8416 Résultats
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical(...)
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical(...)
Titre:
Parables for the virtual: movement, affect, sensation
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
Parables for the virtual: movement, affect, sensation
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Since its publication twenty years ago, Brian Massumi's pioneering ''Parables for the virtual'' has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, "Keywords for Affect" and "Missed Conceptions about Affect," in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
Classification:
livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$84.00
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Otto Neurath’s famous "Modern man in the making," first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed "Isotype" (International System of Typographic Picture Education). At a time that saw new mass(...)
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Otto Neurath’s famous "Modern man in the making," first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed "Isotype" (International System of Typographic Picture Education). At a time that saw new mass(...)
Titre:
Modern man in the making. Facsimile
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Otto Neurath’s famous "Modern man in the making," first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed "Isotype" (International System of Typographic Picture Education). At a time that saw new mass media making hitherto unthinkable amounts of information available, Neurath felt the need for a systematic visualization explaining facts, statistical data and comparative numbers in simple ways. The book can be seen as one of the most influential predecessors of today’s infographics. In the visuals, each symbol and color represents a certain group of objects or people, often compared repetitively over a certain time span. The topics covered in the book include diverse social issues of the time like mortality, health, employment, trade, education, mobility, migration and demographics. "Modern man in the making" shows Neurath’s democratic endeavor to make knowledge intelligible and available to all. It is a reminder of graphic art’s ability to inform and create context instead of presenting aesthetic qualities only. The book has inspired generations of designers and has led to sometimes peculiar imitations and further developments.
Modern man in the making. Facsimile
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Otto Neurath’s famous "Modern man in the making," first published by Alfred A. Knopf in 1939, captures and describes the state of the world in the 1930s by using text and figurative illustrations. From 1925 on, Neurath and his team had worked on a new visual language termed "Isotype" (International System of Typographic Picture Education). At a time that saw new mass media making hitherto unthinkable amounts of information available, Neurath felt the need for a systematic visualization explaining facts, statistical data and comparative numbers in simple ways. The book can be seen as one of the most influential predecessors of today’s infographics. In the visuals, each symbol and color represents a certain group of objects or people, often compared repetitively over a certain time span. The topics covered in the book include diverse social issues of the time like mortality, health, employment, trade, education, mobility, migration and demographics. "Modern man in the making" shows Neurath’s democratic endeavor to make knowledge intelligible and available to all. It is a reminder of graphic art’s ability to inform and create context instead of presenting aesthetic qualities only. The book has inspired generations of designers and has led to sometimes peculiar imitations and further developments.
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livres
livres
Publication:
avril 2024
avril 2024
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livres
livres
Prix:
$10.00
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Résumé:
Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. (...)
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Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. (...)
Titre:
Alternorthern: an exhibition of nine emerging Canadian artists
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Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. “Alternorthern” was conceived in the tension that exists between nationalism, globalization, and individualism: the exhibition is a product of both cultural values and cultural hybridism. The nine artists in this exhibition function similarly in that they use their own identities to make gestures that transgress time and space. Each artist in the exhibition is Canadian, yet each creates work that speaks to issues pertinent to both Canadian and global geographic and political landscapes. The exhibition will open during the 2010 Olympics, when many of the stereotypes, symbols, themes, and political workings of Canada will be disseminated into the U.S. media. As Canada is in the throes of presenting its tourist identity on the international stage, this exhibition can function as a way of transgressing this identity. Thus, the curators see this exhibition not as a response to the event of the Olympics but as an opportunity to subvert and play with cultural dialogue that will exist during this time.
Alternorthern: an exhibition of nine emerging Canadian artists
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Canada is a country whose national narrative is difficult to define, even for Canadians. This question is further complicated when looking at emerging artists who have grown up under intense globalization. In Canada, specific identities are difficult to pinpoint and, when they are, they are often portrayed as problematic stereotypes bound up in a colonialist history. “Alternorthern” was conceived in the tension that exists between nationalism, globalization, and individualism: the exhibition is a product of both cultural values and cultural hybridism. The nine artists in this exhibition function similarly in that they use their own identities to make gestures that transgress time and space. Each artist in the exhibition is Canadian, yet each creates work that speaks to issues pertinent to both Canadian and global geographic and political landscapes. The exhibition will open during the 2010 Olympics, when many of the stereotypes, symbols, themes, and political workings of Canada will be disseminated into the U.S. media. As Canada is in the throes of presenting its tourist identity on the international stage, this exhibition can function as a way of transgressing this identity. Thus, the curators see this exhibition not as a response to the event of the Olympics but as an opportunity to subvert and play with cultural dialogue that will exist during this time.
