8415 Résultats
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livres
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The first exhibition catalog for emerging photographer/filmmaker Sebastian Stumpf explores the gaps in public space and the accessibility of pictorial space in various media. The video project documented in this catalog is part of a group called Leaving White Spaces, which are produced in different art institutions and then projected at the site of their production. There(...)
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Résumé:
The first exhibition catalog for emerging photographer/filmmaker Sebastian Stumpf explores the gaps in public space and the accessibility of pictorial space in various media. The video project documented in this catalog is part of a group called Leaving White Spaces, which are produced in different art institutions and then projected at the site of their production. There(...)
Titre:
Sebastien Stumpf: never really there
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The first exhibition catalog for emerging photographer/filmmaker Sebastian Stumpf explores the gaps in public space and the accessibility of pictorial space in various media. The video project documented in this catalog is part of a group called Leaving White Spaces, which are produced in different art institutions and then projected at the site of their production. There are also 28 photographs of Stumpf literally standing on doors and walls between the gaps of buildings in Tokyo. While there are clear signs of life, the only figure inhabiting these architectural spaces is Stumpf's. The Leipzig-based artist, a student of renowned photographer Timm Rautert, is included in the upcoming 2010 Berlin Biennale. His photographs flash us back and forth between our lived experiences of cities and the possibilities available in the gaps.
Sebastien Stumpf: never really there
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The first exhibition catalog for emerging photographer/filmmaker Sebastian Stumpf explores the gaps in public space and the accessibility of pictorial space in various media. The video project documented in this catalog is part of a group called Leaving White Spaces, which are produced in different art institutions and then projected at the site of their production. There are also 28 photographs of Stumpf literally standing on doors and walls between the gaps of buildings in Tokyo. While there are clear signs of life, the only figure inhabiting these architectural spaces is Stumpf's. The Leipzig-based artist, a student of renowned photographer Timm Rautert, is included in the upcoming 2010 Berlin Biennale. His photographs flash us back and forth between our lived experiences of cities and the possibilities available in the gaps.
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livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
László Moholy-Nagy: Telehor
László Moholy-Nagy: Telehor
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In 1936, the first and only issue of the magazine telehor (Greek for television) was released in four languages as a special edition on and by László Moholy-Nagy. This facsimile reprint of the magazine is accompanied by a commentary volume.The reprint makes the magazine accessible again in terms of its artistic and theoretical-historical dimensions and particular(...)
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In 1936, the first and only issue of the magazine telehor (Greek for television) was released in four languages as a special edition on and by László Moholy-Nagy. This facsimile reprint of the magazine is accompanied by a commentary volume.The reprint makes the magazine accessible again in terms of its artistic and theoretical-historical dimensions and particular(...)
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László Moholy-Nagy: Telehor
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In 1936, the first and only issue of the magazine telehor (Greek for television) was released in four languages as a special edition on and by László Moholy-Nagy. This facsimile reprint of the magazine is accompanied by a commentary volume.The reprint makes the magazine accessible again in terms of its artistic and theoretical-historical dimensions and particular attention has been paid to the production process. Thus the volume appears spiral-bound, an ultramodern technique in the mid-1930s. The commentary contains an editorial statement that places the magazine, telehor, in the context of the art and media of the 1920s and 1930s and unlocks the position of the artistic avant-garde at the intersection of two epochs. It also contains new translations of the original texts: in Mandarin, Russian, Hungarian and Spanish.
László Moholy-Nagy: Telehor
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In 1936, the first and only issue of the magazine telehor (Greek for television) was released in four languages as a special edition on and by László Moholy-Nagy. This facsimile reprint of the magazine is accompanied by a commentary volume.The reprint makes the magazine accessible again in terms of its artistic and theoretical-historical dimensions and particular attention has been paid to the production process. Thus the volume appears spiral-bound, an ultramodern technique in the mid-1930s. The commentary contains an editorial statement that places the magazine, telehor, in the context of the art and media of the 1920s and 1930s and unlocks the position of the artistic avant-garde at the intersection of two epochs. It also contains new translations of the original texts: in Mandarin, Russian, Hungarian and Spanish.
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livres
livres
Publication:
mars 2012
mars 2012
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livres
livres
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks,(...)
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks,(...)
Titre:
Edible histories, cultural politics : towards a Canadian food history
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks, government documents, advertisements, media sources, oral histories, memoirs, and archival collections, Edible Histories offers a veritable feast of original research on Canada's food history and its relationship to culture and politics. This exciting collection explores a wide variety of topics, including urban restaurant culture, ethnic cuisines, and the controversial history of margarine in Canada. It also covers a broad time-span, from early contact between European settlers and First Nations through the end of the twentieth century.
