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157 pages ; 18 cm
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157 pages ; 18 cm
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Livorno : Per Marco Coltellini in via grande, MDCCLXIII [1763]
Livorno : Per Marco Coltellini in via grande, MDCCLXIII [1763]
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Livorno : Per Marco Coltellini in via grande, MDCCLXIII [1763]
Livorno : Per Marco Coltellini in via grande, MDCCLXIII [1763]
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[16], 296, [16] p., [30] folded leaves of plates : ill., plans ; 21 cm. (8vo)
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[16], 296, [16] p., [30] folded leaves of plates : ill., plans ; 21 cm. (8vo)
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Vindobonae : Typis, Joannis Thomae Trattner ..., 1764.
Vindobonae : Typis, Joannis Thomae Trattner ..., 1764.
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Elementa architecturae civilis in usum nobilium collegii regii Theresiani / conscripta a Joan. Bapt. Izzo S.J.
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[16], 296, [16] p., [30] folded leaves of plates : ill., plans ; 21 cm. (8vo)
Elementa architecturae civilis in usum nobilium collegii regii Theresiani / conscripta a Joan. Bapt. Izzo S.J.
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[16], 296, [16] p., [30] folded leaves of plates : ill., plans ; 21 cm. (8vo)
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Vindobonae : Typis, Joannis Thomae Trattner ..., 1764.
Vindobonae : Typis, Joannis Thomae Trattner ..., 1764.
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$24.95
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The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated(...)
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The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated(...)
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Badlands : new horizons in landscape
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The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated the natural landscape with art, movement, and performance; and in the 1990s, Eco-Artists collaborated with scientists to address sustainability, pollution, and politics. "Badlands" explores the latest manifestations of artists’ fascination with the earth, gathering work by contemporary artists who approach landscape through history, culture, and science. "Badlands", which accompanies an exhibition at MASS MoCA, approaches landscape as a theme with variations, grouping artists and their art (which is shown in 150 color illustrations) by category : Historians, who recontextualize the history of landscape depiction; Explorers, who explore the environment and our place within it; Activists and Pragmatists, who alert us to problems in the natural world and suggest solutions; and the Aestheticists, who look at the beauty found in nature. Each section begins with an essay : Gregory Volk maps the evolution of the genre from the Hudson River School to Earth Art; Ginger Strand examines the relationship between man and landscape through our cultural history; Tensie Whelan discusses environmental science, sustainability, and climate change; and Denise Markonish considers the new genre of landscape that emerges from the work displayed in Badlands. As a physical object, Badlands supports the values represented by its intellectual and artistic content: it was produced using FSC (Forest Stewardship Council) certified techniques including paper, printing, and inks. Artists: Robert Adams, Vaughn Bell, Boyle Family, Melissa Brown, Center for Land Use Interpretation, Leila Daw, Gregory Euclide, J. Henry Fair, Mike Glier, Anthony Goicolea, Marine Hugonnier, Paul Jacobsen, Mitchell Joachim/ Terreform, Nina Katchadourian, Jane Marsching, Alexis Rockman, Ed Ruscha, Joseph Smolinski, Yutaka Sone, Jennifer Steinkamp, Mary Temple. Copublished with MASS MoCA
Badlands : new horizons in landscape
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$24.95
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The artist's relationship to landscape was once invoked by a canvas on an easel in a picturesque vista. No more. In the 1960s, the Earth Artists started focusing on natural systems and entropy; in the 1970s, photographers in the New Topographics movement turned their attention unsentimentally to the industrialized "man-altered" environment; in the 1980s, artists animated the natural landscape with art, movement, and performance; and in the 1990s, Eco-Artists collaborated with scientists to address sustainability, pollution, and politics. "Badlands" explores the latest manifestations of artists’ fascination with the earth, gathering work by contemporary artists who approach landscape