31789 Résultats
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS1.D47.P1
Description:
aerial photograph showing competition site for reference purposes
AP140.S2.SS1.D47.P1
Description:
aerial photograph showing competition site for reference purposes
Personnes et institutions:
Titre:
Political and Administrative Centre Competition
Actions:
AP140.S2.SS1.D47.P1
Description:
aerial photograph showing competition site for reference purposes
Political and Administrative Centre Competition
Actions:
AP140.S2.SS1.D47.P1
Description:
aerial photograph showing competition site for reference purposes
Classification:
photographies
photographies
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
Personnes et institutions:
Date:
1934-1937
1934-1937
Titre:
Interiors, Dr. D. Hannema House, Rotterdam, Netherlands (1934, 1937)
Actions:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
Interiors, Dr. D. Hannema House, Rotterdam, Netherlands (1934, 1937)
Actions:
CI005.S1.1934.PR1
Description:
In 1934 and 1937, Oud created the interior designs for the private home of the director of Museum Boymans, Dr D. Hannema. In 1934, Oud designed the study and library of Hannema's home, including a remodelled fireplace and curtained bookcases. Oud also incorporated one of his Metz & Co chairs behind a wooden table, as well as built-in cupboards and another designed chair set before a writing table. In Dr Hannema's new home, in 1937, Oud was responsible for furnishing the entrance and staircase, designing two bookcases in the back room, and incorporating his own designs into the front room. In the front room Oud designed wooden bookcases and a living space that featured two armchairs and a coffee table (Taverne et al. 2001, 387-388). Project series includes photographs of the interior view of Hannema's first and second homes.
Niveau de description archivistique:
project
project
Date:
1934-1937
1934-1937
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1965.PR01
Description:
This project series documents the submission for Siza's CODA (Concurso para a Obtenção do Diploma de Arquitecto), for which he submitted his project Casa Rui Feijó in Caminha, Portugal. While the records were held in the office’s archives this project was assigned the number [17]/60. The office assigned the date 1965 to this project. CODA is the final step for students to obtain their architecture degree. Siza used his preliminary work for the Casa Rui Feijó to develop his submission for his CODA. This project is a vacation house with three bedrooms, a bathroom, kitchen, living room, service bedroom, exterior annex, garage, lounge and terrace. The original project for the home is also described in this fonds (see project series AP178.S1.1963.PR01). Documenting this project are plans and elevations. Also included are a small number of photographs and some project documentation.
AP178.S1.1965.PR01
Description:
This project series documents the submission for Siza's CODA (Concurso para a Obtenção do Diploma de Arquitecto), for which he submitted his project Casa Rui Feijó in Caminha, Portugal. While the records were held in the office’s archives this project was assigned the number [17]/60. The office assigned the date 1965 to this project. CODA is the final step for students to obtain their architecture degree. Siza used his preliminary work for the Casa Rui Feijó to develop his submission for his CODA. This project is a vacation house with three bedrooms, a bathroom, kitchen, living room, service bedroom, exterior annex, garage, lounge and terrace. The original project for the home is also described in this fonds (see project series AP178.S1.1963.PR01). Documenting this project are plans and elevations. Also included are a small number of photographs and some project documentation.
Personnes et institutions:
Date:
1965
1965
Titre:
CODA (Casa Rui Feijó) [Competition for Obtaining the Diploma of Architecture (Rui Feijó house)], Moledo do Minho, Caminha, Portugal (1965)
Actions:
AP178.S1.1965.PR01
Description:
This project series documents the submission for Siza's CODA (Concurso para a Obtenção do Diploma de Arquitecto), for which he submitted his project Casa Rui Feijó in Caminha, Portugal. While the records were held in the office’s archives this project was assigned the number [17]/60. The office assigned the date 1965 to this project. CODA is the final step for students to obtain their architecture degree. Siza used his preliminary work for the Casa Rui Feijó to develop his submission for his CODA. This project is a vacation house with three bedrooms, a bathroom, kitchen, living room, service bedroom, exterior annex, garage, lounge and terrace. The original project for the home is also described in this fonds (see project series AP178.S1.1963.PR01). Documenting this project are plans and elevations. Also included are a small number of photographs and some project documentation.
