118952 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
Personnes et institutions:
Date:
1977-1989
1977-1989
Titre:
Wexner Center for the Visual Arts
Actions:
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
Wexner Center for the Visual Arts
Actions:
AP143.S4.D22
Description:
File documents the executed project for the Wexner Center for the Visual Arts, Columbus, Ohio. Material in this file was produced between 1977 and 1989. File contains conceptual drawings, design development drawings, working drawings, competition drawings, presentation drawings, record drawings, reference drawings, publication drawings, photographic material, reference drawings, CD-Rs, textual records, and a model. Textual records include conceptual drawings, some by Eisenman (DR1994:0149:001-1138). Design development drawings and final working drawings are organized chronologically: 1983 (DR1994:0149:1139-1140), 1984 (DR1994:00149:1141-1294), 1985 (DR1994:00149:1295-1542), 1986 (DR1994:0149:1543-1577), 1988 (DR1994:0149:1578-1582), and 1989 (DR1994:0149:1583-1642). Competition drawings include original drawings (DR1994:0149:1643-1662) and KC5 negatives (DR1994:0149:1670-1754) used to produce the final presentation panels (DR1994:0149:1755-1756). Lithographs DR1994:0149:1757-1774 were used as presentation drawings. Reference drawings include site plans provided by the client (DR1994:0149:1780-1821), aerial photographs (DR1994:0149:1822-1823), photographs of the existing buildings on the proposed site (DR1994:0149:1824-1827) and measured drawings of the armoury, and shop drawings by Jules Fisher & Paul Marantz, Inc. Architectural Lighting Design. Eisenman published a book on the Wexner Center in 1989, and the cover and galleys are included in this group (cover: DR1994:0149:1828; galleys: DR1994:0149:1829-1831). Textual records include competition information, program, agreements, correspondence, specifications, construction progress, plans, and photographs.
Niveau de description archivistique:
File 22
File 22
Date:
1977-1989
1977-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR22
Description:
This project series documents the design and construction of the medical clinic building at the Etobicoke General Hospital site in Etobicoke, Ontario from 1974-1980. The office identified the project number as 7428. At the same time that Parkin Architects Planners was constructing the Etobicoke General Hospital, they began working on this project, an adjacent medical clinic that would be attached to the hospital via tunnel. This project consisted of an 80 suite medical centre with a proposed space of 65,000 square feet including the building’s basement. The building shared architectural unity with the neighbouring hospital but was built at a distance in order to allow for future expansions of the hospital. In the project materials, the building is also referred to as the Professional Building. A prominent part of this project was design work for the radiology department in the clinic. It should be noted when viewing textual records and drawings in this project series that many are entitled Rexdale Radiological Services Limited. This project originally began under a different project number assigned by the office, but was built under this project number after the building's location was changed. This original project is also described in the fonds (see project series AP018.S1.1972.PR14). The project is recorded through drawings, photographs and textual records dating from 1974-1980. A large part of the drawings show site plans, but elevations, sections, details and floor plans are also included. The photographs track the construction progress of the project. The textual records include correspondence, meeting minutes and reports, specifications, tender documents, change orders, supplementary instructions, design records, site reports and detail planning records. Box AP018.S1.1974.PR22.009 contains an index to the textual records, which was created by the office.
AP018.S1.1974.PR22
Description:
This project series documents the design and construction of the medical clinic building at the Etobicoke General Hospital site in Etobicoke, Ontario from 1974-1980. The office identified the project number as 7428. At the same time that Parkin Architects Planners was constructing the Etobicoke General Hospital, they began working on this project, an adjacent medical clinic that would be attached to the hospital via tunnel. This project consisted of an 80 suite medical centre with a proposed space of 65,000 square feet including the building’s basement. The building shared architectural unity with the neighbouring hospital but was built at a distance in order to allow for future expansions of the hospital. In the project materials, the building is also referred to as the Professional Building. A prominent part of this project was design work for the radiology department in the clinic. It should be noted when viewing textual records and drawings in this project series that many are entitled Rexdale Radiological Services Limited. This project originally began under a different project number assigned by the office, but was built under this project number after the building's location was changed. This original project is also described in the fonds (see project series AP018.S1.1972.PR14). The project is recorded through drawings, photographs and textual records dating from 1974-1980. A large part of the drawings show site plans, but elevations, sections, details and floor plans are also included. The photographs track the construction progress of the project. The textual records include correspondence, meeting minutes and reports, specifications, tender documents, change orders, supplementary instructions, design records, site reports and detail planning records. Box AP018.S1.1974.PR22.009 contains an index to the textual records, which was created by the office.
