8415 Résultats
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In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its(...)
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In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its(...)
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Chronophobia : on time in the art of the 1960's
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In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology. Lee discusses the chronophobia of art relative to the emergence of the Information Age in postwar culture. The accompanying rapid technological transformations, including the advent of computers and automation processes, produced for many an acute sense of historical unknowing; the seemingly accelerated pace of life began to outstrip any attempts to make sense of the present. Lee sees the attitude of 1960s art to time as a historical prelude to our current fixation on time and speed within digital culture. Reflecting upon the 1960s cultural anxiety about temporality, she argues, helps us historicize our current relation to technology and time.
Chronophobia : on time in the art of the 1960's
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In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology. Lee discusses the chronophobia of art relative to the emergence of the Information Age in postwar culture. The accompanying rapid technological transformations, including the advent of computers and automation processes, produced for many an acute sense of historical unknowing; the seemingly accelerated pace of life began to outstrip any attempts to make sense of the present. Lee sees the attitude of 1960s art to time as a historical prelude to our current fixation on time and speed within digital culture. Reflecting upon the 1960s cultural anxiety about temporality, she argues, helps us historicize our current relation to technology and time.
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livres
livres
Publication:
mai 2004, Cambridge, Mass.
mai 2004, Cambridge, Mass.
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livres
livres
Titre:
Phil Frost
Phil Frost
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Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his(...)
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Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his(...)
Publication:
mai 2008, Bologna
mai 2008, Bologna
Titre:
Phil Frost
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Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his intricate, compulsive and highly evolved form of tagging. Frost's gallery exhibitions are crowded affairs, filled with wildly patterned totemic objects and baseball bats while the walls are stacked with colorful mixed media paintings. He crafts his painstaking paintings by collaging layers of found imagery on grounds of symmetrical black-and-white patterning, which he paints with correction fluid, and that often morph into language-like glyphs or symbols. Frost states, "I believe [my work] is indigenous to myself. I believe that within every person there is an indigenous expression of themselves." Including an essay by New York journalist Carlo McCormick and notorious lowbrow artist Pusshead, this is Frost's first monograph, and an invaluable introduction to the evolution of his style.
Phil Frost
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Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his intricate, compulsive and highly evolved form of tagging. Frost's gallery exhibitions are crowded affairs, filled with wildly patterned totemic objects and baseball bats while the walls are stacked with colorful mixed media paintings. He crafts his painstaking paintings by collaging layers of found imagery on grounds of symmetrical black-and-white patterning, which he paints with correction fluid, and that often morph into language-like glyphs or symbols. Frost states, "I believe [my work] is indigenous to myself. I believe that within every person there is an indigenous expression of themselves." Including an essay by New York journalist Carlo McCormick and notorious lowbrow artist Pusshead, this is Frost's first monograph, and an invaluable introduction to the evolution of his style.
Classification:
livres
livres
Publication:
mai 2008, Bologna
mai 2008, Bologna
Classification:
livres
livres
Titre:
Mad Dinner
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table(...)
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table(...)
Publication:
janvier 2008, Barcelona
janvier 2008, Barcelona
Titre:
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table those who don't usually come together in real life to share their experiences, opinions, and observations. Their concerns are really also our concerns." Mad Dinner MAD is a Beijing-based studio that has won numerous international design competitions, including the Absolute Tower in Toronto. Divided thematically, the book looks at MADs designs to illustrate the freedoms and limitations of the worlds fastest growing urbanization. It explores idealism and free market realities, the role of the media and cultural icons, enacting change in Chinas political landscape, and projects for environmental protection. A journalistic approach with a series of interviews reconnects architecture to the daily cultural landscape: A taxi driver speaks on China's economy, a doctor describes his ideal architecture.
