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icam print is published every two years. The themes are generated during the icam conferences and imerse in major topics eg. digitizing, education or exhibiting architecture. It contains interviews with key figures of the architecture scene, introduces member institutions and serves as information platform for members.
icam print 01 2006, international confederation of architectural museums
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icam print is published every two years. The themes are generated during the icam conferences and imerse in major topics eg. digitizing, education or exhibiting architecture. It contains interviews with key figures of the architecture scene, introduces member institutions and serves as information platform for members.
livres
Studio works 12
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The aim of Studio Works is to capture the essential character of the design studio experience at the Harvard University Graduate School of Design. It provides both an overview and vignettes of the life of design students at Harvard, and an archive of their speculations and deliberations. Studio Works 12 features outstanding GSD student work from school years 2005–2006(...)
mai 2008
Studio works 12
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The aim of Studio Works is to capture the essential character of the design studio experience at the Harvard University Graduate School of Design. It provides both an overview and vignettes of the life of design students at Harvard, and an archive of their speculations and deliberations. Studio Works 12 features outstanding GSD student work from school years 2005–2006 and 2006–2007, along with material documenting exhibitions, research seminars, and thesis projects.
livres
mai 2008
livres
$75.00
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What meanings do buildings and places convey to the people who use and visit them? Too often, design competitions and signature architecture result in costly eyesores that do not work. These studies, from those specific to the Wexner Center to those of historical significance, point towards a new method for shaping the visual form of buildings, places, and cities.
Design by competition : making design competition work
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What meanings do buildings and places convey to the people who use and visit them? Too often, design competitions and signature architecture result in costly eyesores that do not work. These studies, from those specific to the Wexner Center to those of historical significance, point towards a new method for shaping the visual form of buildings, places, and cities.
livres
avril 1999, Cambridge
Center Pompidou
$109.00
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L'histoire du projet est reconstruite chronologiquement, de la première inspection du site à l'ouverture officielle du bâtiment, à travers des croquis, dessins, modèles, notes et bilans de construction. This book is a real journey through the conception of the Centre Pompidou, with the presentation of the unpublished archives from the Renzo PIano Building Workshop.
décembre 2017
Center Pompidou
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L'histoire du projet est reconstruite chronologiquement, de la première inspection du site à l'ouverture officielle du bâtiment, à travers des croquis, dessins, modèles, notes et bilans de construction. This book is a real journey through the conception of the Centre Pompidou, with the presentation of the unpublished archives from the Renzo PIano Building Workshop.
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This book is a journey along the history of architectural structures over the last 150 years, taking the World Expos as an original unifying thread. Nevertheless, it does not solely focus on the exhibition buildings; on the contrary, these are continuously being related to buildings beyond the scope of the Expos, thus ultimately providing a general vision of the history(...)
World expos: a history of structrures
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This book is a journey along the history of architectural structures over the last 150 years, taking the World Expos as an original unifying thread. Nevertheless, it does not solely focus on the exhibition buildings; on the contrary, these are continuously being related to buildings beyond the scope of the Expos, thus ultimately providing a general vision of the history of modern structures. This essay is destined to become an essential work of reference within the history of architectural structures.
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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986— the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several(...)
Architecture and design at the Museum of Modern Art: Arthur Drexler years 1951-1986
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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986— the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA's founding director, Alfred Barr, and the department's first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. Drawing on rigorous archival research as well as author Thomas S. Hines's firsthand experience working with Drexler, ''Architecture and Design at the Museum of Modern Art'' analyzes how MoMA became a touchstone for the practice and study of midcentury architecture.
Musée immédiat : photographier les pays de l'Est de l'Europe en période de transition culturelle
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Ce livre aborde le phénomène de mise en musée immédiate de situations culturelles critiques/en transition (bouleversement constant des frontières, manipulation du passé culturel et historique, vagues artistiques autour de guerres et de conflits destructeurs) dans les pays de l’Est de l’Europe tels l’Ukraine, la Biélorussie et la Lettonie.
Musée immédiat : photographier les pays de l'Est de l'Europe en période de transition culturelle
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Ce livre aborde le phénomène de mise en musée immédiate de situations culturelles critiques/en transition (bouleversement constant des frontières, manipulation du passé culturel et historique, vagues artistiques autour de guerres et de conflits destructeurs) dans les pays de l’Est de l’Europe tels l’Ukraine, la Biélorussie et la Lettonie.
MoMA PS1 : a history
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Since its inception in the early 1970s, MoMA PS1 in Long Island City, Queens, has been a crucible for radical experimentation. Committed to New York City as well as to maintaining an international scope, PS1 has always put the artist at the center, engaging practitioners at work in every discipline from performance, music, dance, poetry and new media to painting,(...)
octobre 2019
MoMA PS1 : a history
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Since its inception in the early 1970s, MoMA PS1 in Long Island City, Queens, has been a crucible for radical experimentation. Committed to New York City as well as to maintaining an international scope, PS1 has always put the artist at the center, engaging practitioners at work in every discipline from performance, music, dance, poetry and new media to painting, sculpture, photography and architecture. This publication captures the vibrancy of a long and venerable tradition that began with the legendary series of performances and events organized by founder Alanna Heiss under the Brooklyn Bridge in 1971.
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a(...)
avril 2006, Ostfildern-Ruit
Harald Szeemann : exhibition maker
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Harald Szeemann (1933-2005) was one of the most influential curators of the recent past. An entire generation of curators has been inspired by his independent way of creating exhibitions and his emphatic method of presenting contemporary art. In retrospect, Szeemann's infallible interest in artistic loners with strong attitudes and powerful personalities seems like a vehement contradiction of the kind of art market that focuses on trends and movements. This volume describes the "Szeemann principle," the visions of an enlightened artistic curator, and provides an overview of the most important stations of his singular curatorial career: the legendary exhibitions "When Attitudes Become Form" and documenta 5, the great thematic explorations such as "Bachelor Machines" and "Der Hang zum Gesamtkunstwerk," his discovery of the young Eastern European scenes, and the Biennials in Venice, Lyon, and Seville.
Musée et muséologie
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Les musées sont devenus en une génération l’une des institutions culturelles les mieux considérées et les plus fréquentées à travers le monde. La préoccupation des publics, désormais centrale, illustre une politique de développement culturel tandis que la multiplication des collections nourrit une redéfinition des patrimoines. L’organisation des établissements, davantage(...)
décembre 2005, Paris
Musée et muséologie
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Les musées sont devenus en une génération l’une des institutions culturelles les mieux considérées et les plus fréquentées à travers le monde. La préoccupation des publics, désormais centrale, illustre une politique de développement culturel tandis que la multiplication des collections nourrit une redéfinition des patrimoines. L’organisation des établissements, davantage professionnelle, répond à des exigences politiques et sociales, mais aussi à des contraintes éthiques et communicationnelles inédites ; en particulier, les impératifs de la médiation et de l’exposition entraînent l’apparition de nouveaux métiers. L’analyse de l’institution s’inscrit au croisement de l’anthropologie de la culture, de la sociologie du travail ou des organisations, et de l’histoire des objets.