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Cette deuxième édition des Cahiers du Laboratoire d’Étude de l’Architecture Potentielle propose une réflexion sur l’un des problèmes centraux du Mouvement moderne et de la critique postmoderne : la tension entre l’hétéronomie et l’autonomie en architecture. This second edition of the LEAP Research Notebooks examines one of the central problems of the Modern Movement and(...)
Du potentiel de l'hétéronomie et de l'autonomie en architecture / On the potential of heteronomy and autonomy in architecture
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Cette deuxième édition des Cahiers du Laboratoire d’Étude de l’Architecture Potentielle propose une réflexion sur l’un des problèmes centraux du Mouvement moderne et de la critique postmoderne : la tension entre l’hétéronomie et l’autonomie en architecture. This second edition of the LEAP Research Notebooks examines one of the central problems of the Modern Movement and of its subsequent postmodern critique: the tension between heteronomy and autonomy in architecture.
Théorie de l’architecture
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Cahiers de recherche du LEAP Vol 3. Numéro coordonné par Carmela Cucuzzella +Cynthia Imogen Hammond + Chanelle Lalonde + Sherif Goubran. Research Notebooks Vol 3. Issue coordinated by Carmela Cucuzzella +Cynthia Imogen Hammond + Chanelle Lalonde + Sherif Goubran
Théorie de l’architecture
février 2019
Du potentiel du didactisme en architecture / On the potential of didacticism in architecture
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Cahiers de recherche du LEAP Vol 3. Numéro coordonné par Carmela Cucuzzella +Cynthia Imogen Hammond + Chanelle Lalonde + Sherif Goubran. Research Notebooks Vol 3. Issue coordinated by Carmela Cucuzzella +Cynthia Imogen Hammond + Chanelle Lalonde + Sherif Goubran
Théorie de l’architecture
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Designers today are striving to transform our relationship with the natural world. Although humans are intrinsically linked to nature, our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. As a result, designers are aligning(...)
Nature: collaborations in design
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Designers today are striving to transform our relationship with the natural world. Although humans are intrinsically linked to nature, our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. As a result, designers are aligning with biologists, engineers, agriculturists, environmentalists and many other specialists to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means.
Design industriel
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"Living with Charlotte Perriand" presents a catalog of the great designer’s work, object by object. Her chairs, tables and bookshelves in all their different iterations are seen here both up close and "at home," as installed in the living spaces of collectors. Photographs of both historical and contemporary settings show how Perriand’s furniture stands the test of time(...)
Living with Charlotte Perriand: the art of living
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"Living with Charlotte Perriand" presents a catalog of the great designer’s work, object by object. Her chairs, tables and bookshelves in all their different iterations are seen here both up close and "at home," as installed in the living spaces of collectors. Photographs of both historical and contemporary settings show how Perriand’s furniture stands the test of time and taste. Essays by François Laffanour and Cynthia Fleury provide a deeper insight into Perriand's work and retrace her life and collaboration with other great artists, designers and architects of her time, such as Le Corbusier and Jean Prouvé. Additionally, quotes from Perriand and the collectors who live with her designs are interpersed throughout the book.
Design, monographies
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Danish design is central to what has come to be known as the mid-century modern style; its iconic pieces are still considered classics and continue to inspire designers all over the world. But if pieces like Hans J. Wegner’s Y Chair (1950) and Finn Juhl’s Chieftain Chair (1949) carry an aura of timeless elegance now, they were born of a specific historical context. In a(...)
Furniture boom: mid-century modern Danish furniture
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Danish design is central to what has come to be known as the mid-century modern style; its iconic pieces are still considered classics and continue to inspire designers all over the world. But if pieces like Hans J. Wegner’s Y Chair (1950) and Finn Juhl’s Chieftain Chair (1949) carry an aura of timeless elegance now, they were born of a specific historical context. In a new postwar welfare society, the demand for new kinds of furniture for new kinds of homes, workplaces and public institutions was booming. Danish furniture designers, cabinetmakers and industrial furniture factories were ready to deliver, with figures like Wegner, Juhl, Arne Jacobsen, Børge Mogensen, Poul Kjærholm and Verner Panton each contributing their own unique vision of what postwar modernity would look like. “Furniture Boom: Mid-Century Modern Danish Furniture 1945–1975” offers a comprehensive overview of the style that changed the world.
