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Perhaps China's most internationally acclaimed architect, Yung Ho Chang is particularly concerned with architecture's role in expressing and reflecting the indigenous culture. He advocates the wide use of bamboo as a building material in Chinese urban design, as put forth in his Bamboo City, exhibited at the Venice Biennale in 2000, but while he focuses attention on the(...)
Architecture, monographies
avril 2003, New York
Yung Ho Chang / Atelier Feichang Jianzu : a Chinese practice
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Perhaps China's most internationally acclaimed architect, Yung Ho Chang is particularly concerned with architecture's role in expressing and reflecting the indigenous culture. He advocates the wide use of bamboo as a building material in Chinese urban design, as put forth in his Bamboo City, exhibited at the Venice Biennale in 2000, but while he focuses attention on the changes taking place in Beijing, he is mindful of the globalizing context in which the city is developing. In the past decade, Chang and his Atelier FCIZ (fei chang jan zhu, or unusual architecture), which he founded in the early 1990s as Beijing's first private architectural firm, have created a wide range of intellectually provocative urban projects in China that continue to receive acclaim.
Architecture, monographies
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''Digital Monuments'' radically explodes "iconic architecture" of the new millennium and its hijacking of the public imagination via the digital image. Hallucinatory constructions such as Rem Koolhaas’s CCTV headquarters in Beijing, Frank Gehry’s Guggenheim Museum in Bilbao and Zaha Hadid’s Performing Arts Centre in Abu Dhabi are all introduced to the world by immortal(...)
Digital monuments: The dreams and abuses of iconic architecture
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''Digital Monuments'' radically explodes "iconic architecture" of the new millennium and its hijacking of the public imagination via the digital image. Hallucinatory constructions such as Rem Koolhaas’s CCTV headquarters in Beijing, Frank Gehry’s Guggenheim Museum in Bilbao and Zaha Hadid’s Performing Arts Centre in Abu Dhabi are all introduced to the world by immortal digital imagery that floods the internet- yet comes to haunt the actualised buildings. Like holograms, these "digital monuments," which violently push physics and engineering to their limits, flicker eerily between the real and the unreal- invoking fantasies of omnipotence, immortality and utopian cities. But this experience of iconic architecture as a digital dream on the ground conceals from the urban spectator the social reality of the buildings and the rigidity of their ideology.
Théorie de l’architecture
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It is not easy to name an architect who can invent as much, and as poetically and rigorously, as Kengo Kuma. This issue of AV Monographs takes stock of his firm’s extensive output of the past five years through 32 works and 8 projects, presenting them in five groups. From the New National Stadium of Japan which is nearing completion for the Olympic Games to the(...)
AV Monographs 218-219 : Kengo Kuma 2014-2019
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It is not easy to name an architect who can invent as much, and as poetically and rigorously, as Kengo Kuma. This issue of AV Monographs takes stock of his firm’s extensive output of the past five years through 32 works and 8 projects, presenting them in five groups. From the New National Stadium of Japan which is nearing completion for the Olympic Games to the competition the studio won recently to extend the Gulbenkian Foundation in Lisbon, via works like the Victoria & Albert Museum in Scotland, the Cultural Village in the Portland Japanese Garden, the refurbishment of a traditional courtyard-house in Beijing or the Camper Store in Barcelona. This taxonomy gives a good idea of the scope of his ambition.
Revues
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Pulitzer Prize–winning critic Paul Goldberger’s tenure at The New Yorker has documented a captivating era in the world of architecture, one in which larger-than-life buildings, urban schemes, historic preservation battles, and personalities have commanded an international stage. Goldberger’s keen observations and sharp wit make him one of the most insightful and(...)
Building up and tearing down: reflections on the age of architecture
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Pulitzer Prize–winning critic Paul Goldberger’s tenure at The New Yorker has documented a captivating era in the world of architecture, one in which larger-than-life buildings, urban schemes, historic preservation battles, and personalities have commanded an international stage. Goldberger’s keen observations and sharp wit make him one of the most insightful and passionate architectural voices of our time. In this collection of fifty-seven essays, the critic Tracy Kidder called “America’s foremost interpreter of public architecture” ranges from Havana to Beijing, from Chicago to Las Vegas, dissecting everything from skyscrapers by Norman Foster and museums by Tadao Ando to airports, monuments, suburban shopping malls, and white-brick apartment houses. This is a comprehensive account of the best—and the worst—of the “age of architecture.”
Théorie de l’architecture
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003,(...)
Marcosandmarjan : interfaces / intrafaces
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marcosandmarjan is a studio that combines the practice and teaching of architecture, along with experimental design research at the Bartlett School of Architecture UCL. The unit and studio work has been widely published and exhibited. This includes the ‘Actions re Form’ exhibitions in Coimbra and Munique in 2002, the Rotterdam Biennial and the São Paulo Biennial in 2003, and the participation in the `Metaflux´ exhibition at the Venice Biennale in 2004. They just finished two pavilions and the general layout for the 75th Lisbon Book Fair in Portugal and are currently developing a large entertainment complex in Beijing. With "Interfaces / Intrafaces" marcosandmarjan present for the first time a comprehensive monographic documentation of their work within the scope of the Consequence Book Series on Fresh Architecture. The book contains an introduction by Peter Cook and numerous colored illustrations.
petits formats
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This book presents more than thirty of the architect's recent works, including high-profile commissions such as the Suntory Museum in Tokyo and the Ondo Civic Center in Kure; the exquisite Lotus House in Zushi; large-scale urban developments like Sanlitun Village South in Beijing; as well as tea pavilions and installations that have exhibited in the United States,(...)