Personnes et institutions:
Date:
1974-1980
1974-1980
Titre:
Etobicoke General Hospital, Medical Clinic Building, Etobicoke Ontario (1974-1980)
Actions:
AP018.S1.1974.PR22
Description:
This project series documents the design and construction of the medical clinic building at the Etobicoke General Hospital site in Etobicoke, Ontario from 1974-1980. The office identified the project number as 7428. At the same time that Parkin Architects Planners was constructing the Etobicoke General Hospital, they began working on this project, an adjacent medical clinic that would be attached to the hospital via tunnel. This project consisted of an 80 suite medical centre with a proposed space of 65,000 square feet including the building’s basement. The building shared architectural unity with the neighbouring hospital but was built at a distance in order to allow for future expansions of the hospital. In the project materials, the building is also referred to as the Professional Building. A prominent part of this project was design work for the radiology department in the clinic. It should be noted when viewing textual records and drawings in this project series that many are entitled Rexdale Radiological Services Limited. This project originally began under a different project number assigned by the office, but was built under this project number after the building's location was changed. This original project is also described in the fonds (see project series AP018.S1.1972.PR14). The project is recorded through drawings, photographs and textual records dating from 1974-1980. A large part of the drawings show site plans, but elevations, sections, details and floor plans are also included. The photographs track the construction progress of the project. The textual records include correspondence, meeting minutes and reports, specifications, tender documents, change orders, supplementary instructions, design records, site reports and detail planning records. Box AP018.S1.1974.PR22.009 contains an index to the textual records, which was created by the office.
Etobicoke General Hospital, Medical Clinic Building, Etobicoke Ontario (1974-1980)
Actions:
AP018.S1.1974.PR22
Description:
This project series documents the design and construction of the medical clinic building at the Etobicoke General Hospital site in Etobicoke, Ontario from 1974-1980. The office identified the project number as 7428. At the same time that Parkin Architects Planners was constructing the Etobicoke General Hospital, they began working on this project, an adjacent medical clinic that would be attached to the hospital via tunnel. This project consisted of an 80 suite medical centre with a proposed space of 65,000 square feet including the building’s basement. The building shared architectural unity with the neighbouring hospital but was built at a distance in order to allow for future expansions of the hospital. In the project materials, the building is also referred to as the Professional Building. A prominent part of this project was design work for the radiology department in the clinic. It should be noted when viewing textual records and drawings in this project series that many are entitled Rexdale Radiological Services Limited. This project originally began under a different project number assigned by the office, but was built under this project number after the building's location was changed. This original project is also described in the fonds (see project series AP018.S1.1972.PR14). The project is recorded through drawings, photographs and textual records dating from 1974-1980. A large part of the drawings show site plans, but elevations, sections, details and floor plans are also included. The photographs track the construction progress of the project. The textual records include correspondence, meeting minutes and reports, specifications, tender documents, change orders, supplementary instructions, design records, site reports and detail planning records. Box AP018.S1.1974.PR22.009 contains an index to the textual records, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
1974-1980
1974-1980
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Personnes et institutions:
Date:
1976-1989
1976-1989
Titre:
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Niveau de description archivistique:
Project
Project
Date:
1976-1989
1976-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
Personnes et institutions:
Date:
1965-1971
1965-1971
Titre:
Children's Creative Centre Playground, Canadian Federal Pavilion, Expo '67, Montréal, Québec (1965-1967)
Actions:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
Children's Creative Centre Playground, Canadian Federal Pavilion, Expo '67, Montréal, Québec (1965-1967)
Actions:
AP075.S1.1965.PR01
Description:
This project series documents Cornelia Hahn Oberlander's landscape project for the outdoor playground of the Children's Creative Centre. The Centre was part of the Canadian Federal Pavilion built for the Universal and International Exposition of 1967 (Expo 67), located at the south end of Notre-Dame Island in Montréal. Oberlander worked on this project from 1965-1966. She based her design on children's spontaneous exploration, to encourage self-motivation and creative play. The playground included a rolling terrain, looping paths, a wobble walk made of short logs embeded in the ground, a canal, and "giant wooden building pieces and a rocking boat in water replaced static sculptures". [1] The playground included a sand beach-like area with drifwood and plants to be used as play props. At the centre of the playground was a grass mound with an interior cave and a high wooden platform only reachable by a commando rope. A forty-foot long circulating water channel was situated in the east section of the playground and included two small islands linked by bridges, but was narrow enough to allow children to jump over it. The project series contains sketches, preliminary landscape concept plans, site plans, general landscape plans at different stages of design development, several sections and detail drawings for the playground's equipment and installations, and presentation drawings, including perspective views. The project series also contains architectural, electrical, and structural drawings of the Pavilion, which were provided to Oberlander for reference. Also included are photographs of the playground, research material on playgrounds, and articles and publications on the project, including Oberlander's writings, and publications on Expo '67. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages. p. 106.
