8583 Résultats
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262 pages : illustrations ; 22 cm.
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262 pages : illustrations ; 22 cm.
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Firenze : Alinea, ©1984.
Firenze : Alinea, ©1984.
Titre:
Le belle forme degli edifici antichi : Raffaello e il progetto del primo trattato rinascimentale sulle antichità di Roma / Gabriele Morolli.
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Description:
262 pages : illustrations ; 22 cm.
Le belle forme degli edifici antichi : Raffaello e il progetto del primo trattato rinascimentale sulle antichità di Roma / Gabriele Morolli.
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Description:
262 pages : illustrations ; 22 cm.
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livres
livres
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Firenze : Alinea, ©1984.
Firenze : Alinea, ©1984.
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livres
livres
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Description:
96 pages : illustrations (some color) ; 22 cm.
Description:
96 pages : illustrations (some color) ; 22 cm.
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[Paris] : Editions du Patrimoine : Impr. nationale, ©1998.
[Paris] : Editions du Patrimoine : Impr. nationale, ©1998.
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Périgueux antique / Claudine Girardy-Caillat.
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96 pages : illustrations (some color) ; 22 cm.
Périgueux antique / Claudine Girardy-Caillat.
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Description:
96 pages : illustrations (some color) ; 22 cm.
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livres
livres
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[Paris] : Editions du Patrimoine : Impr. nationale, ©1998.
[Paris] : Editions du Patrimoine : Impr. nationale, ©1998.
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livres
livres
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$100.00
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past.(...)
$100.00
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Résumé:
After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past.(...)
Titre:
Michael Schmidt: Ein heit (u-ni-ty)
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$100.00
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past. About half of the works are Schmidt’s own photographs; the remainder are photographs he made from other photographs culled from newspapers, magazines, propaganda pamphlets, and other such sources. The meanings of historical monuments and political symbols, of particular gestures and facial expressions and styles of clothing, are left open to interpretation. Each viewer is challenged to judge whether a given image represents East or West Germany, a villain or a victim, a moment in 1935, 1965, or 1995. This project merges two artistic traditions, treating photography both as a medium for describing personal experience and as a vast, impersonal resource created by the mass media. The book explores the emotional weight of history, the power of ideological symbols, and the relationship of the individual to the body politic.
Michael Schmidt: Ein heit (u-ni-ty)
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$100.00
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After the wall between East and West Germany was destroyed in 1989, the rapid political reunification of the country was greeted with euphoria. However, psychological and cultural reunification has proved to be a much slower and more difficult process. Michael Schmidt, a lifelong Berlin resident, approaches that anxious process in part by reflecting on Germany’s past. About half of the works are Schmidt’s own photographs; the remainder are photographs he made from other photographs culled from newspapers, magazines, propaganda pamphlets, and other such sources. The meanings of historical monuments and political symbols, of particular gestures and facial expressions and styles of clothing, are left open to interpretation. Each viewer is challenged to judge whether a given image represents East or West Germany, a villain or a victim, a moment in 1935, 1965, or 1995. This project merges two artistic traditions, treating photography both as a medium for describing personal experience and as a vast, impersonal resource created by the mass media. The book explores the emotional weight of history, the power of ideological symbols, and the relationship of the individual to the body politic.
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livres
livres
Publication:
mars 2023
mars 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
The Gothic Revival
The Gothic Revival
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$22.99
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‘The Gothic Revival’, writes Michael Lewis, ‘is more than a fashion craze for pointed arches and pinnacles. During its years of greatest influence, it subjected every aspect of art, belief, society, and labour to intense intellectual scrutiny, using the Middle Ages as a platform from which to judge the modern world.’ It is the unique merit of "The Gothic Revival"(...)
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‘The Gothic Revival’, writes Michael Lewis, ‘is more than a fashion craze for pointed arches and pinnacles. During its years of greatest influence, it subjected every aspect of art, belief, society, and labour to intense intellectual scrutiny, using the Middle Ages as a platform from which to judge the modern world.’ It is the unique merit of "The Gothic Revival"(...)
Titre:
The Gothic Revival
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‘The Gothic Revival’, writes Michael Lewis, ‘is more than a fashion craze for pointed arches and pinnacles. During its years of greatest influence, it subjected every aspect of art, belief, society, and labour to intense intellectual scrutiny, using the Middle Ages as a platform from which to judge the modern world.’ It is the unique merit of "The Gothic Revival" that it gives as much attention to the ideas that gave Gothic architecture its emotional and intellectual power as it does to its great monuments. The eighteenth century admired the Gothic for its sense of decay and melancholy; the nineteenth century first cherished its religious piety, then its superb engineering. In the course of the Revival the Gothic was attached to social movements of every sort – from political liberalism to patriotic nationalism to labour reform. Like Marxism, which also drew lessons from medieval society, the Gothic Revival seemed to offer a comprehensive response to the dislocations and traumas of the Industrial Revolution. By the early twentieth century, the Gothic Revival had outlived its ideals. In recent years, however, the climate of opinion has changed, and we are ready to understand, appreciate and learn from it.