through history, culture, and science. "Badlands", which accompanies an exhibition at MASS MoCA, approaches landscape as a theme with variations, grouping artists and their art (which is shown in 150 color illustrations) by category : Historians, who recontextualize the history of landscape depiction; Explorers, who explore the environment and our place within it; Activists and Pragmatists, who alert us to problems in the natural world and suggest solutions; and the Aestheticists, who look at the beauty found in nature. Each section begins with an essay : Gregory Volk maps the evolution of the genre from the Hudson River School to Earth Art; Ginger Strand examines the relationship between man and landscape through our cultural history; Tensie Whelan discusses environmental science, sustainability, and climate change; and Denise Markonish considers the new genre of landscape that emerges from the work displayed in Badlands. As a physical object, Badlands supports the values represented by its intellectual and artistic content: it was produced using FSC (Forest Stewardship Council) certified techniques including paper, printing, and inks. Artists: Robert Adams, Vaughn Bell, Boyle Family, Melissa Brown, Center for Land Use Interpretation, Leila Daw, Gregory Euclide, J. Henry Fair, Mike Glier, Anthony Goicolea, Marine Hugonnier, Paul Jacobsen, Mitchell Joachim/ Terreform, Nina Katchadourian, Jane Marsching, Alexis Rockman, Ed Ruscha, Joseph Smolinski, Yutaka Sone, Jennifer Steinkamp, Mary Temple. Copublished with MASS MoCA
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septembre 2008, North Adams
septembre 2008, North Adams
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Jardins
Jardins
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$43.50
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The manner in which global trends affect cities and increase the instability in local environments with their own dynamics, is like letting a rising river loose on a house. Global trends create urban flotsam. Urban flotsam and its complex dynamics form a second skin of the earth. How is this second skin visible and how can it be put to use in the quest for new urban(...)
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The manner in which global trends affect cities and increase the instability in local environments with their own dynamics, is like letting a rising river loose on a house. Global trends create urban flotsam. Urban flotsam and its complex dynamics form a second skin of the earth. How is this second skin visible and how can it be put to use in the quest for new urban(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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octobre 1999, Rotterdam
octobre 1999, Rotterdam
Titre:
Urban flotsam : stirring the city
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The manner in which global trends affect cities and increase the instability in local environments with their own dynamics, is like letting a rising river loose on a house. Global trends create urban flotsam. Urban flotsam and its complex dynamics form a second skin of the earth. How is this second skin visible and how can it be put to use in the quest for new urban planning tools and policies? Who gives it form and sustains its organization? 'Urban Flotsam' is a book that attempts to answer these questions through examples, but in doing so it postulates the need for a more consistent way of answering them. The book addresses this need through the formation of an outline for a methodology. This methodology consists of four major parts: 1. How to see manifestations of global influences on local environments? 2. How to model them? 3. How to develop and communicate scenarios on the basis of this knowledge? 4. How to implement scenarios? The book contains a manifesto for a general debate of these issues, a more poetic setting of the theme of the second skin of the earth as urban phenomenon, short theoretical introductions to individual issues, case studies undertaken in urban situations and didactic exercises to demonstrate the need for research in a pedagogical context. The book is the first major publication by Chora architecture and urbanism, an independent research laboratory. Chora has built up a body of knowledge and experience through workshops, commissions, teaching and self-initiated studies which has led to the formulation of the methodology and practice outlined in 'Urban Flotsam'. Chora postulates that drastic reforms or innovations are necessary within the practice and education of architecture, urban design and urban planning in order to meet the challenges of the second skin and the demands of its inhabitants. Together with the artist Jeanne van Heeswijk it calls for a new practice called 'urban curation'.
