1273 Résultats
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6 volumes : chiefly illustrations (some colour) ; 31 cm
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6 volumes : chiefly illustrations (some colour) ; 31 cm
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Macerata : Quodlibet 2020.
Macerata : Quodlibet 2020.
Titre:
Di roccia, fuochi e avventure sotterranee.
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6 volumes : chiefly illustrations (some colour) ; 31 cm
Di roccia, fuochi e avventure sotterranee.
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6 volumes : chiefly illustrations (some colour) ; 31 cm
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livres
livres
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Macerata : Quodlibet 2020.
Macerata : Quodlibet 2020.
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audio
audio
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1 online resource.
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[Place of publication not identified] : e-flux, 2021., [Place of publication not identified] : Shanghai Biennale, 2021.
[Place of publication not identified] : e-flux, 2021., [Place of publication not identified] : Shanghai Biennale, 2021.
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audio
audio
Publication:
[Place of publication not identified] : e-flux, 2021., [Place of publication not identified] : Shanghai Biennale, 2021.
[Place of publication not identified] : e-flux, 2021., [Place of publication not identified] : Shanghai Biennale, 2021.
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livres
livres
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$29.95
(disponible sur commande)
Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16(...)
$29.95
(disponible sur commande)
Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16(...)
Titre:
Bruce Russell: Left-handed blows: Writing on sound 1993-2009
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$29.95
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Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16 years reflects on sound, its role in culture, and Russell's thoughts toward a technique of incognito. Includes online essays, dialogs, liner notes, catalog contributions and most of the previously published contents of Logopandocy: the journal of vain erudition.
Bruce Russell: Left-handed blows: Writing on sound 1993-2009
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$29.95
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Résumé:
Is writing about sound like dancing about architecture? Not when it's done by New Zealand's Bruce Russell, who works in sound under his own name and as a member of The Dead C. A past member of A Handful of Dust, Russell is also known for curating the internationally noted record labels XPRESSWAY and Corpus Hermeticum. This collection of essays written over the last 16 years reflects on sound, its role in culture, and Russell's thoughts toward a technique of incognito. Includes online essays, dialogs, liner notes, catalog contributions and most of the previously published contents of Logopandocy: the journal of vain erudition.
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livres
livres
Publication:
juillet 2010
juillet 2010
Sujet:
Acoustique
Acoustique
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livres
livres
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$15.00
(disponible sur commande)
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A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
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A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
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Pigeons on the grass atlas: contemporary curators talk about the field
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$15.00
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A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Pigeons on the grass atlas: contemporary curators talk about the field
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$15.00
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Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
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livres
livres
Publication:
février 2014
février 2014
Sujet:
Muséologie
Muséologie
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livres
livres
Prix:
$29.00
(disponible sur commande)
Résumé:
A new wave of artistic activism has emerged in recent years in response to the ever-increasing dominance of authoritarian neoliberalism. Activist practices in the art field, however, have been around much longer. As Oliver Marchart claims, there has always been an activist undercurrent in art. In this book he traces trajectories of artistic activism in theater, dance,(...)
$29.00
(disponible sur commande)
Résumé:
A new wave of artistic activism has emerged in recent years in response to the ever-increasing dominance of authoritarian neoliberalism. Activist practices in the art field, however, have been around much longer. As Oliver Marchart claims, there has always been an activist undercurrent in art. In this book he traces trajectories of artistic activism in theater, dance,(...)
Titre:
Conflictual aesthetics: artistic activism and the public sphere
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$29.00
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A new wave of artistic activism has emerged in recent years in response to the ever-increasing dominance of authoritarian neoliberalism. Activist practices in the art field, however, have been around much longer. As Oliver Marchart claims, there has always been an activist undercurrent in art. In this book he traces trajectories of artistic activism in theater, dance, performance, and public art, and investigates the political potential of urbanism, curating, and 'biennials of resistance.' What emerges is a conflictual aesthetics that does not conform with traditional approaches to the field and that activates the political potential of artistic practice.
