946 Résultats
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
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Résumé:
Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely(...)
Publication:
janvier 2012
janvier 2012
Titre:
A thousand eyes: media technology, law and esthetics
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
A thousand eyes: media technology, law and esthetics
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Since the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. Artistic contributions by John Baldessari, Dan Graham, Harun Farocki, Stan Douglas, Aernout Mik, Agency, Judy Radul, Renzo Martens, Ana Torfs, The Atlas Group, René Magritte, Model Court, Rana Hamadeh, Thomas Demand, Les Levine Essays by Julie A. Cassiday, Costas Douzinas, Piyel Haldar, Martin Jay, Peter Goodrich, Richard Mohr, Judy Radul, Avital Ronell, Eyal Sivan, Cornelia Vismann
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livres
livres
Publication:
janvier 2012
janvier 2012
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livres
livres
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Module B. 2015/2019
Module B. 2015/2019
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MODULE B. interroge la bibliothèque en tant qu’espace de classement, de présentation et de collection d’un savoir personnel ou collectif. À l’ère du numérique, il s’agit aussi de dégager la signification de la bibliothèque, sa manière d’agencer un espace, sa définition matérielle et les formes de sa virtualisation. Lors de l’inauguration du projet MODULE B. en 2015, le(...)
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MODULE B. interroge la bibliothèque en tant qu’espace de classement, de présentation et de collection d’un savoir personnel ou collectif. À l’ère du numérique, il s’agit aussi de dégager la signification de la bibliothèque, sa manière d’agencer un espace, sa définition matérielle et les formes de sa virtualisation. Lors de l’inauguration du projet MODULE B. en 2015, le(...)
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Module B. 2015/2019
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MODULE B. interroge la bibliothèque en tant qu’espace de classement, de présentation et de collection d’un savoir personnel ou collectif. À l’ère du numérique, il s’agit aussi de dégager la signification de la bibliothèque, sa manière d’agencer un espace, sa définition matérielle et les formes de sa virtualisation. Lors de l’inauguration du projet MODULE B. en 2015, le visiteur était amené à remplir l’une des 16 fiches du répertoire créé pour l’occasion, portant chacune un intitulé différent, une interrogation particulière sur la définition d’une bibliothèque, à travers un prisme différent. Suite à l’exposition de Module B. à hon\ books en 2019, antoine lefebvre editions publie la collection des fiches recueillies par le collectif.
Module B. 2015/2019
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MODULE B. interroge la bibliothèque en tant qu’espace de classement, de présentation et de collection d’un savoir personnel ou collectif. À l’ère du numérique, il s’agit aussi de dégager la signification de la bibliothèque, sa manière d’agencer un espace, sa définition matérielle et les formes de sa virtualisation. Lors de l’inauguration du projet MODULE B. en 2015, le visiteur était amené à remplir l’une des 16 fiches du répertoire créé pour l’occasion, portant chacune un intitulé différent, une interrogation particulière sur la définition d’une bibliothèque, à travers un prisme différent. Suite à l’exposition de Module B. à hon\ books en 2019, antoine lefebvre editions publie la collection des fiches recueillies par le collectif.
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livres
livres
Publication:
octobre 2022
octobre 2022
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livres
livres
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$25.00
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This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond:(...)
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This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond:(...)
Publication:
novembre 2022
novembre 2022
Titre:
Floppy disk fever: The curious afterlives of a flexible medium
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This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond: what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square? By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media landscape. After all, the technology of the past is also part of our future. This volume features interviews with key players in the contemporary floppy-disk world, including not only artists and filmmakers using floppy disks in their practice but also businessmen, archivists and museum proprietors working to preserve the medium.
Floppy disk fever: The curious afterlives of a flexible medium
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This volume explores the curious afterlives of the floppy disk in the 21st century through the work of those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond: what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square? By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media landscape. After all, the technology of the past is also part of our future. This volume features interviews with key players in the contemporary floppy-disk world, including not only artists and filmmakers using floppy disks in their practice but also businessmen, archivists and museum proprietors working to preserve the medium.
