863 Résultats
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livres
livres
Titre:
NEEN
NEEN
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
$42.00
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
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NEEN
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
NEEN
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
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livres
livres
Publication:
septembre 2006, Milan
septembre 2006, Milan
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livres
livres
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$68.00
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Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unité d’habitation built in Marseille in 1946-52. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most(...)
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Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unité d’habitation built in Marseille in 1946-52. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most(...)
Titre:
Le Cobusier, Unité d'Habitation Marseille. Opus 65
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Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unité d’habitation built in Marseille in 1946-52. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most significant buildings there has ever been, but it also triggered a great deal of controversy. Despite all the criticism, it obviously still offers functional advantages that make it easier for individuals and the community to live together. As well as this, the building also offers something special in terms of concrete spatial experience. In the age of a superficial 'adventure society' it claims the intensity of an everyday experience that is both casual and at the same time complex, embracing all the senses.
Le Cobusier, Unité d'Habitation Marseille. Opus 65
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Text in English and German. Third Revised Edition 2018. If there is one building by Le Corbusier that represents a synthesis of his basic concepts it is certainly the Unité d’habitation built in Marseille in 1946-52. This built manifesto does not simply put forward a social model as a utopia, but also the unity of architecture and town planning. It is one of the most significant buildings there has ever been, but it also triggered a great deal of controversy. Despite all the criticism, it obviously still offers functional advantages that make it easier for individuals and the community to live together. As well as this, the building also offers something special in terms of concrete spatial experience. In the age of a superficial 'adventure society' it claims the intensity of an everyday experience that is both casual and at the same time complex, embracing all the senses.
Classification:
livres
livres
Publication:
janvier 2008
janvier 2008
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$62.00
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to(...)
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to(...)
Titre:
Porocity: opening up solidity. the why factory.
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers? Twisting blocks? More than hypotheses, models and examples (as useful as these are), this book even proposes such tools as a computational means of calculating the degree of porosity of architecture, so that urban thinkers and urban doers can turn the critique upon their own cities.
Porocity: opening up solidity. the why factory.
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A new manifesto from the Why Factory, “Porocity: Opening Up Solidity” makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers? Twisting blocks? More than hypotheses, models and examples (as useful as these are), this book even proposes such tools as a computational means of calculating the degree of porosity of architecture, so that urban thinkers and urban doers can turn the critique upon their own cities.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$60.00
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This publication is the result of a year-long dialogue between British architect David Chipperfield (born 1953) and Swiss architect Simon Kretz (born 1982). The two began working together through the Rolex Mentor and Protégé Arts Initiative, in which Chipperfield mentored the younger architect for a year. This publication focuses on a single aspect of their(...)
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This publication is the result of a year-long dialogue between British architect David Chipperfield (born 1953) and Swiss architect Simon Kretz (born 1982). The two began working together through the Rolex Mentor and Protégé Arts Initiative, in which Chipperfield mentored the younger architect for a year. This publication focuses on a single aspect of their(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
juin 2018
juin 2018
Titre:
David Chipperfield & Simon Kretz: On planning, A thought experiment
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This publication is the result of a year-long dialogue between British architect David Chipperfield (born 1953) and Swiss architect Simon Kretz (born 1982). The two began working together through the Rolex Mentor and Protégé Arts Initiative, in which Chipperfield mentored the younger architect for a year. This publication focuses on a single aspect of their conversations—the problems and possibilities of planning. "On Planning" aims to intervene in the future of urban development, offering a manifesto for a relational, collective and diverse future for our cities. Using the Bishopsgate goods yard site in East London as a case study, Chipperfield and Kretz explore the conditions under which an ideal urban development project could flourish. The conclusions reached through this exercise demonstrate how future large-scale developments elsewhere could have more positive urban impact, both at the scale of the neighborhood and the wider metropolis.
David Chipperfield & Simon Kretz: On planning, A thought experiment
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$60.00
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Résumé:
This publication is the result of a year-long dialogue between British architect David Chipperfield (born 1953) and Swiss architect Simon Kretz (born 1982). The two began working together through the Rolex Mentor and Protégé Arts Initiative, in which Chipperfield mentored the younger architect for a year. This publication focuses on a single aspect of their conversations—the problems and possibilities of planning. "On Planning" aims to intervene in the future of urban development, offering a manifesto for a relational, collective and diverse future for our cities. Using the Bishopsgate goods yard site in East London as a case study, Chipperfield and Kretz explore the conditions under which an ideal urban development project could flourish. The conclusions reached through this exercise demonstrate how future large-scale developments elsewhere could have more positive urban impact, both at the scale of the neighborhood and the wider metropolis.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
Siteless 1001 building forms
Siteless 1001 building forms
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere.(...)
