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vi, 215 pages : illustrations, maps ; 26 cm.
Description:
vi, 215 pages : illustrations, maps ; 26 cm.
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Turnhout, Belgium : Brepols, [2013], ©2013
Turnhout, Belgium : Brepols, [2013], ©2013
Titre:
The power of space in late medieval and early modern Europe : the cities of Italy, northern France and the Low Countries / edited by Marc Boone & Martha Howell.
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vi, 215 pages : illustrations, maps ; 26 cm.
The power of space in late medieval and early modern Europe : the cities of Italy, northern France and the Low Countries / edited by Marc Boone & Martha Howell.
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Description:
vi, 215 pages : illustrations, maps ; 26 cm.
Classification:
livres
livres
Publication:
Turnhout, Belgium : Brepols, [2013], ©2013
Turnhout, Belgium : Brepols, [2013], ©2013
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livres
livres
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$41.95
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Résumé:
"Hors-Sol" is a record of poster interventions by artists in public spaces in Switzerland from 1961 to the present day. The poster is usually a medium for commercial messages, but here it is used to convey new meanings, some of which are more firmly anchored in the context of art, others explicitly aimed at advertising. These unusual intrusions are disturbing and cause(...)
$41.95
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Résumé:
"Hors-Sol" is a record of poster interventions by artists in public spaces in Switzerland from 1961 to the present day. The poster is usually a medium for commercial messages, but here it is used to convey new meanings, some of which are more firmly anchored in the context of art, others explicitly aimed at advertising. These unusual intrusions are disturbing and cause(...)
Publication:
février 2002, Zurich
février 2002, Zurich
Titre:
Poster collection 04 : Hors-sol, poster actions in Switzerland
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$41.95
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Résumé:
"Hors-Sol" is a record of poster interventions by artists in public spaces in Switzerland from 1961 to the present day. The poster is usually a medium for commercial messages, but here it is used to convey new meanings, some of which are more firmly anchored in the context of art, others explicitly aimed at advertising. These unusual intrusions are disturbing and cause people to reflect on the conditions in which art and PR function, the use and effect of the mass media, the occupation of public spaces, and personal roles in different contexts. In historical comparison, they function as a mirror of the time and reveal a great deal about changing social conditions. The poster campaigns that took place in the 1960s and 1980s seemed to be impressively explosive and alarmingly direct, whereas today's artistic forays into the poster as a medium are evidence that PR aesthetics and the art world are coming into line, both formally and rhetorically.
Poster collection 04 : Hors-sol, poster actions in Switzerland
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$41.95
(disponible en magasin)
Résumé:
"Hors-Sol" is a record of poster interventions by artists in public spaces in Switzerland from 1961 to the present day. The poster is usually a medium for commercial messages, but here it is used to convey new meanings, some of which are more firmly anchored in the context of art, others explicitly aimed at advertising. These unusual intrusions are disturbing and cause people to reflect on the conditions in which art and PR function, the use and effect of the mass media, the occupation of public spaces, and personal roles in different contexts. In historical comparison, they function as a mirror of the time and reveal a great deal about changing social conditions. The poster campaigns that took place in the 1960s and 1980s seemed to be impressively explosive and alarmingly direct, whereas today's artistic forays into the poster as a medium are evidence that PR aesthetics and the art world are coming into line, both formally and rhetorically.
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livres
livres
Publication:
février 2002, Zurich
février 2002, Zurich
Classification:
périodiques
périodiques
Titre:
Verb - matters
Verb - matters
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$41.95
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Résumé:
The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of(...)
$41.95
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Résumé:
The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of(...)
