36154 Résultats
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Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition(...)
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Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition(...)
Titre:
La Tendenza : architectures italiennes, 1965-1985
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Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition "Architettura razionale", à la Triennale de Milan, formalise ce retour vers l'histoire qui, loin de l'abstraction du modernisme et de toute idée d'avant-garde, s'imposera comme une simple tendance, la Tendenza. Première publication sur ce courant spécifiquement italien, le catalogue illustre l'intense recherche graphique d'architectes (Carlo Aymonino, Aldo Rossi, Paolo Portoghesi, Franco Purini, Gianni Braghieri, le GRAU, Dario Passi, entre autres) cherchant à redéfinir la logique du projet architectural. Dirigé par Frédéric Migayrou et enrichi des recherches d'une nouvelle génération d'historiens, cet ouvrage s'interroge sur l'historicisation d'un mouvement dont l'apogée, marqué par la réalisation du Teatro del Monda (1979) par Aldo Rossi puis l'exposition "La Strada Novissima" (1980) organisée à Venise, contribua à la fortune critique mondiale d'un nouveau concept, le postmodernisme.
La Tendenza : architectures italiennes, 1965-1985
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Dès 1965, l'Institut universitaire d'architecture de Venise devient le centre d'un nouveau courant critique animé par Carlo Aymonino et Aldo Rossi qui, sous l'influence du mouvement structuraliste, revendique une approche linguistique de l'histoire de l'architecture, à travers les concepts de typologie architecturale et de morphologie urbaine. En 1973, l'exposition "Architettura razionale", à la Triennale de Milan, formalise ce retour vers l'histoire qui, loin de l'abstraction du modernisme et de toute idée d'avant-garde, s'imposera comme une simple tendance, la Tendenza. Première publication sur ce courant spécifiquement italien, le catalogue illustre l'intense recherche graphique d'architectes (Carlo Aymonino, Aldo Rossi, Paolo Portoghesi, Franco Purini, Gianni Braghieri, le GRAU, Dario Passi, entre autres) cherchant à redéfinir la logique du projet architectural. Dirigé par Frédéric Migayrou et enrichi des recherches d'une nouvelle génération d'historiens, cet ouvrage s'interroge sur l'historicisation d'un mouvement dont l'apogée, marqué par la réalisation du Teatro del Monda (1979) par Aldo Rossi puis l'exposition "La Strada Novissima" (1980) organisée à Venise, contribua à la fortune critique mondiale d'un nouveau concept, le postmodernisme.
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livres
livres
Publication:
juillet 2012
juillet 2012
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livres
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar(...)
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar(...)
Titre:
Marcel Dzama : the never known
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar Schlemmer. This volume, published for Dzama's exhibitions at Sies + Höke and Kunstverein Braunschweig, reproduces a wealth of new work, including images, stage sets, puppets, dioramas and sculptures from the films; a suite of ten drawings called Forgotten Terrorists (2008-2011), that draw on a photograph of the Palestinian terrorist and hijacker Leila Khaled; and other recent drawings, such as "Pepper Spray Saturday" (2011), an interpretation of the already iconic image of policeman John Pike pepper spraying Occupy protesters at University of California Davis.
Marcel Dzama : the never known
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Marcel Dzama's 2011 films A Game of Chess and Death Disco Dance revealed fascinating new developments in the artist's iconography and range of media--perhaps most notably in his use of puppets and dioramas, which added more playful qualities to his imagery of conflict and terror, and underscored his dialogue with modernist artists such as Duchamp, Man Ray and Oskar Schlemmer. This volume, published for Dzama's exhibitions at Sies + Höke and Kunstverein Braunschweig, reproduces a wealth of new work, including images, stage sets, puppets, dioramas and sculptures from the films; a suite of ten drawings called Forgotten Terrorists (2008-2011), that draw on a photograph of the Palestinian terrorist and hijacker Leila Khaled; and other recent drawings, such as "Pepper Spray Saturday" (2011), an interpretation of the already iconic image of policeman John Pike pepper spraying Occupy protesters at University of California Davis.
