$66.99
(disponible en magasin)
Résumé:
Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and(...)
Decentring the museum: Contemporary art institutions and colonial legacies
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Prix:
$66.99
(disponible en magasin)
Résumé:
Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Humboldt Forum in Berlin and the British Museum), which are engaged in debates about the colonial histories of their collections, and of small-scale art spaces (such as La Colonie in Paris or Savvy Contemporary in Berlin), which have the flexibility to initiate different kinds of conversation – for example, by programming exhibitions and events in collaboration with local diasporic communities from the global south.
Muséologie
$49.95
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Résumé:
Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of(...)
Colonial Modern: Aesthetics of the past, rebellions for the future
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Prix:
$49.95
(disponible sur commande)
Résumé:
Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of modernization in architecture and urban planning, as well as on the highly charged intertwining of both in the context of colonialism and decolonization. It is based on the exhibition In the Desert of Modernity: Colonial Planning and After , which traced these connected histories of modern architecture and urban planning in colonial northern Africa and Europe, and was first exhibited in 2008 at the Haus der Kulturen der Welt in Berlin, Germany. The book reflects contemporary research into architectural modernism and colonialism, and utilizes the thesis of “negotiated modernism” to initiate new debates on conceptions of modernism and, inevitably, postmodernism in an interdisciplinary context.
Modernisme