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In a time when an estimated 1.2 billion people across the world lack access to secure housing, how are cities working to empower and promote the inclusion of all, irrespective of age, gender, ethnicity, disability and economic status? How is affordable housing bridging economic gaps across different social, political and cultural geographies, particularly for the 900(...)
Affordable housing, inclusive cities
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In a time when an estimated 1.2 billion people across the world lack access to secure housing, how are cities working to empower and promote the inclusion of all, irrespective of age, gender, ethnicity, disability and economic status? How is affordable housing bridging economic gaps across different social, political and cultural geographies, particularly for the 900 million individuals who live in slums? This volume explores the interface of social justice and city making through comparative discussions from Asia, Africa, Australia and Europe, as well as North, Central and South America. The thirty-six essays in this collection include conversations with influential administrators and civic leaders such as Somsook Boonyabancha and Jaime Lerner, with commentaries on transformative initiatives such as “Child Friendly Cities,” and “Women for the World,” and case studies of exemplary projects by globally known architects and planners such as Alejandro Aravena and MVRDV.
Théorie de l’urbanisme
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''On Petrocultures'' brings together key essays by Imre Szeman, a leading scholar in the field of energy humanities and a critical voice in debates about globalization and neoliberalism. Szeman's most important and influential essays, in dialogue with new pieces written for the book, investigate ever-evolving circuits of power in the contemporary world, as manifested in(...)
On petrocultures: globalization, culture and energy
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''On Petrocultures'' brings together key essays by Imre Szeman, a leading scholar in the field of energy humanities and a critical voice in debates about globalization and neoliberalism. Szeman's most important and influential essays, in dialogue with new pieces written for the book, investigate ever-evolving circuits of power in the contemporary world, as manifested in struggles over space and belonging, redefinitions of work and individual autonomy, and the deep links between energy use and climate change.
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The fourth edition of the ‘Intercalations’ series borrows its title from a 1972 science fiction novella by Ursula K. Le Guin posing ethical questions about ecocidal violence. In response to their violent destruction, which characterises our current epoch, these pages traverse woodlands by way of their semiotic, socio-political, historical, and epistemic incitements in(...)
The word for world is still forest : intercalations 4
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The fourth edition of the ‘Intercalations’ series borrows its title from a 1972 science fiction novella by Ursula K. Le Guin posing ethical questions about ecocidal violence. In response to their violent destruction, which characterises our current epoch, these pages traverse woodlands by way of their semiotic, socio-political, historical, and epistemic incitements in order to reveal how practices of care, concern, and attention enable humans to inhabit this world and flourish. The exercise creates space to consider how forests can enable experiences of elegance, affirmation, and creation for a multitude of creatures. Includes contributions by Pedro Neves Margues, Eduardo Kohn, and more.
Théorie/ philosophie
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The ‘Intercalations’ series is an experimental foray exploring the structure of the book as a potential curatorial space. This third instalment, co-edited by Anna-Sophie Springer and Etienne Turpin, unfolds an itinerant encounter with 19th-century European naturalists in the Malay world, where the theory of evolution by natural selection emerged alongside less celebrated(...)
Reverse hallucinations in the archipelago: intercalations 3
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The ‘Intercalations’ series is an experimental foray exploring the structure of the book as a potential curatorial space. This third instalment, co-edited by Anna-Sophie Springer and Etienne Turpin, unfolds an itinerant encounter with 19th-century European naturalists in the Malay world, where the theory of evolution by natural selection emerged alongside less celebrated concerns about mass extinction and climate change. By re-considering the condition of colonial science in the tropics, we may find particular relevance for confronting forms of neo-colonisation in the Anthropocene. With contributions by George Beccaloni, Lucy Davis, Paulo Tavares, Rachel Thompson, and several others.
Théorie/ philosophie
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
The work of wind : air, land, sea
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While the title might suggest a project about weather, the contributions address the forces of composition and decomposition predicated on the complex entanglements of ecologies of excess, environmental legacies of colonialism, the financialization of nature, contemporary catastrophism, and politics of sustainability, climate justice, and resilience.