Urban flotsam : stirring the city
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The manner in which global trends affect cities and increase the instability in local environments with their own dynamics, is like letting a rising river loose on a house. Global trends create urban flotsam. Urban flotsam and its complex dynamics form a second skin of the earth. How is this second skin visible and how can it be put to use in the quest for new urban planning tools and policies? Who gives it form and sustains its organization? 'Urban Flotsam' is a book that attempts to answer these questions through examples, but in doing so it postulates the need for a more consistent way of answering them. The book addresses this need through the formation of an outline for a methodology. This methodology consists of four major parts: 1. How to see manifestations of global influences on local environments? 2. How to model them? 3. How to develop and communicate scenarios on the basis of this knowledge? 4. How to implement scenarios? The book contains a manifesto for a general debate of these issues, a more poetic setting of the theme of the second skin of the earth as urban phenomenon, short theoretical introductions to individual issues, case studies undertaken in urban situations and didactic exercises to demonstrate the need for research in a pedagogical context. The book is the first major publication by Chora architecture and urbanism, an independent research laboratory. Chora has built up a body of knowledge and experience through workshops, commissions, teaching and self-initiated studies which has led to the formulation of the methodology and practice outlined in 'Urban Flotsam'. Chora postulates that drastic reforms or innovations are necessary within the practice and education of architecture, urban design and urban planning in order to meet the challenges of the second skin and the demands of its inhabitants. Together with the artist Jeanne van Heeswijk it calls for a new practice called 'urban curation'.
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octobre 1999, Rotterdam
octobre 1999, Rotterdam
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Théorie de l’urbanisme
Théorie de l’urbanisme
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A Blade of Grass 2020
A Blade of Grass 2020
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A Blade of Grass 2020
A Blade of Grass 2020
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Where 2014
Where 2014
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323 pages : color illustrations, plans ; 23 cm.
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323 pages : color illustrations, plans ; 23 cm.
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Novato, California : Applied Research and Design Publishing, [2021]
Novato, California : Applied Research and Design Publishing, [2021]
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Rem Koolhaas / OMA AMO : with / for Prada / Rem Koolhaas ; Benjamin Wilke, series editor.
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323 pages : color illustrations, plans ; 23 cm.
Rem Koolhaas / OMA AMO : with / for Prada / Rem Koolhaas ; Benjamin Wilke, series editor.
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323 pages : color illustrations, plans ; 23 cm.
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Novato, California : Applied Research and Design Publishing, [2021]
Novato, California : Applied Research and Design Publishing, [2021]
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Suprahuman.
Suprahuman.
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1 online resource
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[Place of publication not identified] : University of Chicago Arts, Science & Culture Initiative, 2017.
[Place of publication not identified] : University of Chicago Arts, Science & Culture Initiative, 2017.
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[Place of publication not identified] : University of Chicago Arts, Science & Culture Initiative, 2017.
[Place of publication not identified] : University of Chicago Arts, Science & Culture Initiative, 2017.
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80 pages : illustrations (chiefly color), plans ; 21 cm.
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80 pages : illustrations (chiefly color), plans ; 21 cm.
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[Novato, CA] : ORO Editions, [2017], ©2017
[Novato, CA] : ORO Editions, [2017], ©2017
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Binning House / Matthew Soules ; photography by Michael Perlmutter.
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80 pages : illustrations (chiefly color), plans ; 21 cm.
Binning House / Matthew Soules ; photography by Michael Perlmutter.
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80 pages : illustrations (chiefly color), plans ; 21 cm.
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[Novato, CA] : ORO Editions, [2017], ©2017
[Novato, CA] : ORO Editions, [2017], ©2017
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xvi, 239 pages : illustrations ; 21 cm.
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xvi, 239 pages : illustrations ; 21 cm.
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Cambridge, MA : MIT Press, ©2008.
Cambridge, MA : MIT Press, ©2008.
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Histories of the immediate present : inventing architectural modernism / Anthony Vidler.
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xvi, 239 pages : illustrations ; 21 cm.
Histories of the immediate present : inventing architectural modernism / Anthony Vidler.
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xvi, 239 pages : illustrations ; 21 cm.
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Cambridge, MA : MIT Press, ©2008.
Cambridge, MA : MIT Press, ©2008.
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