933 Résultats
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103 pages : illustrations (some color) ; 21 x 25 cm
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103 pages : illustrations (some color) ; 21 x 25 cm
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Köln : Verlag der Buchhandlung Walther König ; New York, NY : Dist. by Art Publishers, 2009.
Köln : Verlag der Buchhandlung Walther König ; New York, NY : Dist. by Art Publishers, 2009.
Titre:
Jorge Otero-Pailos : the ethics of dust / [commissioned by] Thyssen-Bornemisza Art Contemporary ; edited by Eva Ebersberger and Daniela Zyman ; [text by Thordis Arrhenius and others].
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103 pages : illustrations (some color) ; 21 x 25 cm
Jorge Otero-Pailos : the ethics of dust / [commissioned by] Thyssen-Bornemisza Art Contemporary ; edited by Eva Ebersberger and Daniela Zyman ; [text by Thordis Arrhenius and others].
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103 pages : illustrations (some color) ; 21 x 25 cm
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Köln : Verlag der Buchhandlung Walther König ; New York, NY : Dist. by Art Publishers, 2009.
Köln : Verlag der Buchhandlung Walther König ; New York, NY : Dist. by Art Publishers, 2009.
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320 pages : illustrations (color), maps ; 28 cm
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320 pages : illustrations (color), maps ; 28 cm
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London : V&A Publishing, 2021.
London : V&A Publishing, 2021.
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Europe divided : Huguenot refugee art & culture / Tessa Murdoch.
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320 pages : illustrations (color), maps ; 28 cm
Europe divided : Huguenot refugee art & culture / Tessa Murdoch.
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320 pages : illustrations (color), maps ; 28 cm
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London : V&A Publishing, 2021.
London : V&A Publishing, 2021.
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$90.00
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Résumé:
The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well.(...)
$90.00
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well.(...)
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Aleksandr Zhitomirsky: photomontage as a weapon of WWII and the Cold War
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$90.00
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. In this comprehensive account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, "The Art of Political Photomontage: Advice for the Artist" (1983).
Aleksandr Zhitomirsky: photomontage as a weapon of WWII and the Cold War
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$90.00
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. In this comprehensive account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, "The Art of Political Photomontage: Advice for the Artist" (1983).
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livres
livres
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octobre 2016
octobre 2016
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Expositions en cours
Expositions en cours
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livres
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$86.95
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Berlin, Brussels, Florence, London, Paris, Toronto, Zurich – fascinating western metropolises which are all sophisticated icons of international commerce, finance, tourism, though in very different ways. Striking appearances and successful structures are, however, only one side of the reality. On the darker side, there are the insidious changes which have come about(...)
$86.95
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Berlin, Brussels, Florence, London, Paris, Toronto, Zurich – fascinating western metropolises which are all sophisticated icons of international commerce, finance, tourism, though in very different ways. Striking appearances and successful structures are, however, only one side of the reality. On the darker side, there are the insidious changes which have come about(...)
Titre:
The contested metropolis : six cities at the beginning of the 21st century
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$86.95
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Berlin, Brussels, Florence, London, Paris, Toronto, Zurich – fascinating western metropolises which are all sophisticated icons of international commerce, finance, tourism, though in very different ways. Striking appearances and successful structures are, however, only one side of the reality. On the darker side, there are the insidious changes which have come about primarily for reasons of quick profit and consumerism; social and ethnic ghettos are on the rise. Yet in all these cities there are forces which are facing up to these supposedly irreversible developments and which must be taken seriously. INURA – the International Network for Urban Research and Action – has published "Contested Metropolis" which looks at these seven cities by presenting important critical writings and alternative urban projects.
The contested metropolis : six cities at the beginning of the 21st century
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$86.95
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Berlin, Brussels, Florence, London, Paris, Toronto, Zurich – fascinating western metropolises which are all sophisticated icons of international commerce, finance, tourism, though in very different ways. Striking appearances and successful structures are, however, only one side of the reality. On the darker side, there are the insidious changes which have come about primarily for reasons of quick profit and consumerism; social and ethnic ghettos are on the rise. Yet in all these cities there are forces which are facing up to these supposedly irreversible developments and which must be taken seriously. INURA – the International Network for Urban Research and Action – has published "Contested Metropolis" which looks at these seven cities by presenting important critical writings and alternative urban projects.
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livres
livres
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novembre 2003, Basel
novembre 2003, Basel
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Théorie de l’urbanisme
Théorie de l’urbanisme
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151 pages : illustrations (some color), facsimiles ; 28 cm.
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151 pages : illustrations (some color), facsimiles ; 28 cm.
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Zurich : Gta Verlag, ETH Zurich, [2025], ©2025
Zurich : Gta Verlag, ETH Zurich, [2025], ©2025
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Cooking up dinner speeches : Ise Gropius in Japan / edited by Almut Grunewald.
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151 pages : illustrations (some color), facsimiles ; 28 cm.
Cooking up dinner speeches : Ise Gropius in Japan / edited by Almut Grunewald.
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151 pages : illustrations (some color), facsimiles ; 28 cm.
