8415 Résultats
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livres
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FILE Magazine occupies a very unique position: between 1972 and 1989, the celebrated Canadian artists' collective General Idea (active 1969 1994) published 26 issues of this sophisticated magazine, which had a distribution extending far beyond its Toronto underground origins. The name and logo adapted those of the famous LIFE—whose heyday was in the 1950s and early 1960s(...)
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FILE Magazine occupies a very unique position: between 1972 and 1989, the celebrated Canadian artists' collective General Idea (active 1969 1994) published 26 issues of this sophisticated magazine, which had a distribution extending far beyond its Toronto underground origins. The name and logo adapted those of the famous LIFE—whose heyday was in the 1950s and early 1960s(...)
Titre:
FILE Magazine: complete reprint
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FILE Magazine occupies a very unique position: between 1972 and 1989, the celebrated Canadian artists' collective General Idea (active 1969 1994) published 26 issues of this sophisticated magazine, which had a distribution extending far beyond its Toronto underground origins. The name and logo adapted those of the famous LIFE—whose heyday was in the 1950s and early 1960s demonstrating an already very Pop strategy of appropriation. As AA Bronson, one of the members of the collective has since described it, the magazine's purpose was the search for "an alternative to the Alternative Press," a subversive concept of infiltration within mainstream media and culture. Thus the manifestos of the early issues, lists of addresses, and letters from friends, were rapidly replaced by General Idea's scripts and projects as well as cultural issues (as in the famous 'Glamour' or 'Punk' issues), while never loosing a cutting-edge attention to emerging practices on the art scene and experimental layouts.
FILE Magazine: complete reprint
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FILE Magazine occupies a very unique position: between 1972 and 1989, the celebrated Canadian artists' collective General Idea (active 1969 1994) published 26 issues of this sophisticated magazine, which had a distribution extending far beyond its Toronto underground origins. The name and logo adapted those of the famous LIFE—whose heyday was in the 1950s and early 1960s demonstrating an already very Pop strategy of appropriation. As AA Bronson, one of the members of the collective has since described it, the magazine's purpose was the search for "an alternative to the Alternative Press," a subversive concept of infiltration within mainstream media and culture. Thus the manifestos of the early issues, lists of addresses, and letters from friends, were rapidly replaced by General Idea's scripts and projects as well as cultural issues (as in the famous 'Glamour' or 'Punk' issues), while never loosing a cutting-edge attention to emerging practices on the art scene and experimental layouts.
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livres
livres
Publication:
décembre 2007, Zurich
décembre 2007, Zurich
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livres
livres
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of(...)
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of(...)
Titre:
Television: technology and cultural form
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
Television: technology and cultural form
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
Classification:
livres
livres
Publication:
juin 2003
juin 2003
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$34.00
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Why write about buildings? Buildings are chunks of the material of the natural world, refashioned by humans and set down into place to stand as silent as the rocks and trees from which they were made. How can we describe that mute actuality? A building’s only complete description is itself. Writing often intensifies the cloud that obscures buildings rather than dissipates(...)
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Why write about buildings? Buildings are chunks of the material of the natural world, refashioned by humans and set down into place to stand as silent as the rocks and trees from which they were made. How can we describe that mute actuality? A building’s only complete description is itself. Writing often intensifies the cloud that obscures buildings rather than dissipates(...)
Titre:
Buildings: between living time and rocky space
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Why write about buildings? Buildings are chunks of the material of the natural world, refashioned by humans and set down into place to stand as silent as the rocks and trees from which they were made. How can we describe that mute actuality? A building’s only complete description is itself. Writing often intensifies the cloud that obscures buildings rather than dissipates it. So why do it? Two generations ago, architects had a real job to do, rebuilding cities shattered by war. It turned out to be more difficult than it looked. Now the grandchildren of those utopians have a different role, which is to rescue a world that is being turned by the media, the money men and the machines into a replica of itself. In this book Paul Shepheard takes a sideways look at this elusive task and finds himself writing an ode to buildings, which asks: What are they? When do they happen? And how are they used?