The Gothic Revival
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$22.99
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‘The Gothic Revival’, writes Michael Lewis, ‘is more than a fashion craze for pointed arches and pinnacles. During its years of greatest influence, it subjected every aspect of art, belief, society, and labour to intense intellectual scrutiny, using the Middle Ages as a platform from which to judge the modern world.’ It is the unique merit of "The Gothic Revival" that it gives as much attention to the ideas that gave Gothic architecture its emotional and intellectual power as it does to its great monuments. The eighteenth century admired the Gothic for its sense of decay and melancholy; the nineteenth century first cherished its religious piety, then its superb engineering. In the course of the Revival the Gothic was attached to social movements of every sort – from political liberalism to patriotic nationalism to labour reform. Like Marxism, which also drew lessons from medieval society, the Gothic Revival seemed to offer a comprehensive response to the dislocations and traumas of the Industrial Revolution. By the early twentieth century, the Gothic Revival had outlived its ideals. In recent years, however, the climate of opinion has changed, and we are ready to understand, appreciate and learn from it.
Classification:
livres
livres
Publication:
juin 2002, London
juin 2002, London
Sujet:
Histoire jusqu’à 1900
Histoire jusqu’à 1900
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livres
livres
Titre:
Les paysages de la raison
Les paysages de la raison
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$51.50
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Vers la fin du XVIIIe siècle, une nouvelle image de Rome apparaît dans la peinture. L'heure n'est plus aux visions sépulcrales, à la poétique des ruines, aux vedute livrées à l'Europe par Piranèse. Rome est désormais solaire, inhabitée, géométrique. Ce sont surtout les artistes étrangers qui imposent ce changement des regards : Français d'abord, dans le sillage de David,(...)
$51.50
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Résumé:
Vers la fin du XVIIIe siècle, une nouvelle image de Rome apparaît dans la peinture. L'heure n'est plus aux visions sépulcrales, à la poétique des ruines, aux vedute livrées à l'Europe par Piranèse. Rome est désormais solaire, inhabitée, géométrique. Ce sont surtout les artistes étrangers qui imposent ce changement des regards : Français d'abord, dans le sillage de David,(...)
Titre:
Les paysages de la raison
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$51.50
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Résumé:
Vers la fin du XVIIIe siècle, une nouvelle image de Rome apparaît dans la peinture. L'heure n'est plus aux visions sépulcrales, à la poétique des ruines, aux vedute livrées à l'Europe par Piranèse. Rome est désormais solaire, inhabitée, géométrique. Ce sont surtout les artistes étrangers qui imposent ce changement des regards : Français d'abord, dans le sillage de David, puis Hollandais, Allemands, Anglais, Suisses, Danois. L'absence des Italiens s'explique : plus dépendants que les autres par rapport aux lois du marché, ils se risquent moins à des solutions radicales, qui remettraient en cause l'idée encore bien enracinée de la "bonne peinture". Aux origines de la mutation: la redécouverte du dorique, dont les formes élémentaires et primaires sont rapidement prises comme modèles pour les arts figuratifs. Peintres et architectes, c'est l'autre innovation, travaillent côte à côte, étudient les mêmes monuments, fréquentent les mêmes lieux. L'histoire qui se dessine est alors celle d'une conceptualisation et d'une abstraction progressives des formes et des espaces, avec des solutions expressives qui apparaissent aujourd'hui d'une extraordinaire modernité. C'est un XVIIIe siècle peu connu, qui rejoint l'histoire européenne de la peinture de paysage, le long d'une ligne qui conduit d'Henri de Valenciennes à Jean-Baptiste Corot.