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livres
livres
Publication:
novembre 2022
novembre 2022
Classification:
périodiques
périodiques
Titre:
AD: digital cities
AD: digital cities
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What is the impact of digital technologies on the design and analysis of cities? For the last 15 years, the profound impact of computer-aided techniques on architecture has been well charted. From the use of standard drafting packages to the more experimental use of generative design tools and parametric modelling, digital technologies have come to play a major role in(...)
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What is the impact of digital technologies on the design and analysis of cities? For the last 15 years, the profound impact of computer-aided techniques on architecture has been well charted. From the use of standard drafting packages to the more experimental use of generative design tools and parametric modelling, digital technologies have come to play a major role in(...)
Titre:
AD: digital cities
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What is the impact of digital technologies on the design and analysis of cities? For the last 15 years, the profound impact of computer-aided techniques on architecture has been well charted. From the use of standard drafting packages to the more experimental use of generative design tools and parametric modelling, digital technologies have come to play a major role in architectural production. But how are they helping architects and designers to operate at the urban scale? And how might they be changing the way in which we perceive and understand our cities?
AD: digital cities
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What is the impact of digital technologies on the design and analysis of cities? For the last 15 years, the profound impact of computer-aided techniques on architecture has been well charted. From the use of standard drafting packages to the more experimental use of generative design tools and parametric modelling, digital technologies have come to play a major role in architectural production. But how are they helping architects and designers to operate at the urban scale? And how might they be changing the way in which we perceive and understand our cities?
Classification:
périodiques
périodiques
Publication:
septembre 2009
septembre 2009
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livres
livres
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$23.95
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This book makes available for the first time in English an important interview on the topic of photography that Jacques Derrida granted in 1992 to the German theorist of photography Hubertus von Amelunxen and the German literary and media theorist Michael Wetzel. Their conversation addresses questions of presence and its manufacture, the technicity of presentation, the(...)
$23.95
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This book makes available for the first time in English an important interview on the topic of photography that Jacques Derrida granted in 1992 to the German theorist of photography Hubertus von Amelunxen and the German literary and media theorist Michael Wetzel. Their conversation addresses questions of presence and its manufacture, the technicity of presentation, the(...)
Publication:
août 2010
août 2010
Titre:
Copy, archive, signature: A conversation on photography
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This book makes available for the first time in English an important interview on the topic of photography that Jacques Derrida granted in 1992 to the German theorist of photography Hubertus von Amelunxen and the German literary and media theorist Michael Wetzel. Their conversation addresses questions of presence and its manufacture, the technicity of presentation, the volatility of the authorial subject, and the concept of memory. Derrida offers a penetrating intervention with regard to the distinctive nature of photography vis-à-vis related technologies such as cinema, television, and video. Questioning the divides between so-called old and new media, original and reproduction, analog and digital modes of recording and presenting, he provides stimulating insights into the ways in which we think and speak about the photographic image today.
Copy, archive, signature: A conversation on photography
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This book makes available for the first time in English an important interview on the topic of photography that Jacques Derrida granted in 1992 to the German theorist of photography Hubertus von Amelunxen and the German literary and media theorist Michael Wetzel. Their conversation addresses questions of presence and its manufacture, the technicity of presentation, the volatility of the authorial subject, and the concept of memory. Derrida offers a penetrating intervention with regard to the distinctive nature of photography vis-à-vis related technologies such as cinema, television, and video. Questioning the divides between so-called old and new media, original and reproduction, analog and digital modes of recording and presenting, he provides stimulating insights into the ways in which we think and speak about the photographic image today.
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livres
livres
Publication:
août 2010
août 2010
Classification:
livres
livres
Titre:
L'âge des postmachines
L'âge des postmachines
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des(...)
$34.95
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des(...)
Publication:
mars 2020
mars 2020
Titre:
L'âge des postmachines
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des technologies du numérique et ses conséquences imprévisibles pour l'humanité ont rendu nécessaire le débat philosophique portant sur nos rapports avec elle. La machine est inséparable du sujet qui la crée, et les théories et les fantasmes autour d'une posthumanité ou du transhumanisme sont autant de réponses à cette symbiose imaginée ou réelle. Pour comprendre la spécificité et l'identité de la machine - ou plutôt des machines -, cet ouvrage convoque non seulement la littérature et le cinéma, mais il explore aussi sa matérialisation dans les arts plastiques, les réseaux sociaux, les dispositifs écraniques, la bande dessinée et les jeux vidéo. En tout, dix-sept textes où se côtoient automates, intelligences artificielles et postmachines dans différents milieux - in vivo, in vitro, in silico - dont certains relèvent de dispositifs et de systèmes auto-engendrés.
