photographies
PH1980:0008:043
Description:
- Artists' inscription (Bourne & Shepherd) is cropped-LR on photograph "1353. Delhi the Juma Musjid from N.E." is written beneath photograph probably by Catherine Evans in 1980. - The Jami Masjid is seen from the north east side in the photograph.
architecture
1866
View of the Jami Masjid, Delhi (now Delhi Union Territory), India
Actions:
PH1980:0008:043
Description:
- Artists' inscription (Bourne & Shepherd) is cropped-LR on photograph "1353. Delhi the Juma Musjid from N.E." is written beneath photograph probably by Catherine Evans in 1980. - The Jami Masjid is seen from the north east side in the photograph.
photographies
1866
architecture
Projet
AP178.S1.1986.PR02
Description:
This project series documents the Parque Urbano in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number 41/80. The office assigned the date 1986 to this project. The project files document a competition for the Salemi urban park. The park was supposed to create a link between the oldest and newest parts of town. The park included two entrances, a new water line, a fence, a path that embraces the topography of the site, a path that links the new town and the Cappuccini Convent, a belvedere and a water pathway. It also contained a terrace with a theater, bar and skating ring. The project was not realized. Documenting this project are studies and site plans. Textual material includes competition documentation and correspondence. Photographs and negatives document the project site.
1984-1987
Parque Urbano [Urban park], Salemi, Italy (1986)
Actions:
AP178.S1.1986.PR02
Description:
This project series documents the Parque Urbano in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number 41/80. The office assigned the date 1986 to this project. The project files document a competition for the Salemi urban park. The park was supposed to create a link between the oldest and newest parts of town. The park included two entrances, a new water line, a fence, a path that embraces the topography of the site, a path that links the new town and the Cappuccini Convent, a belvedere and a water pathway. It also contained a terrace with a theater, bar and skating ring. The project was not realized. Documenting this project are studies and site plans. Textual material includes competition documentation and correspondence. Photographs and negatives document the project site.
Project
1984-1987
Sous-série
General Textual Files
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
1993-1998, predominant 1996-1998
General Textual Files
Actions:
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
File 1
1993-1998, predominant 1996-1998
Projet
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
2011-2015
La Linea Del Tempo [Time Line] (2011)
Actions:
AP207.S1.2011.PR01
Description:
The project series documents the installation "La Linea Del Tempo" presented at the Galleria Quadro 096, in Fiesole, in 2011. The installation consists of an architect's drawing table, of which the top gives the illusion of sinking in. The installation is accompanied by a television playing Pettena's 1971 movie "Intens" playing on a loop. "The idea of presenting together things that were conceived in years so distant that they can easily be thought of as two different seasons of life is meant to underline the author’s conceptual coherence on the subject of his own interest regarding the architect’s profession." [1] The project series contains three photographs of the installation and a project description. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-time-line-2011/ (last accessed 23 January 2020).
Project
2011-2015
Projet
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
circa 2014
La Mia Idea Di Architettura [My Idea of Architecture] (2014)
Actions:
AP207.S1.2014.PR04
Description:
The project series documents the performance "La Mia Idea Di Architettura" held at Base, Spazio per l'arte in Florence, in 2014. The performance consists of a lecture given by Pettena, standing in a window frame, speaking to people passing in the street. "To illustrate his idea of architecture, Pettena chose to address not only experts in the field but also a random audience, passers-by on the street as he spoke." [1] The lecture was held in the context of an exhibition on Radical Tools, the Florentine group of the ‘radical’ movement architects and artists. Each protagonist of the group were invited to present a lecture. The project series contains photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-my-idea-2014/ (last accessed 28 January 2020)
Project
circa 2014
Projet
AP178.S1.1979.PR01
Description:
This project series documents the Caixa Geral de Depósitos in Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 47/70. The office assigned the date 1979 to this project. The Caixa Geral de Depósitos bank was a building divided for three purposes: the Serviços da Caixa Economica, the Casa de Crédito Popular, and dwellings. The Serviços da Caixa Economica included a public service area, archive vaults, manager's office, writing room, bank vaults, dressing rooms and bathrooms. The Casa de Crédito popular includes a public service area, warehouse, dressing rooms and bathrooms. The rest of the space was supposed to be used for apartments. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation and correspondence. Photographs document the project site.
1976-2012
Caixa Geral de Depósitos [Caixa Geral de Depósitos bank], Matosinhos, Portugal (1979)
Actions:
AP178.S1.1979.PR01
Description:
This project series documents the Caixa Geral de Depósitos in Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 47/70. The office assigned the date 1979 to this project. The Caixa Geral de Depósitos bank was a building divided for three purposes: the Serviços da Caixa Economica, the Casa de Crédito Popular, and dwellings. The Serviços da Caixa Economica included a public service area, archive vaults, manager's office, writing room, bank vaults, dressing rooms and bathrooms. The Casa de Crédito popular includes a public service area, warehouse, dressing rooms and bathrooms. The rest of the space was supposed to be used for apartments. Documenting this project are sketches, studies and working drawings. Textual materials include project documentation and correspondence. Photographs document the project site.
Project
1976-2012
graphique
ARCH259671
Description:
With colour photograph of Canadian Chancery model.
circa 1985
Poster of the exhibition "Arthur Erickson Selected Projects 1971-1985"
Actions:
ARCH259671
Description:
With colour photograph of Canadian Chancery model.
graphique
circa 1985
dessins
AP148.S1.1972.PR01.003
Description:
Features a small black and white photograph.
1972
Collage and text on Cultura Materiale valore d'uso (material culture, use value), Zeno, a self-sufficient culture
Actions:
AP148.S1.1972.PR01.003
Description:
Features a small black and white photograph.
dessins
1972
photographies
ARCH50524
Description:
The colour photograph shows a bank (?) vault.
architecture
Interior view of an unidentified bank vault
Actions:
ARCH50524
Description:
The colour photograph shows a bank (?) vault.
photographies
architecture
photographies
PH1980:1220:072
Description:
- The photograph shows the tombs of Khawas Khan and Hazrat Abdul Razzaq Qadiri. The photographer was facing north-west. The tomb on the right of the photograph is that of Hazrat Abdul Razzaq Qadiri.
architecture
March - April 1855
View of the Tomb of Khawas Khan on the left and the Tomb of Hazrat Abdul Razzak on the right, Beejapore (now Bijapur), India
Actions:
PH1980:1220:072
Description:
- The photograph shows the tombs of Khawas Khan and Hazrat Abdul Razzaq Qadiri. The photographer was facing north-west. The tomb on the right of the photograph is that of Hazrat Abdul Razzaq Qadiri.
photographies
March - April 1855
architecture