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In this publication, Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science(...)
Théorie de l’architecture
février 2009, Ithaca, London
The mirror, the window, and the telescope : how Renaissance linear perspective changed our vision of the universe
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In this publication, Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science and technology, ultimately undermining the very medieval Christian cosmic view that gave rise to it in the first place.
Théorie de l’architecture
livres
Proposals for Liverpool
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Book developped in association with the exhibition The Fifth Floor: ideas taking space, december 2008 to February 2009, Liverpool, Tate Liverpool. This volume collects the Peter Liversidge’s 118 proposals for art exhibitions in the city of Liverpool,The proposals include cleaning and restoring the clocks at the Liverpool Lime Street Station; releasing five gorillas into(...)
Proposals for Liverpool
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Book developped in association with the exhibition The Fifth Floor: ideas taking space, december 2008 to February 2009, Liverpool, Tate Liverpool. This volume collects the Peter Liversidge’s 118 proposals for art exhibitions in the city of Liverpool,The proposals include cleaning and restoring the clocks at the Liverpool Lime Street Station; releasing five gorillas into Liverpool’s Sefton Park; designing a new book jacket logo for Liverpool University Press, etc.
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février 2009, Liverpool
Théorie de l’art
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Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him,(...)
Caspar David Friedrich and the subject of landscape
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Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.
Théorie du paysage
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and(...)
Dreaming in books: the making of the bibliographic imagination in the romantic age
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At the opening of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era's 'bookish' culture. According to Andrew Piper, romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, "Dreaming in Books" tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
Théorie de l’architecture
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What would the world be like if there were no places? Our lives are so place-oriented that we cannot begin to comprehend the loss of locality. Indeed, the space we occupy has much to do with what and who we are. Yet, despite the pervasiveness of place in our everyday lives, philosophers have neglected it. Since its publication in 1993, Getting Back into Place has been(...)
Getting back into place: toward a renewed understanding of the place-world
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What would the world be like if there were no places? Our lives are so place-oriented that we cannot begin to comprehend the loss of locality. Indeed, the space we occupy has much to do with what and who we are. Yet, despite the pervasiveness of place in our everyday lives, philosophers have neglected it. Since its publication in 1993, Getting Back into Place has been recognized as a pioneering study of the importance of place in people's lives. This edition includes new material that reflects on the development of the field of environmental philosophy and presents Edward S. Casey's current thinking on place and home in our increasingly troubled world.
Théorie de l’architecture
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This fascinating book deals with the intersecting lives and careers of two visionary European architects in the first half of the 20th century. Erich Mendelsohn, steeped in German culture, is a convinced Zionist deeply aware of his ancient Judaic roots. Hendricus Wijdeveld, a Dutch Catholic, is proud of his 'Aryan' ancestry, but is married to a Jewish wife. In a(...)
Théorie de l’architecture
janvier 2008, Berlin
Through a clouded glass: Mendelsohn, Wideveld, and the Jewish Connection
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This fascinating book deals with the intersecting lives and careers of two visionary European architects in the first half of the 20th century. Erich Mendelsohn, steeped in German culture, is a convinced Zionist deeply aware of his ancient Judaic roots. Hendricus Wijdeveld, a Dutch Catholic, is proud of his 'Aryan' ancestry, but is married to a Jewish wife. In a penetrating and wide-ranging analysis their enduring friendship is examined.
Théorie de l’architecture
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Cities are hybrid entities based on multilayered and sometimes contradictory organizing principles. As complex networks of geographic, economic, political and cultural segments, they are caught up in a constant process of differentiation. How are we to understand such dynamic processes, especially the complex connections between individuals, whose movements and(...)
You are the city: observation, organization and transformation of urban settings
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Cities are hybrid entities based on multilayered and sometimes contradictory organizing principles. As complex networks of geographic, economic, political and cultural segments, they are caught up in a constant process of differentiation. How are we to understand such dynamic processes, especially the complex connections between individuals, whose movements and interactions leave traces in the urban landscape? This publication offers architects, urban planners and general readers interested in city design and growth a novel approach, a mapping tool that creates a framework for understanding the continually changing configuration of the city. With transparent slides, the tool allows one to superimpose various realities like layers and build new urban connections. It invites readers in short to immerse themselves in the complexity of our cities.
Théorie de l’urbanisme
Hidden forms
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The book Hidden Forms uses examples from Franco Clivio’s collection of objects to reveal clearly and yet poetically the hidden qualities that require a practiced gaze. Working with ordinary, everyday, practical, seemingly design(er)less objects has been Franco Clivio’s obsession both as a university lecturer and as a practicing designer. Each object in the collection(...)
Théorie du design
février 2009, Basel, Boston, Berlin
Hidden forms
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The book Hidden Forms uses examples from Franco Clivio’s collection of objects to reveal clearly and yet poetically the hidden qualities that require a practiced gaze. Working with ordinary, everyday, practical, seemingly design(er)less objects has been Franco Clivio’s obsession both as a university lecturer and as a practicing designer. Each object in the collection stands for an unconventional, unconstrained, and sometimes unique solution to a problem that is often simple but always fundamental; fundamental in the sense of a design that places less emphasis on good form than on perfect function.
Théorie du design
Small town sustainability
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In an era in which the individuality and vitality of small towns are under threat from globalization, and city planning discussions tend to center on topics like metropolitan regions, megaregions, and global cities, the authors of this volume see a need to reflect critically on the potential of small towns. They show how small towns can meet the challenge of a fast-paced,(...)
Small town sustainability
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In an era in which the individuality and vitality of small towns are under threat from globalization, and city planning discussions tend to center on topics like metropolitan regions, megaregions, and global cities, the authors of this volume see a need to reflect critically on the potential of small towns. They show how small towns can meet the challenge of a fast-paced, globalized world, and they use case studies to introduce movements, programs, and strategies capable of effectively promoting local cultures, traditions, identities, and sustainability.
Théorie de l’urbanisme
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Since the beginning of the 20th century, artists and architects have often been in collaboration. This relationship was not necessarily without conflict – on the contrary, a productive tension and friction can often be found at the basis of their common endeavors. However, wherever art and architecture establish a common territory in the public arena, highly integrated(...)
Art and architecture: strategies in collaboration
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Since the beginning of the 20th century, artists and architects have often been in collaboration. This relationship was not necessarily without conflict – on the contrary, a productive tension and friction can often be found at the basis of their common endeavors. However, wherever art and architecture establish a common territory in the public arena, highly integrated schemes may result that are of particular appeal and quality. In recent years, the barriers between art and architecture have come down even further; while many artists are attracted to the spatial presence of architecture and its language and scale, contemporary architects also seek the inspiration of art and include artistic concepts into their designs. Great works of art/architecture have resulted from these cooperations and this book explores them in nine chapters from 1914 up to the present, highlighting the most striking examples of these interdisciplinary activities such as the LACMA scheme by Renzo Piano/Jeff Koons in Los Angeles, the Chichu Art Museum by Tadao Ando with its installation by Walter de Maria, the British Pavilion at the Venice Biennale by David Adjaye with artist Chris Ofili or the work by Keith Sonnier in the Munich Re Building by Baumschlager Eberle.
Théorie de l’art