8415 Résultats
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livres
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This provocative survey reveals how four of the most destructive dictatorships of the 20th century - Nazi Germany, Fascist Italy, Soviet Russia and Communist China - used graphic design to sell their messages. Explores each regime's distinctive strategies for seducing public opinion and infiltrating people's lives, in media ranging from logos, flags, typefaces and posters(...)
$49.95
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This provocative survey reveals how four of the most destructive dictatorships of the 20th century - Nazi Germany, Fascist Italy, Soviet Russia and Communist China - used graphic design to sell their messages. Explores each regime's distinctive strategies for seducing public opinion and infiltrating people's lives, in media ranging from logos, flags, typefaces and posters(...)
Titre:
Iron fists: Branding the 20th Century totalitarian state
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This provocative survey reveals how four of the most destructive dictatorships of the 20th century - Nazi Germany, Fascist Italy, Soviet Russia and Communist China - used graphic design to sell their messages. Explores each regime's distinctive strategies for seducing public opinion and infiltrating people's lives, in media ranging from logos, flags, typefaces and posters to children's books and figurines Remarkable archival photographs set the disturbingly powerful graphic devices in historical context. The perceptive text analyses how these four regimes established the most effective modes of visual propaganda, which were later adopted and adapted by many other dictatorships.
Iron fists: Branding the 20th Century totalitarian state
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This provocative survey reveals how four of the most destructive dictatorships of the 20th century - Nazi Germany, Fascist Italy, Soviet Russia and Communist China - used graphic design to sell their messages. Explores each regime's distinctive strategies for seducing public opinion and infiltrating people's lives, in media ranging from logos, flags, typefaces and posters to children's books and figurines Remarkable archival photographs set the disturbingly powerful graphic devices in historical context. The perceptive text analyses how these four regimes established the most effective modes of visual propaganda, which were later adopted and adapted by many other dictatorships.
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livres
livres
Publication:
mars 2011
mars 2011
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livres
livres
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$72.95
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After World War I, architects around the world aspired to transcend national boundaries devastated by conflicts, resulting in a flurry of artistic creativity. In Japan, a generation of young architects strove to create "international architecture," or kokusai kenchiku, a product of increasing international travel and communication, growth of the mass media, and(...)
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After World War I, architects around the world aspired to transcend national boundaries devastated by conflicts, resulting in a flurry of artistic creativity. In Japan, a generation of young architects strove to create "international architecture," or kokusai kenchiku, a product of increasing international travel and communication, growth of the mass media, and(...)
Titre:
International architecture in interwar Japan: constructing Kokusai Kenchiku
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After World War I, architects around the world aspired to transcend national boundaries devastated by conflicts, resulting in a flurry of artistic creativity. In Japan, a generation of young architects strove to create "international architecture," or kokusai kenchiku, a product of increasing international travel and communication, growth of the mass media, and technological innovation. Ken Tadashi Oshima traces the many interconnections between architects from Japan, Europe, and America and their designs during the interwar years by examining the careers and buildings of three leading modernists in Japan: Yamada Mamoru (1894-1966), Horiguchi Sutemi (1895-1984), and Antonin Raymond (1888-1976).
International architecture in interwar Japan: constructing Kokusai Kenchiku
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After World War I, architects around the world aspired to transcend national boundaries devastated by conflicts, resulting in a flurry of artistic creativity. In Japan, a generation of young architects strove to create "international architecture," or kokusai kenchiku, a product of increasing international travel and communication, growth of the mass media, and technological innovation. Ken Tadashi Oshima traces the many interconnections between architects from Japan, Europe, and America and their designs during the interwar years by examining the careers and buildings of three leading modernists in Japan: Yamada Mamoru (1894-1966), Horiguchi Sutemi (1895-1984), and Antonin Raymond (1888-1976).
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livres
livres
Publication:
janvier 2001
janvier 2001
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livres
livres
Titre:
The Baudrillard dictionary
The Baudrillard dictionary
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This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an overview of how his ideas have shaped a broad range of disciplines, from art,(...)
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This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an overview of how his ideas have shaped a broad range of disciplines, from art,(...)