Niveau de description archivistique:
Project
Project
Date:
1965-1971
1965-1971
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Europe = Europe
Europe = Europe
Numéro de référence:
AP156.S3.SS1
Description:
La sous-série documente les projets architecturaux et d'urbanisme de Pierre Jeanneret et autres architectes en Europe durant les années 1940 jusqu'à la première moitié des années 1960. La sous-série inclut certains projets réalisés avec la Bureau Central de Construction, en Suisse, ainsi que ses projets indivuels dont le Centre d'apprentissage de Béziers, en France. Le matériel dans cette sous-série a probablement été produit entre 1940 et 1963. La sous-série contient des dessins, principalement des reprographies, donc des études, des dessins conceptuels, des dessins de développement du design, des dessins d'exécution et des dessins de présentation. La sous-série contient aussi des épreuves photomécaniques, une photographie et quelques chemises utilisées par Pierre Jeanneret pour classer ses dossiers de projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Europe in the 1940s to the first half of the 1960s. The sub-series includes some projects completed with the Bureau Central de la Construction, in Switzerland, and his individual projets including the Centre d'apprentissage in Béziers, France. The material in this sub-series was probably produced between 1940 to 1963. The sub-series contains drawings, predominantly reprographic copies, such as studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. The sub-series also contains photomechanial prints, a photograph and some folder used by Pierre Jeanneret to organized his projects' files.
AP156.S3.SS1
Description:
La sous-série documente les projets architecturaux et d'urbanisme de Pierre Jeanneret et autres architectes en Europe durant les années 1940 jusqu'à la première moitié des années 1960. La sous-série inclut certains projets réalisés avec la Bureau Central de Construction, en Suisse, ainsi que ses projets indivuels dont le Centre d'apprentissage de Béziers, en France. Le matériel dans cette sous-série a probablement été produit entre 1940 et 1963. La sous-série contient des dessins, principalement des reprographies, donc des études, des dessins conceptuels, des dessins de développement du design, des dessins d'exécution et des dessins de présentation. La sous-série contient aussi des épreuves photomécaniques, une photographie et quelques chemises utilisées par Pierre Jeanneret pour classer ses dossiers de projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Europe in the 1940s to the first half of the 1960s. The sub-series includes some projects completed with the Bureau Central de la Construction, in Switzerland, and his individual projets including the Centre d'apprentissage in Béziers, France. The material in this sub-series was probably produced between 1940 to 1963. The sub-series contains drawings, predominantly reprographic copies, such as studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. The sub-series also contains photomechanial prints, a photograph and some folder used by Pierre Jeanneret to organized his projects' files.
