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$34.95
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization(...)
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization(...)
Titre:
Planning on the edge: Vancouver and the challenges of reconciliation, social justice, and sustainability
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization and speculative property development have increased social inequality and housing insecurity since the 1980s in the city and the region. To determine the city’s prospects for overcoming these problems, they look at city planning from all angles, including planning for the Indigenous population, environmental and disaster planning, housing and migration, and transportation and water management. By looking at policies at the local, provincial, and federal levels and taking reconciliation with Indigenous peoples into account, "Planning on the edge" highlights the kinds of policies and practices needed to reorient Vancouver’s development trajectory along a more environmentally sound and equitable path.
Planning on the edge: Vancouver and the challenges of reconciliation, social justice, and sustainability
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$34.95
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Vancouver is heralded around the world as a model for sustainable development. In "Planning on the edge," nationally and internationally renowned planning scholars, activists, and Indigenous leaders assess whether that reputation is warranted. While recognizing the many successes of the "Vancouverism" model, the contributors acknowledge that the forces of globalization and speculative property development have increased social inequality and housing insecurity since the 1980s in the city and the region. To determine the city’s prospects for overcoming these problems, they look at city planning from all angles, including planning for the Indigenous population, environmental and disaster planning, housing and migration, and transportation and water management. By looking at policies at the local, provincial, and federal levels and taking reconciliation with Indigenous peoples into account, "Planning on the edge" highlights the kinds of policies and practices needed to reorient Vancouver’s development trajectory along a more environmentally sound and equitable path.
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livres
livres
Publication:
août 2020
août 2020
Sujet:
L'humain et la ville
L'humain et la ville
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livres
livres
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$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of(...)
$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of(...)
Publication:
janvier 2022
janvier 2022
Titre:
Postcommodity: Time holds all the answers
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$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of 21st-century life to inspire a uniquely Indigenous futurism. Using provocation as a tool, they spark constructive conversations that challenge the social, political and economic processes that destabilize communities and geographies.The publication generates a vital new body of knowledge on their work.
Postcommodity: Time holds all the answers
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$49.95
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This book accompanies the exhibition “Time Holds All the Answers,” at the Remai Modern- Postcommodity’s most significant museum presentation to date. Postcommodity is an interdisciplinary arts collective, currently comprised of Cristóbal Martínez and Kade L. Twist. The collective creates works of art that personify a shared Indigenous lens and voice, examining aspects of 21st-century life to inspire a uniquely Indigenous futurism. Using provocation as a tool, they spark constructive conversations that challenge the social, political and economic processes that destabilize communities and geographies.The publication generates a vital new body of knowledge on their work.
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livres
livres
Publication:
janvier 2022
janvier 2022
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livres
livres
Titre:
Pollution is colonialism
Pollution is colonialism
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution,(...)
$33.95
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution,(...)
Titre:
Pollution is colonialism
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$33.95
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR) — an anticolonial science laboratory in Newfoundland, Canada — to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.
Pollution is colonialism
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In 'Pollution Is Colonialism' Max Liboiron presents a framework for understanding scientific research methods as practices that can align with or against colonialism. They point out that even when researchers are working toward benevolent goals, environmental science and activism are often premised on a colonial worldview and access to land. Focusing on plastic pollution, the book models an anticolonial scientific practice aligned with Indigenous, particularly Métis, concepts of land, ethics, and relations. Liboiron draws on their work in the Civic Laboratory for Environmental Action Research (CLEAR) — an anticolonial science laboratory in Newfoundland, Canada — to illuminate how pollution is not a symptom of capitalism but a violent enactment of colonial land relations that claim access to Indigenous land. Liboiron's creative, lively, and passionate text refuses theories of pollution that make Indigenous land available for settler and colonial goals. In this way, their methodology demonstrates that anticolonial science is not only possible but is currently being practiced in ways that enact more ethical modes of being in the world.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Classification:
périodiques
périodiques
Titre:
Scapegoat 12/13: c\a\n\a\d\a
Scapegoat 12/13: c\a\n\a\d\a
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$30.00
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
$30.00
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
Titre:
Scapegoat 12/13: c\a\n\a\d\a
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$30.00
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Scapegoat 12/13: c\a\n\a\d\a
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$30.00
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Résumé:
This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Classification:
périodiques
périodiques
Publication:
mai 2022
mai 2022
Sujet:
Revues
Revues
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livres
livres
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$15.00
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"Supplement 7: Joar Nango – Uncle Doug’s fishing shack" traces Nango’s artistic process, mapping the development of his temporary installation and sculpture Uncle Doug’s Fishing Shack presented at Plug In ICA (Winnipeg) in 2019 as part of STAGES. The publication features an interview between Nango and Indigenous architect David Thomas, and texts by Indigenous architect(...)