CODA (Casa Rui Feijó) [Competition for Obtaining the Diploma of Architecture (Rui Feijó house)], Moledo do Minho, Caminha, Portugal (1965)
Actions:
AP178.S1.1965.PR01
Description:
This project series documents the submission for Siza's CODA (Concurso para a Obtenção do Diploma de Arquitecto), for which he submitted his project Casa Rui Feijó in Caminha, Portugal. While the records were held in the office’s archives this project was assigned the number [17]/60. The office assigned the date 1965 to this project. CODA is the final step for students to obtain their architecture degree. Siza used his preliminary work for the Casa Rui Feijó to develop his submission for his CODA. This project is a vacation house with three bedrooms, a bathroom, kitchen, living room, service bedroom, exterior annex, garage, lounge and terrace. The original project for the home is also described in this fonds (see project series AP178.S1.1963.PR01). Documenting this project are plans and elevations. Also included are a small number of photographs and some project documentation.
Niveau de description archivistique:
Project
Project
Date:
1965
1965
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2017-2018
2017-2018
Titre:
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Energy FREE TREE (2017)
Actions:
AP207.S1.2017.PR03
Description:
The project series documents the installation "Energy FREE TREE" designed by Pettena and presented at Museion in Bozen, in 2017. The installation consists of a tower measuring eight meters high by four meters wide. The tower is built with parts, including doors, fenders, exhaust pipes, and lights, and is meant to represent a Christmas tree standing next to the museum entrance during Christmas. "The work was, in fact, meant to trigger ‘mental shortcircuits [sic]’ in order to obtain a reaction so as to introduce the subject of environmental awareness and the need of using recycled materials to reduce damages to the environment as much as possible." [1] The project series contains a video, photographs of the installation, and two drawings. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-energy-free-tree-2017-1/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2017-2018
2017-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Personnes et institutions:
Date:
2013-2015
2013-2015
Titre:
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Architecture Ondoyante (2014)
Actions:
AP207.S1.2014.PR05
Description:
The project series documents the installation "Architecture Ondoyante", designed by Pettena and presented at the FRAC Lorraine in Metz, in 2014. The installation consists of hanging long strips of white plastic on the facades of the FRAC building "to confuse the well-defined and somewhat austere space of the building that hosts the FRAC, wrapping it in light and movement would have overturned the grain of static, centuries-old architecture." [1] A similar installation, "Forgiving Architecture" was realized in 2009 at the Athens Biennale. Another edition of the installation was presented in the exhibition "Gianni Pettena. About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017. The project series contains three sketches, a drawing, and photographs and videos of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-ondoyante-2014-1/ (last accessed 28 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2013-2015
2013-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
Personnes et institutions:
Date:
1984
1984
Titre:
Terminal City Tower, Vancouver, British Columbia (1984)
Actions:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
Terminal City Tower, Vancouver, British Columbia (1984)
Actions:
AP075.S1.1984.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Terminal City Tower for the private club Terminal City Club located between West Hastings Street and Cordova Street in Vancouver, British Columbia. Oberlander worked on this project in 1984 with Charles Bentall architects. The project consisted in designing the landscape for a plaza situated between the Terminal City Tower and the Vancouver Club next door, linking West Hastings Street and Cordova Street. She also worked on the landscape design for a rock garden on the terrace roof of the first floor of the building. The project series contains two plantings sketches and four design development drawings, including a ground floor planting plan with plant list, and a floor plan showing the rock garden. The project is also documented through textual records, including correspondence with client, Oberlander's notes, a plant list, a some photographs.