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere.(...)
Titre:
Siteless 1001 building forms
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.
Siteless 1001 building forms
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Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a discursive container for ideas that would otherwise be lost. Whatever genre it belongs to, SITELESS is a new kind of architecture book that seems to have come out of nowhere. Its author, a young French architect practicing in Tokyo, admits he "didn't do this out of reverence toward architecture, but rather out of a profound boredom with the discipline, as a sort of compulsive reaction." What would happen, he asks, if architects liberated their minds from the constraints of site, program, and budget? The result is a book that is saturated with forms, and as free of words as any architecture book the MIT Press has ever published.
Classification:
livres
livres
Publication:
mars 2008, Cambridge
mars 2008, Cambridge
Sujet:
Structures d’ingénierie
Structures d’ingénierie
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livres
livres
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to(...)
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to(...)
Titre:
Tibor Kalman : perverse optimist
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to characterize graphic design in the past decade. Tibor, designed by Michael Bierut of Pentagram and edited by I.D. Magazine senior writer Peter Hall, is the first comprehensive collection of Kalman's work and ideas. This full-color title--numbering over 400 pages--includes a pictorial manifesto by Kalman, revealing his thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included, creating what Kalman calls "an almanac of oddities." An impressive list of essay contributors includes Steven Heller, David Byrne, Jay Chiat, Kurt Andersen, Paola Antonelli, Isaac Mizrahi, Ingrid Sischy, Chee Pearlman, and Rick Poynor.
Tibor Kalman : perverse optimist
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$44.00
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Tibor Kalman, probably best known for the witty designs of his company M and his provocative work for Benetton's Colors magazine, defines the eclectic multidisciplinary approach that has come to characterize graphic design in the past decade. Tibor, designed by Michael Bierut of Pentagram and edited by I.D. Magazine senior writer Peter Hall, is the first comprehensive collection of Kalman's work and ideas. This full-color title--numbering over 400 pages--includes a pictorial manifesto by Kalman, revealing his thoughts on magazines, advertising, sex, bookstores, food, and the design profession. Product designs, stills and storyboards from his film and video projects, and spreads from his book and magazine work are included, creating what Kalman calls "an almanac of oddities." An impressive list of essay contributors includes Steven Heller, David Byrne, Jay Chiat, Kurt Andersen, Paola Antonelli, Isaac Mizrahi, Ingrid Sischy, Chee Pearlman, and Rick Poynor.
Classification:
livres
livres
Publication:
septembre 2000, New York
septembre 2000, New York
Classification:
livres
livres
Prix:
$32.95
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Résumé:
The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares(...)
$32.95
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The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
janvier 2012
janvier 2012
Titre:
La Caja magica / Magic box : Dominique Perrault architecture
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The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares River. The book includes unpublished texts by Andreas Ruby (a didactic essay) and Hans Ulrich Ibrist (an exclusive interview). It also includes a technical dossier dedicated to the construction of the building highly illustrated with plans (mostly unpublished) and a graphic documentation that breaks down the details of the construction, difficulties, successes and context of the assignment. In addition, this monograph also provides information on the competitive submissions, and further texts that explain the concept behind the Magic Box and the reason for its success.
La Caja magica / Magic box : Dominique Perrault architecture
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$32.95
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Résumé:
The Magic Box, carried out by Dominique Perrault Architecture, is more than a public sports facility. It is a whole conceptual, urbanistic and constructive manifesto through the insertion of a radically contemporary building in a sensitive environment, which has helped to regenerate the southern edge of the city of Madrid and to round off the urban banks of the Manzanares River. The book includes unpublished texts by Andreas Ruby (a didactic essay) and Hans Ulrich Ibrist (an exclusive interview). It also includes a technical dossier dedicated to the construction of the building highly illustrated with plans (mostly unpublished) and a graphic documentation that breaks down the details of the construction, difficulties, successes and context of the assignment. In addition, this monograph also provides information on the competitive submissions, and further texts that explain the concept behind the Magic Box and the reason for its success.
Classification:
livres
livres
Publication:
janvier 2012
janvier 2012
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
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$26.95
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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the(...)
$26.95
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Résumé:
Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the(...)