$15.00
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"Supplement 7: Joar Nango – Uncle Doug’s fishing shack" traces Nango’s artistic process, mapping the development of his temporary installation and sculpture Uncle Doug’s Fishing Shack presented at Plug In ICA (Winnipeg) in 2019 as part of STAGES. The publication features an interview between Nango and Indigenous architect David Thomas, and texts by Indigenous architect(...)
Publication:
décembre 2023
décembre 2023
Titre:
Supplement 7: Joar Nango—Uncle Doug’s fishing shack
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$15.00
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"Supplement 7: Joar Nango – Uncle Doug’s fishing shack" traces Nango’s artistic process, mapping the development of his temporary installation and sculpture Uncle Doug’s Fishing Shack presented at Plug In ICA (Winnipeg) in 2019 as part of STAGES. The publication features an interview between Nango and Indigenous architect David Thomas, and texts by Indigenous architect Ryan Gorrie, Australian architecture lecturer Timothy O’Rourke, and Canadian architecture scholar Courtney R. Thompson. This publication is part of Fillip’s Supplements series, with this edition published in collaboration with Plug In ICA (Winnipeg) and the Art Gallery of York University (Toronto). Supplement 7 is edited by Jenifer Papararo.
Supplement 7: Joar Nango—Uncle Doug’s fishing shack
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$15.00
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"Supplement 7: Joar Nango – Uncle Doug’s fishing shack" traces Nango’s artistic process, mapping the development of his temporary installation and sculpture Uncle Doug’s Fishing Shack presented at Plug In ICA (Winnipeg) in 2019 as part of STAGES. The publication features an interview between Nango and Indigenous architect David Thomas, and texts by Indigenous architect Ryan Gorrie, Australian architecture lecturer Timothy O’Rourke, and Canadian architecture scholar Courtney R. Thompson. This publication is part of Fillip’s Supplements series, with this edition published in collaboration with Plug In ICA (Winnipeg) and the Art Gallery of York University (Toronto). Supplement 7 is edited by Jenifer Papararo.
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livres
livres
Publication:
décembre 2023
décembre 2023
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livres
livres
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$49.95
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This volume addresses the varied perceptions of Canada’s natural terrain, framing the discussion in the context of landscapes designed by Canadian landscape architects. This edited collection draws on contemporary works to theorize a distinct approach practiced by Canadian landscape architects from across the country. The essays – authored by Canadian scholars and(...)
$49.95
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This volume addresses the varied perceptions of Canada’s natural terrain, framing the discussion in the context of landscapes designed by Canadian landscape architects. This edited collection draws on contemporary works to theorize a distinct approach practiced by Canadian landscape architects from across the country. The essays – authored by Canadian scholars and(...)
Titre:
Innate terrain: Canadian landscape architecture
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$49.95
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This volume addresses the varied perceptions of Canada’s natural terrain, framing the discussion in the context of landscapes designed by Canadian landscape architects. This edited collection draws on contemporary works to theorize a distinct approach practiced by Canadian landscape architects from across the country. The essays – authored by Canadian scholars and practitioners, some of whom are Indigenous or have worked closely with Indigenous communities – are united by the argument that Canadian landscape architecture is intrinsically linked to the innate qualities of the surrounding terrain. Beautifully illustrated, this publication aims to capture distinct regional qualities that are rooted in the broader context of the Canadian landscape.
Innate terrain: Canadian landscape architecture
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Résumé:
This volume addresses the varied perceptions of Canada’s natural terrain, framing the discussion in the context of landscapes designed by Canadian landscape architects. This edited collection draws on contemporary works to theorize a distinct approach practiced by Canadian landscape architects from across the country. The essays – authored by Canadian scholars and practitioners, some of whom are Indigenous or have worked closely with Indigenous communities – are united by the argument that Canadian landscape architecture is intrinsically linked to the innate qualities of the surrounding terrain. Beautifully illustrated, this publication aims to capture distinct regional qualities that are rooted in the broader context of the Canadian landscape.
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livres
livres
Publication:
septembre 2022
septembre 2022
Sujet:
Architecture du Canada
Architecture du Canada
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livres
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Description:
287 pages : illustrations (some color), portraits ; 24 x 25 cm + 1 DVD
Description:
287 pages : illustrations (some color), portraits ; 24 x 25 cm + 1 DVD
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Staunton (Va.) : George F. Thompson Publishing, [2015]
Staunton (Va.) : George F. Thompson Publishing, [2015]
Titre:
Drawn to landscape : the pioneering work of J.B. Jackson / edited by Janet Mendelsohn and Chris Wilson ; drawings, watercolors, and photographs by J.B. Jackson ; with contributions from [8 others].