Mad Dinner
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$49.95
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table those who don't usually come together in real life to share their experiences, opinions, and observations. Their concerns are really also our concerns." Mad Dinner MAD is a Beijing-based studio that has won numerous international design competitions, including the Absolute Tower in Toronto. Divided thematically, the book looks at MADs designs to illustrate the freedoms and limitations of the worlds fastest growing urbanization. It explores idealism and free market realities, the role of the media and cultural icons, enacting change in Chinas political landscape, and projects for environmental protection. A journalistic approach with a series of interviews reconnects architecture to the daily cultural landscape: A taxi driver speaks on China's economy, a doctor describes his ideal architecture.
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livres
livres
Publication:
janvier 2008, Barcelona
janvier 2008, Barcelona
Classification:
livres
livres
Titre:
The design culture reader
The design culture reader
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$50.95
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Design is part of ordinary, everyday life, to be found in every room in every building in the world. While we may tend to think of design in terms of highly desirable objects, this book encourages us to think about design as ubiquitous (from plumbing to television) and as an agent of social change (from telephones to weapon systems). The Design Culture Reader brings(...)
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Design is part of ordinary, everyday life, to be found in every room in every building in the world. While we may tend to think of design in terms of highly desirable objects, this book encourages us to think about design as ubiquitous (from plumbing to television) and as an agent of social change (from telephones to weapon systems). The Design Culture Reader brings(...)
Titre:
The design culture reader
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$50.95
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Design is part of ordinary, everyday life, to be found in every room in every building in the world. While we may tend to think of design in terms of highly desirable objects, this book encourages us to think about design as ubiquitous (from plumbing to television) and as an agent of social change (from telephones to weapon systems). The Design Culture Reader brings together an international array of writers whose work is of central importance for thinking about design culture in the past, present and future. Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world. Organised in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas - especially globalisation, ecology, and the changing experiences of modern life. Particular essays focus on topics such as design and the senses, design and war and design and technology, while the editor's introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought.
The design culture reader
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$50.95
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Design is part of ordinary, everyday life, to be found in every room in every building in the world. While we may tend to think of design in terms of highly desirable objects, this book encourages us to think about design as ubiquitous (from plumbing to television) and as an agent of social change (from telephones to weapon systems). The Design Culture Reader brings together an international array of writers whose work is of central importance for thinking about design culture in the past, present and future. Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world. Organised in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas - especially globalisation, ecology, and the changing experiences of modern life. Particular essays focus on topics such as design and the senses, design and war and design and technology, while the editor's introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought.
Classification:
livres
livres
Publication:
août 2008, London, New York
août 2008, London, New York
Sujet:
Théorie du design
Théorie du design
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livres
livres
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$32.95
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin,(...)
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin,(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
mars 2007, Montréal, Kingston, London, Ithaca
mars 2007, Montréal, Kingston, London, Ithaca
Titre:
Urban enigmas : Montréal, Toronto, and the problem of comparing cities
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The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin, and Berlin", address theoretical and methodological aspects of comparison, while case-studies examine the mutually constituted identities of Montreal and Toronto through examples of travel writing, public art, film festivals, theatrical performances, diasporic communities, ethnic festivals, and urban media. Comparison is shown to be not only something performed by experts but a deeply embedded, everyday social practice that contributes to the mutable identities of cities. "Urban enigmas" demonstrates that the accumulation of urban actions, encounters, experiences, and relationships create distinctive patterns that make it possible to recognize the particularity of cities. Contributors include Alan Blum (York), Kieran Bonner (St. Jerome's), Jenny Burman (McGill), Jean-François Côté (Université du Québec à Montréal), Michael Darroch (York), Nicholas DeMaria Harney (Western Australia), Kevin Dowler (York & Toronto), Dipti Gupta (Dawson College), Janine Marchessault (York), Jean-François Morissette (Université du Québec à Montréal), and Greg Nielsen (Concordia).