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livres
livres
Publication:
janvier 2010
janvier 2010
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livres
livres
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9/10 Stock Orchard Street, colloquially known as the Straw House, is a house and an office designed by two architects for their own use. Completed in 2000, the buildings were experimental in design, execution and inhabitation, and have resisted categorization, challenged received wisdom and provoked debate, especially among architectural critics. With access to all(...)
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9/10 Stock Orchard Street, colloquially known as the Straw House, is a house and an office designed by two architects for their own use. Completed in 2000, the buildings were experimental in design, execution and inhabitation, and have resisted categorization, challenged received wisdom and provoked debate, especially among architectural critics. With access to all(...)
Titre:
Around & About: Stock Orchard Street
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9/10 Stock Orchard Street, colloquially known as the Straw House, is a house and an office designed by two architects for their own use. Completed in 2000, the buildings were experimental in design, execution and inhabitation, and have resisted categorization, challenged received wisdom and provoked debate, especially among architectural critics. With access to all the material records of the project, this book responds to that debate by presenting multi-faceted narratives from a wide range of writers that have been invited to reflect both positively and negatively on what the buildings represent and how they have performed. Using the buildings as the central case study, it situates them in a broader cultural context, revealing the breadth of conversations and issues engaged by architecture. Highly illustrated with original material, including the authors’ own drawings and with specially-commissioned photographs, this book discusses theory, practice, ethics, material culture, the media, narrative, feminism, sustainability and construction, offering illuminating and sometimes surprising conclusions relevant to lay, professional and academic readers. While offering a wide ranging set of approaches and critiques of its subject, this book provides a unique insight into a building’s conception, construction and reception, and in turn facilitates the engagement with the issues facing architectural practice today.
Around & About: Stock Orchard Street
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9/10 Stock Orchard Street, colloquially known as the Straw House, is a house and an office designed by two architects for their own use. Completed in 2000, the buildings were experimental in design, execution and inhabitation, and have resisted categorization, challenged received wisdom and provoked debate, especially among architectural critics. With access to all the material records of the project, this book responds to that debate by presenting multi-faceted narratives from a wide range of writers that have been invited to reflect both positively and negatively on what the buildings represent and how they have performed. Using the buildings as the central case study, it situates them in a broader cultural context, revealing the breadth of conversations and issues engaged by architecture. Highly illustrated with original material, including the authors’ own drawings and with specially-commissioned photographs, this book discusses theory, practice, ethics, material culture, the media, narrative, feminism, sustainability and construction, offering illuminating and sometimes surprising conclusions relevant to lay, professional and academic readers. While offering a wide ranging set of approaches and critiques of its subject, this book provides a unique insight into a building’s conception, construction and reception, and in turn facilitates the engagement with the issues facing architectural practice today.
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livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Education
Education
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$27.95
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Résumé:
This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and(...)
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Résumé:
This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and(...)
Titre:
Education
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This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and--as Michael Hardt and Antonio Negri describe it--the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of "indiscipline" in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
Education
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$27.95
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Résumé:
This book will be a resource for all who believe in the importance of art in the wider educational realm. Framing the recent "educational turn" in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and--as Michael Hardt and Antonio Negri describe it--the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of "indiscipline" in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité(...)
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Résumé:
La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité(...)