Buildings: between living time and rocky space
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Why write about buildings? Buildings are chunks of the material of the natural world, refashioned by humans and set down into place to stand as silent as the rocks and trees from which they were made. How can we describe that mute actuality? A building’s only complete description is itself. Writing often intensifies the cloud that obscures buildings rather than dissipates it. So why do it? Two generations ago, architects had a real job to do, rebuilding cities shattered by war. It turned out to be more difficult than it looked. Now the grandchildren of those utopians have a different role, which is to rescue a world that is being turned by the media, the money men and the machines into a replica of itself. In this book Paul Shepheard takes a sideways look at this elusive task and finds himself writing an ode to buildings, which asks: What are they? When do they happen? And how are they used?
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$29.99
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NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by(...)
$29.99
(disponible en magasin)
Résumé:
NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by(...)
Publication:
janvier 2005, New York
janvier 2005, New York
Titre:
Rendering: NYSR portfolio of architectural & interior
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NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by Alan Ritchie of Philip Johnson/Alan Ritchie Architects, and contact information for each artist. The illustrators featured in the NYSR Portfolio represent a broad array of styles and techniques; from traditional media such as watercolor and gouache, to digital renderings, to hybrid renderings that combine computer and hand work. As a design professional, you know that renderings are often the most public face of your project prior to construction. The right rendering can help sell your ideas to clients, prospective tenants, regulatory bodies, and communities. Within the Portfolio, it is our hope that you will find the right illustrator for your project.
Rendering: NYSR portfolio of architectural & interior
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$29.99
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Résumé:
NYSR produces the Portfolio every few years, both as a showcase of the very best in contemporary architectural illustration, and as a resource for architects, developers, and designers who wish to commission renderings of their own. This edition is by far the largest we have produced to date, and features over 360 color renderings by 46 top illustrators, a foreword by Alan Ritchie of Philip Johnson/Alan Ritchie Architects, and contact information for each artist. The illustrators featured in the NYSR Portfolio represent a broad array of styles and techniques; from traditional media such as watercolor and gouache, to digital renderings, to hybrid renderings that combine computer and hand work. As a design professional, you know that renderings are often the most public face of your project prior to construction. The right rendering can help sell your ideas to clients, prospective tenants, regulatory bodies, and communities. Within the Portfolio, it is our hope that you will find the right illustrator for your project.
Classification:
livres
livres
Publication:
janvier 2005, New York
janvier 2005, New York
Classification:
livres
livres
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$23.95
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Résumé:
Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that(...)
$23.95
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Résumé:
Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that(...)
Titre:
A history of silence: from the Renaissance to the present day
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Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that private space out of which speech emerges. It characterises our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process which is changing the very nature of the individual.
A history of silence: from the Renaissance to the present day
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Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that private space out of which speech emerges. It characterises our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process which is changing the very nature of the individual.
Classification:
livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Crowds
Crowds
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Crowds explores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern(...)
$29.95
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Crowds explores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern(...)
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Publication:
mai 2006, Stanford
mai 2006, Stanford
Titre:
Crowds
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Crowds explores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern assemblies as compared to their premodern and ancient counterparts, modern sports crowds, human multitudes and mass media such as photography and cinema, crowds as political actors, and the emergence of crowd-centred discourses in social sciences such as psychology, anthropology, and sociology. Contributors include Stefan Jonsson, Allen Guttmann, Susanna Elm, John Plotz, Christine Poggi, William Egginton, Haun Saussy, Joan Ramon Resina, and Charles Tilly, with testimonies by authors such as Greil Marcus, Richard Rorty, Michel Serres, Alain Schnapp, Michael Hardt, T. J. Clark, and Susan Buck-Morss. The book represents the main output of one of the Stanford Humanities Lab’s prototype “Big Humanities” projects.
