4078 Résultats
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Numéro de référence:
AP140.S2.SS7.D3.P10.8
Description:
Edward Heath's press conference held in conjunction with the 2nd year of the Praemium Imperiale (1990). Features a video montage of events held in conjunction with the 1st Praemium Imperiale in 1989.
AP140.S2.SS7.D3.P10.8
Description:
Edward Heath's press conference held in conjunction with the 2nd year of the Praemium Imperiale (1990). Features a video montage of events held in conjunction with the 1st Praemium Imperiale in 1989.
Personnes et institutions:
Date:
1990
1990
Titre:
Praemium Imperiale press conference
Actions:
AP140.S2.SS7.D3.P10.8
Description:
Edward Heath's press conference held in conjunction with the 2nd year of the Praemium Imperiale (1990). Features a video montage of events held in conjunction with the 1st Praemium Imperiale in 1989.
Praemium Imperiale press conference
Actions:
AP140.S2.SS7.D3.P10.8
Description:
Edward Heath's press conference held in conjunction with the 2nd year of the Praemium Imperiale (1990). Features a video montage of events held in conjunction with the 1st Praemium Imperiale in 1989.
Date:
1990
1990
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Date:
24 avril 2014 , 18h
24 avril 2014 , 18h
Titre:
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Classification:
événements
événements
Date:
24 avril 2014
18h
24 avril 2014
18h
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Virtools files
Virtools files
Numéro de référence:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Personnes et institutions:
Date:
1995-2013
1995-2013
Titre:
Virtools files
Actions:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Virtools files
Actions:
AP167.S1.SS3
Description:
Sub-series 3, Virtools files, 1995—2013, contains files generated and coordinated by Virtools, a 3D visualization software used to make the Muscle move, respond to users, and play sound. It includes Virtools files, HTML files, audiovisual files (MP3s, WAVs and MPEGs), JPEGs, and applications. There are also a small number of CAD files, including 3DS, Maya, and AutoCad formats. The Virtools proprietary formats include composition files (.cmo), player files (.vmo), object files (.nmo) and scripts files (.nms). Virtools object files and scripts files may be combined and saved as composition files using Virtools Dev, CAD-like software that also coordinates sound and movement. (Virtools Dev is located in file AP167.S1.SS3.002, Virtools software and NSA Muscle composition and player files.) From Virtools Dev, a composition file can be exported to HTML or a player file. The HTML exports no longer work due to a missing JavaScript plugin. Player files and composition files can be played back in the Virtools player; the player also allows the user to interact with player files and behaves much like a video game interface. See file AP167.S1.SS3.008, NSA Muscle interface. Of note, the Virtools player file containing the NSA Muscle interface used at the Architecture non standard exhibition at the Centre George Pompidou is located in this sub-series. See item muscle.bat in file AP167.S1.SS3.008, NSA Muscle interface. There are also a number of other Virtools player files that allow the user to alter and interact with a virtual representation of a structure, which demonstrate ONL’s experimentation with the intersection of architecture and video game design. See file AP 167.S1.SS3.001, Early Virtools experimentation and architecture games.
Niveau de description archivistique:
Subseries
Subseries
Date:
1995-2013
1995-2013
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2014-2015
2014-2015
Titre:
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Secoli E Milenni [Centuries and Millennia] (2014)
Actions:
AP207.S1.2014.PR03
Description:
The project series documents "Secoli E Milenni" a series of drawings by Pettena in 2014. The drawing series shows the passing of time through the illustration of a monument slowly decaying and overcome by nature. "With the passing of millennia everything may disappear and only traces remain of the fabric of previous cultures, superimposed one on the other, but in the end, Nature re-elaborates and recovers its role, prevailing in the end over the small quarrelsomeness of centuries: Nature recounts the millennia, the thousands, the millions of years." [1] The project series contains six printouts of the drawings, a photographic reproduction showing all six drawings, and a video montage of the drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-centuries-and-millennia-2014/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2014-2015
2014-2015
Personnes et institutions:
Classification:
documents textuels, né numérique
documents textuels, né numérique
Numéro de référence:
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
Personnes et institutions:
Date:
2002-2003
2002-2003
Titre:
Preliminary documentation for the participation of COOP HIMMELB(L)AU at the 2002 Venice Biennale
Actions:
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
Preliminary documentation for the participation of COOP HIMMELB(L)AU at the 2002 Venice Biennale
Actions:
AP181.S1.014
Description:
Original directory name: "15_Biennale". File contains a handful of records (presentation notes, PowerPoint presentations, videos) making the case for the presentation of BMW Welt project at the 8th International Architecture Exhibition at the Venice Biennale in 2002. Most common file formats: Microsoft Word Document, Audio/Video Interleaved Format, Microsoft Powerpoint Presentation, Quicktime, Rich Text Format
Classification:
documents textuels, né numérique
documents textuels, né numérique
Date:
2002-2003
2002-2003
Personnes et institutions:
Numéro de référence:
PHCON2003:0005:065
PHCON2003:0005:065
Personnes et institutions:
Date:
recorded 1972, transferred 20 April 1992
recorded 1972, transferred 20 April 1992
Date:
recorded 1972, transferred 20 April 1992
recorded 1972, transferred 20 April 1992
Personnes et institutions:
Classification:
articles
articles
Titre:
Nouveau documentaire
Nouveau documentaire
Actions:
Takashi Homma en conversation avec Stefano Graziani et Bas Princen
Mot(s)-clé(s):
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Takashi Homma, conversation, histoire orale, vagues, champignons
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Takashi Homma, conversation, histoire orale, vagues, champignons
Publié:
15 mai 2023
15 mai 2023
Titre:
Nouveau documentaire
Takashi Homma en conversation avec Stefano Graziani et Bas Princen
Actions:
Nouveau documentaire
Takashi Homma en conversation avec Stefano Graziani et Bas Princen
Actions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bauhaus in America fonds
Bauhaus in America fonds
Numéro de référence:
AP217
Résumé:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
AP217
Résumé:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Personnes et institutions:
Date:
circa 1930 - 2011
circa 1930 - 2011
Titre:
Bauhaus in America fonds
Actions:
AP217
Résumé:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Bauhaus in America fonds
Actions:
AP217
Résumé:
The Bauhaus in America fonds, circa 1930 – 2011, documents the research and production activities that went into producing the documentary film Bauhaus in America (1995) directed by Judith Pearlman. Material in the fonds consists of research in the form of photographs, textual records, publications, and ephemera from institutions in Germany and the United States. The fonds also contains film, video, and audio recordings that were used for preliminary research and compiled into the finished film. The recordings are primarily interviews with Bauhaus-related individuals. There is also material related to publishing activities based on the research for the film.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1930 - 2011
circa 1930 - 2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2017-2018
2017-2018
Titre:
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2017-2018
2017-2018
Personnes et institutions:
Classification:
articles
articles
Actions:
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath et Victoria Addona discutent de vidéos de construction sur les réseaux sociaux
Publié:
3 juin 2024
3 juin 2024
Titre:
Travailler intelligemment, plutôt que péniblement
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath et Victoria Addona discutent de vidéos de construction sur les réseaux sociaux
Actions:
Travailler intelligemment, plutôt que péniblement
Hester Keijser, Luuk Smits, Charlie-Anne Côté, Emma Rath et Victoria Addona discutent de vidéos de construction sur les réseaux sociaux
Actions:
