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Projects review 1995/1996
$37.50
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Presents student projects for the Architectural Association's academic year 1996-97. New enlarged format.
janvier 1900, London
Projects review 1995/1996
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Presents student projects for the Architectural Association's academic year 1996-97. New enlarged format.
livres
janvier 1900, London
livres
Towards a new museum
$60.00
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Divided into various themes covering the relationships between museums and collectors, trustees, artists, and the public, the book takes a critical look at innovative architecture that interacts with art and the public. The book includes Gehry's Guggenheim at Bilbao, Meier's Getty Center, Libeskind's Jewish Museum, Herzog & de Meuron's Goetz Gallery in(...)
juin 1997, New York
Towards a new museum
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$60.00
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Divided into various themes covering the relationships between museums and collectors, trustees, artists, and the public, the book takes a critical look at innovative architecture that interacts with art and the public. The book includes Gehry's Guggenheim at Bilbao, Meier's Getty Center, Libeskind's Jewish Museum, Herzog & de Meuron's Goetz Gallery in Munich, and Holl's Museum of Contemporary Art in Helsinki, among others.
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juin 1997, New York
$21.00
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Sur ces deux objets à la mode, célébrés par tout le monde, y compris par l’industrie du tourisme globalisée, la Promenade plantée de Paris et le High Line Park de Manhattan, on aura tout entendu, sauf peut-être l’essentiel : que ces dispositifs complexes sont générés par la ville elle-même et qu’elle nous communique par là quelque chose de fondamental. C’est la raison(...)
Cette ville qui nous regarde: de la Promenade plantée au High Line Park
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Sur ces deux objets à la mode, célébrés par tout le monde, y compris par l’industrie du tourisme globalisée, la Promenade plantée de Paris et le High Line Park de Manhattan, on aura tout entendu, sauf peut-être l’essentiel : que ces dispositifs complexes sont générés par la ville elle-même et qu’elle nous communique par là quelque chose de fondamental. C’est la raison pour laquelle nous devons prêter toute notre attention et intelligence à ce qui s’est installé au tournant du siècle à New York et à Paris, convaincus comme nous le sommes, qu’il y a avec ces plateformes – outre les thèmes de la marche et de la déambulation urbaine, de la flânerie et de la dérive, de la ruine et de la rouille, de la trame verte et du spectacle – tout un monde à découvrir. Michael Jakob est professeur de théorie et histoire du paysage à la Haute école du paysage, d'ingénierie et d'architecture (Hepia), à Genève.
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The new and remarkable season of Milanese architecture and its great protagonists. An interpretation of the recent and decisive transformations of Milan, with a focus on the Expo area, including the international pavilions and service structures.
Milan architectureL the city and expo
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The new and remarkable season of Milanese architecture and its great protagonists. An interpretation of the recent and decisive transformations of Milan, with a focus on the Expo area, including the international pavilions and service structures.
$78.00
(disponible en magasin)
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how(...)
Museums: The Reflections Series
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$78.00
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how they choose to cherish their heritage The Reflections series by ROADS is a visual exploration of the spaces and buildings that mirror the cultures in which they play such a crucial part.
$42.00
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Since 2007, the library of the Clark Art Institute in Williamstown, Massachusetts, has built an unparalleled archival collection related to the Venice Biennale. In 'Art’s Biggest Stage: Collecting the Venice Biennale, 2007–2019', readers can experience these art extravaganzas through related ephemera from the Clark’s holdings: artist editions, books, posters, publicity(...)
Art's biggest stage: collecting the Venice Biennale, 2007-2019
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Since 2007, the library of the Clark Art Institute in Williamstown, Massachusetts, has built an unparalleled archival collection related to the Venice Biennale. In 'Art’s Biggest Stage: Collecting the Venice Biennale, 2007–2019', readers can experience these art extravaganzas through related ephemera from the Clark’s holdings: artist editions, books, posters, publicity materials, and miscellany.
$46.00
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Organized geographically, the book begins with numerous art institutions in and around Tokyo, and proceeds to Kyoto; museums in the western and eastern parts of the nation; Shikoku and the Inland Sea; Kyushu; and Hokkaido and Okinawa. Among the buildings and collections featured are the Nezu Museum, the Tokyo Metropolitan Teien Museum, Nagi MOCA, the Hiroshige Museum, the(...)
The art lover's guide to Japanese museums
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Organized geographically, the book begins with numerous art institutions in and around Tokyo, and proceeds to Kyoto; museums in the western and eastern parts of the nation; Shikoku and the Inland Sea; Kyushu; and Hokkaido and Okinawa. Among the buildings and collections featured are the Nezu Museum, the Tokyo Metropolitan Teien Museum, Nagi MOCA, the Hiroshige Museum, the George Nakashima Memorial Museum, and the Hokkaido Historical Village.
$25.95
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The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and(...)
mars 2020
Spacing philosophy: Lyotard and the idea of the exhibition
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The significance of Jean-François Lyotard's innovative 1985 exhibition Les Immatériaux and the “curatorial turn” in critical theory. In 1985, the philosopher Jean-François Lyotard curated Les Immatériaux at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology. Les Immatériaux can thus be seen as a culmination and materialization of a life's work as well as a primer for the many thought-exhibitions produced in the following decades.
Le supermarché des images
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Le visible semble littéralement déborder d’images (plus de trois milliards d’entre elles circulent chaque jour sur les réseaux sociaux). Ce trop-plein, cette surproduction, il faut les gérer. Il faut stocker les images, les transporter, les formater, organiser leurs échanges et leurs flux. Elles requièrent des infrastructures routières (les câbles Internet), des formes(...)
Le supermarché des images
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Le visible semble littéralement déborder d’images (plus de trois milliards d’entre elles circulent chaque jour sur les réseaux sociaux). Ce trop-plein, cette surproduction, il faut les gérer. Il faut stocker les images, les transporter, les formater, organiser leurs échanges et leurs flux. Elles requièrent des infrastructures routières (les câbles Internet), des formes inédites de travail (les modérateurs de contenu, les ouvriers du clic). Et elles transforment notre regard, elles le mobilisent comme il ne l’a jamais été. En observant les mutations parallèles de l’économie financiarisée à l’ère des cryptomonnaies, les œuvres et les textes ici réunis cherchent à saisir, à penser cette nouvelle iconomie de la visibilité. Textes d’Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marie Rebecchi et Elena Vogman, Antonio Somaini, Peter Szendy, Leah Temper, Dork Zabunyan.
New exhibition design 03
$115.00
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A broad overview of current concepts and trends in exhibition design and scenography from around the world. With more than 110 projects, there are numerous presentations with varied themes, content and ground-breaking designs. And more important than ever before, exhibitions are reliable places for education, enlightenment and democratisation.
janvier 2019
New exhibition design 03
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$115.00
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A broad overview of current concepts and trends in exhibition design and scenography from around the world. With more than 110 projects, there are numerous presentations with varied themes, content and ground-breaking designs. And more important than ever before, exhibitions are reliable places for education, enlightenment and democratisation.