Les paysages de la raison
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$51.50
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Vers la fin du XVIIIe siècle, une nouvelle image de Rome apparaît dans la peinture. L'heure n'est plus aux visions sépulcrales, à la poétique des ruines, aux vedute livrées à l'Europe par Piranèse. Rome est désormais solaire, inhabitée, géométrique. Ce sont surtout les artistes étrangers qui imposent ce changement des regards : Français d'abord, dans le sillage de David, puis Hollandais, Allemands, Anglais, Suisses, Danois. L'absence des Italiens s'explique : plus dépendants que les autres par rapport aux lois du marché, ils se risquent moins à des solutions radicales, qui remettraient en cause l'idée encore bien enracinée de la "bonne peinture". Aux origines de la mutation: la redécouverte du dorique, dont les formes élémentaires et primaires sont rapidement prises comme modèles pour les arts figuratifs. Peintres et architectes, c'est l'autre innovation, travaillent côte à côte, étudient les mêmes monuments, fréquentent les mêmes lieux. L'histoire qui se dessine est alors celle d'une conceptualisation et d'une abstraction progressives des formes et des espaces, avec des solutions expressives qui apparaissent aujourd'hui d'une extraordinaire modernité. C'est un XVIIIe siècle peu connu, qui rejoint l'histoire européenne de la peinture de paysage, le long d'une ligne qui conduit d'Henri de Valenciennes à Jean-Baptiste Corot.
Classification:
livres
livres
Publication:
mars 2005, Arles
mars 2005, Arles
Sujet:
Dessin d’architecture
Dessin d’architecture
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livres
livres
Titre:
Michael Yuan: The bridge
Michael Yuan: The bridge
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$65.00
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"At last the mighty task is done; Resplendent in the western sun" These are the first lines of a poem by Joseph B. Strauss, Chief Engineer of the Golden Gate Bridge. Acknowledged as one of the most phenomenal architectural and natural monuments in the world, the iconic orange bridge spans the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. From(...)
$65.00
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Résumé:
"At last the mighty task is done; Resplendent in the western sun" These are the first lines of a poem by Joseph B. Strauss, Chief Engineer of the Golden Gate Bridge. Acknowledged as one of the most phenomenal architectural and natural monuments in the world, the iconic orange bridge spans the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. From(...)
Titre:
Michael Yuan: The bridge
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$65.00
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"At last the mighty task is done; Resplendent in the western sun" These are the first lines of a poem by Joseph B. Strauss, Chief Engineer of the Golden Gate Bridge. Acknowledged as one of the most phenomenal architectural and natural monuments in the world, the iconic orange bridge spans the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. From the opening in 1937 until this day forward, the overpass has been photographed and illustrated immeasurable times, mystifying an achievement no one ever considered possible. Every year forty million vehicles travel between the orange cables, welcoming visitors from around the world. With "The bridge" Michael Yuan (CA) paints an intimate portrait of the Golden Gate Bridge, a challenge towards the well-known perspectives of the monument, often observed in its mind-blowing entirety and completeness. The bridge in all its characteristic faces that have never been presented before. A study of its form, lines, shapes and distinctive colour: the imposing towers, stylised street lamps, gigantic cables, bolts, plates – each with their own distinctive geometry and shape, colour, sound and light.
Michael Yuan: The bridge
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$65.00
(disponible sur commande)
Résumé:
"At last the mighty task is done; Resplendent in the western sun" These are the first lines of a poem by Joseph B. Strauss, Chief Engineer of the Golden Gate Bridge. Acknowledged as one of the most phenomenal architectural and natural monuments in the world, the iconic orange bridge spans the one-mile-wide strait connecting San Francisco Bay and the Pacific Ocean. From the opening in 1937 until this day forward, the overpass has been photographed and illustrated immeasurable times, mystifying an achievement no one ever considered possible. Every year forty million vehicles travel between the orange cables, welcoming visitors from around the world. With "The bridge" Michael Yuan (CA) paints an intimate portrait of the Golden Gate Bridge, a challenge towards the well-known perspectives of the monument, often observed in its mind-blowing entirety and completeness. The bridge in all its characteristic faces that have never been presented before. A study of its form, lines, shapes and distinctive colour: the imposing towers, stylised street lamps, gigantic cables, bolts, plates – each with their own distinctive geometry and shape, colour, sound and light.
Classification:
livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$38.00
(disponible sur commande)
Résumé:
With essays by Hans-Ulrich Obrist, Lebbeus Woods, Philipp Oswalt, Stefano Boeri, Michael Sorkins, Gutierrez + Portefaix, Jerry Herron, Sean Snyder, Marjetica Potrc, and others. Foreword by Stephen Vogel. Introduction by Peter Lang. Under the confluence of nomadic economics, technologies, and industries - commonly known as "suburban sprawl" - the city of Detroit,(...)
$38.00
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With essays by Hans-Ulrich Obrist, Lebbeus Woods, Philipp Oswalt, Stefano Boeri, Michael Sorkins, Gutierrez + Portefaix, Jerry Herron, Sean Snyder, Marjetica Potrc, and others. Foreword by Stephen Vogel. Introduction by Peter Lang. Under the confluence of nomadic economics, technologies, and industries - commonly known as "suburban sprawl" - the city of Detroit,(...)
