Decolonial environmentalisms: Climate justice and speculative futures in Latinx cultural production
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In "Decolonial environmentalisms", David Vázquez argues that the mainstream environmental movement is implicated in racial capitalism, not least through its ignorance of environmental justice as it pertains to Latinx people. Through close readings of eco-minded novels, films, visual art, and short stories by Chicanx, Puerto Rican, Dominican, Cuban American, Peruvian, and(...)
juillet 2025
Decolonial environmentalisms: Climate justice and speculative futures in Latinx cultural production
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$43.95
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In "Decolonial environmentalisms", David Vázquez argues that the mainstream environmental movement is implicated in racial capitalism, not least through its ignorance of environmental justice as it pertains to Latinx people. Through close readings of eco-minded novels, films, visual art, and short stories by Chicanx, Puerto Rican, Dominican, Cuban American, Peruvian, and Central American culture makers, Vázquez surfaces diverse Latinx visions for an equitable and sustainable humanity. In the creations of Helena María Viramontes, Ester Hernández, Salvador Plascencia, the printmaking collective Dominican York Proyecto GRAFICA, and others, Vázquez locates a bracing critique of racist elisions and assumptions in hegemonic environmentalist thought.
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Accelerationism is the bastard offspring of a furtive liaison between Marxism and science fiction. Its basic premise is that the only way out is the way through: to get beyond capitalism, we need to push its technologies to the point where they explode. This may be dubious as a political strategy, but it works as a powerful artistic program. Other authors have debated(...)
No speed limit: essays on accelerationsim
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Accelerationism is the bastard offspring of a furtive liaison between Marxism and science fiction. Its basic premise is that the only way out is the way through: to get beyond capitalism, we need to push its technologies to the point where they explode. This may be dubious as a political strategy, but it works as a powerful artistic program. Other authors have debated the pros and cons of accelerationist politics; 'No Speed Limit' makes the case for an accelerationist aesthetics. Our present moment is illuminated, both for good and for ill, in the cracked mirror of science-fictional futurity.
Théorie/ philosophie
Art and Cold Cash
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'Art and Cold Cash' – a multi-layered, creative investigation that took place from 2004 to 2007 – connected? contemporary art to discourses surrounding money in a series of artistic activities and experiments located in northern and southern Canada. Jack Butler, Sheila Butler and Patrick Mahon, three contemporary artists whose practices are normally situated in southern(...)
Art and Cold Cash
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'Art and Cold Cash' – a multi-layered, creative investigation that took place from 2004 to 2007 – connected? contemporary art to discourses surrounding money in a series of artistic activities and experiments located in northern and southern Canada. Jack Butler, Sheila Butler and Patrick Mahon, three contemporary artists whose practices are normally situated in southern Canada and internationally,? worked on the project in collaboration with writer Ruby Arngna’naaq and artists William Noah, two Inuit? members of the Art and Cold Cash Collective who lived through the change from a barter economy to? capitalism in Baker Lake, Nunavut, during the twentieth century.
Art canadien
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No longer are work and leisure separate realms. These days, playing is work and work demands play. This gamification of the workspace uses points, levels, and feedback, aiming to improve the worker’s engagement, boost productivity, facilitate learning, optimise systems, and more. Through the production of playful work, gamification shapes identities that fit the needs of(...)
Volume 56: Playbor. Powerplay,Playground
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No longer are work and leisure separate realms. These days, playing is work and work demands play. This gamification of the workspace uses points, levels, and feedback, aiming to improve the worker’s engagement, boost productivity, facilitate learning, optimise systems, and more. Through the production of playful work, gamification shapes identities that fit the needs of capitalism: enthusiastic, self-engaged, and self-exploitative subjects. This issue of ‘Volume’ is divided in two sections: ''Powerplay'', in which the renewed relations between work and leisure are explored, and ''Playground'', where the spatial implications of this recent focus on gaming are addressed.
Revues
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Commentaries Managing the Present Kristin Ross Mexico 1968: The Revolution of Shame Bruno Bosteels 'Liberate socialist eminences from their bourgeois cocks!' Lynne Segal Reviews Julian Bourg, From Revolution to Ethics: May ’68 and Contemporary French Thought Knox Peden Badiou, De Quoi Sarkozy est-il le nom? Circonstances Peter Hallward Naomi Klein,(...)