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livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Art canadien
Art canadien
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livres
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
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Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
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livres
livres
Publication:
août 2012
août 2012
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livres
livres
Titre:
Diane Borsato
Diane Borsato
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by(...)
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by(...)
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Diane Borsato
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by learning salsa, physics, first aid and beekeeping by way of Italian instruction. In "Terrestrial/Celestial," Borsato coordinated an unconventional exchange of observational practices--from opposite ends of the scale--between amateur mycologists and amateur astronomers. In a new work, "Walking Studio," Borsato proposes a different space for research and reflection with her mobile field study lab, comprised of a study center and fully functional sauna. This overview is published to accompany a solo exhibition at the Art Gallery of York University in 2012.
Diane Borsato
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Collaborating with a varied cast of characters--beekeepers, mycologists, astronomers, physicists, bees, cats, snowballs, tango dancers, passersby, plants, curators, hotel porters--Canadian artist Diane Borsato creates works that propose eccentric models for relating to one another and to the world. For her project "Italian Lessons," she attempted to learn Italian by learning salsa, physics, first aid and beekeeping by way of Italian instruction. In "Terrestrial/Celestial," Borsato coordinated an unconventional exchange of observational practices--from opposite ends of the scale--between amateur mycologists and amateur astronomers. In a new work, "Walking Studio," Borsato proposes a different space for research and reflection with her mobile field study lab, comprised of a study center and fully functional sauna. This overview is published to accompany a solo exhibition at the Art Gallery of York University in 2012.
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livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Art canadien
Art canadien
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livres
livres
Titre:
Sarah Crowner: format
Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often(...)
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often(...)
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Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often espoused the minimizing of the artist’s hand. Crowner’s first large-scale artist’s book extends this instinct for materiality to her vast archive of ephemera (magazines, publications, posters) from the 1920s through the 1940s, which she deploys here as a source material for the creation of new images that are built up through imposition, extraction, collaging and printing. Much like her paintings, the resulting works are geometrical and optical abstractions that bring fresh vigor to the tradition on which Crowner draws.
Sarah Crowner: format
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The paintings of New York artist Sarah Crowner (born 1974) have offered a new slant on the constructedness of the abstract-geometric painting as developed by Max Bill, Ellsworth Kelly, Agnes Martin and Elizabeth Murray. Crowner sews together painted panels of canvas, raw linen and monochromatic fabrics, introducing a handmade touch to modernist aesthetics that often espoused the minimizing of the artist’s hand. Crowner’s first large-scale artist’s book extends this instinct for materiality to her vast archive of ephemera (magazines, publications, posters) from the 1920s through the 1940s, which she deploys here as a source material for the creation of new images that are built up through imposition, extraction, collaging and printing. Much like her paintings, the resulting works are geometrical and optical abstractions that bring fresh vigor to the tradition on which Crowner draws.
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livres
livres
Publication:
septembre 2012
septembre 2012
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Shrigley applies his mordant humor to this tale of a surreal cooking show gone awry. Described as “daft and instantly lovable” by The Guardian, Pass the Spoon features two TV chefs (June Spoon and Philip Fork), a manic-depressive alcoholic egg, a Latino banana and a host of other bizarre characters. This publication accompanies the artist’s first major retrospective at(...)
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Shrigley applies his mordant humor to this tale of a surreal cooking show gone awry. Described as “daft and instantly lovable” by The Guardian, Pass the Spoon features two TV chefs (June Spoon and Philip Fork), a manic-depressive alcoholic egg, a Latino banana and a host of other bizarre characters. This publication accompanies the artist’s first major retrospective at(...)
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David Shrigley: pass this spoon
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Shrigley applies his mordant humor to this tale of a surreal cooking show gone awry. Described as “daft and instantly lovable” by The Guardian, Pass the Spoon features two TV chefs (June Spoon and Philip Fork), a manic-depressive alcoholic egg, a Latino banana and a host of other bizarre characters. This publication accompanies the artist’s first major retrospective at Yerba Buena Center in San Francisco, and the opera’s first performance in London.
