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Research on multifamily housing and its impact on the daily lives of ordinary people, from a leading Canadian architectural firm. These four slipcased volumes build on 5468796 Architecture’s housing manifesto "Add via Edit: A Decade in Housing", the symposium "platform.MIDDLE: Architecture for Housing the 99%" hosted at Illinois Institute of Technology and examples by(...)
Architecture, monographies
février 2024
5468796 Architecture: Platform. MIDDLE
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Research on multifamily housing and its impact on the daily lives of ordinary people, from a leading Canadian architectural firm. These four slipcased volumes build on 5468796 Architecture’s housing manifesto "Add via Edit: A Decade in Housing", the symposium "platform.MIDDLE: Architecture for Housing the 99%" hosted at Illinois Institute of Technology and examples by practice-related offices. The work and research of the Winnipeg-based firm 5468796 Architecture (described as "one of the most talented young design firms worldwide") has focused on "missing middle" and midrise housing in its many forms and ownership models, from refugee and social housing to market-rate condominiums. With the condominium boom taking hold across North America, the number of residential units passing across architects’ desks is unprecedented. As a result of the typology’s inherent repetition and potentially banal program—as well as the private sector’s pursuit of profit, often at the expense of quality and livability—the margin in which architecture can operate is very narrow. Architects must respond to the challenges of this typology with the rigor it deserves.
Architecture, monographies
$29.00
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Exclusively available in single volumes at the CCA Bookstore. Atelier Bow-Wow / Aaron Betsky / Coop Himelb(l)au / Diller Scofidio + Renfro / Droog & Kesselskramer / Massimiliano Fuksas / Frank Gehry / Vincente Guallart / Greg Lynn / Winy Maas (MVRDV) / Philippe Rahm / Ben van Berkel, Caroline Bos (UNStudio) and more.
Out there: architecture beyond building, volume 5: manifestos. La Biennale di Venezia, 11. Mostra Internazionale die Architettura
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Exclusively available in single volumes at the CCA Bookstore. Atelier Bow-Wow / Aaron Betsky / Coop Himelb(l)au / Diller Scofidio + Renfro / Droog & Kesselskramer / Massimiliano Fuksas / Frank Gehry / Vincente Guallart / Greg Lynn / Winy Maas (MVRDV) / Philippe Rahm / Ben van Berkel, Caroline Bos (UNStudio) and more.
The spirit of the Bauhaus
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“Architects, sculptors, painters, we all must return to the crafts!” declared architect Walter Gropius in his Bauhaus manifesto. Founded in 1919 as an art school in Weimar, the Bauhaus established itself as a major influence on twentieth- century art and design. Bauhaus students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel(...)
The spirit of the Bauhaus
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“Architects, sculptors, painters, we all must return to the crafts!” declared architect Walter Gropius in his Bauhaus manifesto. Founded in 1919 as an art school in Weimar, the Bauhaus established itself as a major influence on twentieth- century art and design. Bauhaus students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger, and Wassily Kandinsky. Having moved to Berlin in 1932 under architect Ludwig Mies van der Rohe, it was forced to close for good by the Gestapo in 1933. Uncovering the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and Arts and Crafts, The Spirit of the Bauhaus explores workshops and courses in detail, illustrating the extraordinary wealth of experimentation in every medium: ceramics, wood and metalwork, textiles, glass- painting, sculpture, mural, printing and binding, theater, architecture, and photography. This essential and accessible guide to the Bauhaus, published in time for the 100th anniversary of the school in 2019, celebrates a school that continues to be recognized as the most durable and influential source of modern ideas about art, design, and craft.
Modernisme
livres
$67.50
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Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie(...)
Théorie de l’architecture
novembre 2000, Cambridge, Mass.