Sujet:
Revues
Revues
Publication:
mai 2002, Barcelona
mai 2002, Barcelona
Titre:
Verb - matters
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$41.95
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Résumé:
The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of sophisticated ideas applied to the shaping of buildings including Toyo Ito's ephemeral work, recent attention to inflatable architecture and building with air, and the low tech approach of practitioners like LOT/EK. Consideration of the growing potential of current technology is also examined in a piece equating recent sneaker design technology to that of car manufacturing, as well as the use of artificial intelligence in home control networks at MIT's "Media House" project. Colorful, tactile, dense, and packaged in its own very contemporary design, Verb Matters remains devoted to cutting-edge issues in architecture and design. includes contributions from Toyo Ito, Greg Lynn, LOT/EK, Klein & Dytham, and Sherry Turkle
Verb - matters
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$41.95
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The second issue of Verb asks: What can we really build? Verb Matters explores the formal and material possibilities for construction in our present information era, with its extensive data processing, global networking, and increasingly blurred distinctions between natural matter and artificial technology. This critical itinerary begins with reflections on the results of sophisticated ideas applied to the shaping of buildings including Toyo Ito's ephemeral work, recent attention to inflatable architecture and building with air, and the low tech approach of practitioners like LOT/EK. Consideration of the growing potential of current technology is also examined in a piece equating recent sneaker design technology to that of car manufacturing, as well as the use of artificial intelligence in home control networks at MIT's "Media House" project. Colorful, tactile, dense, and packaged in its own very contemporary design, Verb Matters remains devoted to cutting-edge issues in architecture and design. includes contributions from Toyo Ito, Greg Lynn, LOT/EK, Klein & Dytham, and Sherry Turkle
Classification:
périodiques
périodiques
Publication:
mai 2002, Barcelona
mai 2002, Barcelona
Sujet:
Revues
Revues
Classification:
livres
livres
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$24.95
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Résumé:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights(...)
$24.95
(disponible sur commande)
Résumé:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights(...)
Titre:
Obey the giant : life in the image world
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$24.95
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Résumé:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of “cool”. Around the world, many are now waking up to the dominance of huge corporations – invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts.
Obey the giant : life in the image world
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$24.95
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Résumé:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of “cool”. Around the world, many are now waking up to the dominance of huge corporations – invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts.
Classification:
livres
livres
Publication:
décembre 2001, London
décembre 2001, London
Sujet:
Théorie du design
Théorie du design
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livres
livres
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$22.99
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Résumé:
What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for(...)
$22.99
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Résumé:
What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for(...)
Titre:
101 things to learn in art school, revised
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$22.99
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What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 things to learn in art school, revised
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$22.99
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Résumé:
What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
Classification:
livres
livres
Publication:
octobre 2024
octobre 2024
Sujet:
Théorie de l’art
Théorie de l’art
Classification:
livres
livres
Titre:
Alick Phiri: Lusaka Street
Alick Phiri: Lusaka Street
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$55.00
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Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own(...)
$55.00
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Résumé:
Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own(...)
Titre:
Alick Phiri: Lusaka Street
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$55.00
(disponible en magasin)
Résumé:
Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.
Alick Phiri: Lusaka Street
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$55.00
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Résumé:
Lusaka Street is an exploration of Zambia’s photographic past through the eyes of Zambian image-maker Alick Phiri. One of the few surviving black photographers that had access to the medium from the 1960s through the 1990s in Lusaka – a time when the use of the camera was restricted in the country – Phiri was trained at Lusaka’s Photo Art Studios before opening his own studio in Kanyama, making photography an integral part of his life. His unseen before photographic archive provides a rare insight into the everyday experience of people in the city. Even more importantly, his work is a document of the process of self-determination and self-representation of black Zambians at the time, recounted through situational portraits taken in the subject's domestic sphere. A testament to the relevance of lens-based media within Zambia’s geographical, historical and social context, a tool for reimagining the past and reading the present.
Classification:
livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$75.00
(disponible en magasin)
Résumé:
The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own(...)
$75.00
(disponible en magasin)
Résumé:
The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own(...)
Titre:
Sandra Schlipkoeter: Interferenzen
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$75.00
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The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own photorealistic visual language. Interferences of natural and digital light she engenders using photography and then reproduces by painterly means have been central to her work since 2012; she translates them into oil paintings, cut-outs made from fabric-like structures, and installations. Experimenting with the diverse manifestations of light and variously cutting up, superimposing, and contorting materials such as mirror foil or paper, she creates visual universes that brim with energy. The monograph "Interferenzen" presents her output of the past ten years. With essays by Gisela Elbracht-Iglhaut and Thomas Kuhn and a conversation with the artist by Anna Matzek.
