Hot questions - Cold storage: Architecture from Austria. The permanent exhibition at the Az W
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The new permanent display of Architekturzentrum Wien’s (Az W) collection is a milestone in the presentation of architecture and its social dimensions. ''Hot questions—cold storage'' is published alongside this comprehensive exhibition on Austrian architecture of the twentieth and twenty-first centuries, featuring color images of all exhibits, concise texts, and thematic(...)
mai 2023
Hot questions - Cold storage: Architecture from Austria. The permanent exhibition at the Az W
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$85.00
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The new permanent display of Architekturzentrum Wien’s (Az W) collection is a milestone in the presentation of architecture and its social dimensions. ''Hot questions—cold storage'' is published alongside this comprehensive exhibition on Austrian architecture of the twentieth and twenty-first centuries, featuring color images of all exhibits, concise texts, and thematic essays. This book reexamines the country’s architectural culture of the last 150 years, situating it in its cultural, social, and political contexts. Each chapter is prefaced by a question, asking, for example, about the impact of capitalism on our cities and villages or about the contribution architecture can make to our survival on the planet. These ''Hot questions'' bring to life the ''Cold storage''—the silent repository of the collection’s holdings. This book offers a multi-perspective narrative that presents Austria’s building history with all the developments, ideologies, and institutions it comprises. The social relevance of objects and documents is revealed through questioning and visualization, in connecting research and the museum’s mission to collect.
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How we deal with land has far-reaching implications for architecture and urban development. The last decade has seen a dramatic rise in the privatization of urban land and in speculation. Many European cities that today find themselves under extreme development pressure have virtually no land left to build on. In view of the acute housing shortage, the question of who(...)
Architecture on common ground: positions and models on the land property issue
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How we deal with land has far-reaching implications for architecture and urban development. The last decade has seen a dramatic rise in the privatization of urban land and in speculation. Many European cities that today find themselves under extreme development pressure have virtually no land left to build on. In view of the acute housing shortage, the question of who owns the land is therefore more relevant than ever. To what extent are we able to treat the land as a common good and guard it from the excesses of capitalism? ''Architecture on common ground'' provides a historical overview of land property from Henry George to the present. Interviews with stakeholders in global models provide insights into the current handling of the land issue. The book presents outstanding projects based on either a legal or spatial distribution of land and thus makes a valuable contribution to the current discussion on sustainable land policy.
Théorie de l’urbanisme
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''Ulaanbaatar: beyond water and grass'' is the first book in the English language that takes the visitors to an in-depth exploration of the capital of Mongolia. In the first section of the book, M. A. Aldrich paints a detailed portrait of the history, religion, and architecture of Ulaanbaatar with reference to how the city evolved from a monastic settlement to a(...)
Ulaanbaatar: beyond Water and Grass
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''Ulaanbaatar: beyond water and grass'' is the first book in the English language that takes the visitors to an in-depth exploration of the capital of Mongolia. In the first section of the book, M. A. Aldrich paints a detailed portrait of the history, religion, and architecture of Ulaanbaatar with reference to how the city evolved from a monastic settlement to a communist-inspired capital and finally to a major city of free-wheeling capitalism and Tammany Hall politics. The second section of the book offers the reader a tour of different sites within the city and beyond, bringing back to life the human dramas that have played themselves out on the stage of Ulaanbaatar. Where most guide books often lightly discuss the capital, this book reveals much that remains hidden from the temporary visitor and even from the long-term resident. Writing in a quirky, idiosyncratic style, the author shares his appreciation and delight in this unique urban setting- indeed, in all things Mongolian.
Expositions en cours
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The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In(...)
Saturation: Race, art, and the circulation of value
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The book uses saturation as an organizing concept, in part to suggest that current paradigms cannot encompass the complex realities of race. Saturation provides avenues to situate race as it relates to perception, science, aesthetics, the corporeal, and the sonic. In color theory, saturation is understood in terms of the degree to which a color differs from whiteness. In science, saturation points describe not only the moment in which race exceeds legibility, but also how diversity operates for institutions. Contributors consider how racialization, globalization, and the production and consumption of art converge in the art market, engaging such topics as racial capitalism, the aesthetics of colonialism, and disability cultures. They examine methods for theorizing race and representation, including “aboutness,” which interprets artworks by racialized subjects as being “about” race; modes of unruly, decolonized, and queer visual practices that resist disciplinary boundaries; and a model by which to think with and alongside blackness and indigeneity.
