939 Résultats
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livres
livres
Titre:
Exhibition design
Exhibition design
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Exhibition design has become a significant architectural way to present an idea or a product; to communicate its meaning; to show its beauty; and, ideally, to increase sales. This book shows how trade fair and exhibition design projects have evolved into a perfect demonstration of architectural art: an art that combines the forming of space with the use of materials and(...)
$40.95
(disponible sur commande)
Résumé:
Exhibition design has become a significant architectural way to present an idea or a product; to communicate its meaning; to show its beauty; and, ideally, to increase sales. This book shows how trade fair and exhibition design projects have evolved into a perfect demonstration of architectural art: an art that combines the forming of space with the use of materials and(...)
Publication:
juin 2006, Gloucester, MA
juin 2006, Gloucester, MA
Titre:
Exhibition design
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$40.95
(disponible sur commande)
Résumé:
Exhibition design has become a significant architectural way to present an idea or a product; to communicate its meaning; to show its beauty; and, ideally, to increase sales. This book shows how trade fair and exhibition design projects have evolved into a perfect demonstration of architectural art: an art that combines the forming of space with the use of materials and lighting to achieve a convincing narrative and setting. Whether we find them in trade fairs or in museums, this book gathers the best recent installations, featured through full-color pictures, drawing plans, and sketches; and supplemented with descriptive text with practical information on manufacturers, furniture, and materials.
Exhibition design
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$40.95
(disponible sur commande)
Résumé:
Exhibition design has become a significant architectural way to present an idea or a product; to communicate its meaning; to show its beauty; and, ideally, to increase sales. This book shows how trade fair and exhibition design projects have evolved into a perfect demonstration of architectural art: an art that combines the forming of space with the use of materials and lighting to achieve a convincing narrative and setting. Whether we find them in trade fairs or in museums, this book gathers the best recent installations, featured through full-color pictures, drawing plans, and sketches; and supplemented with descriptive text with practical information on manufacturers, furniture, and materials.
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livres
livres
Publication:
juin 2006, Gloucester, MA
juin 2006, Gloucester, MA
Classification:
livres
livres
Titre:
The Tate Modern handbook
The Tate Modern handbook
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$45.00
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A new revised edition of "The Tate Modern Handbook*, published in response to the first dramatic re-organisation of the gallery since 2000. Includes a new essay by Andrew Marr, an expanded A–Z of works in the collection, including recent acquisitions, and entries on over 120 artists as well as explanations of key terms in art and museology.
$45.00
(disponible sur commande)
Résumé:
A new revised edition of "The Tate Modern Handbook*, published in response to the first dramatic re-organisation of the gallery since 2000. Includes a new essay by Andrew Marr, an expanded A–Z of works in the collection, including recent acquisitions, and entries on over 120 artists as well as explanations of key terms in art and museology.
Publication:
novembre 2006, London
novembre 2006, London
Titre:
The Tate Modern handbook
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$45.00
(disponible sur commande)
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A new revised edition of "The Tate Modern Handbook*, published in response to the first dramatic re-organisation of the gallery since 2000. Includes a new essay by Andrew Marr, an expanded A–Z of works in the collection, including recent acquisitions, and entries on over 120 artists as well as explanations of key terms in art and museology.
The Tate Modern handbook
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$45.00
(disponible sur commande)
Résumé:
A new revised edition of "The Tate Modern Handbook*, published in response to the first dramatic re-organisation of the gallery since 2000. Includes a new essay by Andrew Marr, an expanded A–Z of works in the collection, including recent acquisitions, and entries on over 120 artists as well as explanations of key terms in art and museology.
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livres
livres
Publication:
novembre 2006, London
novembre 2006, London
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livres
livres
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$32.95
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The Royal Institute of British Architects'Awards are pershaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4(...)
$32.95
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Résumé:
The Royal Institute of British Architects'Awards are pershaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4(...)
Publication:
décembre 2006, London, New York
décembre 2006, London, New York
Titre:
Architecture 06 The Guide to the RIBA Awards
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$32.95
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The Royal Institute of British Architects'Awards are pershaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4 programme made by TalkbackTHAMES and presented by Kevin McCloud.
Architecture 06 The Guide to the RIBA Awards
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$32.95
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Résumé:
The Royal Institute of British Architects'Awards are pershaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4 programme made by TalkbackTHAMES and presented by Kevin McCloud.
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livres
livres
Publication:
décembre 2006, London, New York
décembre 2006, London, New York
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livres
livres
Prix:
$78.00
(disponible en magasin)
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The Fondation Cartier unveils their newest exhibition space in the center of Paris, designed by Pritzker Prize–winning architect Jean Nouvel. In October 2025, the Fondation Cartier opens the doors of its new venue in a historic building in Paris. French architect Jean Nouvel (born 1945) rethought the building's interiors to offer a modular architectural machine at the(...)