Radical Philosophy 149 may / june
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Commentaries Managing the Present Kristin Ross Mexico 1968: The Revolution of Shame Bruno Bosteels 'Liberate socialist eminences from their bourgeois cocks!' Lynne Segal Reviews Julian Bourg, From Revolution to Ethics: May ’68 and Contemporary French Thought Knox Peden Badiou, De Quoi Sarkozy est-il le nom? Circonstances Peter Hallward Naomi Klein, The Shock Doctrine: The Rise of Disaster Capitalism Robert Spencer John Roberts, The Intangibilities of Form: Skill and Deskilling in Art after the Readymade Steve Edwards Andrew Hemingway, ed., Marxism and the History of Art: From William Morris to the New Left Gail Day Joanna Hodge, Derrida on Time Jean-Paul Martinon
Revues
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Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as ''a single, neon-hued hallucination'', ''Laissez-Faire'' is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer(...)
Cristiano Volk : laissez-faire
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Alienation is often found at the heart of Italian photographer Cristiano Volk’s work, wherein the human experience is always central. Described by Volk as ''a single, neon-hued hallucination'', ''Laissez-Faire'' is a meticulously curated meditation in which he uses his camera to capture the signs and symbols of capitalism and commodity culture. Individuals no longer experience reality directly, but instead live their entire lives behind screens. He collapses the usual parameters that shape our worldly existences – day and night, inside and outside, public and private, digital and real – into a feverishly imagined new universe, vaguely menacing and drenched in a cyberpunk sheen.
Monographies photo
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Taking Henri Lefebvres 1967 essay, The Right to the City, as his jumping-off point, Harvey (Social Justice and the City) examines real estate booms and busts and predation on vulnerable populations; commodification of culture; neo-liberal capitalist dominance; and urban uprisings, from the Paris Commune to the massive 2006 protest against U.S. anti-immigrant policies to(...)
Rebel cities : from the right to the city to the urban revolution
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Taking Henri Lefebvres 1967 essay, The Right to the City, as his jumping-off point, Harvey (Social Justice and the City) examines real estate booms and busts and predation on vulnerable populations; commodification of culture; neo-liberal capitalist dominance; and urban uprisings, from the Paris Commune to the massive 2006 protest against U.S. anti-immigrant policies to urbanized peasants and mineworkers in El Alto, Bolivia, who organized themselves and instigated a progressive Bolivian government. He asks: Is there something about the urban process and the urban experience... under capitalism, that, in itself, has the potential to ground anti-capitalist struggles?
Théorie de l’urbanisme
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An anthology of essays and artistic contributions from more than 25 voices with diverse practices and backgrounds, this book is a response to climate change and the toxic politics of today. They highlight the urgent need for collective strategies and solidarity to protect the vulnerable and marginalised communities forced to endure the worst effects of climate crises(...)
octobre 2022
Climate: Our right to breathe
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An anthology of essays and artistic contributions from more than 25 voices with diverse practices and backgrounds, this book is a response to climate change and the toxic politics of today. They highlight the urgent need for collective strategies and solidarity to protect the vulnerable and marginalised communities forced to endure the worst effects of climate crises because of racialised capitalism. Opening with an introduction from the editors and ‘The Universal Right to Breathe’ by Achille Mbembe, the rest of the book is divided into four sections: ‘Commodification, Energy & Extraction,’ ‘Land & Food Sovereignty,’ ‘Toxicity & Healing,’ and ‘Shelters.’
Oil culture
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The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster(...)
Oil culture
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The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such as Giant, Sundown, Bernardo Bertolucci’s La Via del Petrolio, and Ben Okri’s “What the Tapster Saw”; corporate art, museum installations, and contemporary photography; and in apocalyptic visions of environmental disaster and science fiction. By considering oil as both a natural resource and a trope, the authors show how oil’s dominance is part of culture rather than an economic or physical necessity. Oil Culture sees beyond oil capitalism to alternative modes of energy production and consumption.
Théorie de l’architecture
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189 pages : illustrations (chiefly color) ; 18 cm
Paris : Parigramme, [2023], ©2023
Architectures industrielles : Paris et environs : 100 bâtiments remarquables / Marie Françoise Laborde.
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189 pages : illustrations (chiefly color) ; 18 cm
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Paris : Parigramme, [2023], ©2023