2310 Résultats
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In the autumn of 1620, King James I (1566-1625) stayed at Wilton with the Earl of Pembroke. During his stay, he sent his court architect Inigo Jones (1573-1652) to the nearby prehistoric ruins of Stonehenge, with the aim of demonstrating that these were the remains of a temple built by the Romans during their occupation of England. His visit resulted in a description,(...)
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In the autumn of 1620, King James I (1566-1625) stayed at Wilton with the Earl of Pembroke. During his stay, he sent his court architect Inigo Jones (1573-1652) to the nearby prehistoric ruins of Stonehenge, with the aim of demonstrating that these were the remains of a temple built by the Romans during their occupation of England. His visit resulted in a description,(...)
Titre:
Inigo Jones on Stonehenge, architectural representation, memory and narrative
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In the autumn of 1620, King James I (1566-1625) stayed at Wilton with the Earl of Pembroke. During his stay, he sent his court architect Inigo Jones (1573-1652) to the nearby prehistoric ruins of Stonehenge, with the aim of demonstrating that these were the remains of a temple built by the Romans during their occupation of England. His visit resulted in a description, measurements and drawings of Stonehenge as Jones had found it, and a reconstruction on paper.
Inigo Jones on Stonehenge, architectural representation, memory and narrative
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In the autumn of 1620, King James I (1566-1625) stayed at Wilton with the Earl of Pembroke. During his stay, he sent his court architect Inigo Jones (1573-1652) to the nearby prehistoric ruins of Stonehenge, with the aim of demonstrating that these were the remains of a temple built by the Romans during their occupation of England. His visit resulted in a description, measurements and drawings of Stonehenge as Jones had found it, and a reconstruction on paper.
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livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
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1 online resource (287 pages : illustrations).
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London : Architectural Association, c2012.
London : Architectural Association, c2012.
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Tectonic acts of desire and doubt / Mark Rakatansky.
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1 online resource (287 pages : illustrations).
Tectonic acts of desire and doubt / Mark Rakatansky.
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1 online resource (287 pages : illustrations).
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livres
livres
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London : Architectural Association, c2012.
London : Architectural Association, c2012.
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"Artificial light" suggests an alternative type of critical theory consisting of personal and fictitious anecdotes, real and fake photographs, and mini-essays that addresses prevalent themes in architecture such as immediacy, affect, abstraction, atmosphere, realness, and banality. With a narrative style reminiscent of other unconventional writers on design such as Paul(...)
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"Artificial light" suggests an alternative type of critical theory consisting of personal and fictitious anecdotes, real and fake photographs, and mini-essays that addresses prevalent themes in architecture such as immediacy, affect, abstraction, atmosphere, realness, and banality. With a narrative style reminiscent of other unconventional writers on design such as Paul(...)
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Artificial light : a narrative inquiry into the nature of abstraction, immediacy, and other architectural fictions
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"Artificial light" suggests an alternative type of critical theory consisting of personal and fictitious anecdotes, real and fake photographs, and mini-essays that addresses prevalent themes in architecture such as immediacy, affect, abstraction, atmosphere, realness, and banality. With a narrative style reminiscent of other unconventional writers on design such as Paul Shepheard, Roger Connah, and Rebecca Solnit, "Artificial light" is the beautifully written and visually engaging debut of a dynamic new voice in the world of architectural criticism. Keith Mitnick is an assistant professor of architecture at the University of Michigan, where he teaches graduate-level studios and seminars in architectural criticism, and a founding principal of Mitnick Roddier Hicks.
Artificial light : a narrative inquiry into the nature of abstraction, immediacy, and other architectural fictions
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"Artificial light" suggests an alternative type of critical theory consisting of personal and fictitious anecdotes, real and fake photographs, and mini-essays that addresses prevalent themes in architecture such as immediacy, affect, abstraction, atmosphere, realness, and banality. With a narrative style reminiscent of other unconventional writers on design such as Paul Shepheard, Roger Connah, and Rebecca Solnit, "Artificial light" is the beautifully written and visually engaging debut of a dynamic new voice in the world of architectural criticism. Keith Mitnick is an assistant professor of architecture at the University of Michigan, where he teaches graduate-level studios and seminars in architectural criticism, and a founding principal of Mitnick Roddier Hicks.