David Shrigley: pass this spoon
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Shrigley applies his mordant humor to this tale of a surreal cooking show gone awry. Described as “daft and instantly lovable” by The Guardian, Pass the Spoon features two TV chefs (June Spoon and Philip Fork), a manic-depressive alcoholic egg, a Latino banana and a host of other bizarre characters. This publication accompanies the artist’s first major retrospective at Yerba Buena Center in San Francisco, and the opera’s first performance in London.
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livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Bouffe
Bouffe
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livres
livres
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
Publication:
août 2012
août 2012
Titre:
Skyscraper: Art and architecture against gravity
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
Skyscraper: Art and architecture against gravity
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This catalogue was published in conjunction with the exhibition "Skyscraper: Art and Architecture Against Gravity," organized by the Museum of Contemporary Art Chicago; curated by Michael Darling, James W. Alsdorf Chief Curator, and Joanna Szupinska, Marjorie Susman Curatorial Fellow; and presented at the Museum of Contemporary Art Chicago, June 30-September 23, 2012.
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livres
livres
Publication:
août 2012
août 2012
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livres
livres
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published(...)
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published(...)
Titre:
Hans Ulrich Obrist: the future will be
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli. Participants include A Yi, Nadim Abbas, Ai Weiwei, Daniel A. Bell, Cao Fei, Yung Ho Chang, Chen Jiaying, Chen Xiaoyun, Chen Man, Chen Wei, Cheng Ran, Cheng Wenhao, Chi Huisheng, Heman Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, Gao Lei, Gao Weigang, Ge Lei, Frank Gehry, Gu Dexin and many others.
Hans Ulrich Obrist: the future will be
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli. Participants include A Yi, Nadim Abbas, Ai Weiwei, Daniel A. Bell, Cao Fei, Yung Ho Chang, Chen Jiaying, Chen Xiaoyun, Chen Man, Chen Wei, Cheng Ran, Cheng Wenhao, Chi Huisheng, Heman Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, Gao Lei, Gao Weigang, Ge Lei, Frank Gehry, Gu Dexin and many others.
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livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
petits formats
petits formats
Classification:
livres
livres
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$55.00
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Charles Correa’s A Place in the Shade explores architectural and urban issues in India, from the house as a machine for dealing with the country’s often hostile climate to the metaphysical role of architecture as a “model of the cosmos.” This provocative and eminently readable collection of essays argues that the country’s habitat must respond to the overriding parameters(...)
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Charles Correa’s A Place in the Shade explores architectural and urban issues in India, from the house as a machine for dealing with the country’s often hostile climate to the metaphysical role of architecture as a “model of the cosmos.” This provocative and eminently readable collection of essays argues that the country’s habitat must respond to the overriding parameters(...)
Titre:
A place in the shade : the new landscape & other essays
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Charles Correa’s A Place in the Shade explores architectural and urban issues in India, from the house as a machine for dealing with the country’s often hostile climate to the metaphysical role of architecture as a “model of the cosmos.” This provocative and eminently readable collection of essays argues that the country’s habitat must respond to the overriding parameters of climate, culture and financial resources, and that our physical environment should accommodate both diversity and synergy. Over the last few decades, urban real estate has become the primary source of financing for political parties and the politicians who run them, and as Correa acknowledges, “you cannot look at cities without wandering into architecture on the one hand and politics on the other.” This book identifies the defining issues of the urbanization trends that are so rapidly transforming India.
A place in the shade : the new landscape & other essays
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Charles Correa’s A Place in the Shade explores architectural and urban issues in India, from the house as a machine for dealing with the country’s often hostile climate to the metaphysical role of architecture as a “model of the cosmos.” This provocative and eminently readable collection of essays argues that the country’s habitat must respond to the overriding parameters of climate, culture and financial resources, and that our physical environment should accommodate both diversity and synergy. Over the last few decades, urban real estate has become the primary source of financing for political parties and the politicians who run them, and as Correa acknowledges, “you cannot look at cities without wandering into architecture on the one hand and politics on the other.” This book identifies the defining issues of the urbanization trends that are so rapidly transforming India.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and(...)
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and(...)
Titre:
Soto: Paris and beyond, 1950-1970
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.
Soto: Paris and beyond, 1950-1970
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Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
