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While ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists widespread aesthetic and political engagement with environmental conditions and processes around the globe and looking at cutting-edge theoretical, political,(...)
Decolonizing nature : contemporary art and the politics of ecology
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While ecology has received little systematic attention within art history, its visibility and significance has grown in relation to the threats of climate change and environmental destruction. By engaging artists widespread aesthetic and political engagement with environmental conditions and processes around the globe and looking at cutting-edge theoretical, political, and cultural developments in the Global South and North Decolonizing Nature offers a significant, original contribution to the intersecting fields of art history, ecology, visual culture, geography, and environmental politics.
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241 pages : illustrations ; 23 cm
Brooklyn, NY : Common Notions, [2023], ©2023
Decolonize conservation : global voices for Indigenous self-determination, land, and a world in common / edited by Ashley Dawson, Fiore Longo, and Survival International.
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241 pages : illustrations ; 23 cm
livres
Brooklyn, NY : Common Notions, [2023], ©2023
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Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into(...)
septembre 2017
The mushroom at the end of the world: on the possiblity of life in capitalist ruins
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Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made? A tale of diversity within our damaged landscapes, "The mushroom at the end of the world" follows one of the strangest commodity chains of our times to explore the unexpected corners of capitalism. Here, we witness the varied and peculiar worlds of matsutake commerce: the worlds of Japanese gourmets, capitalist traders, Hmong jungle fighters, industrial forests, Yi Chinese goat herders, Finnish nature guides, and more. These companions also lead us into fungal ecologies and forest histories to better understand the promise of cohabitation in a time of massive human destruction. By investigating one of the world's most sought-after fungi, The Mushroom at the End of the World presents an original examination into the relation between capitalist destruction and collaborative survival within multispecies landscapes, the prerequisite for continuing life on earth.
$21.48
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This issue of "Harvard Design Magazine" treks into the woods to come to terms with its precarious status as habitat and resource, and to challenge assumptions about wood as material. We won’t be “out of the woods”—this looping conundrum—any time soon, even if the woods as we once knew it, and might still imagine it, has ceased to exist. At the intersection of wilderness,(...)
Harvard Design magazine 45: into the woods
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This issue of "Harvard Design Magazine" treks into the woods to come to terms with its precarious status as habitat and resource, and to challenge assumptions about wood as material. We won’t be “out of the woods”—this looping conundrum—any time soon, even if the woods as we once knew it, and might still imagine it, has ceased to exist. At the intersection of wilderness, urbanization, and myth, “Into the Woods” embraces contradiction, challenges destruction, and revisits our roots, biological and architectural alike.
Revues
Paris under water
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Jeffrey Jackson captures here for the first time the epic story of the great flood. In the winter of 1910, the river that brought life to Paris—the Seine—became a force of destruction in a matter of hours. while the sewers, Métro, and electricity failed around them, Parisians of all backgrounds rallied to save the city and one another. Improvising techniques to keep(...)
Paris under water
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Jeffrey Jackson captures here for the first time the epic story of the great flood. In the winter of 1910, the river that brought life to Paris—the Seine—became a force of destruction in a matter of hours. while the sewers, Métro, and electricity failed around them, Parisians of all backgrounds rallied to save the city and one another. Improvising techniques to keep Paris functioning and braving the dangers of collapsing infrastructure and looters, leaders and residents alike answered the call to action.
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"Three economies of transcendence" offers a sharp critique of how transcendence underpins the symbolic, economic, and environmental crises of the modern world. Andrea Righi identifies three distinct “economies of transcendence” that sustain neoliberal systems of power. Termed the economy of rank, the economy of infinite valorization, and the phallic economy of time, these(...)
Three economies of transcendence
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"Three economies of transcendence" offers a sharp critique of how transcendence underpins the symbolic, economic, and environmental crises of the modern world. Andrea Righi identifies three distinct “economies of transcendence” that sustain neoliberal systems of power. Termed the economy of rank, the economy of infinite valorization, and the phallic economy of time, these economies perpetuate hierarchies, sacrifices, and ecological destruction. Through this framework, Righi not only diagnoses the crisis but also proposes an immanent model of economy that fosters solidarity and is expressly pro-social and ecologically responsible.
Théorie/ philosophie
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The escalation of ecological, military, and capitalist destruction has dominated current developments in many places. This issue of TEXTE ZUR KUNST puts forward two psychanalytical concepts that lend themselves to describing destructive tendencies, as well as to possible ways of redirecting aggression away from violence and into creative work: the death drive and(...)
Texte zur kunst 137 : Death drive and sublimation
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The escalation of ecological, military, and capitalist destruction has dominated current developments in many places. This issue of TEXTE ZUR KUNST puts forward two psychanalytical concepts that lend themselves to describing destructive tendencies, as well as to possible ways of redirecting aggression away from violence and into creative work: the death drive and sublimation. Contributions subject these concepts to a discursive stress test and set them in relation to historical and contemporary examples of artistic production. Although this does not alleviate structural hopelessness and its affective dimension, it makes these amenable to negotiation.
Revues
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De Portzamparc et Sollers se connaissent depuis vingt ans et parlent ensemble de leurs passions communes : la poésie, l'architecture. C'est l'événement du 11 Septembre qui ouvre ce dialogue sur cette interrogation béante face à laquelle cela nous a laissé : à quelle destruction avons nous assisté ce jour-là ? Est-ce la fin d'un monde, et de quel monde ? Pourquoi,(...)
Théorie de l’architecture
septembre 2003, Paris
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De Portzamparc et Sollers se connaissent depuis vingt ans et parlent ensemble de leurs passions communes : la poésie, l'architecture. C'est l'événement du 11 Septembre qui ouvre ce dialogue sur cette interrogation béante face à laquelle cela nous a laissé : à quelle destruction avons nous assisté ce jour-là ? Est-ce la fin d'un monde, et de quel monde ? Pourquoi, comment a-t-on inventé la rue ? le café ? la place ? La musique est-elle de même essence que l'architecture ? Préface de Hélène Bleskine qui a pensé, originellement, à cette rencontre entre l'architecte et l'écrivain.
Théorie de l’architecture
Delirious
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its(...)
octobre 2017
Delirious
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Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, "Delirious" situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology—along with fear of its capability to promote mass destruction—developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means. Disturbing and challenging, these works upended traditional notions of aesthetic harmony.
Étapes 246
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Il est une frontière entre un monde ou l’expérimentation, l’erreur, la remise en cause et la destruction sont encouragés, et un univers dans lequel la maîtrise des compétences et le contrôle de soi constituent des jalons essentiels. Fidèle à ce rendez vous annuel, la rédaction du magazine a sélectionné pour ce numéro spécial 50 projets de diplômes européens issus des(...)
Étapes 246
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$39.95
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Il est une frontière entre un monde ou l’expérimentation, l’erreur, la remise en cause et la destruction sont encouragés, et un univers dans lequel la maîtrise des compétences et le contrôle de soi constituent des jalons essentiels. Fidèle à ce rendez vous annuel, la rédaction du magazine a sélectionné pour ce numéro spécial 50 projets de diplômes européens issus des écoles d’art, de design et de communication. Ils renseignent sur les préoccupations et les motivations des futurs graphistes et designers et dessinent d’ores et déjà les contours du monde à venir.
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