Urban enigmas : Montréal, Toronto, and the problem of comparing cities
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$32.95
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Résumé:
The practice of comparison is implicit in every act of imagining, representing, and studying urban experience. "Urban enigmas" contributes to recent interdisciplinary interest in cities by introducing comparison as a key methodology for urban cultural analysis. Contributors, part of the collaborative research project "The Culture of Cities : Montreal, Toronto, Dublin, and Berlin", address theoretical and methodological aspects of comparison, while case-studies examine the mutually constituted identities of Montreal and Toronto through examples of travel writing, public art, film festivals, theatrical performances, diasporic communities, ethnic festivals, and urban media. Comparison is shown to be not only something performed by experts but a deeply embedded, everyday social practice that contributes to the mutable identities of cities. "Urban enigmas" demonstrates that the accumulation of urban actions, encounters, experiences, and relationships create distinctive patterns that make it possible to recognize the particularity of cities. Contributors include Alan Blum (York), Kieran Bonner (St. Jerome's), Jenny Burman (McGill), Jean-François Côté (Université du Québec à Montréal), Michael Darroch (York), Nicholas DeMaria Harney (Western Australia), Kevin Dowler (York & Toronto), Dipti Gupta (Dawson College), Janine Marchessault (York), Jean-François Morissette (Université du Québec à Montréal), and Greg Nielsen (Concordia).
Classification:
livres
livres
Publication:
mars 2007, Montréal, Kingston, London, Ithaca
mars 2007, Montréal, Kingston, London, Ithaca
Sujet:
Architecture du Canada
Architecture du Canada
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livres
livres
Titre:
The modern interior
The modern interior
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Today’s home is filled with pieces from Pottery Barn, IKEA, and Crate & Barrel, and we pore over glossy catalogs in hopes of achieving the “modern interior.” This idealized aesthetic is the subject of Penny Sparke’s study, as she explores the style in both its absolute form and the diverse decorating approaches seen in the contemporary home. The shift from(...)
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Today’s home is filled with pieces from Pottery Barn, IKEA, and Crate & Barrel, and we pore over glossy catalogs in hopes of achieving the “modern interior.” This idealized aesthetic is the subject of Penny Sparke’s study, as she explores the style in both its absolute form and the diverse decorating approaches seen in the contemporary home. The shift from(...)
Titre:
The modern interior
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$39.00
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Today’s home is filled with pieces from Pottery Barn, IKEA, and Crate & Barrel, and we pore over glossy catalogs in hopes of achieving the “modern interior.” This idealized aesthetic is the subject of Penny Sparke’s study, as she explores the style in both its absolute form and the diverse decorating approaches seen in the contemporary home. The shift from Victorian to modern style, The Modern Interior reveals, was not as simple and smooth as it is often perceived and the book probes the complicated history behind that transition. Sparke examines the work of such designers as Marcel Breuer, Frank Lloyd Wright, Charles and Ray Eames, and Mies van der Rohe, and draws upon design examples from the United States and Europe to reveal that, unlike the designed exteriors of buildings and institutions, the idea of the “interior” has been a largely abstract conception promoted through exhibitions, retail stores, and mass media. A comprehensive and in-depth investigation of the design environments we live and play in, The Modern Interior will be essential reading for all scholars and interested observers of architecture and modern design culture.
The modern interior
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Today’s home is filled with pieces from Pottery Barn, IKEA, and Crate & Barrel, and we pore over glossy catalogs in hopes of achieving the “modern interior.” This idealized aesthetic is the subject of Penny Sparke’s study, as she explores the style in both its absolute form and the diverse decorating approaches seen in the contemporary home. The shift from Victorian to modern style, The Modern Interior reveals, was not as simple and smooth as it is often perceived and the book probes the complicated history behind that transition. Sparke examines the work of such designers as Marcel Breuer, Frank Lloyd Wright, Charles and Ray Eames, and Mies van der Rohe, and draws upon design examples from the United States and Europe to reveal that, unlike the designed exteriors of buildings and institutions, the idea of the “interior” has been a largely abstract conception promoted through exhibitions, retail stores, and mass media. A comprehensive and in-depth investigation of the design environments we live and play in, The Modern Interior will be essential reading for all scholars and interested observers of architecture and modern design culture.