Material immaterial: the new work of Kengo Kuma
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This book presents more than thirty of the architect's recent works, including high-profile commissions such as the Suntory Museum in Tokyo and the Ondo Civic Center in Kure; the exquisite Lotus House in Zushi; large-scale urban developments like Sanlitun Village South in Beijing; as well as tea pavilions and installations that have exhibited in the United States, England, Italy, South Korea, China, Germany, and France, many of them never before published. The book also includes an extended essay on the evolution of the architect s work, from the founding of Kengo Kuma and Associates in 1990 to the present. An accompanying exhibit the first retrospective of the architect's work, also titled Material Immaterial displayed at the University of Illinois at Urbana-Champaign in late 2008 and will travel to locales around the world over the next two years.
Architecture, monographies
livres
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Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University’s Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koohaas describes alternative strategies for preserving Beijing, China. The second talk marks(...)
Preservation is over taking us
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Preservation is Overtaking Us brings together two lectures given by Rem Koolhaas at Columbia University’s Graduate School of Architecture, Planning and Preservation, along with a response (framed as a supplement to the original lectures) by Jorge Otero-Pailos. In the first essay Koohaas describes alternative strategies for preserving Beijing, China. The second talk marks the inaugural Paul Spencer Byard lecture, named in celebration of the longtime professor of Historic Preservation at GSAPP. These two lectures trace key moments of Koolhaas’ thinking on preservation, including his practice’s entry into China and the commission to redevelop the State Hermitage Museum in St. Petersburg, Russia. In a format well known to Koolhaas’ readers, Otero-Pailos reworks the lectures into a retroactive manifesto, using it to interrogate OMA’s work from within the discipline of preservation. This is the first book in the new GSAPP Transcripts series.
livres
novembre 2014
Théorie de l’architecture
The new urban house
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Architects face many challenges when designing a modern urban house. Environmental performance, aesthetics, technical logistics, material concerns, site constraints—these are all considerations that have the potential to limit what architects can achieve, but that also can inspire creative solutions. In addition, each city’s history, obstacles, and opportunities influence(...)
The new urban house
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Architects face many challenges when designing a modern urban house. Environmental performance, aesthetics, technical logistics, material concerns, site constraints—these are all considerations that have the potential to limit what architects can achieve, but that also can inspire creative solutions. In addition, each city’s history, obstacles, and opportunities influence local design approaches. Jonathan Bell and Ellie Stathaki have selected urban structures from around the world to serve as both exemplary solutions and standout works of art—in Beijing and Mexico City, Athens and Tokyo, Los Angeles and Cape Town. By examining buildings on six continents, from both emerging architects and established studios such as Zaha Hadid Architects, MVRDV, and Johnston Marklee, this stunning volume explores the many ways in which architecture can enhance the experience of dwelling in a modern city by responding to traditional styles and challenges of site and providing a broader understanding of place.
Architecture résidentielle
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In 1946 Ove Arup, a leading engineer of the twentieth century, founded a firm of consulting engineers that brought to fruition such iconic structures as the Sydney Opera House, the Olympic Village in Beijing, London’s Millennium Bridge, the Beaubourg Centre in Paris, the Channel Tunnel Rail Link, and Kansai Airport in Japan among many others. Devoted to a “commonsense”(...)
Ove Arup : masterbuilder of the twentieth century
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In 1946 Ove Arup, a leading engineer of the twentieth century, founded a firm of consulting engineers that brought to fruition such iconic structures as the Sydney Opera House, the Olympic Village in Beijing, London’s Millennium Bridge, the Beaubourg Centre in Paris, the Channel Tunnel Rail Link, and Kansai Airport in Japan among many others. Devoted to a “commonsense” reform of engineering and architectural practice, Arup (1895-1988) pioneered the way for modern architects and engineers to collaborate successfully and responsibly on large projects. Peter Jones, the first researcher to have full access to the vast private Arup archives, tells the story of Ove Arup’s extraordinary life, his social, aesthetic, and environmental concerns, and his practical contributions during a period of political and technological upheaval. Jones also offers a revelatory new account of the Sydney Opera House and the character of those involved in its complex construction.
Architecture, monographies
Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely(...)
Ai Weiwei: art, architecture
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Since constructing his own studio in 1999, the Chinese artist Ai Weiwei has designed or collaborated with other architects on a wide range of architectural projects. These collaborations were the subject of Ai Weiwei: Art/Architecture, a 2011 exhibition at the Kunsthaus Bregenz in Austria, which this catalogue accompanies. A highlight of this overview is the widely celebrated “Bird’s Nest” Beijing National Stadium, a collaboration between Ai and the Swiss architecture firm Herzog & de Meuron that was constructed for the 2008 Olympic Games. Another feature is a new work based on a project titled “Ordos 10” for which Ai invited 100 young architectural firms worldwide to design single-family houses for Ordos City in Inner Mongolia. An essay in the catalogue examines the role of architecture in relation to Ai’s political activities, an issue of particular relevance since his arrest and conditional release in 2011.