Niveau de description archivistique:
Project
Project
Date:
1984
1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1991.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Student Housing at Simon Fraser University in Burnaby, British Columbia. Oberlander worked on this project from 1991-1993 with architectural firm Matsuzaki Wright Architects. The landscape concept consisted in including the student housing building in a native woodland setting. Oberlander integrated the building with the existing woodland by adding native trees around the building and the access pathways and drives. The project series contains design development drawings, including landscape concept plans, and landscape plans, and working drawings, such as grading plans, planting plans and landscape sections. It also contains construction drawings for the building used as reference. The project is also documented through textual records, such as concept notes by Oberlander, correspondence, including correspondence with architects, clients and consultants, reports and studies on the site, specifications, financial documents, and photographs of the landscaping.
AP075.S1.1991.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Student Housing at Simon Fraser University in Burnaby, British Columbia. Oberlander worked on this project from 1991-1993 with architectural firm Matsuzaki Wright Architects. The landscape concept consisted in including the student housing building in a native woodland setting. Oberlander integrated the building with the existing woodland by adding native trees around the building and the access pathways and drives. The project series contains design development drawings, including landscape concept plans, and landscape plans, and working drawings, such as grading plans, planting plans and landscape sections. It also contains construction drawings for the building used as reference. The project is also documented through textual records, such as concept notes by Oberlander, correspondence, including correspondence with architects, clients and consultants, reports and studies on the site, specifications, financial documents, and photographs of the landscaping.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Student Housing, Simon Fraser University, Burnaby, British Columbia (1991-1993)
Actions:
AP075.S1.1991.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Student Housing at Simon Fraser University in Burnaby, British Columbia. Oberlander worked on this project from 1991-1993 with architectural firm Matsuzaki Wright Architects. The landscape concept consisted in including the student housing building in a native woodland setting. Oberlander integrated the building with the existing woodland by adding native trees around the building and the access pathways and drives. The project series contains design development drawings, including landscape concept plans, and landscape plans, and working drawings, such as grading plans, planting plans and landscape sections. It also contains construction drawings for the building used as reference. The project is also documented through textual records, such as concept notes by Oberlander, correspondence, including correspondence with architects, clients and consultants, reports and studies on the site, specifications, financial documents, and photographs of the landscaping.
Student Housing, Simon Fraser University, Burnaby, British Columbia (1991-1993)
Actions:
AP075.S1.1991.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Student Housing at Simon Fraser University in Burnaby, British Columbia. Oberlander worked on this project from 1991-1993 with architectural firm Matsuzaki Wright Architects. The landscape concept consisted in including the student housing building in a native woodland setting. Oberlander integrated the building with the existing woodland by adding native trees around the building and the access pathways and drives. The project series contains design development drawings, including landscape concept plans, and landscape plans, and working drawings, such as grading plans, planting plans and landscape sections. It also contains construction drawings for the building used as reference. The project is also documented through textual records, such as concept notes by Oberlander, correspondence, including correspondence with architects, clients and consultants, reports and studies on the site, specifications, financial documents, and photographs of the landscaping.
Niveau de description archivistique:
Project
Project
Date:
1991-1993
1991-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1982.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Hwang Residence in Vancouver. Oberlander starts working on this project in 1980 with architect Arthur Erickson. The project consists in the design of a two-storey residence and a garden inspired by asian gardens. The house itself is situated "at the far end of the site to maximize the size of the main garden and its southern exposure." [1] The garden includes a water basin floating under one side of the building, so that the family room, kitchen and dining room windows and decks give directly over the water basin. The project series contains correspondence, concept notes, specifications. promotional material on the project, a planting plan and photographs of the garden and the residence. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 90.
AP075.S1.1982.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Hwang Residence in Vancouver. Oberlander starts working on this project in 1980 with architect Arthur Erickson. The project consists in the design of a two-storey residence and a garden inspired by asian gardens. The house itself is situated "at the far end of the site to maximize the size of the main garden and its southern exposure." [1] The garden includes a water basin floating under one side of the building, so that the family room, kitchen and dining room windows and decks give directly over the water basin. The project series contains correspondence, concept notes, specifications. promotional material on the project, a planting plan and photographs of the garden and the residence. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 90.