Classification:
livres
livres
Publication:
mai 2008, london
mai 2008, london
Sujet:
Design d’intérieur
Design d’intérieur
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livres
livres
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$71.95
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first(...)
$71.95
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first(...)
Titre:
Eyes that saw: Architecture after Las Vegas
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$71.95
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first publication in 1972. The treatise excited the 1970s architecture world and has remained influential to architects, teachers and theoreticians to the present day. Some forty years later, 'Eyes that Saw: Architecture after Las Vegas' offers a richly illustrated collection of essays by renowned scholars of art and architectural history, eminent architects, and artists, investigating Learning from Las Vegas and its heritage from various perspectives. Each chapter builds on the knowledge of the radical influence it had on architecture and urban design, visual art, and even on history more generally. Published alongside are documents from the Venturi, Scott Brown & Associates Archive at the University of Pennsylvania, as well as an illustrated chronology of the resonance in international media following the publication of Learning from Las Vegas in 1972.
Eyes that saw: Architecture after Las Vegas
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$71.95
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At the peak of the 1968/69 students' riots at American Universities, Robert Venturi and Denise Scott Brown, together with Steven Izenour, pursued their Design and Research Studio on the topic of Las Vegas at Yale School of Architecture. The results of this were condensed into the book 'Learning from Las Vegas' that became a classic almost instantly upon its first publication in 1972. The treatise excited the 1970s architecture world and has remained influential to architects, teachers and theoreticians to the present day. Some forty years later, 'Eyes that Saw: Architecture after Las Vegas' offers a richly illustrated collection of essays by renowned scholars of art and architectural history, eminent architects, and artists, investigating Learning from Las Vegas and its heritage from various perspectives. Each chapter builds on the knowledge of the radical influence it had on architecture and urban design, visual art, and even on history more generally. Published alongside are documents from the Venturi, Scott Brown & Associates Archive at the University of Pennsylvania, as well as an illustrated chronology of the resonance in international media following the publication of Learning from Las Vegas in 1972.
Classification:
livres
livres
Publication:
juin 2019
juin 2019
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
périodiques
périodiques
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$36.00
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Sound is everywhere and plays a crucial role in the experience and perception of public space. Nevertheless, in the reflection about that space and its organization, the visual image usually takes centre stage. Over recent years, however, there seems to have been a sensitization to the auditory aspects of daily life and the public domain. In the visual arts in particular,(...)
$36.00
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Sound is everywhere and plays a crucial role in the experience and perception of public space. Nevertheless, in the reflection about that space and its organization, the visual image usually takes centre stage. Over recent years, however, there seems to have been a sensitization to the auditory aspects of daily life and the public domain. In the visual arts in particular,(...)
Titre:
Open 9 Sound : sound in art and culture
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$36.00
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Sound is everywhere and plays a crucial role in the experience and perception of public space. Nevertheless, in the reflection about that space and its organization, the visual image usually takes centre stage. Over recent years, however, there seems to have been a sensitization to the auditory aspects of daily life and the public domain. In the visual arts in particular, but also in architecture and landscape architecture, people are studying the potential of sound as an element that can lend meaning in relation to social or spatial surroundings. The medium of radio seems to be undergoing a cultural revival, and research into image-sound relationships has become an important subject within the field of 'cultural studies'. What is the role of sound and the sense of hearing in the public domain? An investigation of the topicality and the effects of sound, from the perspectives of cultural philosophy, art theory and media theory, could provide fresh insights into the current conditions of the public domain. With contributions by Jonathan Sterne, Dirk van Weelden, Edwin Carels, Moniek Toebosch, Suzanne van de Ven, Studio Popcorn, RadioDays and many others.