Personnes et institutions:
Date:
1940-1963
1940-1963
Titre:
Europe = Europe
Actions:
AP156.S3.SS1
Description:
La sous-série documente les projets architecturaux et d'urbanisme de Pierre Jeanneret et autres architectes en Europe durant les années 1940 jusqu'à la première moitié des années 1960. La sous-série inclut certains projets réalisés avec la Bureau Central de Construction, en Suisse, ainsi que ses projets indivuels dont le Centre d'apprentissage de Béziers, en France. Le matériel dans cette sous-série a probablement été produit entre 1940 et 1963. La sous-série contient des dessins, principalement des reprographies, donc des études, des dessins conceptuels, des dessins de développement du design, des dessins d'exécution et des dessins de présentation. La sous-série contient aussi des épreuves photomécaniques, une photographie et quelques chemises utilisées par Pierre Jeanneret pour classer ses dossiers de projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Europe in the 1940s to the first half of the 1960s. The sub-series includes some projects completed with the Bureau Central de la Construction, in Switzerland, and his individual projets including the Centre d'apprentissage in Béziers, France. The material in this sub-series was probably produced between 1940 to 1963. The sub-series contains drawings, predominantly reprographic copies, such as studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. The sub-series also contains photomechanial prints, a photograph and some folder used by Pierre Jeanneret to organized his projects' files.
Europe = Europe
Actions:
AP156.S3.SS1
Description:
La sous-série documente les projets architecturaux et d'urbanisme de Pierre Jeanneret et autres architectes en Europe durant les années 1940 jusqu'à la première moitié des années 1960. La sous-série inclut certains projets réalisés avec la Bureau Central de Construction, en Suisse, ainsi que ses projets indivuels dont le Centre d'apprentissage de Béziers, en France. Le matériel dans cette sous-série a probablement été produit entre 1940 et 1963. La sous-série contient des dessins, principalement des reprographies, donc des études, des dessins conceptuels, des dessins de développement du design, des dessins d'exécution et des dessins de présentation. La sous-série contient aussi des épreuves photomécaniques, une photographie et quelques chemises utilisées par Pierre Jeanneret pour classer ses dossiers de projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret and other architects in Europe in the 1940s to the first half of the 1960s. The sub-series includes some projects completed with the Bureau Central de la Construction, in Switzerland, and his individual projets including the Centre d'apprentissage in Béziers, France. The material in this sub-series was probably produced between 1940 to 1963. The sub-series contains drawings, predominantly reprographic copies, such as studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. The sub-series also contains photomechanial prints, a photograph and some folder used by Pierre Jeanneret to organized his projects' files.
Niveau de description archivistique:
Sous-série 1
Sous-série 1
Date:
1940-1963
1940-1963
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
Personnes et institutions:
Date:
1986-1991
1986-1991
Titre:
Woodsworth College, University of Toronto (1986-1991)
Actions:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
Woodsworth College, University of Toronto (1986-1991)
Actions:
AP056.S1.1986.PR02
Description:
This project series documents an addition and renovations to Woodsworth College at the University of Toronto from 1986-1991. The office identified the project number as 18603. Before this work, the existing property consisted of four Victorian houses: the main College building at 119 St. George Street that had a large drill hall connected to the back, a house next to the drill hall, the Centre for Industrial Relations located at 121 St. Georges Street, and the Media Centre located at 123 St. Georges Street. This project consisted of interior renovations to the houses and the addition of an L-shaped building at the back of the property that connected to the drill hall and turned at the corner of the property towards the Media Centre house. This created a central courtyard in the centre of the property, between all the buildings. The new building was two storeys with an arcade toward the courtyard, a red brick facade and sheet metal roofing. This housed audio-visual rooms, editing rooms, offices and a workroom in the basement, classrooms and meeting rooms on the ground floor, and faculty offices, lounges and administrative areas on the second floor. A new entry tower and hall were constructed for the main College building. This building consisted of mechanical and electrical rooms in the basement, student spaces and administrative offices on the ground floor, and administrative offices and meeting rooms on the second and third floors. Barton Myers Associates worked as the consulting architects on this project. The project is recorded through drawings and photographic materials dating from 1986-1991. The drawings include sketches, drawings for the project model, sections, floor and site plans, elevations, details, axonometric drawings, perspectives, and structural drawings. There are a large number of detail drawings for furnishings and architectural elements. The photographic materials consist of aerial views and photographs of the finished project.