Crowds
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Crowds explores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern assemblies as compared to their premodern and ancient counterparts, modern sports crowds, human multitudes and mass media such as photography and cinema, crowds as political actors, and the emergence of crowd-centred discourses in social sciences such as psychology, anthropology, and sociology. Contributors include Stefan Jonsson, Allen Guttmann, Susanna Elm, John Plotz, Christine Poggi, William Egginton, Haun Saussy, Joan Ramon Resina, and Charles Tilly, with testimonies by authors such as Greil Marcus, Richard Rorty, Michel Serres, Alain Schnapp, Michael Hardt, T. J. Clark, and Susan Buck-Morss. The book represents the main output of one of the Stanford Humanities Lab’s prototype “Big Humanities” projects.
Classification:
livres
livres
Publication:
mai 2006, Stanford
mai 2006, Stanford
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
William Christenberry
William Christenberry
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Since the early 1960s, William Christenberry has plumbed the regional identity of the American South, focusing his attention on Hale County, Alabama, from which he hails. Although Christenberry is most often associated with and recognized as a pioneer in the field of American color photography, his vision is multifaceted and rendered through an unorthodox mix of media(...)
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Since the early 1960s, William Christenberry has plumbed the regional identity of the American South, focusing his attention on Hale County, Alabama, from which he hails. Although Christenberry is most often associated with and recognized as a pioneer in the field of American color photography, his vision is multifaceted and rendered through an unorthodox mix of media(...)
Sujet:
Monographies photo
Monographies photo
Publication:
juin 2006, New York
juin 2006, New York
Titre:
William Christenberry
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$60.00
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Since the early 1960s, William Christenberry has plumbed the regional identity of the American South, focusing his attention on Hale County, Alabama, from which he hails. Although Christenberry is most often associated with and recognized as a pioneer in the field of American color photography, his vision is multifaceted and rendered through an unorthodox mix of media that includes sculpture, drawing, painting, and found-object assemblage. Christenberry’s theme, however, is singular : the history, the very story of place, is at the heart of his project. Christenberry’s poetic documentation of vernacular architecture, signage, and landscape captures moments of quiet beauty in a sometimes mythic terrain that, with its iconography and buildings turned ramshackle. Since relocating to Washington, D.C., in 1968, Christenberry has dutifully returned to photograph the same locations annually - the green barn, the palmist building, the Bar-B-Q Inn, among others - fulfilling a personal ritual and documenting the physical changes wrought by the passing of a year. With a foreword by Elizabeth Brou.
William Christenberry
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Since the early 1960s, William Christenberry has plumbed the regional identity of the American South, focusing his attention on Hale County, Alabama, from which he hails. Although Christenberry is most often associated with and recognized as a pioneer in the field of American color photography, his vision is multifaceted and rendered through an unorthodox mix of media that includes sculpture, drawing, painting, and found-object assemblage. Christenberry’s theme, however, is singular : the history, the very story of place, is at the heart of his project. Christenberry’s poetic documentation of vernacular architecture, signage, and landscape captures moments of quiet beauty in a sometimes mythic terrain that, with its iconography and buildings turned ramshackle. Since relocating to Washington, D.C., in 1968, Christenberry has dutifully returned to photograph the same locations annually - the green barn, the palmist building, the Bar-B-Q Inn, among others - fulfilling a personal ritual and documenting the physical changes wrought by the passing of a year. With a foreword by Elizabeth Brou.
Classification:
livres
livres
Publication:
juin 2006, New York
juin 2006, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$54.00
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Résumé:
Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical(...)
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Résumé:
Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical(...)
Titre:
Younger than Jesus: the reader
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Résumé:
Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical gestures have often been carried out by young artists. It illuminates both the shared practices and the dramatic differences found within this age group. Along with a generous selection of color reproductions of the artists' work, this volume includes essays by exhibition curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman, along with an anthology of reprinted texts by a diverse group of writers--including philosophers, sociologists and technology experts--which contextualize the work within the significant events of the past 30 years--for example, globalization and the increased networking of culture and daily life.