Open 9 Sound : sound in art and culture
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$36.00
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Sound is everywhere and plays a crucial role in the experience and perception of public space. Nevertheless, in the reflection about that space and its organization, the visual image usually takes centre stage. Over recent years, however, there seems to have been a sensitization to the auditory aspects of daily life and the public domain. In the visual arts in particular, but also in architecture and landscape architecture, people are studying the potential of sound as an element that can lend meaning in relation to social or spatial surroundings. The medium of radio seems to be undergoing a cultural revival, and research into image-sound relationships has become an important subject within the field of 'cultural studies'. What is the role of sound and the sense of hearing in the public domain? An investigation of the topicality and the effects of sound, from the perspectives of cultural philosophy, art theory and media theory, could provide fresh insights into the current conditions of the public domain. With contributions by Jonathan Sterne, Dirk van Weelden, Edwin Carels, Moniek Toebosch, Suzanne van de Ven, Studio Popcorn, RadioDays and many others.
Classification:
périodiques
périodiques
Publication:
janvier 1900
janvier 1900
Sujet:
Revues
Revues
Classification:
livres
livres
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$43.95
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''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of(...)
$43.95
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''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of(...)
Titre:
An anthology of Blackness: the state of Black design
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$43.95
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''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in ''An anthology of Blackness'' include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, ''An anthology of Blackness'' is a pioneering contribution to the literature of social justice.
An anthology of Blackness: the state of Black design
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$43.95
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Résumé:
''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in ''An anthology of Blackness'' include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, ''An anthology of Blackness'' is a pioneering contribution to the literature of social justice.
Classification:
livres
livres
Publication:
octobre 2023
octobre 2023
Sujet:
Théorie du design
Théorie du design
Classification:
livres
livres
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$34.99
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"Horror in architecture" presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of(...)
$34.99
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Résumé:
"Horror in architecture" presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of(...)
Titre:
Horror in architecture: The reanimated edition
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Prix:
$34.99
(disponible sur commande)
Résumé:
"Horror in architecture" presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of horror as a serious aesthetic category, "Horror in architecture" establishes incisive links between contemporary horror media and its parallel traits found in various architectural designs. Through chapters dedicated to distorted and monstrous buildings, abandoned spaces, extremes of scale, and other structural peculiarities, and featuring new essays on insurgent natures, blobs, and architectural puppets, this volume brings together diverse architectural anomalies and shows how their unsettling effects deepen our fascination with the unreal. Intended for both horror fans and students of visual culture, Horror in Architecture turns a unique lens on the relationship between the human body and the artificial landscapes it inhabits. Extensively illustrated with photographs, film stills, and diagrams, this book retrieves horror from the cultural fringes and demonstrates how its attributes permeate the modern condition and the material world.
Horror in architecture: The reanimated edition
Actions:
Prix:
$34.99
(disponible sur commande)
Résumé:
"Horror in architecture" presents an unflinching look at how horror genre tropes manifest in the built environment. Spanning the realms of art, design, literature, and film, this newly revised and expanded edition compiles examples from all areas of popular culture to form a visual anthology of the architectural uncanny. Rooted in the Romantic and Gothic treatment of horror as a serious aesthetic category, "Horror in architecture" establishes incisive links between contemporary horror media and its parallel traits found in various architectural designs. Through chapters dedicated to distorted and monstrous buildings, abandoned spaces, extremes of scale, and other structural peculiarities, and featuring new essays on insurgent natures, blobs, and architectural puppets, this volume brings together diverse architectural anomalies and shows how their unsettling effects deepen our fascination with the unreal. Intended for both horror fans and students of visual culture, Horror in Architecture turns a unique lens on the relationship between the human body and the artificial landscapes it inhabits. Extensively illustrated with photographs, film stills, and diagrams, this book retrieves horror from the cultural fringes and demonstrates how its attributes permeate the modern condition and the material world.
Classification:
livres
livres
Publication:
janvier 2024
janvier 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