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In 1990 the collaborative practice of Rafael Aranda, Carme Pigem, and Ramon Vilalta was invited to visit Japan for three weeks and participate in an architectural competition. Published with an exhibition at Toto Gallery MA, this volume celebrates the dynamic dialogue that has since emerged between Japan and the Catalonian office. It is a close examination of the project(...)
RCR Arquitectes: geography of dreams
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In 1990 the collaborative practice of Rafael Aranda, Carme Pigem, and Ramon Vilalta was invited to visit Japan for three weeks and participate in an architectural competition. Published with an exhibition at Toto Gallery MA, this volume celebrates the dynamic dialogue that has since emerged between Japan and the Catalonian office. It is a close examination of the project La Vila and Paper Pavilion, where we can collectively learn and experience nature on a vast site with a research facility, workshop, and more.
Architecture, monographies
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As in the eponymous exhibition at Mori Art Museum, this volume examines the characteristics of ancient and classical Japanese architecture in a very ambitious attempt to elucidate the major currents of the nation’s architecture from the perspectives of how its genealogies have spread internationally, the pioneering figures in the process, and the mechanisms behind the(...)
Japan in architecture: genealogies of its transformation
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As in the eponymous exhibition at Mori Art Museum, this volume examines the characteristics of ancient and classical Japanese architecture in a very ambitious attempt to elucidate the major currents of the nation’s architecture from the perspectives of how its genealogies have spread internationally, the pioneering figures in the process, and the mechanisms behind the continued expansion of these genealogies today. It documents 100 projects across nine thematic sections, including materials, models, documents, and interactive installations. Nine stories which are ultimately hypothetical ones, in hopes that they will lead to new discussions and visions for the future of Japan.
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Issue four of ''Archives'' collects the most recent projects by acclaimed Portuguese architect and winner of the 2011 Pritzker Prize Eduardo Souto de Moura (born 1952), who was awarded the Golden Lion for the best project on show at the 16th Venice Architecture Biennale (2018), and who was commissioned by the Vatican City to build a temporary chapel.
Souto de Moura. Archives Journal of Architecture 4
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Issue four of ''Archives'' collects the most recent projects by acclaimed Portuguese architect and winner of the 2011 Pritzker Prize Eduardo Souto de Moura (born 1952), who was awarded the Golden Lion for the best project on show at the 16th Venice Architecture Biennale (2018), and who was commissioned by the Vatican City to build a temporary chapel.
Architecture, monographies
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In featuring the Flemish practice of Jan De Vylder, Inge Vinck, and Jo Taillieu, this edition of ‘Archives’ provides an opportunity to highlight the importance of context and drawing. Context is a concept which appears constantly in their conversations and writings, one that the architects explain is not as limiting a term as many might think. The drawings herein offer(...)
Architecten De Vylder Vinck Taillieu
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In featuring the Flemish practice of Jan De Vylder, Inge Vinck, and Jo Taillieu, this edition of ‘Archives’ provides an opportunity to highlight the importance of context and drawing. Context is a concept which appears constantly in their conversations and writings, one that the architects explain is not as limiting a term as many might think. The drawings herein offer precise analyses of the projects the office has undertaken, represented in different forms, through various mediums, layered drawings and paperwork.
Architecture, monographies
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This publication presents legendary American photographer Berenice Abbott's work in three categories: her portraits, photographs of the city and scientific photographs. The opening section presents Abbott's portraits of mold-breaking individuals who changed the world from the mid-1920s onward such as Djuna Barnes, the New Yorker's Janet Flanner, Jean Cocteau and James(...)
Berenice Abott: portraits of modernity
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This publication presents legendary American photographer Berenice Abbott's work in three categories: her portraits, photographs of the city and scientific photographs. The opening section presents Abbott's portraits of mold-breaking individuals who changed the world from the mid-1920s onward such as Djuna Barnes, the New Yorker's Janet Flanner, Jean Cocteau and James Joyce. The second part offers a portrait of New York which takes into account Abbott's relations with and her fascination for the work of Eugène Atget by including an introductory group of his photographs, which she printed from his negatives. The third and final section focuses on Abbott's scientific photographs, which she started to produce in the late 1940s.
Monographies photo