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Publication:
septembre 2011
septembre 2011
Titre:
L'ère électrique / The electric age
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité a inspiré des écrivains et des artistes, a servi de force d'impulsion au monde de l'industrie et de l'innovation et a redéfini les comportements sociaux. En explorant l'incidence de l'électricité sur le savoir, les pratiques sociales, les médias, la vie sociale et les expériences personnelles, cet ouvrage tente d'en saisir les aspects techniques et culturels dans toute leur complexité. -- The scientific discovery and mastery of electricity created as many important changes in modern society as did the invention of alphabetical writing in antiquity and movable type in the fifteenth century. It is more than a natural phenomenon that science has harnessed for human use; it is a central feature of the modern episteme. It has inspired writers and artists, propelled industry and innovation, and reshaped human social behaviour. Looking at a variety of topics including film, politics, and contemporary art, this volume explores the impact of electricity on knowledge, social practices, media, community life, and subjective experience.
L'ère électrique / The electric age
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La découverte scientifique et la maîtrise de l'électricité ont bouleversé notre société au même titre que l'invention de l'écriture alphabétique durant l'Antiquité et de l'imprimerie à caractères mobiles au XVe siècle. Il ne s'agit pas seulement d'un phénomène naturel mis au service de l'homme par la science, mais d'un élément central de l'épistémè moderne : l'électricité a inspiré des écrivains et des artistes, a servi de force d'impulsion au monde de l'industrie et de l'innovation et a redéfini les comportements sociaux. En explorant l'incidence de l'électricité sur le savoir, les pratiques sociales, les médias, la vie sociale et les expériences personnelles, cet ouvrage tente d'en saisir les aspects techniques et culturels dans toute leur complexité. -- The scientific discovery and mastery of electricity created as many important changes in modern society as did the invention of alphabetical writing in antiquity and movable type in the fifteenth century. It is more than a natural phenomenon that science has harnessed for human use; it is a central feature of the modern episteme. It has inspired writers and artists, propelled industry and innovation, and reshaped human social behaviour. Looking at a variety of topics including film, politics, and contemporary art, this volume explores the impact of electricity on knowledge, social practices, media, community life, and subjective experience.
Classification:
livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
Gerhard Richter: atlas
Gerhard Richter: atlas
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This publication maps the ideas, processes, life and times of one of the most important painters of our time. Conceived and closely edited by Gerhard Richter himself, Atlas cuts straight to the heart of the artist's thinking, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962.(...)
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This publication maps the ideas, processes, life and times of one of the most important painters of our time. Conceived and closely edited by Gerhard Richter himself, Atlas cuts straight to the heart of the artist's thinking, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962.(...)
Titre:
Gerhard Richter: atlas
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This publication maps the ideas, processes, life and times of one of the most important painters of our time. Conceived and closely edited by Gerhard Richter himself, Atlas cuts straight to the heart of the artist's thinking, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962. Year by year, the images closely parallel the subjects of Richter's paintings, revealing the orderly but open-ended analysis that has been so central to his art. Offering invaluable insight into Richter's working process, this encyclopedic new edition, which completely revises and updates the rare, out-of-print 1997 edition and includes 147 additional plates, features 780 multi-image panels, each reproduced full page and in full color. Richter redefined the terms of contemporary painting as he looked to photography for a way to release painting from the political and symbolic burdens of Socialist Realism and Abstract Expressionism. From pictures of family and friends to images from the mass media, Richter's photographs - sometimes found, sometimes original - have provided the basis for many of his paintings, often re-emerging in a luminous, monochromatic palette, and falling ambiguously between documentary and historical painting.
Gerhard Richter: atlas
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This publication maps the ideas, processes, life and times of one of the most important painters of our time. Conceived and closely edited by Gerhard Richter himself, Atlas cuts straight to the heart of the artist's thinking, collecting more than 5,000 photographs, drawings and sketches that he has compiled or created since the moment of his creative breakthrough in 1962. Year by year, the images closely parallel the subjects of Richter's paintings, revealing the orderly but open-ended analysis that has been so central to his art. Offering invaluable insight into Richter's working process, this encyclopedic new edition, which completely revises and updates the rare, out-of-print 1997 edition and includes 147 additional plates, features 780 multi-image panels, each reproduced full page and in full color. Richter redefined the terms of contemporary painting as he looked to photography for a way to release painting from the political and symbolic burdens of Socialist Realism and Abstract Expressionism. From pictures of family and friends to images from the mass media, Richter's photographs - sometimes found, sometimes original - have provided the basis for many of his paintings, often re-emerging in a luminous, monochromatic palette, and falling ambiguously between documentary and historical painting.