Niveau de description archivistique:
Project
Project
Date:
1986-1991
1986-1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
Personnes et institutions:
Date:
1988-1994
1988-1994
Titre:
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
Niveau de description archivistique:
Project
Project
Date:
1988-1994
1988-1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1991.PR05
Description:
This project series documents the Urban plan for the city centre of Montreuil, France, also known as Coeur de ville. The office archivist identified this project as 24/90. The office assigned the date 1991 to this project. During the sixties and the seventies, the construction of a mall and office towers created a rupture in the downtown of Montreuil and caused traffic problems. Siza was chosen to find architectural and urban solutions to these challenges. Luis Mendes started as a collaborator at Siza's office and finished as the architect in charge for this project. Several other architects helped during the 20 years of the Coeur de ville project, including Laurent Beaudoin, Emanuelle Beaudoin, Michel Corajoud and Christian Devillers. The concept of substitution urbanization was introduced, in order to repair the rupture created in the sixties and seventies and to introduce urban continuity in Montreuil. The Coeur de ville project proposal included a new spacial reorganization, the Victor Hugo housing building, a theater, and public spaces. In 2006, the buildings C1 and C2 were built. The master plan purposes were to readapt the area to the singularity of the territory, reintroduce the cultural and commercial functions of the area, and to create connections between the districts. Due to a change of municipal administration in the middle of the project, only part of the plan was realized, including two housing buildings and part of the urban renewal. Siza received the Grand Prix spécial du jury de l'urbanisme in 2005 for his contribution to the Coeur de Ville project This project series includes two subseries. Plano Centre Ville de Montreuil and Edificio de Habitaçäo Montreuil (Hamo). The Plano Centre Ville de Montreuil documents the master plans and general documentations of the project. The Edificio de Habitaçäo Montreuil documents the housing project of Siza in Montreuil.
AP178.S1.1991.PR05
Description:
This project series documents the Urban plan for the city centre of Montreuil, France, also known as Coeur de ville. The office archivist identified this project as 24/90. The office assigned the date 1991 to this project. During the sixties and the seventies, the construction of a mall and office towers created a rupture in the downtown of Montreuil and caused traffic problems. Siza was chosen to find architectural and urban solutions to these challenges. Luis Mendes started as a collaborator at Siza's office and finished as the architect in charge for this project. Several other architects helped during the 20 years of the Coeur de ville project, including Laurent Beaudoin, Emanuelle Beaudoin, Michel Corajoud and Christian Devillers. The concept of substitution urbanization was introduced, in order to repair the rupture created in the sixties and seventies and to introduce urban continuity in Montreuil. The Coeur de ville project proposal included a new spacial reorganization, the Victor Hugo housing building, a theater, and public spaces. In 2006, the buildings C1 and C2 were built. The master plan purposes were to readapt the area to the singularity of the territory, reintroduce the cultural and commercial functions of the area, and to create connections between the districts. Due to a change of municipal administration in the middle of the project, only part of the plan was realized, including two housing buildings and part of the urban renewal. Siza received the Grand Prix spécial du jury de l'urbanisme in 2005 for his contribution to the Coeur de Ville project This project series includes two subseries. Plano Centre Ville de Montreuil and Edificio de Habitaçäo Montreuil (Hamo). The Plano Centre Ville de Montreuil documents the master plans and general documentations of the project. The Edificio de Habitaçäo Montreuil documents the housing project of Siza in Montreuil.
Personnes et institutions:
Date:
1991-2003
1991-2003
Titre:
Coeur de ville, Montreuil, France, (1991)
Actions:
AP178.S1.1991.PR05
Description:
This project series documents the Urban plan for the city centre of Montreuil, France, also known as Coeur de ville. The office archivist identified this project as 24/90. The office assigned the date 1991 to this project. During the sixties and the seventies, the construction of a mall and office towers created a rupture in the downtown of Montreuil and caused traffic problems. Siza was chosen to find architectural and urban solutions to these challenges. Luis Mendes started as a collaborator at Siza's office and finished as the architect in charge for this project. Several other architects helped during the 20 years of the Coeur de ville project, including Laurent Beaudoin, Emanuelle Beaudoin, Michel Corajoud and Christian Devillers. The concept of substitution urbanization was introduced, in order to repair the rupture created in the sixties and seventies and to introduce urban continuity in Montreuil. The Coeur de ville project proposal included a new spacial reorganization, the Victor Hugo housing building, a theater, and public spaces. In 2006, the buildings C1 and C2 were built. The master plan purposes were to readapt the area to the singularity of the territory, reintroduce the cultural and commercial functions of the area, and to create connections between the districts. Due to a change of municipal administration in the middle of the project, only part of the plan was realized, including two housing buildings and part of the urban renewal. Siza received the Grand Prix spécial du jury de l'urbanisme in 2005 for his contribution to the Coeur de Ville project This project series includes two subseries. Plano Centre Ville de Montreuil and Edificio de Habitaçäo Montreuil (Hamo). The Plano Centre Ville de Montreuil documents the master plans and general documentations of the project. The Edificio de Habitaçäo Montreuil documents the housing project of Siza in Montreuil.