Personnes et institutions:
Date:
1980-1984
1980-1984
Titre:
Hwang Residence, Vancouver, British Columbia (1882)
Actions:
AP075.S1.1982.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Hwang Residence in Vancouver. Oberlander starts working on this project in 1980 with architect Arthur Erickson. The project consists in the design of a two-storey residence and a garden inspired by asian gardens. The house itself is situated "at the far end of the site to maximize the size of the main garden and its southern exposure." [1] The garden includes a water basin floating under one side of the building, so that the family room, kitchen and dining room windows and decks give directly over the water basin. The project series contains correspondence, concept notes, specifications. promotional material on the project, a planting plan and photographs of the garden and the residence. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 90.
Hwang Residence, Vancouver, British Columbia (1882)
Actions:
AP075.S1.1982.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Hwang Residence in Vancouver. Oberlander starts working on this project in 1980 with architect Arthur Erickson. The project consists in the design of a two-storey residence and a garden inspired by asian gardens. The house itself is situated "at the far end of the site to maximize the size of the main garden and its southern exposure." [1] The garden includes a water basin floating under one side of the building, so that the family room, kitchen and dining room windows and decks give directly over the water basin. The project series contains correspondence, concept notes, specifications. promotional material on the project, a planting plan and photographs of the garden and the residence. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 90.
Niveau de description archivistique:
Project
Project
Date:
1980-1984
1980-1984
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP195.S4
Description:
Series 4: Press, publications and events, 1999 – 2011, contains materials used to publicize the Phaeno Science Centre during and after its construction. Formats include CAD drawings (plotter files, AutoCAD, and EPS), image files (TIFF, JPEG, EXIF), and text (PDF, Microsoft Word). The bulk of the material dates from 2000 to 2007. This series significantly overlaps with the previous three series, because many design and construction images were repurposed for publications and the press. The materials in this series largely relate to at least two different books written about the Phaeno Science Centre; one is titled “Phaeno Construction Drawings, 2000-2005” and the other is unidentified. There are also photographs, presentation files, award applications, and press information created during and after Phaeno Science Centre construction. Notably, there is also a grouping of materials relating to the use of concrete in this project.
AP195.S4
Description:
Series 4: Press, publications and events, 1999 – 2011, contains materials used to publicize the Phaeno Science Centre during and after its construction. Formats include CAD drawings (plotter files, AutoCAD, and EPS), image files (TIFF, JPEG, EXIF), and text (PDF, Microsoft Word). The bulk of the material dates from 2000 to 2007. This series significantly overlaps with the previous three series, because many design and construction images were repurposed for publications and the press. The materials in this series largely relate to at least two different books written about the Phaeno Science Centre; one is titled “Phaeno Construction Drawings, 2000-2005” and the other is unidentified. There are also photographs, presentation files, award applications, and press information created during and after Phaeno Science Centre construction. Notably, there is also a grouping of materials relating to the use of concrete in this project.
Personnes et institutions:
Date:
1999 - 2011
1999 - 2011
Titre:
Press, publications, and events
Actions:
AP195.S4
Description:
Series 4: Press, publications and events, 1999 – 2011, contains materials used to publicize the Phaeno Science Centre during and after its construction. Formats include CAD drawings (plotter files, AutoCAD, and EPS), image files (TIFF, JPEG, EXIF), and text (PDF, Microsoft Word). The bulk of the material dates from 2000 to 2007. This series significantly overlaps with the previous three series, because many design and construction images were repurposed for publications and the press. The materials in this series largely relate to at least two different books written about the Phaeno Science Centre; one is titled “Phaeno Construction Drawings, 2000-2005” and the other is unidentified. There are also photographs, presentation files, award applications, and press information created during and after Phaeno Science Centre construction. Notably, there is also a grouping of materials relating to the use of concrete in this project.