$78.00
(disponible en magasin)
Résumé:
The Fondation Cartier unveils their newest exhibition space in the center of Paris, designed by Pritzker Prize–winning architect Jean Nouvel. In October 2025, the Fondation Cartier opens the doors of its new venue in a historic building in Paris. French architect Jean Nouvel (born 1945) rethought the building's interiors to offer a modular architectural machine at the(...)
Publication:
janvier 2026
janvier 2026
Titre:
The Fondation Cartier pour l’art contemporain by Jean Nouvel
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$78.00
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Résumé:
The Fondation Cartier unveils their newest exhibition space in the center of Paris, designed by Pritzker Prize–winning architect Jean Nouvel. In October 2025, the Fondation Cartier opens the doors of its new venue in a historic building in Paris. French architect Jean Nouvel (born 1945) rethought the building's interiors to offer a modular architectural machine at the service of artistic creativity.
The Fondation Cartier pour l’art contemporain by Jean Nouvel
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Prix:
$78.00
(disponible en magasin)
Résumé:
The Fondation Cartier unveils their newest exhibition space in the center of Paris, designed by Pritzker Prize–winning architect Jean Nouvel. In October 2025, the Fondation Cartier opens the doors of its new venue in a historic building in Paris. French architect Jean Nouvel (born 1945) rethought the building's interiors to offer a modular architectural machine at the service of artistic creativity.
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livres
livres
Publication:
janvier 2026
janvier 2026
Classification:
livres
livres
Prix:
$75.00
(disponible sur commande)
Résumé:
Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay(...)
$75.00
(disponible sur commande)
Résumé:
Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay(...)
Publication:
janvier 2026
janvier 2026
Titre:
A Design for Continuity and Change: The Frick Collection
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$75.00
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Résumé:
Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay Frick, is one of New York City’s most beloved art institutions. Designed by Thomas Hastings of the New York firm of Carrère and Hastings, the original Fifth Avenue mansion was completed in 1914 and served the Frick family until 1931. With John Russell Pope’s expansion of the mansion in 1935, which included the addition of a library (today’s esteemed Frick Art Research Library), the residence was converted into a public museum. The goal of the renovation was to honor the architectural legacy and unique contemplative atmosphere of the Frick while adding new space and critical infrastructure updates. Visitors will enjoy the enhanced functionality of the institution, and its improved climate controls will ensure the preservation of the collection and the house for generations to come.
A Design for Continuity and Change: The Frick Collection
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Prix:
$75.00
(disponible sur commande)
Résumé:
Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay Frick, is one of New York City’s most beloved art institutions. Designed by Thomas Hastings of the New York firm of Carrère and Hastings, the original Fifth Avenue mansion was completed in 1914 and served the Frick family until 1931. With John Russell Pope’s expansion of the mansion in 1935, which included the addition of a library (today’s esteemed Frick Art Research Library), the residence was converted into a public museum. The goal of the renovation was to honor the architectural legacy and unique contemplative atmosphere of the Frick while adding new space and critical infrastructure updates. Visitors will enjoy the enhanced functionality of the institution, and its improved climate controls will ensure the preservation of the collection and the house for generations to come.
Classification:
livres
livres
Publication:
janvier 2026
janvier 2026
Classification:
livres
livres
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$63.00
(disponible en magasin)
Résumé:
A partir de documents d'archives et d'entretiens, B. Hamzeian rend compte des caractéristiques spécifiques du Centre Pompidou qui, à travers l'union de l'architecture, de l'ingénierie, de l'industrie, de la programmation et de l'informatique, incarne le concept de design total. Il met notamment en lumière les problématiques de l'architecture technomorphe. Au milieu des(...)
$63.00
(disponible en magasin)
Résumé:
A partir de documents d'archives et d'entretiens, B. Hamzeian rend compte des caractéristiques spécifiques du Centre Pompidou qui, à travers l'union de l'architecture, de l'ingénierie, de l'industrie, de la programmation et de l'informatique, incarne le concept de design total. Il met notamment en lumière les problématiques de l'architecture technomorphe. Au milieu des(...)