Théorie de l’art
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Under capitalism, economic growth is seen as the key to collective well-being. In "Self-Devouring Growth" Julie Livingston upends this notion, showing that while consumption-driven growth may seem to benefit a particular locale, it produces a number of unacknowledged, negative consequences that ripple throughout the wider world. Structuring the book as a parable in which(...)
septembre 2019
Self-devouring growth: a planetary fable as told from southern Africa
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Under capitalism, economic growth is seen as the key to collective well-being. In "Self-Devouring Growth" Julie Livingston upends this notion, showing that while consumption-driven growth may seem to benefit a particular locale, it produces a number of unacknowledged, negative consequences that ripple throughout the wider world. Structuring the book as a parable in which the example of Botswana has lessons for the rest of the globe, Livingston shows how fundamental needs for water, food, and transportation become harnessed to what she calls self-devouring growth: an unchecked and unsustainable global pursuit of economic growth that threatens catastrophic environmental destruction. As Livingston notes, improved technology alone cannot stave off such destruction; what is required is a greater accounting of the web of relationships between humans, nonhuman beings, plants, and minerals that growth entails. Livingston contends that by failing to understand these relationships and the consequences of self-devouring growth, we may be unknowingly consuming our future.
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A new world is emerging in China, with urbanization and the wholesale globalization of daily life moving at unprecedented speed. The Communist Party line has been replaced by maxims about working together to build a modern, economically resilient country. Cities are being rigorously adapted to fit this new vision, with disastrous consequences for existing structures and(...)
septembre 2006, Rotterdam
China contemporary : architecture, art, visual culture
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A new world is emerging in China, with urbanization and the wholesale globalization of daily life moving at unprecedented speed. The Communist Party line has been replaced by maxims about working together to build a modern, economically resilient country. Cities are being rigorously adapted to fit this new vision, with disastrous consequences for existing structures and neighborhoods. Social and societal balances have been swiftly, radically altered. Can Chinese identity survive in a consumer society and a radically transformed urban environment, both conceived on a Western model? This first interdisciplinary overview of the country’s contemporary arts, architecture, urban planning and visual culture--including television, photography, newspapers, games and blogs - offers the work of some 20 Chinese artists considering these issues, and projects by some 10 Chinese architectural firms. "China contemporary" finds that a mix of long standing tradition, decades of Communism and hurriedly translated Western capitalism have resulted in an exciting visual and formal idiom.
Pollution is colonialism
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution,(...)
Pollution is colonialism
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR) — an anticolonial science laboratory in Newfoundland, Canada — to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.
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Bringing together media studies and environmental humanities, the contributors to ''Saturation'' develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be(...)
novembre 2021
Saturation: an elemental politics
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Bringing together media studies and environmental humanities, the contributors to ''Saturation'' develop saturation as a heuristic to analyze phenomena in which the elements involved are difficult or impossible to separate. In ordinary language, saturation describes the condition of being thoroughly soaked, while in chemistry it is the threshold at which something can be maximally dissolved or absorbed in a solution. Contributors to this collection expand notions of saturation beyond water to consider saturation in sound, infrastructure, media, Big Data, capitalism, and visual culture. Essays include analyses of the thresholds of HIV detectability in bloodwork, militarism's saturation of oceans, and the deleterious effects of the saturation of cellphone and wi-fi signals into the human body. By channeling saturation to explore the relationship between media, the environment, technology, capital, and the legacies of settler colonialism, ''Saturation'' illuminates how elements, the natural world, and anthropogenic infrastructures, politics, and processes exist in and through each other.
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The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In his latest book, Nicolas Bourriaud proposes that artists are the anthropologists of this new era. Artists acknowledge the fading of the division between nature and culture, which has been the(...)
Inclusions: Aesthetics of the Capitalocene
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The current ecological crisis brings about a new relational landscape: an unprecedented collapse of distances creates interspecies promiscuities and a crisis of the human scale. In his latest book, Nicolas Bourriaud proposes that artists are the anthropologists of this new era. Artists acknowledge the fading of the division between nature and culture, which has been the matrix of segregation for millenia. Capitalism, patriarchy, slavery, social segregation, the exploitation of land, subsoil, and animals—all are based on status distinctions between subject and object. Against the commodification of natural elements, Bourriaud sees a new generation of artists calling for a molecular anthropology that studies the human effects on the universe and the interaction between humans and nonhumans. Contemporary art reconnects to archaic magic, the witches, sorcerers, and shamans of precapitalist societies. Against the devitalization of the world, art has managed to preserve certain aspects of the social function and spiritualist practices of these societies.
Théorie/ philosophie
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become(...)
Participation in art and architecture: Spaces of interaction and occupation
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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This innovative book breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture and daily life are explored in their participatory dimension.