Titre:
Urban ecology : Detroit and beyond
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$38.00
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With essays by Hans-Ulrich Obrist, Lebbeus Woods, Philipp Oswalt, Stefano Boeri, Michael Sorkins, Gutierrez + Portefaix, Jerry Herron, Sean Snyder, Marjetica Potrc, and others. Foreword by Stephen Vogel. Introduction by Peter Lang. Under the confluence of nomadic economics, technologies, and industries - commonly known as "suburban sprawl" - the city of Detroit, segregated and isolated, constitutes one of the great monuments to decay by a modernist city. It is perhaps the clearest and earliest example of the effects of a globalized economy and labor market. "Urban ecology" contains a collection of projects generated by the International Center for Urban Ecology (iCUE), a nomadic laboratory for future cities. Since its founding in 1998 by Kyong Park, iCUE has accomplished five significant projects through international workshops like "Architecture of resistance," installations, videos, and urban designs. The laboratory investigation promotes discourse on the decomposition and possible reconstitution of a "moving city" - a more useful term through which to identify a city like Detroit. iCUE's projects have taken anti-architectural and non-urban perspectives, using multi-disciplinary processes and integrated collaboration with local communities and activists. "Urban ecology" brings together essays on Detroit and many other cities in crisis around the world.
Urban ecology : Detroit and beyond
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$38.00
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Résumé:
With essays by Hans-Ulrich Obrist, Lebbeus Woods, Philipp Oswalt, Stefano Boeri, Michael Sorkins, Gutierrez + Portefaix, Jerry Herron, Sean Snyder, Marjetica Potrc, and others. Foreword by Stephen Vogel. Introduction by Peter Lang. Under the confluence of nomadic economics, technologies, and industries - commonly known as "suburban sprawl" - the city of Detroit, segregated and isolated, constitutes one of the great monuments to decay by a modernist city. It is perhaps the clearest and earliest example of the effects of a globalized economy and labor market. "Urban ecology" contains a collection of projects generated by the International Center for Urban Ecology (iCUE), a nomadic laboratory for future cities. Since its founding in 1998 by Kyong Park, iCUE has accomplished five significant projects through international workshops like "Architecture of resistance," installations, videos, and urban designs. The laboratory investigation promotes discourse on the decomposition and possible reconstitution of a "moving city" - a more useful term through which to identify a city like Detroit. iCUE's projects have taken anti-architectural and non-urban perspectives, using multi-disciplinary processes and integrated collaboration with local communities and activists. "Urban ecology" brings together essays on Detroit and many other cities in crisis around the world.
Classification:
livres
livres
Publication:
septembre 2004, Hong Kong
septembre 2004, Hong Kong
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Titre:
This is Israel
This is Israel
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$22.00
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Résumé:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs(...)
$22.00
(disponible sur commande)
Résumé:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs(...)
Titre:
This is Israel
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$22.00
(disponible sur commande)
Résumé:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs that will delight both children and their parents, many of whom will remember them from their own childhood. This is Britain, first published in 1974, encompasses the nation’s many facets, from the mystery of Stonehenge to the monuments of the British Isles. Among his stops are the White Cliffs of Dover; Brighton’s Prince Regent’s Royal Pavilion; the castles and Tintern Abbey in Wales; and Scotland’s four Royal Palaces and long lochs. This is Israel, first published in 1962, visits the Promised Land, a sun-drenched panorama of many hues and many traditions. From the Sea of Galilee to the Red Sea (it’s really blue); from modern Tel Aviv to Jerusalem new and old; from Mt. Zion to King Solomon’s mines; Sasek presents the biblical glory of its past and the golden hope of its future.
This is Israel
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Prix:
$22.00
(disponible sur commande)
Résumé:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs that will delight both children and their parents, many of whom will remember them from their own childhood. This is Britain, first published in 1974, encompasses the nation’s many facets, from the mystery of Stonehenge to the monuments of the British Isles. Among his stops are the White Cliffs of Dover; Brighton’s Prince Regent’s Royal Pavilion; the castles and Tintern Abbey in Wales; and Scotland’s four Royal Palaces and long lochs. This is Israel, first published in 1962, visits the Promised Land, a sun-drenched panorama of many hues and many traditions. From the Sea of Galilee to the Red Sea (it’s really blue); from modern Tel Aviv to Jerusalem new and old; from Mt. Zion to King Solomon’s mines; Sasek presents the biblical glory of its past and the golden hope of its future.