Coeur de ville, Montreuil, France, (1991)
Actions:
AP178.S1.1991.PR05
Description:
This project series documents the Urban plan for the city centre of Montreuil, France, also known as Coeur de ville. The office archivist identified this project as 24/90. The office assigned the date 1991 to this project. During the sixties and the seventies, the construction of a mall and office towers created a rupture in the downtown of Montreuil and caused traffic problems. Siza was chosen to find architectural and urban solutions to these challenges. Luis Mendes started as a collaborator at Siza's office and finished as the architect in charge for this project. Several other architects helped during the 20 years of the Coeur de ville project, including Laurent Beaudoin, Emanuelle Beaudoin, Michel Corajoud and Christian Devillers. The concept of substitution urbanization was introduced, in order to repair the rupture created in the sixties and seventies and to introduce urban continuity in Montreuil. The Coeur de ville project proposal included a new spacial reorganization, the Victor Hugo housing building, a theater, and public spaces. In 2006, the buildings C1 and C2 were built. The master plan purposes were to readapt the area to the singularity of the territory, reintroduce the cultural and commercial functions of the area, and to create connections between the districts. Due to a change of municipal administration in the middle of the project, only part of the plan was realized, including two housing buildings and part of the urban renewal. Siza received the Grand Prix spécial du jury de l'urbanisme in 2005 for his contribution to the Coeur de Ville project This project series includes two subseries. Plano Centre Ville de Montreuil and Edificio de Habitaçäo Montreuil (Hamo). The Plano Centre Ville de Montreuil documents the master plans and general documentations of the project. The Edificio de Habitaçäo Montreuil documents the housing project of Siza in Montreuil.
Niveau de description archivistique:
Project
Project
Date:
1991-2003
1991-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2008.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for the Inuvik School, later known as East Three School, in Inuvik, Northwest Territories. The project consisted in the landscape design and a playground design for the new school replacing the Sir Alexander MacKenzie elementary school and the Samuel Herne Secondary School. Oberlander worked on this project from 2008 to 2012 with architects Pin/Taylor. During her design process, Oberlander consulted the teachers, parents, staff and students on ways to express their culture in the landscape design. She also had to adapt her design to the extreme climate of the region. Oberlander located the play court at the angle of the two buildings of the elementary school and the secondary school, to shelter it from the wind, and allowing small children to play outside. The plant selection was made by "harvesting local site and surrounding area for plant material" [1] and was also inspired by traditional cuisine. The project was completed in 2012. The project series also includes some documents related to a project possibly unrealized of the Jim Koe Park also in Inuvik, near the school. The project series contains design development drawings and working drawings, such as planting plans, irrigation plans, grading plans, landscape sections, and site plans. The drawings also includes sets of building plans used as reference. The project is also documented through correspondence, including with architects, suppliers, and consultants, specifications, scope of work, schematic design and design reports from architectural firm, minutes of meetings, and research material. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 197.
