1009 Résultats
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Part of Jumblies Theatre & Arts’s multi-year “Talking Treaties project”, this volume is an artful examination of the complex intercultural roots of treaty relationships in the place we now call Toronto. Scholarly and historical research is complemented by outdoor activities, theatrical pursuits and contemporary writing prompts that help readers explore the modern-day(...)
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Part of Jumblies Theatre & Arts’s multi-year “Talking Treaties project”, this volume is an artful examination of the complex intercultural roots of treaty relationships in the place we now call Toronto. Scholarly and historical research is complemented by outdoor activities, theatrical pursuits and contemporary writing prompts that help readers explore the modern-day(...)
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juin 2022
juin 2022
Titre:
A treaty guide for Torontonians
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Part of Jumblies Theatre & Arts’s multi-year “Talking Treaties project”, this volume is an artful examination of the complex intercultural roots of treaty relationships in the place we now call Toronto. Scholarly and historical research is complemented by outdoor activities, theatrical pursuits and contemporary writing prompts that help readers explore the modern-day subjective and physical embodiment of treaty relations. This combination of art-based research and Toronto specific knowledge inspires an active approach to treaty awareness through embodied learning tools.
A treaty guide for Torontonians
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Part of Jumblies Theatre & Arts’s multi-year “Talking Treaties project”, this volume is an artful examination of the complex intercultural roots of treaty relationships in the place we now call Toronto. Scholarly and historical research is complemented by outdoor activities, theatrical pursuits and contemporary writing prompts that help readers explore the modern-day subjective and physical embodiment of treaty relations. This combination of art-based research and Toronto specific knowledge inspires an active approach to treaty awareness through embodied learning tools.
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livres
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Publication:
juin 2022
juin 2022
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$20.00
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« J'adore regarder tourner la planète, voir l'eau se déverser dans la mer, oui, voir l'univers entier ! » Tulugaq veut partir à la découverte du monde et il veut aller loin. Ça ne lui suffit plus de juste voler au-dessus du terrain de jeu et autour de la maison d'Asiaq. Et même s'il a toujours vécu au Groenland, jamais il n'a vu l'inlandsis. Alors, il décide de mettre le(...)
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« J'adore regarder tourner la planète, voir l'eau se déverser dans la mer, oui, voir l'univers entier ! » Tulugaq veut partir à la découverte du monde et il veut aller loin. Ça ne lui suffit plus de juste voler au-dessus du terrain de jeu et autour de la maison d'Asiaq. Et même s'il a toujours vécu au Groenland, jamais il n'a vu l'inlandsis. Alors, il décide de mettre le(...)
Titre:
Sila: Un conte groenlandais sur les changements climatiques
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« J'adore regarder tourner la planète, voir l'eau se déverser dans la mer, oui, voir l'univers entier ! » Tulugaq veut partir à la découverte du monde et il veut aller loin. Ça ne lui suffit plus de juste voler au-dessus du terrain de jeu et autour de la maison d'Asiaq. Et même s'il a toujours vécu au Groenland, jamais il n'a vu l'inlandsis. Alors, il décide de mettre le cap sur ce grand désert blanc, même si l'idée l'effraie un peu. Les langues autochtones sont un formidable réservoir d'idées et de concepts qui peuvent aider l'humanité à imaginer des manières durables d'interagir avec le reste du monde vivant, et ainsi trouver une voie pour survivre. Sila, Sedna et nuna témoignent par leur complexité de la richesse et de l'unité des cultures inuites autour du pôle : nuna, la territorialité ; sila, la source de tout mouvement et de tout changement ; Sedna, la mère de la mer, coeur d'une mythologie et d'une cosmogonie incroyablement étendues et adaptées aux temps nouveaux. Ces concepts liés, difficilement traduisibles dans les langues occidentales, ramènent les humains au sein d'un tout où ils n'occupent plus le centre du monde, comme le démontre le présent « conte sur les changements climatiques », écrit par la Groenlandaise Lana Hansen.
