Princeton Architectural Press Campus Guide series takes readers on a tour of Smith College. Founded in 1871 as one of the first full-fledged colleges for women, Smith is known for its beautiful campus set in an idyllic New England landscape. A walk around its grounds is like a comprehensive tour through American architecture from the eighteenth century to the present. The campus includes such diverse buildings as Peabody – Stearn's Queen Anne-style College Hall; the neo-Georgian Quadrangle by Ames, Dodge and Putnam; Skidmore, Owings – Merrill's International Style Cutter and Ziskind houses; as well as the postmodern Bass Science Center and Young Science Library by Shepley, Bullfinch, Richardson, and Abbott. The university's most recent additions include the Brown Fine Arts Center, designed by the Polshek Partnership; the Olin Fitness Center, by Leers Weinzapfel Associates; and the Campus Center by Weiss/Manfredi.
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livres
livres
Publication:
avril 2007, New York
avril 2007, New York
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livres
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations(...)
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations(...)
Titre:
Deanna Petherbridge: Drawing as metaphor
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations through and out of Syria in the triptych ''The Destruction of the City of Homs'' Petherbridge has embarked on a series of multi-panelled drawings about migrations, walls and barriers and threatened institutions. Her commentary on ''Crossing the Abyss'' (2019) can be read in Drawing Matter’s ''Women writing architecture'' publication or online; this seminal drawing sparked off a series of related works. The Covid-19 pandemic has been her major preoccupation under lockdown, but Petherbridge is hoping that her latest on-going pieces reflecting on pollution, governmental controls and devastated landscapes prove to be the last in the series.
Deanna Petherbridge: Drawing as metaphor
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In a new series of original texts for Drawing Matter, artist Deanna Petherbridge provides commentary on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Since her initial response to civil war, destroyed cities and enforced migrations through and out of Syria in the triptych ''The Destruction of the City of Homs'' Petherbridge has embarked on a series of multi-panelled drawings about migrations, walls and barriers and threatened institutions. Her commentary on ''Crossing the Abyss'' (2019) can be read in Drawing Matter’s ''Women writing architecture'' publication or online; this seminal drawing sparked off a series of related works. The Covid-19 pandemic has been her major preoccupation under lockdown, but Petherbridge is hoping that her latest on-going pieces reflecting on pollution, governmental controls and devastated landscapes prove to be the last in the series.
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livres
livres
Publication:
mars 2022
mars 2022
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livres
livres
Titre:
The bedroom
The bedroom
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The winner of France's prestigious Prix Femina Essai (2009), this book explores the many dimensions of the room in which we spend so much of our lives—the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king's chamber to(...)
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The winner of France's prestigious Prix Femina Essai (2009), this book explores the many dimensions of the room in which we spend so much of our lives—the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king's chamber to(...)
Titre:
The bedroom
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The winner of France's prestigious Prix Femina Essai (2009), this book explores the many dimensions of the room in which we spend so much of our lives—the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king's chamber to child's sleeping quarters to lovers' trysting place to monk's cell. The history of women, so eager for a room of their own, and that of prisons, where the principal cause of suffering is the lack of privacy, is interwoven with a reflection on secrecy, walls, the night and its mysteries.Drawing from a wide range of sources, including architectural and design treatises, private journals, novels, memoirs, and correspondences, Perrot's book follows the many roads that lead to the bedroom—birth, sex, illness, death—in its endeavor to expose the most intimate, nocturnal side of human history.
The bedroom
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The winner of France's prestigious Prix Femina Essai (2009), this book explores the many dimensions of the room in which we spend so much of our lives—the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king's chamber to child's sleeping quarters to lovers' trysting place to monk's cell. The history of women, so eager for a room of their own, and that of prisons, where the principal cause of suffering is the lack of privacy, is interwoven with a reflection on secrecy, walls, the night and its mysteries.Drawing from a wide range of sources, including architectural and design treatises, private journals, novels, memoirs, and correspondences, Perrot's book follows the many roads that lead to the bedroom—birth, sex, illness, death—in its endeavor to expose the most intimate, nocturnal side of human history.
Classification:
livres
livres
Publication:
août 2018
août 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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In this first English-language edition of Oscar Niemeyer’s memoirs, the architect reveals how his many passions – among them his large family, many friends, the sensuous landscape of Brazil, women, communism, art and literature – have influenced his life and in turn inspired his architecture. Born in Rio de Janeiro, Niemeyer graduated from the National School of Fine Arts(...)