Design, époques et styles
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Danish designers are renowned around the world for their beautiful and functional chairs. This substantial new book tells the full story of the Danish chairs that were created during the 20th century. “The Danish Chair: An International Affair” is structured around chair types and illustrates how the “golden age” of Danish furniture design was driven by the study and(...)
The Danish chair: an international affair
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Danish designers are renowned around the world for their beautiful and functional chairs. This substantial new book tells the full story of the Danish chairs that were created during the 20th century. “The Danish Chair: An International Affair” is structured around chair types and illustrates how the “golden age” of Danish furniture design was driven by the study and refinement of historical furniture types, including chairs from abroad that served as important sources of inspiration. It traces the family relations between the chairs and shows how they influenced each other in terms of detailing, construction and concept. Design was the cultural phenomenon that put Denmark on the world map in the mid-20th century. The international brand of Danish design arose in 1949 when American journalists began to write about the Danish furniture at the Copenhagen Cabinetmakers’ Guild exhibition.
Design, époques et styles
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"Soviet Asia" explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist(...)
Soviet Asia: Soviet modernist architecture in Central Asia
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"Soviet Asia" explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR. The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces—all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Gray concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics.
Modernisme
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a(...)
Paul Gauguin's intimate journals
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Unappreciated in his own lifetime, Paul Gauguin (1848–1903) is now recognized as one of the giants of French postimpressionism and a pioneer of early modernism. A rebel in both art and life, he rejected his bourgeois upbringing and comfortable stockbroker's job to devote his life to painting. Eventually, dismayed by the "hypocrisy of civilization" and in search of a primitive idyll, he left Paris and took up residence in the South Seas, first in Tahiti and, later, in the Marquesas Islands. He would never return to Europe. In the final months of his life, he wrote this witty, revealing autobiographical memoir with the request that it be published upon his death. It first appeared in the original French in 1918, and was translated into English three years later.
Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The(...)
Louise Bourgeois: Spiral
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In materials as diverse as wood, steel, bronze, latex, marble, plaster, resin, hemp, lead, ink, pencil, crayon, woodcut, watercolor and gouache, Louise Bourgeois (1911–2010) investigates every imaginable manifestation of the spiral, from graphic patterns to graphite whorls, wobbly orbits to chiseled vortices, twisted columns to coiling snakes, staircases and pyramids. The cursive blue-paper word drawings also included, in English and French, complement the purely visual works by conveying the spirit of Bourgeois' writing in extraordinary pictorial forms. Bourgeois called the spiral ''an attempt at controlling the chaos. It has two directions. Where do you place yourself, at the periphery or at the vortex?''
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures,(...)
Brancusi and Duchamp: the art of dialogue
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“Brancusi & Duchamp: The Art of Dialogue” explores the aesthetic dialogue between Constantin Brancusi (1876–1957) and Marcel Duchamp (1887–1968), two of the most inimitable artists of the 20th century. Brancusi and Duchamp struck up a friendship in the 1910s that endured for decades. This fully illustrated catalog by Paul B. Franklin presents a selection of 80 sculptures, objects, photographs, films and drawings from an international array of public and private collections, as well as a selection of rare archival documents. Highlights include one original Brancusi sculpture and four posthumous casts in polished bronze; numerous vintage photographic prints by the sculptor of some of his most iconic creations; several of Duchamp’s readymades; and other works including his chess treatise “Opposition and Sister Squares Are Reconciled” (1932), the cover of which he designed in collaboration with Brancusi.