Sila: Un conte groenlandais sur les changements climatiques
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« J'adore regarder tourner la planète, voir l'eau se déverser dans la mer, oui, voir l'univers entier ! » Tulugaq veut partir à la découverte du monde et il veut aller loin. Ça ne lui suffit plus de juste voler au-dessus du terrain de jeu et autour de la maison d'Asiaq. Et même s'il a toujours vécu au Groenland, jamais il n'a vu l'inlandsis. Alors, il décide de mettre le cap sur ce grand désert blanc, même si l'idée l'effraie un peu. Les langues autochtones sont un formidable réservoir d'idées et de concepts qui peuvent aider l'humanité à imaginer des manières durables d'interagir avec le reste du monde vivant, et ainsi trouver une voie pour survivre. Sila, Sedna et nuna témoignent par leur complexité de la richesse et de l'unité des cultures inuites autour du pôle : nuna, la territorialité ; sila, la source de tout mouvement et de tout changement ; Sedna, la mère de la mer, coeur d'une mythologie et d'une cosmogonie incroyablement étendues et adaptées aux temps nouveaux. Ces concepts liés, difficilement traduisibles dans les langues occidentales, ramènent les humains au sein d'un tout où ils n'occupent plus le centre du monde, comme le démontre le présent « conte sur les changements climatiques », écrit par la Groenlandaise Lana Hansen.
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livres
livres
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décembre 2020
décembre 2020
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Description:
xx, 270 pages : illustrations ; 24 cm
Description:
xx, 270 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press, ©1995.
Cambridge, Mass. : MIT Press, ©1995.
Titre:
Nature and the Idea of a Man-Made World : An Investigation Into the Evolutionary Roots of Form and Order in the Built Environment / Norman Crowe.
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xx, 270 pages : illustrations ; 24 cm
Nature and the Idea of a Man-Made World : An Investigation Into the Evolutionary Roots of Form and Order in the Built Environment / Norman Crowe.
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xx, 270 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press, ©1995.
Cambridge, Mass. : MIT Press, ©1995.
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périodiques
périodiques
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$19.95
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
Titre:
The Funambulist 20, November/December
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
The Funambulist 20, November/December
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
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périodiques
périodiques
Publication:
novembre 2018
novembre 2018
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Revues
Revues
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Dana Claxton
Dana Claxton
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant(...)
$91.00
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant(...)
Publication:
septembre 2021
septembre 2021
Titre:
Dana Claxton
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant and recurring themes—indigenous history, culture, beauty and spirituality. While Claxton’s art often alludes to the destructive legacy of colonialism, it also celebrates the resurgence of First Nations’ presence and contemporary identity. What emerges is an artist delivering works of ever greater power and conviction. With her expansive and genre-defying practice—photography, videos, mixed-media installations, text works, performances and curatorial work—she continues to critically reimagine the space of the gallery to be accessible for wider Indigenous audiences and to uphold new understandings of beauty.
Dana Claxton
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Dana Claxton (born 1959) is a critically acclaimed, award-winning artist and filmmaker working across film, video, photography, single and multichannel video installation and performance art. Her practice investigates the body, the socio-political and the spiritual within realms of indigenous beauty. This book consolidates our understanding of Dana Claxton’s dominant and recurring themes—indigenous history, culture, beauty and spirituality. While Claxton’s art often alludes to the destructive legacy of colonialism, it also celebrates the resurgence of First Nations’ presence and contemporary identity. What emerges is an artist delivering works of ever greater power and conviction. With her expansive and genre-defying practice—photography, videos, mixed-media installations, text works, performances and curatorial work—she continues to critically reimagine the space of the gallery to be accessible for wider Indigenous audiences and to uphold new understandings of beauty.
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septembre 2021
septembre 2021
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$34.95
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization(...)
$34.95
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization(...)
