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236 pages ; 21 cm.
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
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Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The(...)
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octobre 2000, New York
Art and the empire city : New York, 1825-1861
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In 1825 the Erie Canal, connecting the Atlantic with the American heartland via the Great Lakes, was completed, and in 1861 the Civil War, disrupting American unity, began. This volume examines the exhilarating period between these two far-reaching events. The Erie Canal turned the port of New York into the gateway to the United States, ushering in a time of enormous growth and change for the city of New York. Still very much a work in progress, New York became both an international economic and cultural center: it was transformed into what contemporary observers variously termed the Empire City, the Great Emporium, and the Empress City of the West. The cultural component of this transformation was as significant as its economic aspect. Highly skilled artists and craftsmen working in New York, both native born and immigrant, grew in number, and institutions devoted to the arts emerged and flourished. With Broadway at its heart, the Great Emporium developed into the nation’s major manufacturing and retailing center, the depot for luxury goods made in and around the city and imported from Europe. The complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period is the focus of this book, which accompanies a major exhibition at The Metropolitan Museum of Art. In essays that will interest scholars as well as a more general audience, specialists from the Metropolitan Museum, the Museum of the City of New York, and the University of California at Berkeley bring new research and insights to bear on a broad range of subjects. Their texts offer both historical and cultural contexts and explore the city’s development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. This volume is lavishly illustrated in color and black and white, providing reproductions of the more than three hundred works in the exhibition as well as comparative material. A checklist of works in the exhibition, a bibliography, and an index are included.
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octobre 2000, New York
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based(...)
Muybridge : the eye in motion
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Much of contemporary visual culture can be traced directly to the work of Eadweard Muybridge, photographer and film pioneer. In Muybridge: The Eye In Motion, Stephen Barber analyses Muybridge’s prodigious output principally through the photographer’s own scrapbook, a multi-dimensional and unprecedented “memory-book” that was created in the final years of his life. Based on this extensive primary research into Muybridge’s personal archive, this innovative and ground-breaking book illuminates both the preoccupations behind his influence on twentieth-century artists like Francis Bacon, his role in the origins of cinema, and his early prefiguring of the digital world. The result is an original look at the man, his body of work, and his influence. Muybridge’s work was powered by an extreme obsessiveness and excess that enabled him to negate all preconceptions of art and to reconceptualize the dynamics of corporeal and urban forms. Above all, Muybridge envisioned the future of cinema by creating a moving-image projector—the zoopraxiscope—and by constructing the first identifiably cinematic space to project his compositions for an audience.
Théorie de la photographie
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''A Cookbook of Invisible Writing,'' by Dutch artist, designer and teacher Amy Wu, is an introduction to analog steganography—a type of secret writing that is hidden in plain sight. This book serves as a starter pack to run workshops with groups who are interested in alternative forms of communication. It contains invisible ink recipes and other invisible communication(...)
Amy Wu: A cookbook of invisible writing
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''A Cookbook of Invisible Writing,'' by Dutch artist, designer and teacher Amy Wu, is an introduction to analog steganography—a type of secret writing that is hidden in plain sight. This book serves as a starter pack to run workshops with groups who are interested in alternative forms of communication. It contains invisible ink recipes and other invisible communication techniques that may be used to subvert surveillance and bypass censorship, but also inspire your community to develop poetic and playful forms of communication to nurture social bonds. In the tradition of esoteric manuals published on secret writing, this cookbook also channels the spirit of everyday access and the easy distribution and sharing of practical knowledge. Following Giambattista della Porta’s 1558 popular science book Natural Magic—one of the first major publications that detailed simple but diverse recipes of invisible inks for public consumption—this cookbook aims to bring this obscure field to a wider audience. The publication includes a critical essay about the history of surveillance through a feminist and postcolonial lens.
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A tracking shot on the works of an architect who knows how to play on the sensitivity of his audience. Emotional crisis, taut nerves and hence a predisposition to perceive in a much more complex way than normal. These, Rota admits, are the emotions which he hopes to provoke in spectators who visit his projects. Installations that can emotionally shock people and raise(...)
Italo Rota : installation exhibit
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A tracking shot on the works of an architect who knows how to play on the sensitivity of his audience. Emotional crisis, taut nerves and hence a predisposition to perceive in a much more complex way than normal. These, Rota admits, are the emotions which he hopes to provoke in spectators who visit his projects. Installations that can emotionally shock people and raise their levels of sensitivity. To achieve this, he uses color made of light, transparencies, screens and projections (never material or painted color), an exceptional tool, and vital for conveying detailed messages in the best possible way, because of the processes it stimulates in the brain. Increasingly working in the sphere of magic rather than the sphere of the useful, Italian Italo Rota's flair for design- working abroad and communicating at an international level- is described in this unique publication. The book also considers the playful side of the projects he has undertaken, creating games for adults with just a touch of magic, fun and sophistication.