L'âge des postmachines
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Depuis l'Antiquité, avec le mythe de Galatée, l'objet qui s'anime traverse les âges et les arts. Comment l'imaginaire contemporain s'est-il emparé de la machine ? Sa représentation, sa symbolique, les récits qui lui sont associés sont évidemment tributaires de ceux de la société en général, du discours sur le progrès, du rapport à la technique. L'évolution des technologies du numérique et ses conséquences imprévisibles pour l'humanité ont rendu nécessaire le débat philosophique portant sur nos rapports avec elle. La machine est inséparable du sujet qui la crée, et les théories et les fantasmes autour d'une posthumanité ou du transhumanisme sont autant de réponses à cette symbiose imaginée ou réelle. Pour comprendre la spécificité et l'identité de la machine - ou plutôt des machines -, cet ouvrage convoque non seulement la littérature et le cinéma, mais il explore aussi sa matérialisation dans les arts plastiques, les réseaux sociaux, les dispositifs écraniques, la bande dessinée et les jeux vidéo. En tout, dix-sept textes où se côtoient automates, intelligences artificielles et postmachines dans différents milieux - in vivo, in vitro, in silico - dont certains relèvent de dispositifs et de systèmes auto-engendrés.
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livres
livres
Publication:
mars 2020
mars 2020
Classification:
livres
livres
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$47.95
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The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a(...)
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Résumé:
The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a(...)
Titre:
The presence project, 2nd edition
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The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a problem-solving approach, focusing instead on creating new and unusual situations for communication and insight. They introduced cutting-edge methods and developed challenging designs that they tested in the communities themselves. This book documents the Presence Project's development of key concepts in contemporary technology design, including cultural probes, design workbooks, and speculative design. Original Presence Project participants may have been surprised that the methods they invented became standard practice; the theme of the project was to break out of conventional approaches and try something radically new. With a new preface by Bill Gaver and an introduction by Phoebe Sengers, this reissue of The Presence Project gives readers a glimpse into the thinking behind this influential project and ideas about how to bring it to bear on today's design problems.
The presence project, 2nd edition
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The influential Presence Project brought together an international group of collaborators in 2001 to investigate how technology can be used to increase the presence of older people in their local communities. This became a groundbreaking project for practice-based design research, exploring approaches and methods that have resonated since. The design team rejected a problem-solving approach, focusing instead on creating new and unusual situations for communication and insight. They introduced cutting-edge methods and developed challenging designs that they tested in the communities themselves. This book documents the Presence Project's development of key concepts in contemporary technology design, including cultural probes, design workbooks, and speculative design. Original Presence Project participants may have been surprised that the methods they invented became standard practice; the theme of the project was to break out of conventional approaches and try something radically new. With a new preface by Bill Gaver and an introduction by Phoebe Sengers, this reissue of The Presence Project gives readers a glimpse into the thinking behind this influential project and ideas about how to bring it to bear on today's design problems.
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livres
livres
Publication:
mai 2020
mai 2020
Classification:
livres
livres
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$26.95
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Résumé:
Les diagrammes, cartes et visualisations de données ont conquis le domaine de la recherche en arts, lettres et sciences humaines. Pour certains chercheurs, ces formes graphiques consistent à exploiter des données quantitatives jusqu’ici délaissées, pour d’autres, elles offrent la possibilité d’explorer les relations discrètes qu’entretiennent des corpus hétérogènes. Mais(...)
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Les diagrammes, cartes et visualisations de données ont conquis le domaine de la recherche en arts, lettres et sciences humaines. Pour certains chercheurs, ces formes graphiques consistent à exploiter des données quantitatives jusqu’ici délaissées, pour d’autres, elles offrent la possibilité d’explorer les relations discrètes qu’entretiennent des corpus hétérogènes. Mais(...)