Titre:
Centre Pompidou : Le défi du total design
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$63.00
(disponible en magasin)
Résumé:
A partir de documents d'archives et d'entretiens, B. Hamzeian rend compte des caractéristiques spécifiques du Centre Pompidou qui, à travers l'union de l'architecture, de l'ingénierie, de l'industrie, de la programmation et de l'informatique, incarne le concept de design total. Il met notamment en lumière les problématiques de l'architecture technomorphe. Au milieu des années 1970, au coeur de paris, prend forme une oeuvre qui cristallise le rêve d'une époque, celui d'unir les compétences de l'architecture, de l'ingénierie, de l'industrie, de l'aéronautique, de la programmation et de l'informatique pour transformer un bâtiment en une machine hautement technologique et interactive. Intrinsèquement mobile et flexible, au service de la foule. Il s'agit du centre Pompidou. À la veille d'une des plus grandes transformations jamais entreprises sur cet ouvrage, et grâce à l'utilisation de documents d'archives et d'entretiens inédits, il est temps de reconstituer la genèse et la mise au point de ses composantes fondamentales : des moules d'acier colossales à la limite des capacités techniques de l'époque, des organes techniques transformés en figures architecturales, une façade tridimensionnelle conçue pour accueillir des écrans pour informer la foule métropolitaine, une piazza ancrée au coeur de paris pour recueillir son flux vital, et un aménagement muséal conçu pour des transformations continues. Retracer l'évolution de ces composants est la clé pour comprendre une approche holistique au projet de la construction qui porte le nom de total design.
Centre Pompidou : Le défi du total design
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Prix:
$63.00
(disponible en magasin)
Résumé:
A partir de documents d'archives et d'entretiens, B. Hamzeian rend compte des caractéristiques spécifiques du Centre Pompidou qui, à travers l'union de l'architecture, de l'ingénierie, de l'industrie, de la programmation et de l'informatique, incarne le concept de design total. Il met notamment en lumière les problématiques de l'architecture technomorphe. Au milieu des années 1970, au coeur de paris, prend forme une oeuvre qui cristallise le rêve d'une époque, celui d'unir les compétences de l'architecture, de l'ingénierie, de l'industrie, de l'aéronautique, de la programmation et de l'informatique pour transformer un bâtiment en une machine hautement technologique et interactive. Intrinsèquement mobile et flexible, au service de la foule. Il s'agit du centre Pompidou. À la veille d'une des plus grandes transformations jamais entreprises sur cet ouvrage, et grâce à l'utilisation de documents d'archives et d'entretiens inédits, il est temps de reconstituer la genèse et la mise au point de ses composantes fondamentales : des moules d'acier colossales à la limite des capacités techniques de l'époque, des organes techniques transformés en figures architecturales, une façade tridimensionnelle conçue pour accueillir des écrans pour informer la foule métropolitaine, une piazza ancrée au coeur de paris pour recueillir son flux vital, et un aménagement muséal conçu pour des transformations continues. Retracer l'évolution de ces composants est la clé pour comprendre une approche holistique au projet de la construction qui porte le nom de total design.
Classification:
livres
livres
Publication:
avril 2025
avril 2025
Classification:
livres
livres
Titre:
Experiment cyclebowl
Experiment cyclebowl
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$66.00
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Résumé:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to(...)
$66.00
(disponible sur commande)
Résumé:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to(...)
Publication:
juin 2002, Ludwigsburg
juin 2002, Ludwigsburg
Titre:
Experiment cyclebowl
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$66.00
(disponible sur commande)
Résumé:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to create a pavilion at the EXPO in Hanover which would reflect the company's vision of combining the product cycle with the environment and use of resources in a responsible way. The journey through this cycle is represented visually through the architecture and staging of the pavilion. Living plants, real objects, information, light and sound are brought together and provide an exciting backdrop for the dramatic highlight - a 25m high tornado which was generated every hour. This book shows primarily creative process leading to the final design and architecture of the Cyclebowl. Enhanced with technical details of the innovative facades, the publication is a fascinating documentation of architecture as a means of conveying ideas.
Experiment cyclebowl
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Prix:
$66.00
(disponible sur commande)
Résumé:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to create a pavilion at the EXPO in Hanover which would reflect the company's vision of combining the product cycle with the environment and use of resources in a responsible way. The journey through this cycle is represented visually through the architecture and staging of the pavilion. Living plants, real objects, information, light and sound are brought together and provide an exciting backdrop for the dramatic highlight - a 25m high tornado which was generated every hour. This book shows primarily creative process leading to the final design and architecture of the Cyclebowl. Enhanced with technical details of the innovative facades, the publication is a fascinating documentation of architecture as a means of conveying ideas.