Sandra Schlipkoeter: Interferenzen
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$75.00
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Résumé:
The artist Sandra Schlipkoeter (b. Solingen, Germany, 1979; lives and works in Berlin) uses the concept of interference as an umbrella term for her extensive oeuvre, which spans the media of painting, sculpture, and installation art. She studied at the Düsseldorf Academy of Fine Art with Eberhard Havekost, who had a profound influence on her as she devised her own photorealistic visual language. Interferences of natural and digital light she engenders using photography and then reproduces by painterly means have been central to her work since 2012; she translates them into oil paintings, cut-outs made from fabric-like structures, and installations. Experimenting with the diverse manifestations of light and variously cutting up, superimposing, and contorting materials such as mirror foil or paper, she creates visual universes that brim with energy. The monograph "Interferenzen" presents her output of the past ten years. With essays by Gisela Elbracht-Iglhaut and Thomas Kuhn and a conversation with the artist by Anna Matzek.
Classification:
livres
livres
Publication:
octobre 2023
octobre 2023
Classification:
livres
livres
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$54.95
(disponible sur commande)
Résumé:
For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an(...)
$54.95
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Résumé:
For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an(...)
Titre:
Richard Long : here and now and then
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$54.95
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For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an exhibition of new works by Long that span the variety of media he employs, including photographs, sculptures, and mud and text works made directly on the gallery walls. The landscapes walked to create the work include Galicia, Brittany and his recent travels to India, where he spent time among the Warli tribe with the artist Jivya Soma Mashe. The catalogue illustrations consist of Long’s recent works both in the gallery and in landscapes, and the text explores Long’s relationship to landscape as well his art historical significance, focussing on the works featured in this exhibition.
Richard Long : here and now and then
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$54.95
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Résumé:
For over 35 years, with the emphasis on both personal experience and ideas, Richard Long has made art in many places around the world by making walks in rural and wilderness landscapes. His simple and direct engagement is realised by leaving and recording traces of his journeys, creating works concerned with time, movement and locality. This book accompanies an exhibition of new works by Long that span the variety of media he employs, including photographs, sculptures, and mud and text works made directly on the gallery walls. The landscapes walked to create the work include Galicia, Brittany and his recent travels to India, where he spent time among the Warli tribe with the artist Jivya Soma Mashe. The catalogue illustrations consist of Long’s recent works both in the gallery and in landscapes, and the text explores Long’s relationship to landscape as well his art historical significance, focussing on the works featured in this exhibition.
Classification:
livres
livres
Publication:
novembre 2003, London
novembre 2003, London
Sujet:
Land Art
Land Art
Classification:
livres
livres
Titre:
Ed Ruscha : the drawn word
Ed Ruscha : the drawn word
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$74.95
(disponible en magasin)
Résumé:
"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In(...)
$74.95
(disponible en magasin)
Résumé:
"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In(...)
Publication:
mars 2004, Vero Beach, Florida
mars 2004, Vero Beach, Florida
Titre:
Ed Ruscha : the drawn word
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$74.95
(disponible en magasin)
Résumé:
"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In them, he comments on our relationships with certain words, employing their visual impact, sound, and meaning, bringing all of these elements together via humor, among other tools. The work is distinctly American in its references to evocative places, like Hollywood, and in its bold, often mono-syllabic style of communication. Appropriately, the design of "The Drawn Word" evidences a conceptual relationship to the work, incorporating layout grids in reference to Ruscha's interest in commercial design, and phonetic translations of each of Ruscha's words to emphasize the importance of sound in their choosing.