AP075.S1.2008.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for the Inuvik School, later known as East Three School, in Inuvik, Northwest Territories. The project consisted in the landscape design and a playground design for the new school replacing the Sir Alexander MacKenzie elementary school and the Samuel Herne Secondary School. Oberlander worked on this project from 2008 to 2012 with architects Pin/Taylor. During her design process, Oberlander consulted the teachers, parents, staff and students on ways to express their culture in the landscape design. She also had to adapt her design to the extreme climate of the region. Oberlander located the play court at the angle of the two buildings of the elementary school and the secondary school, to shelter it from the wind, and allowing small children to play outside. The plant selection was made by "harvesting local site and surrounding area for plant material" [1] and was also inspired by traditional cuisine. The project was completed in 2012. The project series also includes some documents related to a project possibly unrealized of the Jim Koe Park also in Inuvik, near the school. The project series contains design development drawings and working drawings, such as planting plans, irrigation plans, grading plans, landscape sections, and site plans. The drawings also includes sets of building plans used as reference. The project is also documented through correspondence, including with architects, suppliers, and consultants, specifications, scope of work, schematic design and design reports from architectural firm, minutes of meetings, and research material. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 197.
Personnes et institutions:
Date:
1999-2014
1999-2014
Titre:
Inuvik School, Inuvik, Northwest Territories (2008)
Actions:
AP075.S1.2008.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for the Inuvik School, later known as East Three School, in Inuvik, Northwest Territories. The project consisted in the landscape design and a playground design for the new school replacing the Sir Alexander MacKenzie elementary school and the Samuel Herne Secondary School. Oberlander worked on this project from 2008 to 2012 with architects Pin/Taylor. During her design process, Oberlander consulted the teachers, parents, staff and students on ways to express their culture in the landscape design. She also had to adapt her design to the extreme climate of the region. Oberlander located the play court at the angle of the two buildings of the elementary school and the secondary school, to shelter it from the wind, and allowing small children to play outside. The plant selection was made by "harvesting local site and surrounding area for plant material" [1] and was also inspired by traditional cuisine. The project was completed in 2012. The project series also includes some documents related to a project possibly unrealized of the Jim Koe Park also in Inuvik, near the school. The project series contains design development drawings and working drawings, such as planting plans, irrigation plans, grading plans, landscape sections, and site plans. The drawings also includes sets of building plans used as reference. The project is also documented through correspondence, including with architects, suppliers, and consultants, specifications, scope of work, schematic design and design reports from architectural firm, minutes of meetings, and research material. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 197.
Inuvik School, Inuvik, Northwest Territories (2008)
Actions:
AP075.S1.2008.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project for the Inuvik School, later known as East Three School, in Inuvik, Northwest Territories. The project consisted in the landscape design and a playground design for the new school replacing the Sir Alexander MacKenzie elementary school and the Samuel Herne Secondary School. Oberlander worked on this project from 2008 to 2012 with architects Pin/Taylor. During her design process, Oberlander consulted the teachers, parents, staff and students on ways to express their culture in the landscape design. She also had to adapt her design to the extreme climate of the region. Oberlander located the play court at the angle of the two buildings of the elementary school and the secondary school, to shelter it from the wind, and allowing small children to play outside. The plant selection was made by "harvesting local site and surrounding area for plant material" [1] and was also inspired by traditional cuisine. The project was completed in 2012. The project series also includes some documents related to a project possibly unrealized of the Jim Koe Park also in Inuvik, near the school. The project series contains design development drawings and working drawings, such as planting plans, irrigation plans, grading plans, landscape sections, and site plans. The drawings also includes sets of building plans used as reference. The project is also documented through correspondence, including with architects, suppliers, and consultants, specifications, scope of work, schematic design and design reports from architectural firm, minutes of meetings, and research material. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 197.
Niveau de description archivistique:
Project
Project
Date:
1999-2014
1999-2014
Personnes et institutions:
Classification:
événements
événements
Actions:
Mot(s)-clé(s):
chercheur en résidence, Christopher Heuer, Guides sur le chaos, Les renaissances grotesques, Hans Vredeman de Vries, La ville répétée, Design urbain, Imaginaire architectural, Séminaire de chercheur en résidence
chercheur en résidence, Christopher Heuer, Guides sur le chaos, Les renaissances grotesques, Hans Vredeman de Vries, La ville répétée, Design urbain, Imaginaire architectural, Séminaire de chercheur en résidence
Date:
13 juillet 2006
13 juillet 2006
Classification:
événements
événements
Date:
13 juillet 2006
13 juillet 2006