Titre:
The Baudrillard dictionary
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This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an overview of how his ideas have shaped a broad range of disciplines, from art, architecture, film and photography to sociology, philosophy, human geography, media studies and cultural studies. The entries are written by 35 Baudrillard specialists from around the world, including Rex Butler, Mike Gane, Gary Genosko, Victoria Grace, Diane Rubenstein and Andrew Wernick.
The Baudrillard dictionary
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This is the first dictionary dedicated to the work of Jean Baudrillard (1929-2007). It explains and contextualises more than a hundred key concepts, terms, influences and topics within his thought. An essential reference for students and scholars of Baudrillard, it also serves as an overview of how his ideas have shaped a broad range of disciplines, from art, architecture, film and photography to sociology, philosophy, human geography, media studies and cultural studies. The entries are written by 35 Baudrillard specialists from around the world, including Rex Butler, Mike Gane, Gary Genosko, Victoria Grace, Diane Rubenstein and Andrew Wernick.
Classification:
livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Logo design 3
Logo design 3
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Diverse logos from around the world Everybody knows that the logo is a key branding element. A good one can glamorize just about anything, so it comes as no surprise that logo design is a crucial step in the development of a product or service. Each volume in the Logo Design series brings together diverse logos from around the world, organized into chapters by theme,(...)
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Diverse logos from around the world Everybody knows that the logo is a key branding element. A good one can glamorize just about anything, so it comes as no surprise that logo design is a crucial step in the development of a product or service. Each volume in the Logo Design series brings together diverse logos from around the world, organized into chapters by theme,(...)
Titre:
Logo design 3
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Diverse logos from around the world Everybody knows that the logo is a key branding element. A good one can glamorize just about anything, so it comes as no surprise that logo design is a crucial step in the development of a product or service. Each volume in the Logo Design series brings together diverse logos from around the world, organized into chapters by theme, such as creative industry, events, fashion, media, music, retailers, and service. A full index lists each logo’s company, designer, and designer’s website. Also included is a case study section, concentrating on logo application and development.
Logo design 3
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Diverse logos from around the world Everybody knows that the logo is a key branding element. A good one can glamorize just about anything, so it comes as no surprise that logo design is a crucial step in the development of a product or service. Each volume in the Logo Design series brings together diverse logos from around the world, organized into chapters by theme, such as creative industry, events, fashion, media, music, retailers, and service. A full index lists each logo’s company, designer, and designer’s website. Also included is a case study section, concentrating on logo application and development.
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livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Logos
Logos
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livres
livres
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An extensive monograph on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux. His architecture photographs - inspired in particular by the aesthetics of Le Corbusier - and his(...)
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An extensive monograph on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux. His architecture photographs - inspired in particular by the aesthetics of Le Corbusier - and his(...)
Titre:
Stéphane Couturier : melting point (continued)
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An extensive monograph on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux. His architecture photographs - inspired in particular by the aesthetics of Le Corbusier - and his cityscapes are the result of a special image construction that uses the media properties and possibilities of photography and film to create transitory states between documentation and fiction. Couturier asks engrossing questions about the nature of modernity. Images selected from series including Brasilia, Barcelone, Couvent La Tourette and La Havane.
Stéphane Couturier : melting point (continued)
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An extensive monograph on Stephane Couturier, who is undeniably one of the most important French contemporary photographers, an influential presence on the international exhibition scene since the mid-1990s with his large-format, brilliantly elaborated photographic tableaux. His architecture photographs - inspired in particular by the aesthetics of Le Corbusier - and his cityscapes are the result of a special image construction that uses the media properties and possibilities of photography and film to create transitory states between documentation and fiction. Couturier asks engrossing questions about the nature of modernity. Images selected from series including Brasilia, Barcelone, Couvent La Tourette and La Havane.
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livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$54.95
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Urbanisation is the driver behind China's economic, political and social advances, with the Chinese media reporting that 183 Chinese cities now aim to develop and present themselves as modern international metropolises. Via interviews, reports and photographs, the authors examine the characteristics and potential of these cities. The book examines what constitutes a(...)
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Urbanisation is the driver behind China's economic, political and social advances, with the Chinese media reporting that 183 Chinese cities now aim to develop and present themselves as modern international metropolises. Via interviews, reports and photographs, the authors examine the characteristics and potential of these cities. The book examines what constitutes a(...)