Edible histories, cultural politics : towards a Canadian food history
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Just as the Canada's rich past resists any singular narrative, there is no such thing as a singular Canadian food tradition. This new book explores Canada's diverse food cultures and the varied relationships that Canadians have had historically with food practices in the context of community, region, nation and beyond. Based on findings from menus, cookbooks, government documents, advertisements, media sources, oral histories, memoirs, and archival collections, Edible Histories offers a veritable feast of original research on Canada's food history and its relationship to culture and politics. This exciting collection explores a wide variety of topics, including urban restaurant culture, ethnic cuisines, and the controversial history of margarine in Canada. It also covers a broad time-span, from early contact between European settlers and First Nations through the end of the twentieth century.
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livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Bouffe
Bouffe
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livres
livres
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$45.00
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Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. "L.A. Raw" is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender(...)
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Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. "L.A. Raw" is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender(...)
Titre:
L.A. Raw : abject expressionism in Los Angeles 1945-1980
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Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. "L.A. Raw" is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.
L.A. Raw : abject expressionism in Los Angeles 1945-1980
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Until recently, the figurative artists who dominated the Los Angeles art scene of the 1940s and 50s had largely been written out of art history. "L.A. Raw" is an attempt to right that wrong. Bringing together works by 41 artists in a variety of media, it traces a lineage that connects postwar figurative expressionism to the 1960s and 70s investigations of politics, gender and ethnicity in art. The featured artists include John Altoon, Wallace Berman, William Brice, Hans Burckhardt, Chris Burden, Cameron, Judy Chicago, Connor Everts, Llyn Foulkes, Charles Garabedian, David Hammonds, Robert Heinecken, John Paul Jones, Kim Jones, Ed and Nancy Kienholz, Rico Lebrun, Paul McCarthy, Arnold Mesches, Betye Saar, Ben Sakoguchi, Barbara Smith, James Strombotne, Jan Stussy, Edward Teske, Joyce Treiman, Howard Warshaw, June Wayne, Charles White and Jack Zajac.
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livres
livres
Publication:
mars 2012
mars 2012
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livres
livres
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the(...)
Titre:
Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
Tokyo 1955-1970: a new avant-garde
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Tokyo 1955–1970: A New Avant-Garde explores the extraordinary convergence of artists and other creators in Japan’s capital city during the radically transformative postwar period. Examining works from a range of media--painting, sculpture, photography, drawing, printmaking, video and film, as well as graphic design, architecture, musical composition and dance--this is the first publication in English to focus in depth on the full scope of postwar art in Japan. Essays by scholars Hayashi Michio and Miryam Sas and curator Mika Yoshitake discuss critical concepts in art and culture at this time, including “graphism,” which manifested itself across various mediums; the development of new sculptural languages; and the “intermedia” tendency that engendered provocative cross-pollination among artistic genres. Masatoshi Nakajima provides an illustrated chronology and Yuri Mitsuda supplies artist biographies.
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livres
livres
Publication:
octobre 2012
octobre 2012
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livres
livres
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
Titre:
Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
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livres
livres
Publication:
août 2012
août 2012
Classification:
livres
livres
Titre:
Gutai: splendid playground
Gutai: splendid playground
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an(...)
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an(...)
Titre:
Gutai: splendid playground
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an expanded, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai’s unique approach to materials, concepts, process, performativity and enviroment, this publication investigates the group’s radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting, conceptual art, performance, film, installation art, sound art, interactive art, light art and kinetic art.
Gutai: splendid playground
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Gutai: Splendid Playground surveys the influential Japanese collective and artistic movement. This exhibition catalogue aims to demonstrate the range of bold and innovative creativity present in the avant-garde movement, to examine the aesthetic strategies in the cultural, social and political context of postwar Japan and the West, and to further establish Gutai in an expanded, transnational history and critical discourse of modern art. Organized thematically and chronologically to explore Gutai’s unique approach to materials, concepts, process, performativity and enviroment, this publication investigates the group’s radical experimentation across a range of media and styles, and demonstrates how individual artists pushed the limits of what art could be or mean in a post-atomic era. The range includes painting, conceptual art, performance, film, installation art, sound art, interactive art, light art and kinetic art.
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livres
livres
Publication:
février 2013
février 2013
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livres
livres
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$49.95
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Cairo. Open City examines the roles that images are playing in the ongoing Egyptian revolution, from the outbreak of the Arab Spring through the present. The catalog includes a variety of approaches to the time-based media of photography and video, from the works of photo journalists, to recordings by activists and citizen journalists , to documents collected by different(...)