You have to pay for the private life : selected essays by Charles W. Moore
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Architect Charles Moore (1925-1993) was not only celebrated for his designs; he was also an admired writer and teacher. Though he wrote clearly and passionately about places, he was perhaps unique in avoiding the tone and stance of the personal manifesto. Through his buildings, books, and travels, Moore consistently sought insights into the questions that always underlie architecture and design: What does it mean to make a place, and how do we inhabit those places? How do we continue to build upon but respect the landscape? How do we reconcile democracy and private land ownership? What is original? What is taste? What is the relationship between past and present? How do we involve inhabitants in making places? Finally, what is public life? As the world becomes smaller, and the uniqueness of places and landscapes gives way to sameness, Moore's celebration of the vernacular and of the surprising are more relevant than ever. The pieces in this book span the years 1952 to 1993 and engage a myriad of topics and movements, such as contextualism, community participation, collaboration, environmentally sensitive design, and historic preservation. The essays in this book reflect as well Moore's scholarship, humanism, urbanity, and great wit.
livres
novembre 2000, Cambridge, Mass.
Théorie de l’architecture
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In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan ''Mni Wiconi''—Water is(...)
Our history is the future: Standing Rock versus the Dakota Access Pipeline, and the long tradition of indigenous resistance
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In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan ''Mni Wiconi''—Water is Life—was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. In ''Our history is the future'', Nick Estes traces traditions of Indigenous resistance leading to the #NoDAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making Our History is the Future at once a work of history, a personal story, and a manifesto.
Autochtone
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Ant Farm manifesto No. 853 bears the title 'Allegorical Time Warp': '... AMERICA, IN AN ALLEGORICAL TIME WARP / USING PRE ELECTRONIC, PRINT AGE TECHNIQUES / WELCOMES RETURNING SPACE HEROES / TICKER TAPE PARADE DOWN FIFTH AVENUE. / ALL I WANT TO DO IS EXPAND MY MIND ...' This book brings together two books bound within a single cover: 'Ant Farm Timeline' and 'Allegorical(...)
Architecture, monographies
janvier 2008, New York/Barcelona
Living archive 7: Ant Farm: allegorical time warp: the media fallout of July 21, 1969
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Ant Farm manifesto No. 853 bears the title 'Allegorical Time Warp': '... AMERICA, IN AN ALLEGORICAL TIME WARP / USING PRE ELECTRONIC, PRINT AGE TECHNIQUES / WELCOMES RETURNING SPACE HEROES / TICKER TAPE PARADE DOWN FIFTH AVENUE. / ALL I WANT TO DO IS EXPAND MY MIND ...' This book brings together two books bound within a single cover: 'Ant Farm Timeline' and 'Allegorical Time Warp: The Media Fallout of July 21, 1969'. In addition, the publication includes a small dossier of archival material related to Ant Farm's Truckstop Network project (1970-72). Introduced by Chip Lord, the timeline tells the story of Ant Farm's multifaceted experimental work over 114 pages, in as many full page illustrations of original material. The 'Allegorical Time Warp' by Felicity D. Scott, focused on the period from 1969 to 1972, tracks the transformations of an architectural project articulated simultaneously in open-ended media systems and closed life-support systems. The work of Ant Farm has been an archetype for a younger generation of artist's collectives. This publication offers to be the long awaited source for the material that surviced the fire of the collective's studio in august 1978.
Architecture, monographies
$35.00
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The sequel to the authors’ “Are We Human?”, this provocative book is an urgent manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Colomina and Wigley draw on the latest research into microbes to rethink the past and possible futures of the built(...)
We the bacteria: Notes towards biotic architecture
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The sequel to the authors’ “Are We Human?”, this provocative book is an urgent manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Colomina and Wigley draw on the latest research into microbes to rethink the past and possible futures of the built environment. The book explores the intimate entanglements of the microbes within bodies and buildings over the last 10,000 years, culminating in the antibiotic philosophy of contemporary architecture. The diseases of our time are diseases of the built environment. The deadly combination of rapidly declining microbial diversity and rising antibiotic-resistant bacteria is as great a threat as climate change. Hostility to bacteria has to give way to new forms of hospitality from a more symbiotic architecture that learns from bacteria, embracing them and reconnecting with soil, plants and other species. Buildings based on fear of bacteria, which is to say fear of life itself, must give way to buildings learning from models of coexistence based on bacteria themselves. The main goal of the book is to rethink the very idea of shelter in terms of forms of inclusion rather than prophylactic forms of exclusion.
