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Tony Conrad : yellow movies
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all(...)
Tony Conrad : yellow movies
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all the Yellow Movies still in existence. Art in America's David Coggins described the project in 2007: "Yellow Movies, a series of works from the early 1970s by pioneering filmmaker Tony Conrad, initially appears to be nothing more than white squares enclosed by black borders painted on large sheets of paper. Yet these casual paintings, roughly the size of old home-movie screens, are formed by latex house paint that slowly yellows over time, creating what are essentially unhurried photographic exposures. Conrad sought to make abstract films that would last a lifetime, and there's a discreet thrill to knowing that what you're seeing is changing, invisibly, before your eyes."
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février 2009
$56.95
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In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate(...)
Aurelia: art and literature through the mouth of the fairy tale
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In 'Aurelia', Mavor takes special interest in the fairy tale’s gastronomy, including Alice’s Wonderland cake marked eat me, the sugar of the witch’s house in ‘Hansel and Gretel’ and the more disturbing ingestions of cannibalism, as in the Brothers Grimm’s ‘The Juniper Tree’, where a murdered boy sings through the mouth of a bird: ‘My mother she killed me. My father he ate me.’ Moving beyond this, Mavor discovers the fairy-tale realm in more surprising places: the tragic candy-land poetry of the 1950s ‘genius’ child-poet Minou Drouet; the subterranean world of enchantment in the cave paintings of Lascaux; the brown fairies of African American poet Langston Hughes; and Miwa Yanagi’s black-and-white, bloody photograph of the Grandmother and Little Red Riding Hood holding one another in the cut open belly of the wolf, as an allegory of the victims of Hiroshima. Through the lens of the fairy tale Mavor reads the world of literature and art as both magical and political.
Littérature et poésie
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Sugimoto : architecture
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
Monographies photo
mars 2003, New York
Sugimoto : architecture
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
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mars 2003, New York
Monographies photo
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This charmingly illustrated volume showcases iconic structures from the world’s most important and most architecturally interesting cities—sure to appeal to amateur enthusiasts, aspiring architects, and even professionals. This book presents unique visual profiles of the most iconic buildings in the world, from twenty-five of the most important and most visited cities.(...)
Iconic buildings: a folio of the world's most remarkable architecture
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This charmingly illustrated volume showcases iconic structures from the world’s most important and most architecturally interesting cities—sure to appeal to amateur enthusiasts, aspiring architects, and even professionals. This book presents unique visual profiles of the most iconic buildings in the world, from twenty-five of the most important and most visited cities. Featuring remarkably detailed line drawings elegantly rendered in black and white, these captivating artworks and the accompanying text help the reader learn each structure’s history and understand what makes them so visually and culturally iconic. With the aim of exploring and communicating the deeper qualities of architecture by looking at it from new angles and presenting it in fresh and engaging ways, the illustrations are distinctive and elegant—inspired by Studio Esinam’s Landmarks and Elevations series of prints. Among the buildings included are such global icons as New York’s Chrysler Building, London’s St. Paul’s Cathedral, and the Sydney Opera House, along with lesser-known yet equally outstanding structures like the Centre Pompidou in Paris or Mies van der Rohe’s Neue Nationalgalerie in Berlin.
Architecture contemporaine
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Claus Bury began his career as a jeweler, and the architectural sculpture he's been making since 1979 retains the rounded shapes, balance and smooth finish of his first trade. High Tide, Low Tide tracks Bury's most recent accomplishments, and, for the first time, includes excerpts from his sketchbooks and journals. Pages detailing his recent travels in Yucatan, Mexico(...)
mai 2007, Ostfildern
Claus Bury : High tide - low tide
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Claus Bury began his career as a jeweler, and the architectural sculpture he's been making since 1979 retains the rounded shapes, balance and smooth finish of his first trade. High Tide, Low Tide tracks Bury's most recent accomplishments, and, for the first time, includes excerpts from his sketchbooks and journals. Pages detailing his recent travels in Yucatan, Mexico appear alongside black-and-white photographs of Mayan temples. Photographs of Bury's farm works, made of bales of hay, show the influence of the Mayans' iconic geometric purity. Other materials illuminate the artist's latest curved and boned structures, many wooden, by comparing them to ships. And the production of his largest work to date, the 2006 "Bitterfeld Arch," a multi-story steel bridge to nowhere, is documented from the ground up--eight months from start to ribbon-cutting--and contrasted with the "Greenhouse for Thoughts," a 2005 wooden installation shaped like a house frame, with a forest of studs where the walls would be. Though Bury was trained in Germany and is based there, he has taught at RISD, won an NEA grant, and seen his work shown at The Metropolitan Museum of Art, New York.
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From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype(...)
Young America : the daguerrotypes of Southworth & Hawes
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From 1845 to 1862, the Boston partnership of Albert Sands Southworth and Josiah Johnson Hawes maintained the most celebrated photography studio in the United States. Taking as their subjects both the greatest personalities of the day and the natural spectacles of the American landscape, such as Niagara Falls, Southworth & Hawes elevated the new medium of daguerreotype photography to the level of art. Transcending the mere recording of factual detail, their daguerreotypes reflect a quintessentially American aesthetic and embody an emerging national culture and spirit. "Young America" features full-scale color reproductions of all plates in the exhibition as well as 2,000 additional black-and-white illustrations. It includes a critical analysis of the historical and cultural importance of the work of Southworth & Hawes, with original texts by Brian Wallis, ICP Director of Exhibitions and Chief Curator, and Grant Romer, Director of the Advanced Program in Photography Conservation at George Eastman House, among other scholars. Appendices include a chronology, an annotated bibliography, an exploration of the daguerreotype process, brief biographies of the sitters, and a Southworth & Hawes family genealogy, making the catalogue an invaluable resource for researchers as well as general readers. The book includes an annotated bibliography, exhibition checklist and chronology.