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livres
livres
Publication:
décembre 2011
décembre 2011
Classification:
livres
livres
Titre:
All citizens
All citizens
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$25.00
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In 2006, two artists fled the high cost of living in Vancouver and moved to a place where they knew absolutely nobody, Bruno, Saskatchewan, population 500. They set up a storefront building in which they housed their own unique brand of café / art shop / community centre / music venue called All Citizens from 2007-2011. McCarroll kept a blog called Going Rural of her(...)
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In 2006, two artists fled the high cost of living in Vancouver and moved to a place where they knew absolutely nobody, Bruno, Saskatchewan, population 500. They set up a storefront building in which they housed their own unique brand of café / art shop / community centre / music venue called All Citizens from 2007-2011. McCarroll kept a blog called Going Rural of her(...)
Titre:
All citizens
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In 2006, two artists fled the high cost of living in Vancouver and moved to a place where they knew absolutely nobody, Bruno, Saskatchewan, population 500. They set up a storefront building in which they housed their own unique brand of café / art shop / community centre / music venue called All Citizens from 2007-2011. McCarroll kept a blog called Going Rural of her travels and experiences moving and setting up shop. This blog (text and photographs) forms a significant chapter of the All Citizens art book and serves as an introduction to Saara Liinamaa’s essay on rural interventions. The documentation (in text, interviews, and photographs) of the artistic practice of three local senior women formed McCarroll’s MFA thesis project in the Documentary Media Program at Ryerson and constitutes another significant chapter. Cartoonist David Collier visits one of these women in Bruno and provides a comic essay in his own style. Also contributing is artist Jason McLean. But the heart of the All Citizens project was the store itself, a meeting place, shop, cultural centre, music venue and all things in between. It was the ultimate culmination of a DIY aesthetic forged onto a rural landscape. Includes Bonus CD: Daniel, Fred, and Julie: Live at All Citizens.
All citizens
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In 2006, two artists fled the high cost of living in Vancouver and moved to a place where they knew absolutely nobody, Bruno, Saskatchewan, population 500. They set up a storefront building in which they housed their own unique brand of café / art shop / community centre / music venue called All Citizens from 2007-2011. McCarroll kept a blog called Going Rural of her travels and experiences moving and setting up shop. This blog (text and photographs) forms a significant chapter of the All Citizens art book and serves as an introduction to Saara Liinamaa’s essay on rural interventions. The documentation (in text, interviews, and photographs) of the artistic practice of three local senior women formed McCarroll’s MFA thesis project in the Documentary Media Program at Ryerson and constitutes another significant chapter. Cartoonist David Collier visits one of these women in Bruno and provides a comic essay in his own style. Also contributing is artist Jason McLean. But the heart of the All Citizens project was the store itself, a meeting place, shop, cultural centre, music venue and all things in between. It was the ultimate culmination of a DIY aesthetic forged onto a rural landscape. Includes Bonus CD: Daniel, Fred, and Julie: Live at All Citizens.
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livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Art canadien
Art canadien
Classification:
audio
audio
Titre:
These are They.
These are They.
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Description:
1 online resource.
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Publication:
[Place of publication not identified] : Lateral Addition, 2019.
[Place of publication not identified] : Lateral Addition, 2019.
Classification:
audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2019.
[Place of publication not identified] : Lateral Addition, 2019.
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livres
livres
Exemplaires:
Description:
xiii, 254 pages : illustrations, maps ; 24 cm
Description:
xiii, 254 pages : illustrations, maps ; 24 cm
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Publication:
London ; New York : Routledge, 2004.
London ; New York : Routledge, 2004.
Titre:
Pompeii : a sourcebook / Alison E. Cooley and M.G.L. Cooley.
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Description:
xiii, 254 pages : illustrations, maps ; 24 cm
Pompeii : a sourcebook / Alison E. Cooley and M.G.L. Cooley.
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Exemplaires:
Description:
xiii, 254 pages : illustrations, maps ; 24 cm
Classification:
livres
livres
Publication:
London ; New York : Routledge, 2004.
London ; New York : Routledge, 2004.
Auteur:
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