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Zurich : Gta Verlag, ETH Zurich, [2025], ©2025
Zurich : Gta Verlag, ETH Zurich, [2025], ©2025
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xi, 216 p. : maps ; 22 cm.
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xi, 216 p. : maps ; 22 cm.
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Montreal : Harvest House, c1987.
Montreal : Harvest House, c1987.
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Parks for profit / Leslie Bella.
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xi, 216 p. : maps ; 22 cm.
Parks for profit / Leslie Bella.
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xi, 216 p. : maps ; 22 cm.
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Montreal : Harvest House, c1987.
Montreal : Harvest House, c1987.
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xviii, 373 pages : illustrations ; 26 cm
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xviii, 373 pages : illustrations ; 26 cm
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Montreal : Published for Bishop's University by McGill-Queen's University Press, ©1994.
Montreal : Published for Bishop's University by McGill-Queen's University Press, ©1994.
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Bishop's University, 1843-1970 / Christopher Nicholl.
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xviii, 373 pages : illustrations ; 26 cm
Bishop's University, 1843-1970 / Christopher Nicholl.
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xviii, 373 pages : illustrations ; 26 cm
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Montreal : Published for Bishop's University by McGill-Queen's University Press, ©1994.
Montreal : Published for Bishop's University by McGill-Queen's University Press, ©1994.
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Schinkel Pavillon 2018
Schinkel Pavillon 2018
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livres
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Schinkel Pavillon 2018
Schinkel Pavillon 2018
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livres
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$88.95
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Résumé:
Bearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped, and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted—and the art market increasingly an arena for speculation—artists on both sides of the Atlantic turned to economic themes,(...)
$88.95
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Bearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped, and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted—and the art market increasingly an arena for speculation—artists on both sides of the Atlantic turned to economic themes,(...)
Titre:
The artist as economist: art and capitalism in the 1960s
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$88.95
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Bearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped, and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted—and the art market increasingly an arena for speculation—artists on both sides of the Atlantic turned to economic themes, often grounded in a human context. ''The artist as economist'' examines artists who approached these issues in critical, imaginative, and humorous ways. Such examples, which author Sophie Cras insightfully situates within their historic economic context, reveal capitalism’s visual dimension. As art and economics grow more entangled, this volume offers a timely consideration of art’s capacity to reflect on and reimagine economic systems.
The artist as economist: art and capitalism in the 1960s
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$88.95
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Bearing witness to the changing economic landscape amid the Cold War, artists in the 1960s created works that critiqued, reshaped, and sometimes reinforced the spirit of capitalism. At a time when currency and finance were becoming ever more abstracted—and the art market increasingly an arena for speculation—artists on both sides of the Atlantic turned to economic themes, often grounded in a human context. ''The artist as economist'' examines artists who approached these issues in critical, imaginative, and humorous ways. Such examples, which author Sophie Cras insightfully situates within their historic economic context, reveal capitalism’s visual dimension. As art and economics grow more entangled, this volume offers a timely consideration of art’s capacity to reflect on and reimagine economic systems.
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livres
livres
Publication:
novembre 2019
novembre 2019
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livres
livres
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Errant Journal #6 : Debt
Errant Journal #6 : Debt
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$39.95
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Résumé:
Errant Journal No. 6 takes up the topic of debt in order to challenge the idea that it is something rational, natural or inevitable. The contributions in the issue address the ways in which debt and its language hold power over us and organize obedience; from its role in geopolitics to its associations with shame and guilt through moral and religious connotations.(...)
$39.95
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Résumé:
Errant Journal No. 6 takes up the topic of debt in order to challenge the idea that it is something rational, natural or inevitable. The contributions in the issue address the ways in which debt and its language hold power over us and organize obedience; from its role in geopolitics to its associations with shame and guilt through moral and religious connotations.(...)
Titre:
Errant Journal #6 : Debt
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$39.95
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Errant Journal No. 6 takes up the topic of debt in order to challenge the idea that it is something rational, natural or inevitable. The contributions in the issue address the ways in which debt and its language hold power over us and organize obedience; from its role in geopolitics to its associations with shame and guilt through moral and religious connotations. Together they reveal how the personal is always connected to the structural. Crucially, the issue also features contributions that address ways of thinking about debt outside Western/neoliberal hegemony and introduce instances of resistance to the violence and inequality inherent to debt. We’ve made additional space in this issue to address the intensified struggle for Palestinian liberation and its relations to debt/guilt and finance.
Errant Journal #6 : Debt
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$39.95
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Errant Journal No. 6 takes up the topic of debt in order to challenge the idea that it is something rational, natural or inevitable. The contributions in the issue address the ways in which debt and its language hold power over us and organize obedience; from its role in geopolitics to its associations with shame and guilt through moral and religious connotations. Together they reveal how the personal is always connected to the structural. Crucially, the issue also features contributions that address ways of thinking about debt outside Western/neoliberal hegemony and introduce instances of resistance to the violence and inequality inherent to debt. We’ve made additional space in this issue to address the intensified struggle for Palestinian liberation and its relations to debt/guilt and finance.
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livres
livres
Publication:
avril 2024
avril 2024
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Revues
Revues