Architecture, monographies
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Cruise delightfully recalls a time of gracious travel, as well as the modern-day evolution of cruising at sea. It explores the design and culture of cruise ships from the golden age of the interwar period, up to the present when cruise ships have come to embrace "entertainment architecture." Packed full of illustrations of all aspects of cruise ship design—interiors,(...)
avril 2006, New York
Cruise : identity, design and culture
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Cruise delightfully recalls a time of gracious travel, as well as the modern-day evolution of cruising at sea. It explores the design and culture of cruise ships from the golden age of the interwar period, up to the present when cruise ships have come to embrace "entertainment architecture." Packed full of illustrations of all aspects of cruise ship design—interiors, entertainment, travel posters, and other ephemera—this timely book also documents the current renaissance in cruise vacations.Traveling by cruise ship, especially between the wars and into the '50s, was the most luxurious and stylish form of transport available. Many of the greatest liners were built during that time, including France's Normandie, whose Art Deco interior was one of the most lavish—and beautiful—ever created. This up-to-date visual history of ocean travel, complete with full illustrations and a lively survey of every aspect of sailing on the high seas, will appeal to and delight a broad audience including cruise ship enthusiasts, designers, and nostalgia buffs.
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In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see(...)
Théorie de l’urbanisme
janvier 2025
Cities rethought: A new urban disposition
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In a world of disruptions and seemingly endless complexity, cities have become central to thinking about the future of humanity. Yet the study of cities is fragmented among different silos of expertise, diverse genres of scholarship, and widening chasms between theory and practice. How can we do better? ''Cities Rethought'' suggests that we need to remake the way we see and know cities in order to rethink how we act and intervene within them. To this end, it offers the contours of a new urban disposition. Its normative, analytical, and operational elements offer an opportunity for scholars, practitioners, and citizens alike to approach the complexity of cities anew. Written collectively for a wide audience, the text draws from cities across the global north and south, speaks across diverse genres of ideas, and reflects on the lived experience of the authors as both researchers and practitioners. It is an essential text for anyone committed to knowing their own cities as well as finding ways to meaningfully intervene in them.
Théorie de l’urbanisme
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Following the blockbuster success of ''Wicked Arts Assignments'', ''Wicked Arts Education'' helps teachers and creatives design exciting arts educational programs from scratch. These arts programs foster a meaningful connection between the culture of the student, the arts and society. The included arts educational design strategies have been tested in a variety of(...)
Théorie de l’art
mars 2025
Wicked arts education: Designing creative programmes
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Following the blockbuster success of ''Wicked Arts Assignments'', ''Wicked Arts Education'' helps teachers and creatives design exciting arts educational programs from scratch. These arts programs foster a meaningful connection between the culture of the student, the arts and society. The included arts educational design strategies have been tested in a variety of settings around the world and were found to be helpful in challenging arts educators to explore curriculum ideas collectively, creatively and productively. In a time of individualization and polarization, this volume underlines the power of collective learning about, in and through the arts. Though ''Wicked Arts Education'' can be used to create personalized learning trajectories, it also advocates building learning communities in which students and teachers share interests, expertise and opinions. ''Wicked Arts Education'' can be used in a variety of educational contexts: from primary to higher education, and for arts curricula inside and beyond schools. The book is not only for educational settings, however, but intended for a wide-reaching audience that includes anyone wanting to work collectively with others on a creative project.
Théorie de l’art
Communist posters
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One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda – vehicles of coercion, instruction, censure and debate – in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature posters(...)
Communist posters
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One of the common features of communist regimes is the use of art for revolutionary means. Posters in particular have served as beacons of propaganda – vehicles of coercion, instruction, censure and debate – in every communist nation. They have promoted the authority of state and revolution, but have also been used as an effective means of protest. By their nature posters are ephemeral, tied to time and place, but many have had far-reaching, long-lasting impact. They are imbued with both artistic integrity and personal conviction – Bolshevik posters, for example, are among the most vibrant, passionate graphics in art history. This is the first truly global survey of the history and variety of communist poster art. Each chapter is written by an expert in the field, and examines a different region of the world: Russia, China, Mongolia, Eastern Europe, North Korea, Vietnam and Cuba. This beautifully illustrated, comprehensive survey examines the broad range of political and visual cultures of communist posters, and will appeal to a wide audience interested in art, history and politics.
Arts graphiques imprimés
Threads talks series
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THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
Threads talks series
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THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."