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In this first English-language edition of Oscar Niemeyer’s memoirs, the architect reveals how his many passions – among them his large family, many friends, the sensuous landscape of Brazil, women, communism, art and literature – have influenced his life and in turn inspired his architecture. Born in Rio de Janeiro, Niemeyer graduated from the National School of Fine Arts(...)
Titre:
The curves of time : the memoirs of Oscar Niemeyer
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In this first English-language edition of Oscar Niemeyer’s memoirs, the architect reveals how his many passions – among them his large family, many friends, the sensuous landscape of Brazil, women, communism, art and literature – have influenced his life and in turn inspired his architecture. Born in Rio de Janeiro, Niemeyer graduated from the National School of Fine Arts in 1934. As a student he worked in the office of Lucio Costa, and on graduation he began collaborating with Le Corbusier on a new Ministry of Education and Health Building in Rio. Yet in contrast to the International Style, Niemeyer’s curvilinear forms reflected Brazil’s lush, undulating landscape and the emotive style of its music and dance. Here Niemeyer recounts his life in an informal, fluid narrative that moves from his childhood in Rio to friendships with intellectuals and politicians such as Jean-Paul Sartre and Fidel Castro, to tales of adventurous road trips. The book includes forty sketches by Niemeyer executed specially for these memoirs, a chronology of his life and career, notes and an index.
The curves of time : the memoirs of Oscar Niemeyer
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In this first English-language edition of Oscar Niemeyer’s memoirs, the architect reveals how his many passions – among them his large family, many friends, the sensuous landscape of Brazil, women, communism, art and literature – have influenced his life and in turn inspired his architecture. Born in Rio de Janeiro, Niemeyer graduated from the National School of Fine Arts in 1934. As a student he worked in the office of Lucio Costa, and on graduation he began collaborating with Le Corbusier on a new Ministry of Education and Health Building in Rio. Yet in contrast to the International Style, Niemeyer’s curvilinear forms reflected Brazil’s lush, undulating landscape and the emotive style of its music and dance. Here Niemeyer recounts his life in an informal, fluid narrative that moves from his childhood in Rio to friendships with intellectuals and politicians such as Jean-Paul Sartre and Fidel Castro, to tales of adventurous road trips. The book includes forty sketches by Niemeyer executed specially for these memoirs, a chronology of his life and career, notes and an index.
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livres
livres
Publication:
octobre 2000, London
octobre 2000, London
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livres soldés
livres soldés
Classification:
livres
livres
Titre:
Spacing Summer 2017
Spacing Summer 2017
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We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in(...)
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We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in(...)
Titre:
Spacing Summer 2017
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We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in a quickly intensifying city with soaring property values, Toronto is hard-pressed to create the parkland necessary to accommodate the needs of a growing population. Our contributors explore these themes in our 20-page cover section. You’ll also find engaging articles on the neurological reasons why we respond to certain architecture styles, how purpose-built apartments after World War I opened up independent city-living for women, where all of the building permits have been issued in the city over the last 20 years, why local comic artists are using Toronto as the setting in their stories, and how Mayor John Tory has made four horrible decisions that Torontonians will have to live with for generations.
Spacing Summer 2017
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We all know the role of public parks in the health and vitality of a major city: they provide space for recreation, help reduce the impact of harmful greenhouse gas emissions, and absorb runoff from heavy thaws or storms. Parks also help make a city more equal: they provide greenery, amenities, and spaces to socialize to all people, regardless of income or status. But in a quickly intensifying city with soaring property values, Toronto is hard-pressed to create the parkland necessary to accommodate the needs of a growing population. Our contributors explore these themes in our 20-page cover section. You’ll also find engaging articles on the neurological reasons why we respond to certain architecture styles, how purpose-built apartments after World War I opened up independent city-living for women, where all of the building permits have been issued in the city over the last 20 years, why local comic artists are using Toronto as the setting in their stories, and how Mayor John Tory has made four horrible decisions that Torontonians will have to live with for generations.
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livres
livres
Publication:
juillet 2017
juillet 2017
Sujet:
Revues
Revues
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livres
livres
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical(...)
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical(...)