L'écologie de l'architecure
I love Dick
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In "I Love Dick", published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that "I Love Dick" instantly elicited violent controversies and attracted a host of passionate admirers.The story is gripping enough: in 1994 a married, failed(...)
I love Dick
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In "I Love Dick", published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that "I Love Dick" instantly elicited violent controversies and attracted a host of passionate admirers.The story is gripping enough: in 1994 a married, failed independent filmmaker, turning forty, falls in love with a well-known theorist and endeavors to seduce him with the help of her husband. But when the theorist refuses to answer her letters, the husband and wife continue the correspondence for each other instead, imagining the fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across America and away from her husband—and far beyond her original infatuation into a discovery of the transformative power of first person narrative.I Love Dick is a manifesto for a new kind of feminist who isn't afraid to burn through her own narcissism in order to assume responsibility for herself and for all the injustice in world—and it's a book you won't put down until the author's final, heroic acts of self-revelation and transformation.
Littérature et poésie
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A manifesto for a radically different philosophy and practice of manufacture and environmentalism. "Reduce, reuse, recycle" urge environmentalists; in other words, do more with less in order to minimize damage. As William McDonough and Michael Braungart argue in their provocative, visionary book, however, this approach perpetuates a one-way, "cradle to grave"(...)
Architecture écologique
janvier 1900, New York
Cradle to cradle : remaking the way we make things
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A manifesto for a radically different philosophy and practice of manufacture and environmentalism. "Reduce, reuse, recycle" urge environmentalists; in other words, do more with less in order to minimize damage. As William McDonough and Michael Braungart argue in their provocative, visionary book, however, this approach perpetuates a one-way, "cradle to grave" manufacturing model that dates to the industrial revolution and casts off as much as 90 percent of the materials it uses as waste, much of it toxic. Why not challenge the notion that human industry must inevitably damage the natural world, they ask. In fact, why not take nature itself as our model? A tree produces thousands of blossoms in order to create another tree, yet we do not consider its abundance wasteful but safe, beautiful, and highly effective; hence, "waste equals food" is the first principle the book sets forth. Products might be designed so that, after their useful life, they provide nourishment for something new-either as "biological nutrients" that safely re-enter the environment or as "technical nutrients" that circulate within closed-loop industrial cycles, without being "downcycled" into low-grade uses (as most "recyclables" now are). Elaborating their principles from experience (re)designing everything from carpeting to corporate campuses, the authors make an exciting and viable case for change.
Architecture écologique
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The book ''Archive of Dreams'' is published in conjunction with the exhibition of the same name that will open the ''Archiv der Avantgarden''. Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, the volume is dedicated to the surrealist movement as well as the networks it engendered(...)
décembre 2025
Archive of dreams: A surrealist impulse
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The book ''Archive of Dreams'' is published in conjunction with the exhibition of the same name that will open the ''Archiv der Avantgarden''. Marking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, the volume is dedicated to the surrealist movement as well as the networks it engendered and the artistic stimuli it provided in the twentieth century. The idea was for the Bureau to collect dream testimonies in whatever form, not only to preserve and analyse them but also to give active expression to them in artistic processes. The publication shows how the practices of the avantgardes blurred the boundaries between dream and reality, between the traditional, passive notion of the archive and the idea of active, innovative artistic experiment — and thus ultimately also between the past, the present, and possible futures. Works and documents from the period before, during, and after the Second World War shed light on the working methods of international artists and the global network they were involved in. They are complemented by diverse reflections on global protest movements and the traumas of war, thus connecting, too, to everyday experiences in a Europe beset by warfare.