Ed Ruscha : the drawn word
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Prix:
$74.95
(disponible en magasin)
Résumé:
"The Drawn Word" collects Ed Ruscha's work on paper, from his gunpowder drawings of the 60s and 70s through his more recent work from the 90s. Ruscha's treatment of language, of signs and words, has been extremely influential over the last 40 years. His delicate use of a variety of media, from gunpowder to pastel, makes his work on paper some of his most important. In them, he comments on our relationships with certain words, employing their visual impact, sound, and meaning, bringing all of these elements together via humor, among other tools. The work is distinctly American in its references to evocative places, like Hollywood, and in its bold, often mono-syllabic style of communication. Appropriately, the design of "The Drawn Word" evidences a conceptual relationship to the work, incorporating layout grids in reference to Ruscha's interest in commercial design, and phonetic translations of each of Ruscha's words to emphasize the importance of sound in their choosing.
Classification:
livres
livres
Publication:
mars 2004, Vero Beach, Florida
mars 2004, Vero Beach, Florida
Classification:
livres
livres
Titre:
Report (not announcement)
Report (not announcement)
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$18.00
(disponible sur commande)
Résumé:
"The local price of a cheeseburger, medium Coke and French fries is the quickest way to estimate the cost of living in each country," writes artist Francis Alys in Report (Not Announcement). "There's always everything has been done and nothing has been tried at the same time," writes Karl Holmqvist. Both observations are part of this intriguing book by artists, curators,(...)
$18.00
(disponible sur commande)
Résumé:
"The local price of a cheeseburger, medium Coke and French fries is the quickest way to estimate the cost of living in each country," writes artist Francis Alys in Report (Not Announcement). "There's always everything has been done and nothing has been tried at the same time," writes Karl Holmqvist. Both observations are part of this intriguing book by artists, curators,(...)
Titre:
Report (not announcement)
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Prix:
$18.00
(disponible sur commande)
Résumé:
"The local price of a cheeseburger, medium Coke and French fries is the quickest way to estimate the cost of living in each country," writes artist Francis Alys in Report (Not Announcement). "There's always everything has been done and nothing has been tried at the same time," writes Karl Holmqvist. Both observations are part of this intriguing book by artists, curators, and critics reflecting on traveling in many ways: their own ontological states of leaving and arriving from the zone of transition, non-belonging, and suspension, exploring what international cultural practitioners lose and gain in their constant travels. A project by BAK (basis voor actuele kunst) in collaboration with e-flux (electronic flux corporation). With contributions by Francis Alys, Tobias Berger, Mariana Castillo Deball & Daniela Franco, Jeremiah Day, Liam Gillick, Marina Grzinic, Mika Hannula, Hou Hanru, Thomas Hirschhorn, Jens Hoffmann, Karl Holmqvist, Hans Ulrich Obrist & Philippe Parreno, Raqs Media Collective, Martha Rosler, Kuang-Yu Tsui, Haegue Yang, and many others. **EPUISÉ / OUT OF PRINT**
Report (not announcement)
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Prix:
$18.00
(disponible sur commande)
Résumé:
"The local price of a cheeseburger, medium Coke and French fries is the quickest way to estimate the cost of living in each country," writes artist Francis Alys in Report (Not Announcement). "There's always everything has been done and nothing has been tried at the same time," writes Karl Holmqvist. Both observations are part of this intriguing book by artists, curators, and critics reflecting on traveling in many ways: their own ontological states of leaving and arriving from the zone of transition, non-belonging, and suspension, exploring what international cultural practitioners lose and gain in their constant travels. A project by BAK (basis voor actuele kunst) in collaboration with e-flux (electronic flux corporation). With contributions by Francis Alys, Tobias Berger, Mariana Castillo Deball & Daniela Franco, Jeremiah Day, Liam Gillick, Marina Grzinic, Mika Hannula, Hou Hanru, Thomas Hirschhorn, Jens Hoffmann, Karl Holmqvist, Hans Ulrich Obrist & Philippe Parreno, Raqs Media Collective, Martha Rosler, Kuang-Yu Tsui, Haegue Yang, and many others. **EPUISÉ / OUT OF PRINT**
Classification:
livres
livres
Publication:
juin 2007, Frankfurt
juin 2007, Frankfurt