Classification:
livres
livres
Publication:
juin 2002, Ludwigsburg
juin 2002, Ludwigsburg
Classification:
livres
livres
Titre:
Museums, society, inequality
Museums, society, inequality
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$52.95
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"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
$52.95
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Résumé:
"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
Publication:
janvier 1900, London / New York
janvier 1900, London / New York
Titre:
Museums, society, inequality
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$52.95
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"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
Museums, society, inequality
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$52.95
(disponible sur commande)
Résumé:
"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
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livres
livres
Publication:
janvier 1900, London / New York
janvier 1900, London / New York
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livres
livres
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$29.50
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Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has(...)
$29.50
(disponible sur commande)
Résumé:
Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has(...)
Publication:
mai 2002, Minneapolis
mai 2002, Minneapolis
Titre:
Culture incorporated : museums, artists, and corporate sponsorships
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$29.50
(disponible sur commande)
Résumé:
Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has blurred. These mergers of art, business, and museums, he argues, are examples of the worldwide privatization of cultural funding. In Culture Incorporated, Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. Rectanus exposes how sponsorship helps maintain social legitimation in a time when corporations are the target of significant criticism. He provides wide-ranging examples of artists and institutions grappling with corporate sponsorship, including artists' collaboration with sponsors, corporate sponsorship of museum exhibitions, festivals, and rock concerts, and cybersponsoring. Throughout, Rectanus analyzes the convergence of cultural institutions with global corporate politics and its influence on our culture and our communities. Mark W. Rectanus is professor of German at Iowa State University.
Culture incorporated : museums, artists, and corporate sponsorships
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Prix:
$29.50
(disponible sur commande)
Résumé:
Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has blurred. These mergers of art, business, and museums, he argues, are examples of the worldwide privatization of cultural funding. In Culture Incorporated, Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. Rectanus exposes how sponsorship helps maintain social legitimation in a time when corporations are the target of significant criticism. He provides wide-ranging examples of artists and institutions grappling with corporate sponsorship, including artists' collaboration with sponsors, corporate sponsorship of museum exhibitions, festivals, and rock concerts, and cybersponsoring. Throughout, Rectanus analyzes the convergence of cultural institutions with global corporate politics and its influence on our culture and our communities. Mark W. Rectanus is professor of German at Iowa State University.
Classification:
livres
livres
Publication:
mai 2002, Minneapolis
mai 2002, Minneapolis
Classification:
livres
livres
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$41.95
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Résumé:
"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite(...)
$41.95
(disponible sur commande)
Résumé:
"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite(...)
Publication:
janvier 2002, Paris
janvier 2002, Paris
Titre:
Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque
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$41.95
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"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite résonnance avec le régime d'industrialisation culturelle qui règle la fréquentation du patrimoine. Mais au-delà, c'est bien du devenir de l'institution muséale dont il est question. Plutôt que de prédire la disparition de l'institution au profit de son avatar virtuel, on choisit d'ancrer ici l'interrogation dans l'histoire des relations qui unissent l'oeuvre d'art et le musée, depuis deux siècles. L'extrême plasticité du musée est mise à jour : ne serait-il pas apte à conserver et légitimer les propositions d'un art numérique aussi délocalisé soit-il? Déjà rôdé à l'absorption d'oeuvres reproductibles, de traces ou d'intentions, le musée d'art contemporain déjoue perpétuellement sa fin prévisible. Cette fois-ci la métamorphose le porte du côté de la médiathèque. Le devenir du musée se nourrit d'une perception essentiellement documentaire du patrimoine artistique. Incorporé aux industries de la mémoire, le musée nous projette désormais dans un passé actualisé et un présent pérenne."
Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque
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Prix:
$41.95
(disponible sur commande)
Résumé:
"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite résonnance avec le régime d'industrialisation culturelle qui règle la fréquentation du patrimoine. Mais au-delà, c'est bien du devenir de l'institution muséale dont il est question. Plutôt que de prédire la disparition de l'institution au profit de son avatar virtuel, on choisit d'ancrer ici l'interrogation dans l'histoire des relations qui unissent l'oeuvre d'art et le musée, depuis deux siècles. L'extrême plasticité du musée est mise à jour : ne serait-il pas apte à conserver et légitimer les propositions d'un art numérique aussi délocalisé soit-il? Déjà rôdé à l'absorption d'oeuvres reproductibles, de traces ou d'intentions, le musée d'art contemporain déjoue perpétuellement sa fin prévisible. Cette fois-ci la métamorphose le porte du côté de la médiathèque. Le devenir du musée se nourrit d'une perception essentiellement documentaire du patrimoine artistique. Incorporé aux industries de la mémoire, le musée nous projette désormais dans un passé actualisé et un présent pérenne."
Classification:
livres
livres
Publication:
janvier 2002, Paris
janvier 2002, Paris