Titre:
Visualisation : l'interprétation modélisante
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Les diagrammes, cartes et visualisations de données ont conquis le domaine de la recherche en arts, lettres et sciences humaines. Pour certains chercheurs, ces formes graphiques consistent à exploiter des données quantitatives jusqu’ici délaissées, pour d’autres, elles offrent la possibilité d’explorer les relations discrètes qu’entretiennent des corpus hétérogènes. Mais sur quels fondements épistémologiques reposent ces opérations techniques et intellectuelles ? Dans le cadre de la production du savoir et de son interprétation en régime numérique, est-il possible de dépasser le simple effet d’affichage des données, et d’envisager autrement les interfaces et les logiciels ? Johanna Drucker livre dans cet ouvrage une alternative aux formes dominantes de la visualisation de l’information. Héritière de la tradition humaniste, elle propose une approche qui réhabilite l’idée d’un sujet situé et incarné qui expérimente et conceptualise les connaissances par le prisme de la représentation graphique.
Visualisation : l'interprétation modélisante
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Prix:
$26.95
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Résumé:
Les diagrammes, cartes et visualisations de données ont conquis le domaine de la recherche en arts, lettres et sciences humaines. Pour certains chercheurs, ces formes graphiques consistent à exploiter des données quantitatives jusqu’ici délaissées, pour d’autres, elles offrent la possibilité d’explorer les relations discrètes qu’entretiennent des corpus hétérogènes. Mais sur quels fondements épistémologiques reposent ces opérations techniques et intellectuelles ? Dans le cadre de la production du savoir et de son interprétation en régime numérique, est-il possible de dépasser le simple effet d’affichage des données, et d’envisager autrement les interfaces et les logiciels ? Johanna Drucker livre dans cet ouvrage une alternative aux formes dominantes de la visualisation de l’information. Héritière de la tradition humaniste, elle propose une approche qui réhabilite l’idée d’un sujet situé et incarné qui expérimente et conceptualise les connaissances par le prisme de la représentation graphique.
Classification:
livres
livres
Publication:
juin 2020
juin 2020
Classification:
livres
livres
Prix:
$39.99
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Résumé:
To live in data in the twenty-first century is to be incessantly extracted from, classified and categorized, statisti-fied, sold, and surveilled. Data - our data - is mined and processed for profit, power, and political gain. In Living in Data, Thorp asks a crucial question of our time: How do we stop passively inhabiting data, and instead become active citizens of it?
$39.99
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Résumé:
To live in data in the twenty-first century is to be incessantly extracted from, classified and categorized, statisti-fied, sold, and surveilled. Data - our data - is mined and processed for profit, power, and political gain. In Living in Data, Thorp asks a crucial question of our time: How do we stop passively inhabiting data, and instead become active citizens of it?
Titre:
Living in data: a citizen's guide to a better information future
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$39.99
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To live in data in the twenty-first century is to be incessantly extracted from, classified and categorized, statisti-fied, sold, and surveilled. Data - our data - is mined and processed for profit, power, and political gain. In Living in Data, Thorp asks a crucial question of our time: How do we stop passively inhabiting data, and instead become active citizens of it?
Living in data: a citizen's guide to a better information future
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Prix:
$39.99
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Résumé:
To live in data in the twenty-first century is to be incessantly extracted from, classified and categorized, statisti-fied, sold, and surveilled. Data - our data - is mined and processed for profit, power, and political gain. In Living in Data, Thorp asks a crucial question of our time: How do we stop passively inhabiting data, and instead become active citizens of it?
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Classification:
livres
livres
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$54.00
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In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, 'Material witness' moves through a series of cases that provide insight into the ways in(...)
$54.00
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Résumé:
In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, 'Material witness' moves through a series of cases that provide insight into the ways in(...)
Titre:
Material witness: Media, forensics, evidence
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In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, 'Material witness' moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather.
Material witness: Media, forensics, evidence
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Résumé:
In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, 'Material witness' moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather.
Classification:
livres
livres
Publication:
février 2020
février 2020