Conflictual aesthetics: artistic activism and the public sphere
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$29.00
(disponible sur commande)
Résumé:
A new wave of artistic activism has emerged in recent years in response to the ever-increasing dominance of authoritarian neoliberalism. Activist practices in the art field, however, have been around much longer. As Oliver Marchart claims, there has always been an activist undercurrent in art. In this book he traces trajectories of artistic activism in theater, dance, performance, and public art, and investigates the political potential of urbanism, curating, and 'biennials of resistance.' What emerges is a conflictual aesthetics that does not conform with traditional approaches to the field and that activates the political potential of artistic practice.
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livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Théorie de l’art
Théorie de l’art
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176 pages : illustrations (chiefly color), maps ; 24 x 31 cm
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176 pages : illustrations (chiefly color), maps ; 24 x 31 cm
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Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2020], ©2020
Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2020], ©2020
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Accidental wilderness : the origins and ecology of Toronto's Tommy Thompson Park / Walter H. Kehm ; with photographs by Robert Burley.
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176 pages : illustrations (chiefly color), maps ; 24 x 31 cm
Accidental wilderness : the origins and ecology of Toronto's Tommy Thompson Park / Walter H. Kehm ; with photographs by Robert Burley.
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176 pages : illustrations (chiefly color), maps ; 24 x 31 cm
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livres
livres
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Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2020], ©2020
Toronto ; Buffalo ; London : Aevo UTP, an imprint of University of Toronto Press, [2020], ©2020
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16 unnumbered pages . : illustrations, plan, portraits ; 21 cm
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16 unnumbered pages . : illustrations, plan, portraits ; 21 cm
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North Adams, MA : MASS MoCA, [2011]
North Adams, MA : MASS MoCA, [2011]
Titre:
The workers : precarity, invisibility, mobility / [curated by Susan Cross and Carla Herrera-Prats ; texts on the artists by Caitlin Condell [and others]].
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16 unnumbered pages . : illustrations, plan, portraits ; 21 cm
The workers : precarity, invisibility, mobility / [curated by Susan Cross and Carla Herrera-Prats ; texts on the artists by Caitlin Condell [and others]].
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16 unnumbered pages . : illustrations, plan, portraits ; 21 cm
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livres
livres
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North Adams, MA : MASS MoCA, [2011]
North Adams, MA : MASS MoCA, [2011]
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24 unnumbered pages : chiefly color illustrations ; 20 cm
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24 unnumbered pages : chiefly color illustrations ; 20 cm
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[Oslo] : Multipress, 2018
[Oslo] : Multipress, 2018
Titre:
Anti-mapping, Khan al-Ahmar / Miki Kratsman, Shabtai Pinchevsky ; curated by Hester Keiser.
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24 unnumbered pages : chiefly color illustrations ; 20 cm
Anti-mapping, Khan al-Ahmar / Miki Kratsman, Shabtai Pinchevsky ; curated by Hester Keiser.
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24 unnumbered pages : chiefly color illustrations ; 20 cm
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livres
livres
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[Oslo] : Multipress, 2018
[Oslo] : Multipress, 2018
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41 pages : illustrations ; 21 x 23 cm
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41 pages : illustrations ; 21 x 23 cm
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New York, N.Y. : New Museum, ©1979.
New York, N.Y. : New Museum, ©1979.
Titre:
The Invented landscape / guest-curated by Christopher English ; commissioned photographs by Peter De Lory [and others].
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41 pages : illustrations ; 21 x 23 cm
The Invented landscape / guest-curated by Christopher English ; commissioned photographs by Peter De Lory [and others].
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41 pages : illustrations ; 21 x 23 cm
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livres
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New York, N.Y. : New Museum, ©1979.
New York, N.Y. : New Museum, ©1979.
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9, [4] pages : illustrations ; 21 cm
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9, [4] pages : illustrations ; 21 cm
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Cambridge, Mass. : MIT List Visual Arts Center, ©1992.
Cambridge, Mass. : MIT List Visual Arts Center, ©1992.
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Terra Nova : drawings and models by Lebbeus Woods / curated by Diana C. du Pont.
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9, [4] pages : illustrations ; 21 cm
Terra Nova : drawings and models by Lebbeus Woods / curated by Diana C. du Pont.
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9, [4] pages : illustrations ; 21 cm
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livres
livres
Publication:
Cambridge, Mass. : MIT List Visual Arts Center, ©1992.
Cambridge, Mass. : MIT List Visual Arts Center, ©1992.
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