1446 Résultats
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livres
livres
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Description:
107 pages ; 19 cm
Description:
107 pages ; 19 cm
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Berlin : Sternberg Press, [2016], ©2016
Berlin : Sternberg Press, [2016], ©2016
Titre:
Crossbenching : toward participation as critical spatial practice / Markus Miessen.
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Description:
107 pages ; 19 cm
Crossbenching : toward participation as critical spatial practice / Markus Miessen.
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Description:
107 pages ; 19 cm
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livres
livres
Publication:
Berlin : Sternberg Press, [2016], ©2016
Berlin : Sternberg Press, [2016], ©2016
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audio
audio
Titre:
Nice Feeling Xmas 2013.
Nice Feeling Xmas 2013.
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1 online resource.
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[Place of publication not identified] : Junior Aspirin Records, 2013.
[Place of publication not identified] : Junior Aspirin Records, 2013.
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audio
audio
Publication:
[Place of publication not identified] : Junior Aspirin Records, 2013.
[Place of publication not identified] : Junior Aspirin Records, 2013.
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livres
livres
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Description:
63 pages : chiefly color illustrations ; 26 x 30 cm
Description:
63 pages : chiefly color illustrations ; 26 x 30 cm
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Millerton, New York : Aperture, [1982], [New York] : Distributed in the United States by Viking Penguin, Inc., [1982], New York : Printed by D.L. Terwilliger Company, Inc., [1982], ©1982
Millerton, New York : Aperture, [1982], [New York] : Distributed in the United States by Viking Penguin, Inc., [1982], New York : Printed by D.L. Terwilliger Company, Inc., [1982], ©1982
Titre:
Uncommon places : photographs / by Stephen Shore.
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Description:
63 pages : chiefly color illustrations ; 26 x 30 cm
Uncommon places : photographs / by Stephen Shore.
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Description:
63 pages : chiefly color illustrations ; 26 x 30 cm
Classification:
livres
livres
Publication:
Millerton, New York : Aperture, [1982], [New York] : Distributed in the United States by Viking Penguin, Inc., [1982], New York : Printed by D.L. Terwilliger Company, Inc., [1982], ©1982
Millerton, New York : Aperture, [1982], [New York] : Distributed in the United States by Viking Penguin, Inc., [1982], New York : Printed by D.L. Terwilliger Company, Inc., [1982], ©1982
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livres
livres
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UN / Giovanna Silva.
UN / Giovanna Silva.
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Description:
142 pages : illustrations ; 21 cm
Description:
142 pages : illustrations ; 21 cm
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Venezia : bruno, [2020].
Venezia : bruno, [2020].
Classification:
livres
livres
Publication:
Venezia : bruno, [2020].
Venezia : bruno, [2020].
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livres
livres
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Description:
353 pages : illustrations ; 29 cm
Description:
353 pages : illustrations ; 29 cm
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Publication:
Chichester, West Sussex : Wiley-Academy, 2002.
Chichester, West Sussex : Wiley-Academy, 2002.
Titre:
Encyclopaedia of architectural technology / Jacqueline Glass.
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Description:
353 pages : illustrations ; 29 cm
Encyclopaedia of architectural technology / Jacqueline Glass.
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Description:
353 pages : illustrations ; 29 cm
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livres
livres
Publication:
Chichester, West Sussex : Wiley-Academy, 2002.
Chichester, West Sussex : Wiley-Academy, 2002.
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livres
livres
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$22.99
(disponible sur commande)
Résumé:
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In "Now I sit me down", the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood(...)
$22.99
(disponible sur commande)
Résumé:
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In "Now I sit me down", the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood(...)
Titre:
Now I sit me down: from klismos to plastic chair, a natural history
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$22.99
(disponible sur commande)
Résumé:
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In "Now I sit me down", the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history—of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America—the BarcaLounger—traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues and no-nonsense ergonomic task chairs—they’re all here. The famous Danish furniture designer Hans Wegner once remarked, “A chair is only finished when someone sits in it.” As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
Now I sit me down: from klismos to plastic chair, a natural history
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Prix:
$22.99
(disponible sur commande)
Résumé:
Have you ever wondered where rocking chairs came from, or why cheap plastic chairs are suddenly everywhere? In "Now I sit me down", the distinguished architect and writer Witold Rybczynski chronicles the history of the chair from the folding stools of pharaonic Egypt to the ubiquitous stackable monobloc chairs of today. He tells the stories of the inventor of the bentwood chair, Michael Thonet, and of the creators of the first molded-plywood chair, Charles and Ray Eames. He reveals the history of chairs to be a social history—of different ways of sitting, of changing manners and attitudes, and of varying tastes. The history of chairs is the history of who we are. We learn how the ancient Chinese switched from sitting on the floor to sitting in a chair, and how the iconic chair of Middle America—the BarcaLounger—traces its roots back to the Bauhaus. Rybczynski weaves a rich tapestry that draws on art and design history, personal experience, and historical accounts. And he pairs these stories with his own delightful hand-drawn illustrations: colonial rockers and English cabrioles, languorous chaise longues and no-nonsense ergonomic task chairs—they’re all here. The famous Danish furniture designer Hans Wegner once remarked, “A chair is only finished when someone sits in it.” As Rybczynski tells it, the way we choose to sit and what we choose to sit on speak volumes about our values, our tastes, and the things we hold dear.
Classification:
livres
livres
Publication:
août 2017
août 2017
Sujet:
Théorie du design
Théorie du design
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Description:
approximately 12 linear ft.
Description:
approximately 12 linear ft.
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Ernest Cormier Library : periodicals, 1900-1980.
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approximately 12 linear ft.
Ernest Cormier Library : periodicals, 1900-1980.
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approximately 12 linear ft.
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artéfacts
artéfacts
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1 art original : plastic, color ; 16 cm (height) in plastic bag
Description:
1 art original : plastic, color ; 16 cm (height) in plastic bag
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Publication:
1995 (Milano : Domus)
1995 (Milano : Domus)
Titre:
Estate Gaetano Pesce al Florian, Venezia, 1995
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Description:
1 art original : plastic, color ; 16 cm (height) in plastic bag
Estate Gaetano Pesce al Florian, Venezia, 1995
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Description:
1 art original : plastic, color ; 16 cm (height) in plastic bag
Classification:
artéfacts
artéfacts
Publication:
1995 (Milano : Domus)
1995 (Milano : Domus)
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Classification:
audio
audio
Titre:
A Productivist Literature.
A Productivist Literature.
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Description:
1 online resource.
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Publication:
[Place of publication not identified] : Raven Row, 2015.
[Place of publication not identified] : Raven Row, 2015.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Raven Row, 2015.
[Place of publication not identified] : Raven Row, 2015.
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Classification:
livres
livres
Prix:
$47.50
(disponible sur commande)
Résumé:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological(...)
$47.50
(disponible sur commande)
Résumé:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological(...)
Titre:
Plastic capitalism: contemporary art and the drive to waste
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Prix:
$47.50
(disponible sur commande)
Résumé:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.
Plastic capitalism: contemporary art and the drive to waste
Actions:
Prix:
$47.50
(disponible sur commande)
Résumé:
Ecological crisis has driven contemporary artists to engage with waste in its most non-biodegradable forms: plastics, e-waste, toxic waste, garbage hermetically sealed in landfills. In this provocative and original book, Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking. Often, when art is analyzed in relation to the political, scientific, or ecological climate, it is considered merely illustrative. Boetzkes argues that art is constitutive of an ecological consciousness, not simply an extension of it. The visual culture of waste is central to the study of the ecological condition.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’art
Théorie de l’art