Monographies photo
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective(...)
The details of modern architecture volume 1
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How did the great architects of this century reconcile their vision of architecture with the realities of building? "The details of modern architecture" provides comprehensive analysis of both the technical and the aesthetic importance of details in the development of architecture. With more than 500 illustrations, this book is providing a valuable collective resource. They present the details of notable architectural works drawn in similar styles and formats, allowing comparisons between works of different scales, periods, and styles. Covering the period 1890-1932, Ford focuses on various recognized masters, explaining the detailing and construction techniques that distort, camouflage, or enhance a building. He looks at the source of each architect's ideas, the translation of those ideas into practice, and the success or failure of the technical execution. Ford examines Frank Lloyd Wright's Robie House and Fallingwater Le Corbusier's Villa Savoye, and buildings by McKim, Mead & White, Lutyens, Mies van der Rohe, and Schindler from a point of view that acknowledges the importance of tradition, precedent, style, and ideology in architectural construction. He discusses critical details from a technical and contextual standpoint, considering how they perform how they add to or detract from the building as a whole, and how some have persisted and been adapted through time.
Modernisme
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once(...)
Modelling time: the permanent collection 1925-2014
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once hosted its biggest ever display in 1931. The collection testifies to a different modernism; not white and austere but colourful, diverse, and full of detail. Modelling Time gives an in-depth portrayal of the so-called ‘Permanent Collection’ of Norwegian scale models, photographs and drawings, tracing its international trajectory of exhibitions from Brussels in 1927 to its last appearance at the World’s Fair in New York in 1939. The book documents the collection’s heydays as part of a vivid international modernist culture, as well as its archival diaspora as it falls into oblivion after WWII. In an extensive, archive-based essay editors Lending and Hvattum give the full context of the collection, while Juliane Derry and Jorge Otero-Pailos look into the models’ materiality and issues of decay. Model scholars and architecture curators Barry Bergdoll, Carson Chan, Pippo Ciorra, Oliver Elser, Juliet Koss, Andres Lepik, Adam Lowe, Wallis Miller, Jorge Otero-Pailos, Léa-Catherine Szacka, and Victor Plathe Tschudi presents a variety of perspectives inspired by the Oslo collection.
Maquettes
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Since the first edition of "Edible Estates : Attack on the Front Lawn" was published in 2008, interest in edible gardening has exploded across the United States and abroad. This greatly expanded second edition of the book documents the eight Edible Estates regional prototype gardens that author Fritz Haeg has planted in California, Kansas, Texas, Maryland, New Jersey, New(...)
Edible estates : attack on the front lawn, 2nd edition
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Since the first edition of "Edible Estates : Attack on the Front Lawn" was published in 2008, interest in edible gardening has exploded across the United States and abroad. This greatly expanded second edition of the book documents the eight Edible Estates regional prototype gardens that author Fritz Haeg has planted in California, Kansas, Texas, Maryland, New Jersey, New York and England, and includes personal accounts from the homeowner-gardeners about the pleasures and challenges of publicly growing food where they live. Ten "Reports from Coast to Coast" tell the stories of others who have planted their own edible front yards in towns and cities across the country. In addition to essays by landscape architect and scholar Diana Balmori, edible-landscaping pioneer Rosalind Creasy, bestselling author and sustainable-food advocate Michael Pollan and artist and writer Lesley Stern, this edition features updated text by Haeg (including his observations on the Obama White House vegetable garden); a contribution from Mannahatta author Eric W. Sanderson; and Growing Power founder, MacArthur Fellow and urban farmer Will Allen's never-before-published Declaration of the Good Food Revolution. This is not a comprehensive how-to book, nor a showcase of impossibly perfect gardens. The stories presented here are intended to reveal something about how we are living today and to inspire readers to plant their own versions of an Edible Estate. If we see that our neighbor's typical grassy lawn instead can be a beautiful food garden, perhaps we will begin to look at the city around us with new eyes. Our private land can be a public model for the world in which we would like to live.
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any(...)
American Splendor : the residential architecture of Horace Trumbauer
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any kind of social connections whose formal education did not extend beyond the 10th grade. Yet the supremacy of Horace Trumbauer in the field of classically-inspired residential design is acknowledged by such diverse voices as art connoisseur Joseph Duveen, modernist icon Philip Johnson, and author Aldous Huxley. "American Splendor: The Residential Architecture of Horace Trumbauer," will place the achievements of this master creator of the American Great House before a wider and more discerning public. Working with clients whose names comprise a veritable who's who of America's industrial and financial moguls, Trumbauer's prodigious body of work graced both the exclusive enclaves of Newport, Rhode Island, Long Island, Philadelphia's Main Line and Elkins Park, and the vaunted precincts of New York's Fifth Avenue and Washington DC's Embassy Row. Allied with the finest landscape designers and interior decorators of his time, Trumbauer's elegant mansions represent the ultimate expression of a nation's ambition for grandeur and supremacy since those of the Italian Renaissance. Devoid of any wish for personal fame or artistic recognition, he hoped that his work would ultimately speak for itself. As "American Splendor: The Residential Architecture of Horace Trumbauer" demonstrates, it most certainly and eloquently does. In this first monograph on Horace Trumbauer, American Splendor introduces the genius of this American master architect to the world.
Histoire jusqu’à 1900