Titre:
On the couch : a repressed history of the analytic couch from Plato to Freud
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn’t dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing.
On the couch : a repressed history of the analytic couch from Plato to Freud
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The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn’t dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing.
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livres
livres
Publication:
août 2017
août 2017
Classification:
livres
livres
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$27.95
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost,(...)
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2005, Minneapolis
janvier 2005, Minneapolis
Titre:
Filth : dirt, disgust, and modern life
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression. Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in "Filth" - all but one previously unpublished - range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, the fictional representation of labouring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. "Filth" provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself. Contributors: David S. Barnes, Neil Blackadder, Joseph Bristow, Joseph W. Childers, Eileen Cleere, Natalka Freeland, Pamela K. Gilbert, Christopher Hamlin, William Kupinse, Benjamin Lazier, David L. Pike, David Trotter.
Filth : dirt, disgust, and modern life
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$27.95
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"Filth" is concerned with what waste reveals about the culture that creates it. From floating barges of urban refuse to dung-encrusted works of art, from toxic landfills to dirty movies, filth has become a major presence and a point of volatile contention in modern life. This book explores the question of what filth has to do with culture: what critical role the lost, the rejected, the abject, and the dirty play in social management and identity formation. It suggests the ongoing power of culturally mandated categories of exclusion and repression. Focusing on filth in literary and cultural materials from London, Paris, and their colonial outposts in the nineteenth and early twentieth centuries, the essays in "Filth" - all but one previously unpublished - range over topics as diverse as the building of sewers in nineteenth-century European metropolises, the link between interior design and bourgeois sanitary phobias, the fictional representation of labouring women and foreigners as polluting, and relations among disease, disorder, and sexual-racial disharmony. "Filth" provides the first sustained consideration, both theoretical and historical, of a subject whose power to horrify, fascinate, and repel is as old as civilization itself. Contributors: David S. Barnes, Neil Blackadder, Joseph Bristow, Joseph W. Childers, Eileen Cleere, Natalka Freeland, Pamela K. Gilbert, Christopher Hamlin, William Kupinse, Benjamin Lazier, David L. Pike, David Trotter.
Classification:
livres
livres
Publication:
janvier 2005, Minneapolis
janvier 2005, Minneapolis
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$45.95
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Résumé:
Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage,(...)
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage,(...)
Publication:
octobre 2007, New York, London
octobre 2007, New York, London
Titre:
Preserving New York: winning the right to protect a City's landmark
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$45.95
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage, span from 1913 to 1965. Intended for the interested public as well as students of New York City history, architecture, and preservation itself, over 100 illustrations help reveal a history richer and more complex than the accepted myth that the landmarks law sprang from the wreckage of the great Pennsylvania Station. Images include those by noted historic photographers as well as those from newspaper accounts of the time. Forgotten civic leaders such as Albert S. Bard and lost buildings including the Brokaw Mansions, are unveiled in an extensively researched narrative bringing this essential episode in New Yorks history to futuregenerations tasked with protecting the citys landmarks. For the first time, the story of how New York won the right to protect its treasured buildings, neighborhoods and special places is brought together to enjoy, inform, and inspire all who love New York.
Preserving New York: winning the right to protect a City's landmark
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$45.95
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Preserving New York: Winning the Right to Protect A Citys Landmarks is the largely unknown inspiring story of the origins of New York Citys nationally acclaimed landmarks law. The decades of struggle behind the law, its intellectual origins, the men and women who fought for it, the forces that shaped it, and the buildings lost and saved on the way to its ultimate passage, span from 1913 to 1965. Intended for the interested public as well as students of New York City history, architecture, and preservation itself, over 100 illustrations help reveal a history richer and more complex than the accepted myth that the landmarks law sprang from the wreckage of the great Pennsylvania Station. Images include those by noted historic photographers as well as those from newspaper accounts of the time. Forgotten civic leaders such as Albert S. Bard and lost buildings including the Brokaw Mansions, are unveiled in an extensively researched narrative bringing this essential episode in New Yorks history to futuregenerations tasked with protecting the citys landmarks. For the first time, the story of how New York won the right to protect its treasured buildings, neighborhoods and special places is brought together to enjoy, inform, and inspire all who love New York.
Classification:
livres
livres
Publication:
octobre 2007, New York, London
octobre 2007, New York, London