Younger than Jesus: the reader
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$54.00
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Jesus died at the age of 33. This publication, which accompanies the first New Museum triennial, Younger Than Jesus, focuses on artists born after 1975. Departing from popular assertions about the group, which the media has dubbed the "Millennials," or "Generation Y," this reader presents the work of nearly 50 international artists, based on the conviction that radical gestures have often been carried out by young artists. It illuminates both the shared practices and the dramatic differences found within this age group. Along with a generous selection of color reproductions of the artists' work, this volume includes essays by exhibition curators Lauren Cornell, Massimiliano Gioni and Laura Hoptman, along with an anthology of reprinted texts by a diverse group of writers--including philosophers, sociologists and technology experts--which contextualize the work within the significant events of the past 30 years--for example, globalization and the increased networking of culture and daily life.
Classification:
livres
livres
Publication:
janvier 2009
janvier 2009
Sujet:
Expositions collectives
Expositions collectives
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livres
livres
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$45.95
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Résumé:
Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected(...)
$45.95
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Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected(...)
Titre:
Make everything new: a project on communism
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$45.95
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Résumé:
Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected counter-narratives, abstract and unrealistic ideas, engaged political commentary and satirical work, that presents neither an historical or comprehensive overview nor a requiem for the past. It is a collection of partial and subjective accounts of various creative practices, an experimental platform for ideas and an attempt to see in what ways the communist imagination can be materialised as art. Contributors include: 16Beaver, Gopal Balakrishnan, Michael Blum, AA Bronson, Maria Eichorn, Factotum, Dmitry Gutov, Wu Ming, Aleksandra Mir, Sarah Pierce/The Metropolitan Complex, CK Rajan, Raqs Media Collective, Dont Rhine, Martha Rosler, Rob Stone, Alberto Toscano, and Klaus Weber.
Make everything new: a project on communism
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$45.95
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Résumé:
Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected counter-narratives, abstract and unrealistic ideas, engaged political commentary and satirical work, that presents neither an historical or comprehensive overview nor a requiem for the past. It is a collection of partial and subjective accounts of various creative practices, an experimental platform for ideas and an attempt to see in what ways the communist imagination can be materialised as art. Contributors include: 16Beaver, Gopal Balakrishnan, Michael Blum, AA Bronson, Maria Eichorn, Factotum, Dmitry Gutov, Wu Ming, Aleksandra Mir, Sarah Pierce/The Metropolitan Complex, CK Rajan, Raqs Media Collective, Dont Rhine, Martha Rosler, Rob Stone, Alberto Toscano, and Klaus Weber.
Classification:
livres
livres
Publication:
janvier 2006, London
janvier 2006, London
Classification:
livres
livres
Titre:
Marshall McLuhan : unbound
Marshall McLuhan : unbound
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$41.95
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Résumé:
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and(...)
$41.95
(disponible sur commande)
Résumé:
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and(...)
Titre:
Marshall McLuhan : unbound
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$41.95
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Résumé:
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and interviews, "McLuhan : unbound" gives you offprints of the original essays. See how the two McLuhans, the literary academic and the public media expert are really one. Some of these articles were written before the subsequent book was envisioned: they are preliminary forays into new territory. Some were written after the book and encapsulate major themes; some set out additional discoveries or matters left out of the book; some present material discovered as a result of writing the book. The McLuhan "Unbound" offprints series is not the last word in presenting McLuhan´s ideas and discoveries, but the first.
Marshall McLuhan : unbound
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Prix:
$41.95
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Résumé:
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and interviews, "McLuhan : unbound" gives you offprints of the original essays. See how the two McLuhans, the literary academic and the public media expert are really one. Some of these articles were written before the subsequent book was envisioned: they are preliminary forays into new territory. Some were written after the book and encapsulate major themes; some set out additional discoveries or matters left out of the book; some present material discovered as a result of writing the book. The McLuhan "Unbound" offprints series is not the last word in presenting McLuhan´s ideas and discoveries, but the first.
Classification:
livres
livres
Publication:
janvier 2001, Corte Madera
janvier 2001, Corte Madera
Sujet:
Théorie/ philosophie
Théorie/ philosophie