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287 pages : illustrations (some color), portraits ; 24 x 25 cm + 1 DVD
Drawn to landscape : the pioneering work of J.B. Jackson / edited by Janet Mendelsohn and Chris Wilson ; drawings, watercolors, and photographs by J.B. Jackson ; with contributions from [8 others].
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Description:
287 pages : illustrations (some color), portraits ; 24 x 25 cm + 1 DVD
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livres
livres
Publication:
Staunton (Va.) : George F. Thompson Publishing, [2015]
Staunton (Va.) : George F. Thompson Publishing, [2015]
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livres
livres
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$36.00
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Résumé:
Mexico's White Mountain was once home to the indigenous pre-Columbian Zapotec civilization. Photographer Pablo Ortíz Monasterio engages this foundational mythology by documenting its physical manifestations in contemporary life, as depicted on decorative murals, key chains, ashtrays and pony glasses.
$36.00
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Résumé:
Mexico's White Mountain was once home to the indigenous pre-Columbian Zapotec civilization. Photographer Pablo Ortíz Monasterio engages this foundational mythology by documenting its physical manifestations in contemporary life, as depicted on decorative murals, key chains, ashtrays and pony glasses.
Sujet:
Monographies photo
Monographies photo
Publication:
octobre 2010
octobre 2010
Titre:
Pablo Otiz Monasterio: White mountain
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$36.00
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Mexico's White Mountain was once home to the indigenous pre-Columbian Zapotec civilization. Photographer Pablo Ortíz Monasterio engages this foundational mythology by documenting its physical manifestations in contemporary life, as depicted on decorative murals, key chains, ashtrays and pony glasses.
Pablo Otiz Monasterio: White mountain
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$36.00
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Résumé:
Mexico's White Mountain was once home to the indigenous pre-Columbian Zapotec civilization. Photographer Pablo Ortíz Monasterio engages this foundational mythology by documenting its physical manifestations in contemporary life, as depicted on decorative murals, key chains, ashtrays and pony glasses.
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$64.95
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Résumé:
''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
$64.95
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Résumé:
''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art(...)
Titre:
Duodji reader: Twelve essays on duodji by Sámi writers
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$64.95
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''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
Duodji reader: Twelve essays on duodji by Sámi writers
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$64.95
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Résumé:
''Duodji Reader'' is a selection of twelve essays on duodji by Sámi duojárat and writers from the past 60 years. The craft practices of Indigenous peoples from all over the world have been getting increased attention and appreciation globally over the last few decades. It has also become a topic that has occupied its fair share of discourse in academia and in art education. As a contribution to this interest in Indigenous art and crafts practices, we offer this book on Sámi duodji. Duodji is the artistic crafts form of the Indigenous people of the European Arctic. Duodji refers not only to the end result, the finished object itself, but also describes the whole process - from the incipient idea to the final product. Duodji demonstrates a holistic circle of creation, how nature and humans collaborate in recognising, visualising, and shaping items that serve the need for both practical use and aesthetic form. ''Duodji reader: Twelve essays on duodji by Sámi writers'' is produced by Sámi Allaskuvla and Norwegian Crafts. The publication is edited by the professors Gunvor Guttorm and Harald Gaski, and contains essays from eleven prominent Sámi scholars, duojárat, and writers from North, South, and Lule Sámi areas. The essays are presented in Lule, South or North Sámi as well as in English. The publication also contains a wide-ranging selection of photographs of duodji by more than thirty contemporary duojárat. The book is well-suited both as background and text material for education in crafts, as well as a resource for the theory and practice of Sámi duodji as an Indigenous art form with long roots in the Arctic North.
Classification:
livres
livres
Publication:
février 2022
février 2022
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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Description:
xii, 160 pages : illustrations (black and white), maps (black and white) ; 26 cm.
Description:
xii, 160 pages : illustrations (black and white), maps (black and white) ; 26 cm.
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Publication:
Baltimore : Johns Hopkins University Press, 1997.
Baltimore : Johns Hopkins University Press, 1997.
Titre:
The Mountain West : interpreting the folk landscape / Terry G. Jordan, Jon T. Kilpinen, Charles F. Gritzner.
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Description:
xii, 160 pages : illustrations (black and white), maps (black and white) ; 26 cm.
The Mountain West : interpreting the folk landscape / Terry G. Jordan, Jon T. Kilpinen, Charles F. Gritzner.
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Description:
xii, 160 pages : illustrations (black and white), maps (black and white) ; 26 cm.
Classification:
livres
livres
Publication:
Baltimore : Johns Hopkins University Press, 1997.
Baltimore : Johns Hopkins University Press, 1997.
Auteur:
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