Titre:
The ordinary: recordings. Rem Koolhaas, Denise Scott Brown, Yoshiharu Tsukamoto
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$26.95
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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city—Denise Scott Brown's "Learning from Las Vegas" (1972), Rem Koolhaas's "Delirious New York" (1978), and Yoshiharu Tsukamoto's "Made in Tokyo" (2001)—this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.
The ordinary: recordings. Rem Koolhaas, Denise Scott Brown, Yoshiharu Tsukamoto
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$26.95
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Résumé:
Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city—Denise Scott Brown's "Learning from Las Vegas" (1972), Rem Koolhaas's "Delirious New York" (1978), and Yoshiharu Tsukamoto's "Made in Tokyo" (2001)—this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.
Classification:
livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$43.50
(disponible en magasin)
Résumé:
''Photography bound: reimagining photobooks and self-publishing'' is essentially a portable library, where each book – selected by the most eclectic and vibrant voices working in the field today – is declared an urgent addition. The result is a multi-part manifesto that radically and intimately engages with photography and publishing. The book unfurls from a three-day(...)
$43.50
(disponible en magasin)
Résumé:
''Photography bound: reimagining photobooks and self-publishing'' is essentially a portable library, where each book – selected by the most eclectic and vibrant voices working in the field today – is declared an urgent addition. The result is a multi-part manifesto that radically and intimately engages with photography and publishing. The book unfurls from a three-day(...)
Titre:
Photography bound: reimagining photobooks and self-publishing
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$43.50
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''Photography bound: reimagining photobooks and self-publishing'' is essentially a portable library, where each book – selected by the most eclectic and vibrant voices working in the field today – is declared an urgent addition. The result is a multi-part manifesto that radically and intimately engages with photography and publishing. The book unfurls from a three-day conference organised by Antonio Cataldo and Adrià Julià in 2020 at the Faculty of Fine Art, Music and Design at the University of Bergen and Fotogalleriet, Oslo. The conference found common but fragile ground amid a global health crisis. From there, it managed to catapult discussion and explore in depth the need to print and publish photobooks. Each contribution discloses a unique relationship to photobooks and publishing. Together, they are a trigger for social, political and cultural demands. This book makes a collective call to action – or actions – and asks each reader to reimagine where photography is bound to go.
Photography bound: reimagining photobooks and self-publishing
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Prix:
$43.50
(disponible en magasin)
Résumé:
''Photography bound: reimagining photobooks and self-publishing'' is essentially a portable library, where each book – selected by the most eclectic and vibrant voices working in the field today – is declared an urgent addition. The result is a multi-part manifesto that radically and intimately engages with photography and publishing. The book unfurls from a three-day conference organised by Antonio Cataldo and Adrià Julià in 2020 at the Faculty of Fine Art, Music and Design at the University of Bergen and Fotogalleriet, Oslo. The conference found common but fragile ground amid a global health crisis. From there, it managed to catapult discussion and explore in depth the need to print and publish photobooks. Each contribution discloses a unique relationship to photobooks and publishing. Together, they are a trigger for social, political and cultural demands. This book makes a collective call to action – or actions – and asks each reader to reimagine where photography is bound to go.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Viaggio in Italia
Viaggio in Italia
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$79.95
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"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
$79.95
(disponible en magasin)
Résumé:
"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
novembre 2024
novembre 2024
Titre:
Viaggio in Italia
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$79.95
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Résumé:
"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
Viaggio in Italia
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$79.95
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Résumé:
"Viaggio in Italia," conceived by Luigi Ghirri and published in 1984, is a milestone in contemporary Italian photography, representing the "manifesto" of the Italian School of Landscape from the 1980s onward. The project tells the story of a generation of photographers who moved away from exotic travel, sensational reportage, and formalist analysis to focus on the everyday Italian landscape. This shift replaced the cliché of Italy as a uniquely wonderful place with an "anti-heroic, anti-mythical, everyday and non-rhetorical" image, as noted by Gabriele Basilico. Twenty photographers, many of whom gained international recognition, participated: Olivo Barbieri, Gabriele Basilico, Gianantonio Battistella, Vincenzo Castella, Andrea Cavazzuti, Giovanni Chiaramonte, Mario Cresci, Vittore Fossati, Carlo Garzia, Guido Guidi, Luigi Ghirri, Shelley Hill, Mimmo Jodice, Gianni Leone, Claude Nori, Umberto Sartorello, Mario Tinelli, Ernesto Tuliozi, Fulvio Ventura, and Cuchi White. The volume includes an essay by Arturo Carlo Quintavalle and a paper by Gianni Celati.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Photographie- collections
Photographie- collections