Titre:
Planning on the edge: Vancouver and the challenges of reconciliation, social justice, and sustainability
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$34.95
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization and speculative property development have increased social inequality and housing insecurity since the 1980s in the city and the region. To determine the city’s prospects for overcoming these problems, they look at city planning from all angles, including planning for the Indigenous population, environmental and disaster planning, housing and migration, and transportation and water management. By looking at policies at the local, provincial, and federal levels and taking reconciliation with Indigenous peoples into account, "Planning on the edge" highlights the kinds of policies and practices needed to reorient Vancouver’s development trajectory along a more environmentally sound and equitable path.
Planning on the edge: Vancouver and the challenges of reconciliation, social justice, and sustainability
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization and speculative property development have increased social inequality and housing insecurity since the 1980s in the city and the region. To determine the city’s prospects for overcoming these problems, they look at city planning from all angles, including planning for the Indigenous population, environmental and disaster planning, housing and migration, and transportation and water management. By looking at policies at the local, provincial, and federal levels and taking reconciliation with Indigenous peoples into account, "Planning on the edge" highlights the kinds of policies and practices needed to reorient Vancouver’s development trajectory along a more environmentally sound and equitable path.
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livres
livres
Publication:
août 2020
août 2020
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L'humain et la ville
L'humain et la ville
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livres
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$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of(...)
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of(...)
Publication:
janvier 2022
janvier 2022
Titre:
Postcommodity: Time holds all the answers
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$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of 21st-century life to inspire a uniquely Indigenous futurism. Using provocation as a tool, they spark constructive conversations that challenge the social, political and economic processes that destabilize communities and geographies.The publication generates a vital new body of knowledge on their work.
Postcommodity: Time holds all the answers
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of 21st-century life to inspire a uniquely Indigenous futurism. Using provocation as a tool, they spark constructive conversations that challenge the social, political and economic processes that destabilize communities and geographies.The publication generates a vital new body of knowledge on their work.
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livres
livres
Publication:
janvier 2022
janvier 2022
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livres
livres
Titre:
The polar world
The polar world
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This publication combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Shuvinai Ashoona’s sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, ''The polar world'' combines Ashoona’s drawings from her 2017 exhibition with a narrative by Andrew Hunter.
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This publication combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Shuvinai Ashoona’s sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, ''The polar world'' combines Ashoona’s drawings from her 2017 exhibition with a narrative by Andrew Hunter.
Publication:
janvier 2017
janvier 2017
Titre:
The polar world
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This publication combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Shuvinai Ashoona’s sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, ''The polar world'' combines Ashoona’s drawings from her 2017 exhibition with a narrative by Andrew Hunter.
The polar world
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$4.95
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This publication combines fantasy and reality: giant squids, hybrids, and humanoid figures dance across Shuvinai Ashoona’s sensual vistas, lending a surreal quality to her work. Springing her imagination but rooted in the landscape of her Kinngait home, ''The polar world'' combines Ashoona’s drawings from her 2017 exhibition with a narrative by Andrew Hunter.
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livres
livres
Publication:
janvier 2017
janvier 2017
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livres
livres
Titre:
Pollution is colonialism
Pollution is colonialism
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$33.95
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution,(...)
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution,(...)
Titre:
Pollution is colonialism
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$33.95
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR) — an anticolonial science laboratory in Newfoundland, Canada — to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.
Pollution is colonialism
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR) — an anticolonial science laboratory in Newfoundland, Canada — to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.
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livres
livres
Publication:
mai 2021
mai 2021
Classification:
périodiques
périodiques
Titre:
Scapegoat 12/13: c\a\n\a\d\a
Scapegoat 12/13: c\a\n\a\d\a
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
$30.00
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
Titre:
Scapegoat 12/13: c\a\n\a\d\a
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$30.00
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Scapegoat 12/13: c\a\n\a\d\a
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Classification:
périodiques
périodiques
Publication:
mai 2022
mai 2022
Sujet:
Revues
Revues