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Cairo. Open City examines the roles that images are playing in the ongoing Egyptian revolution, from the outbreak of the Arab Spring through the present. The catalog includes a variety of approaches to the time-based media of photography and video, from the works of photo journalists, to recordings by activists and citizen journalists , to documents collected by different(...)
Titre:
Cairo, open city: new testimonies from an ongoing révolution
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Cairo. Open City examines the roles that images are playing in the ongoing Egyptian revolution, from the outbreak of the Arab Spring through the present. The catalog includes a variety of approaches to the time-based media of photography and video, from the works of photo journalists, to recordings by activists and citizen journalists , to documents collected by different artists. The different chapters will generate a dialogue between the images: Cover images from newspapers will stand alongside photo galleries from blogs, iconic pictures alongside unknown images of people on the streets, images of martyrs alongside long-term documentary projects. The catalog comes out on the occasion of the exhibition in the Museum for Photography Braunschweig and collects essays from young Cairo-based authors. (Arabic, German and English edition)
Cairo, open city: new testimonies from an ongoing révolution
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Cairo. Open City examines the roles that images are playing in the ongoing Egyptian revolution, from the outbreak of the Arab Spring through the present. The catalog includes a variety of approaches to the time-based media of photography and video, from the works of photo journalists, to recordings by activists and citizen journalists , to documents collected by different artists. The different chapters will generate a dialogue between the images: Cover images from newspapers will stand alongside photo galleries from blogs, iconic pictures alongside unknown images of people on the streets, images of martyrs alongside long-term documentary projects. The catalog comes out on the occasion of the exhibition in the Museum for Photography Braunschweig and collects essays from young Cairo-based authors. (Arabic, German and English edition)
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livres
livres
Publication:
avril 2014
avril 2014
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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$24.95
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th(...)
Titre:
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Four times through the labyrinth
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This book enlarges the traditional catalog of labyrinths being itself labyrinthine, remarked French deconstructionist philosopher Jean-Luc Nancy on the first edition of the text. The starting point for this transcript of four lectures is a public artwork that Olaf Nicolai installed in Paris in 1998. Nicolai, whose work has been shown at Documenta X and the 49th and 50th Venice Biennales, uses diverse media to question the ways in which we use our physical bodies to encounter the everyday environment. By exploring and combining a broad spectrum of topics related to the labyrinth theme, the book serves as both a reference system to Nicolai's work and an independent source book dealing with labyrinthian matter, from the fable of the minotaur to the floor plan of IKEA. Translated from German by Sadie Plant.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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The Projects Catalogue of the ACADIA 2014: DESIGN AGENCY international conference contains jury selected and curated research and practice projects of the 34th annual conference of the Association for Computer Aided Design in Architecture. Projects by researchers, practitioners, students and by the ACADIA partner organization Tex-Fab are included. This volume brings(...)
$44.95
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The Projects Catalogue of the ACADIA 2014: DESIGN AGENCY international conference contains jury selected and curated research and practice projects of the 34th annual conference of the Association for Computer Aided Design in Architecture. Projects by researchers, practitioners, students and by the ACADIA partner organization Tex-Fab are included. This volume brings(...)
Sujet:
Architecture numérique
Architecture numérique
Publication:
février 2015
février 2015
Titre:
Acadia 2014 design agency: projects
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The Projects Catalogue of the ACADIA 2014: DESIGN AGENCY international conference contains jury selected and curated research and practice projects of the 34th annual conference of the Association for Computer Aided Design in Architecture. Projects by researchers, practitioners, students and by the ACADIA partner organization Tex-Fab are included. This volume brings together a spectrum of research and creative practice currently occurring within the ACADIA community. This combined research reflects new paradigms that are redefining contemporary architecture. Specialized computational design topics include cloud organization, big data, global project delivery, and new forms of collective intelligence in design, architecture, urbanism, fabrication and media arts. The event is supported by the combined research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture.
Acadia 2014 design agency: projects
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The Projects Catalogue of the ACADIA 2014: DESIGN AGENCY international conference contains jury selected and curated research and practice projects of the 34th annual conference of the Association for Computer Aided Design in Architecture. Projects by researchers, practitioners, students and by the ACADIA partner organization Tex-Fab are included. This volume brings together a spectrum of research and creative practice currently occurring within the ACADIA community. This combined research reflects new paradigms that are redefining contemporary architecture. Specialized computational design topics include cloud organization, big data, global project delivery, and new forms of collective intelligence in design, architecture, urbanism, fabrication and media arts. The event is supported by the combined research networks of the University of Southern California, University of California Los Angeles and Southern California Institute of Architecture.
Classification:
livres
livres
Publication:
février 2015
février 2015
Sujet:
Architecture numérique
Architecture numérique