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livres
livres
Publication:
mars 2008, New York
mars 2008, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Institute of Network Cultures 2024
Institute of Network Cultures 2024
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Institute of Network Cultures 2024
Institute of Network Cultures 2024
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287 pages : color illustrations, maps ; 29 cm
Description:
287 pages : color illustrations, maps ; 29 cm
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Munich : Hirmer, [2016], ©2016
Munich : Hirmer, [2016], ©2016
Titre:
Rust red : landscape park Duisburg-Nord / Peter Latz ; Forewords, 'In Focus' Contributions, Epilogue: Karl Ganser, Marc Trieb, Karl-Heinz Danielzik, Jörg Dettmar, Peter Keil, Egbert Bodmann, Ralf Winkels, Günther Lipkowsky, Tilman Latz, Wigbert Riehl, Kerstin Walter ; editing, Cordula Gielen, Anneliese Latz ; English translation, Caroline Ahrens.
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287 pages : color illustrations, maps ; 29 cm
Rust red : landscape park Duisburg-Nord / Peter Latz ; Forewords, 'In Focus' Contributions, Epilogue: Karl Ganser, Marc Trieb, Karl-Heinz Danielzik, Jörg Dettmar, Peter Keil, Egbert Bodmann, Ralf Winkels, Günther Lipkowsky, Tilman Latz, Wigbert Riehl, Kerstin Walter ; editing, Cordula Gielen, Anneliese Latz ; English translation, Caroline Ahrens.
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287 pages : color illustrations, maps ; 29 cm
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Munich : Hirmer, [2016], ©2016
Munich : Hirmer, [2016], ©2016
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xi, 297 pages : chiefly color illustrations, plans ; 30 cm
Description:
xi, 297 pages : chiefly color illustrations, plans ; 30 cm
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[New York] : Oro Editions, [2019], ©2019
[New York] : Oro Editions, [2019], ©2019
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Chinese brutalism today : concrete and avant-garde architecture / Alberto Bologna.
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xi, 297 pages : chiefly color illustrations, plans ; 30 cm
Chinese brutalism today : concrete and avant-garde architecture / Alberto Bologna.
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xi, 297 pages : chiefly color illustrations, plans ; 30 cm
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[New York] : Oro Editions, [2019], ©2019
[New York] : Oro Editions, [2019], ©2019
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253 pages : chiefly color illustrations ; 27 cm
Description:
253 pages : chiefly color illustrations ; 27 cm
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Göttingen : Steidl, 2008.
Göttingen : Steidl, 2008.
Titre:
Peter Friedl : playgrounds / Peter Friedl ; translation, Alan Waite.
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253 pages : chiefly color illustrations ; 27 cm
Peter Friedl : playgrounds / Peter Friedl ; translation, Alan Waite.
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253 pages : chiefly color illustrations ; 27 cm
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Göttingen : Steidl, 2008.
Göttingen : Steidl, 2008.
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287 pages : illustrations, plans ; 18 cm.
Description:
287 pages : illustrations, plans ; 18 cm.
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London : Architectural Association, ©2012.
London : Architectural Association, ©2012.
Titre:
Tectonic acts of desire and doubt / Mark Rakatansky.
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287 pages : illustrations, plans ; 18 cm.
Tectonic acts of desire and doubt / Mark Rakatansky.
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287 pages : illustrations, plans ; 18 cm.
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London : Architectural Association, ©2012.
London : Architectural Association, ©2012.
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181 pages : illustrations (some color) ; 19 cm
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181 pages : illustrations (some color) ; 19 cm
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Richmond, CA : William Stout Publishers, ©2011.
Richmond, CA : William Stout Publishers, ©2011.
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Nesting : body, dwelling, mind / Sarah Robinson.
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181 pages : illustrations (some color) ; 19 cm
Nesting : body, dwelling, mind / Sarah Robinson.
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181 pages : illustrations (some color) ; 19 cm
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Richmond, CA : William Stout Publishers, ©2011.
Richmond, CA : William Stout Publishers, ©2011.
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$22.95
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Résumé:
In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty(...)
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In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty(...)
Titre:
Good entertainment: a deconstruction of the Western Passion narrative
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In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty and the entertainment value of moralistic literature; Heidegger's idea of the thinker as a man of pain; Kafka's hunger artist and the art of negativity, which takes pleasure in annihilation; and Robert Rauschenberg's refusal of the transcendent.
Good entertainment: a deconstruction of the Western Passion narrative
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In 'Good Entertainment', Byung-Chul Han examines the notion of entertainment—its contemporary ubiquity, and its philosophical genealogy. Han traces Western ideas of entertainment, considering, among other things, the scandal that arose from the first performance of Bach's Saint Matthew's Passion (deemed too beautiful, not serious enough); Kant's idea of morality as duty and the entertainment value of moralistic literature; Heidegger's idea of the thinker as a man of pain; Kafka's hunger artist and the art of negativity, which takes pleasure in annihilation; and Robert Rauschenberg's refusal of the transcendent.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