Press, publications, and events
Actions:
AP195.S4
Description:
Series 4: Press, publications and events, 1999 – 2011, contains materials used to publicize the Phaeno Science Centre during and after its construction. Formats include CAD drawings (plotter files, AutoCAD, and EPS), image files (TIFF, JPEG, EXIF), and text (PDF, Microsoft Word). The bulk of the material dates from 2000 to 2007. This series significantly overlaps with the previous three series, because many design and construction images were repurposed for publications and the press. The materials in this series largely relate to at least two different books written about the Phaeno Science Centre; one is titled “Phaeno Construction Drawings, 2000-2005” and the other is unidentified. There are also photographs, presentation files, award applications, and press information created during and after Phaeno Science Centre construction. Notably, there is also a grouping of materials relating to the use of concrete in this project.
Niveau de description archivistique:
Series
Series
Date:
1999 - 2011
1999 - 2011
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1980.PR15
Description:
This project series documents additions and alterations to the Beaverbrook Art Gallery in Fredericton, New Brunswick from 1981-1986. The office identified this project as 8018. The Beaverbrook Art Gallery, located beside the St. John River, was designed by Neil Stewart in 1956. The additions and alterations to the original design consisted of the addition of an east wing to the existing structure as well as upgrades to mechanical and electrical systems. A feasibility study was conducted and two schemes were proposed for the project. The project is recorded through textual records, drawings, and site and construction photographs. The feasibility study is recorded through reprographic copies of drawings. The textual records show client correspondence, site planning, contractor and consultant work, construction and associated shop drawings. Textual documents also record a lawsuit brought against the firm by project consultants ADI Limited following construction.
AP018.S1.1980.PR15
Description:
This project series documents additions and alterations to the Beaverbrook Art Gallery in Fredericton, New Brunswick from 1981-1986. The office identified this project as 8018. The Beaverbrook Art Gallery, located beside the St. John River, was designed by Neil Stewart in 1956. The additions and alterations to the original design consisted of the addition of an east wing to the existing structure as well as upgrades to mechanical and electrical systems. A feasibility study was conducted and two schemes were proposed for the project. The project is recorded through textual records, drawings, and site and construction photographs. The feasibility study is recorded through reprographic copies of drawings. The textual records show client correspondence, site planning, contractor and consultant work, construction and associated shop drawings. Textual documents also record a lawsuit brought against the firm by project consultants ADI Limited following construction.
Personnes et institutions:
Date:
1980-1986
1980-1986
Titre:
Beaverbrook Art Gallery, Additions and Alterations, Fredericton, New Brunswick (1980-1983)
Actions:
AP018.S1.1980.PR15
Description:
This project series documents additions and alterations to the Beaverbrook Art Gallery in Fredericton, New Brunswick from 1981-1986. The office identified this project as 8018. The Beaverbrook Art Gallery, located beside the St. John River, was designed by Neil Stewart in 1956. The additions and alterations to the original design consisted of the addition of an east wing to the existing structure as well as upgrades to mechanical and electrical systems. A feasibility study was conducted and two schemes were proposed for the project. The project is recorded through textual records, drawings, and site and construction photographs. The feasibility study is recorded through reprographic copies of drawings. The textual records show client correspondence, site planning, contractor and consultant work, construction and associated shop drawings. Textual documents also record a lawsuit brought against the firm by project consultants ADI Limited following construction.
Beaverbrook Art Gallery, Additions and Alterations, Fredericton, New Brunswick (1980-1983)
Actions:
AP018.S1.1980.PR15
Description:
This project series documents additions and alterations to the Beaverbrook Art Gallery in Fredericton, New Brunswick from 1981-1986. The office identified this project as 8018. The Beaverbrook Art Gallery, located beside the St. John River, was designed by Neil Stewart in 1956. The additions and alterations to the original design consisted of the addition of an east wing to the existing structure as well as upgrades to mechanical and electrical systems. A feasibility study was conducted and two schemes were proposed for the project. The project is recorded through textual records, drawings, and site and construction photographs. The feasibility study is recorded through reprographic copies of drawings. The textual records show client correspondence, site planning, contractor and consultant work, construction and associated shop drawings. Textual documents also record a lawsuit brought against the firm by project consultants ADI Limited following construction.
Niveau de description archivistique:
Project
Project
Date:
1980-1986
1980-1986
Personnes et institutions:
