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Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey(...)
What do pictures want? : the lives and loves of images
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Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. "What Do Pictures Want?" explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep - who, as a clone, fulfills the ancient dream of creating a living image - and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. "What Do Pictures Want?" offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.
Théorie de l’architecture
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In 1949, Beijing still retained nearly all of its time-honoured character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern(...)
Remaking Beijing : Tiananmen Square and the creation of a political space
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In 1949, Beijing still retained nearly all of its time-honoured character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern metropolis rife with monuments, public squares, exhibition halls, and government offices. Wu Hung grew up in Beijing and experienced much of the city's makeover firsthand. In this lavishly illustrated work, he offers a vivid, often personal account of the struggle over Beijing's reinvention, drawing particular attention to Tiananmen Square - the most sacred space in the People's Republic of China. "Remaking Beijing" considers the square's transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations. Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China - as the site for Mao's monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. He then shows how in recent years the square has inspired artists working without state sponsorship to create paintings, photographs, and even performances that reflect the spirit of the 1989 uprisings and pose a forceful challenge to official artworks and the socio-political system that supports them.
Théorie de l’urbanisme
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During his tenure as Chief Royal Architect (1539-1588) in the "Golden Age" of the Ottoman Empire, Sinan designed hundreds of structures that helped create the renowned urban image of Istanbul, particularly mosques with seemingly weightless, light-filled centralized domes that have been compared with developments in Renaissance Italy. His distinctive architectural idiom(...)
The Age of Sinan : architectural culture in the Ottoman Empire
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During his tenure as Chief Royal Architect (1539-1588) in the "Golden Age" of the Ottoman Empire, Sinan designed hundreds of structures that helped create the renowned urban image of Istanbul, particularly mosques with seemingly weightless, light-filled centralized domes that have been compared with developments in Renaissance Italy. His distinctive architectural idiom left its imprint over a vast empire extending from the Danube to the Tigris, and he became the most celebrated of all Ottoman architects. In this lavishly illustrated, major new assessment of Sinan's oeuvre, Gülru Necipoglu challenges standard views of Sinan as a "Turkish Michelangelo" driven solely by an insatiable urge for artistic experimentation. Her innovative analysis shows that Sinan's rich variety of mosque designs sprang from a process of negotiation between the architect and his elite patrons, both men and women. Defined though they were by social and territorial hierarchies and associated notions of identity, memory, and decorum, Sinan's mosques simultaneously shaped these conceptions. "The Age of Sinan" draws on a wealth of primary sources to reveal the chief architect's monuments as bearers of previously unrecognized dimensions of meaning. A sophisticated study of the cultural and social history of Ottoman architecture, interpreting the works of a seminal figure in the early modern eastern Mediterranean world, it is must-reading for scholars and students of art history and other fields with an interest in the Ottoman Empire.
Histoire jusqu'à 1900, Asie
livres
Spa
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In this book, you’ll discover the most exceptional historical, thermal, thalassic, wellness & health, resort, new age, adventure, day, and hotel spas around the world—from Paris to South Africa, Bangkok to Texas.
mars 2005, Köln
Spa
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In this book, you’ll discover the most exceptional historical, thermal, thalassic, wellness & health, resort, new age, adventure, day, and hotel spas around the world—from Paris to South Africa, Bangkok to Texas.
livres
mars 2005, Köln
The temple of Jerusalem
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The Temple has become the world's most potent symbol of the human search for an lost ideal, an image of greatness. Goldhill travels across cultural and temporal boundaries to convey the full extent of its impact on religious, artistic, and scholarly imaginations.
The temple of Jerusalem
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The Temple has become the world's most potent symbol of the human search for an lost ideal, an image of greatness. Goldhill travels across cultural and temporal boundaries to convey the full extent of its impact on religious, artistic, and scholarly imaginations.
Histoire jusqu'à 1900, Asie
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'OverHolland - architectural studies for Dutch cities' is a series published by the Department of Architecture at Delft University of Technology. The field of architectural research covered by the series includes both typological and morphological urban studies and the question of architectural intervention in Dutch cities.
Théorie de l’urbanisme
mars 2005, Amsterdam
OverHolland 1 -Architectonische studies voor de Hollandse stad
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'OverHolland - architectural studies for Dutch cities' is a series published by the Department of Architecture at Delft University of Technology. The field of architectural research covered by the series includes both typological and morphological urban studies and the question of architectural intervention in Dutch cities.
Théorie de l’urbanisme
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'Lessons' begins with Risselada's and Tupker's own student years, in which the famous Forum-group dominated the architectural debate with the illustrous Dick Apon, Jaap Bakema, Aldo van Eyck, Joop Hardy and Herman Hertzberger. International influences discussed in 'Lessons' come from designers like Charles and Ray Eames, Alison and Peter Smithson, John Hejduk, Peter(...)
Théorie de l’architecture
avril 2005, amsterdam
Lessons : Tupker\Risselada : a double portrait of dutch architectural education, 1953\2003
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'Lessons' begins with Risselada's and Tupker's own student years, in which the famous Forum-group dominated the architectural debate with the illustrous Dick Apon, Jaap Bakema, Aldo van Eyck, Joop Hardy and Herman Hertzberger. International influences discussed in 'Lessons' come from designers like Charles and Ray Eames, Alison and Peter Smithson, John Hejduk, Peter Eisenman and Tadao Ando, and from the historians Emil Kaufmann, Colin Rowe, Charles Jencks and Beatriz Colomina. 'Lessons' also gives an account of the work by students of Risselada and Tupker.
Théorie de l’architecture
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"20:21 - Emerging Hong Kong Architects" presents a spectrum of 20 architectural works from 20 Hong Kong architects selected from an open competition "Emerging Hong Kong Architects" organized by Hong Kong Institute of Architects in April 2003. Architects participating in the competition were asked to respond to 'architecture' amidst this complex 21st century where(...)
avril 2005, Hong Kong
20:21 - Emerging Hong Kong architects
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"20:21 - Emerging Hong Kong Architects" presents a spectrum of 20 architectural works from 20 Hong Kong architects selected from an open competition "Emerging Hong Kong Architects" organized by Hong Kong Institute of Architects in April 2003. Architects participating in the competition were asked to respond to 'architecture' amidst this complex 21st century where multi-disciplinary frontiers are more obscure than ever, space topographies are transforming, and active hybridization is in the making. In the book, the architects write about their aspirations in their profession, present their views on architecture, and explore future scenarios; each of different modulations and sensibilities expressed in their own architectural language, and some articulated through the exploration process with various art forms. In a joint effort to navigate through the vista of architecture, this is the first publication from Hong Kong Institute of Architects bringing together a multitude of the established, the upcoming and the heretofore unknown young architects in Hong Kong. Publication in English and Chinese.
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Straightforward photography, a restrained color scheme, simple texts set in a functional typeface: these are the formal elements that German graphic designer Michael Engelmann drew on to create an unmistakable pictorial language for posters. Engelmann came to advertising self-taught, with a background in American advertising practice. In the 1950s, he set about expunging(...)
Poster collection 10 : Michael Engelmann
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Straightforward photography, a restrained color scheme, simple texts set in a functional typeface: these are the formal elements that German graphic designer Michael Engelmann drew on to create an unmistakable pictorial language for posters. Engelmann came to advertising self-taught, with a background in American advertising practice. In the 1950s, he set about expunging any trace of empty bourgeois enthusiasm for advertising by applying a strictly conceptual working approach. In his posters for Pirelli, The Philadelphia Enquirer, Renault, or Roth Händle, images and ideas came together in a way as simple as it was compelling, creating signs of great associative force. His was a highly regarded contribution to graphic design's breakthrough into the age of mass communication; it introduced wit and a sense of using resources economically. "Poster Collection 10" brings together numerous posters created by Engelmann, who died prematurely at the age of 38.
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octobre 2004, Baden
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A visually dynamic, front-end resource tool that allows architects, builders and owners to explore and envision opportunities to use tree-free, recycled and certified wood materials and systems before projects begin. “Building with Vision” offers concise overviews, at-a-glance advantages and challenges, original photographs, resources for further research, dozens of case(...)
Building with vision : optimizing and finding alternatives to wood
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A visually dynamic, front-end resource tool that allows architects, builders and owners to explore and envision opportunities to use tree-free, recycled and certified wood materials and systems before projects begin. “Building with Vision” offers concise overviews, at-a-glance advantages and challenges, original photographs, resources for further research, dozens of case studies and sidebars that encourage healthy construction by minimizing forest destruction. It is a must-have resource for architecture studios, contractors, homeowners, and others concerned about the ecological impacts of building projects. Topics Included: Construction Without Destruction (Randy Hayes); Building as the Forest Mattered (Sim Van der Ryn); The Case for Local Solutions; FSC-Certified, Recycled and Salvaged Wood; Framing Siding and Sheathing Options; Insulated Structural Systems; Natural Building Methods; Recycled Materials and Resource Recovery; Surface and Finish Materials; extensive resource directories. This is Volume Two of the Wood Reduction Trilogy.
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février 2005, Healdsburg, California
Architecture écologique