Publication:
février 2012
février 2012
Titre:
How the city moved to Mr Sun: China's new megacities
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Urbanisation is the driver behind China's economic, political and social advances, with the Chinese media reporting that 183 Chinese cities now aim to develop and present themselves as modern international metropolises. Via interviews, reports and photographs, the authors examine the characteristics and potential of these cities. The book examines what constitutes a contemporary world city, where skyscrapers and big populations must blend with an international reputation, a lively cultural life, and ethnic diversity. The authors investigate the extent to which these criteria are already being achieved in China, and how they impact on the country's vision of its urban future.
How the city moved to Mr Sun: China's new megacities
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Urbanisation is the driver behind China's economic, political and social advances, with the Chinese media reporting that 183 Chinese cities now aim to develop and present themselves as modern international metropolises. Via interviews, reports and photographs, the authors examine the characteristics and potential of these cities. The book examines what constitutes a contemporary world city, where skyscrapers and big populations must blend with an international reputation, a lively cultural life, and ethnic diversity. The authors investigate the extent to which these criteria are already being achieved in China, and how they impact on the country's vision of its urban future.
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livres
livres
Publication:
février 2012
février 2012
Classification:
livres
livres
Titre:
Counterblast, 1954 edition
Counterblast, 1954 edition
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In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive(...)
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In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive(...)
Titre:
Counterblast, 1954 edition
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In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive changes issuing from the same social forces, as Lewis had noted, but at the same time revealing the origins of McLuhan’s cultural probes, the basis of the model for media analysis that would find full expression in his writings through more than thirty years following the appearance of Counterblast.
Counterblast, 1954 edition
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Résumé:
In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive changes issuing from the same social forces, as Lewis had noted, but at the same time revealing the origins of McLuhan’s cultural probes, the basis of the model for media analysis that would find full expression in his writings through more than thirty years following the appearance of Counterblast.
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livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
October 140
October 140
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers.(...)
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers.(...)
Titre:
October 140
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard. Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors.
October 140
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard. Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors.
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livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
October 141
October 141
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Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media,(...)
$21.00
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Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media,(...)
Titre:
October 141
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$21.00
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Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard.
October 141
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Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Devin Fore, Hal Foster, Denis Hollier, David Joselit, Carrie Lambert-Beatty, Mignon Nixon, and Malcolm Turvey, Editors At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today’s artistic, intellectual, and critical vanguard.
Classification:
périodiques
périodiques
Publication:
octobre 2012
octobre 2012
Sujet:
Revues
Revues
Classification:
livres
livres
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$75.00
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Erik Göngrich is a Berlin-based artist who works with sculpture, drawing, photography, and other media. His interest lies in architecture and design, in how things are made and why, and in interactions with places. He therefore fills this book with numerous drawings, sketches and full-colour photographs, all of which revolve around the topic of the so-called(...)
$75.00
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Erik Göngrich is a Berlin-based artist who works with sculpture, drawing, photography, and other media. His interest lies in architecture and design, in how things are made and why, and in interactions with places. He therefore fills this book with numerous drawings, sketches and full-colour photographs, all of which revolve around the topic of the so-called(...)
Titre:
The beginning of the misunderstanding
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Erik Göngrich is a Berlin-based artist who works with sculpture, drawing, photography, and other media. His interest lies in architecture and design, in how things are made and why, and in interactions with places. He therefore fills this book with numerous drawings, sketches and full-colour photographs, all of which revolve around the topic of the so-called misunderstanding of Modernism and how urban settings and ideals can be put back on track through effective sculptural or monumental transformations of public space. Part manifesto, part research project, this book presents a fascinating re-imagination of Modernism’s failed and dilapidated legacy.
The beginning of the misunderstanding
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Erik Göngrich is a Berlin-based artist who works with sculpture, drawing, photography, and other media. His interest lies in architecture and design, in how things are made and why, and in interactions with places. He therefore fills this book with numerous drawings, sketches and full-colour photographs, all of which revolve around the topic of the so-called misunderstanding of Modernism and how urban settings and ideals can be put back on track through effective sculptural or monumental transformations of public space. Part manifesto, part research project, this book presents a fascinating re-imagination of Modernism’s failed and dilapidated legacy.
Classification:
livres
livres
Publication:
décembre 2012
décembre 2012