Classification:
livres
livres
Publication:
janvier 2008, New York
janvier 2008, New York
Sujet:
Littérature jeunesse
Littérature jeunesse
Classification:
livres
livres
Titre:
This is Britain
This is Britain
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Prix:
$22.00
(disponible en magasin)
Résumé:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs(...)
$22.00
(disponible en magasin)
Résumé:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs(...)
Titre:
This is Britain
Actions:
Prix:
$22.00
(disponible en magasin)
Résumé:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs that will delight both children and their parents, many of whom will remember them from their own childhood. This is Britain, first published in 1974, encompasses the nation’s many facets, from the mystery of Stonehenge to the monuments of the British Isles. Among his stops are the White Cliffs of Dover; Brighton’s Prince Regent’s Royal Pavilion; the castles and Tintern Abbey in Wales; and Scotland’s four Royal Palaces and long lochs. This is Israel, first published in 1962, visits the Promised Land, a sun-drenched panorama of many hues and many traditions. From the Sea of Galilee to the Red Sea (it’s really blue); from modern Tel Aviv to Jerusalem new and old; from Mt. Zion to King Solomon’s mines; Sasek presents the biblical glory of its past and the golden hope of its future.
This is Britain
Actions:
Prix:
$22.00
(disponible en magasin)
Résumé:
Like the other Sasek classics, these are facsimile editions of his original books. The vibrant illustrations have been preserved, remaining true to his vision, and where applicable facts have been updated, appearing on a "This is...Today" page at the back of each book. The charming illustrations, coupled with Sasek’s witty, playful narrative, make for perfect souvenirs that will delight both children and their parents, many of whom will remember them from their own childhood. This is Britain, first published in 1974, encompasses the nation’s many facets, from the mystery of Stonehenge to the monuments of the British Isles. Among his stops are the White Cliffs of Dover; Brighton’s Prince Regent’s Royal Pavilion; the castles and Tintern Abbey in Wales; and Scotland’s four Royal Palaces and long lochs. This is Israel, first published in 1962, visits the Promised Land, a sun-drenched panorama of many hues and many traditions. From the Sea of Galilee to the Red Sea (it’s really blue); from modern Tel Aviv to Jerusalem new and old; from Mt. Zion to King Solomon’s mines; Sasek presents the biblical glory of its past and the golden hope of its future.
Classification:
livres
livres
Publication:
janvier 2008, New York
janvier 2008, New York
Sujet:
Littérature jeunesse
Littérature jeunesse
Classification:
livres
livres
Actions:
Prix:
$38.95
(disponible sur commande)
Résumé:
No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside—as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in(...)
$38.95
(disponible sur commande)
Résumé:
No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside—as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in(...)
Titre:
Lavoirs : washhouses of rural France
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Prix:
$38.95
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Résumé:
No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside—as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in the seventeenth century, but flourished as public spaces after the Revolution. Later, they became architectural monuments of regional styles and local materials, often hand-cut stone and hewn timbers, revealing centuries of masonry and woodworking tradition. As running water and modern appliances became standard in French homes after World War II, the lavoirs were abandoned, and with them three hundred years of women's gathering and conversation. In spite of the efforts of preservationists, hundreds of them have faced abandonment, vandalism, and decay. Through duotone photographs, thoughtful sketches, and detailed watercolors, Mireille Roddier safeguards these places. Her text outlines the history, politics, health, water technology, and social background of the buildings and unveils them as an important architectural type worthy of our study, admiration, and protection.
Lavoirs : washhouses of rural France
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Prix:
$38.95
(disponible sur commande)
Résumé:
No building better embodies the ineffable qualities of rural France than the lavoir, the communal washhouse that, until a few decades ago, was the central gathering place for women in many small villages across the French countryside—as much a part of communal life as the market. These open-air laundry rooms first appeared for the private use of the social elite in the seventeenth century, but flourished as public spaces after the Revolution. Later, they became architectural monuments of regional styles and local materials, often hand-cut stone and hewn timbers, revealing centuries of masonry and woodworking tradition. As running water and modern appliances became standard in French homes after World War II, the lavoirs were abandoned, and with them three hundred years of women's gathering and conversation. In spite of the efforts of preservationists, hundreds of them have faced abandonment, vandalism, and decay. Through duotone photographs, thoughtful sketches, and detailed watercolors, Mireille Roddier safeguards these places. Her text outlines the history, politics, health, water technology, and social background of the buildings and unveils them as an important architectural type worthy of our study, admiration, and protection.
Classification:
livres
livres
Publication:
juillet 2003, New York
juillet 2003, New York
