13714 Résultats
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livres
livres
Titre:
Dead cities and other tales
Dead cities and other tales
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In his most syncretic writing yet, radical urban theorist Mike Davis explores the combat zone that is contemporary urban America, a ceaseless battle waged both within cities and against nature. Using environmental science as his frame of understanding, Davis examines themes of urban life today—white flight, deindustrialization, housing and job segregation and(...)
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In his most syncretic writing yet, radical urban theorist Mike Davis explores the combat zone that is contemporary urban America, a ceaseless battle waged both within cities and against nature. Using environmental science as his frame of understanding, Davis examines themes of urban life today—white flight, deindustrialization, housing and job segregation and(...)
Titre:
Dead cities and other tales
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In his most syncretic writing yet, radical urban theorist Mike Davis explores the combat zone that is contemporary urban America, a ceaseless battle waged both within cities and against nature. Using environmental science as his frame of understanding, Davis examines themes of urban life today—white flight, deindustrialization, housing and job segregation and discrimination, and federal policy—and looks at areas he calls "national sacrifice zones," military landscapes that simulated warfare and arms production have rendered uninhabitable. Davis begins our apocalyptically inflected tour with a trip to New York’s Ground Zero. He then takes us to "German Village," a Utah wasteland that was once a test site for Allied science advisors to rehearse the perfect plan for destroying Berlin, and to the diabolic miracle of Las Vegas, where environmental terrorism is practiced in the name of urban development. Davis also hits Los Angeles, the frontline of the "Second Civil War" sparked by American apartheid, and which lies waiting to be ignited in cities across the country.
Dead cities and other tales
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In his most syncretic writing yet, radical urban theorist Mike Davis explores the combat zone that is contemporary urban America, a ceaseless battle waged both within cities and against nature. Using environmental science as his frame of understanding, Davis examines themes of urban life today—white flight, deindustrialization, housing and job segregation and discrimination, and federal policy—and looks at areas he calls "national sacrifice zones," military landscapes that simulated warfare and arms production have rendered uninhabitable. Davis begins our apocalyptically inflected tour with a trip to New York’s Ground Zero. He then takes us to "German Village," a Utah wasteland that was once a test site for Allied science advisors to rehearse the perfect plan for destroying Berlin, and to the diabolic miracle of Las Vegas, where environmental terrorism is practiced in the name of urban development. Davis also hits Los Angeles, the frontline of the "Second Civil War" sparked by American apartheid, and which lies waiting to be ignited in cities across the country.
Classification:
livres
livres
Publication:
septembre 2002, New York
septembre 2002, New York
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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This collection offers contributions from eminent theorists across visual culture, architecture, sociology, art, philosophy, and American studies--including Andrew Benjamin, Barry Curtis, Neil Leach, Steven Pile, and David Frisby. Part One covers reading the city as a visual text; Part Two discusses treating the city as a space to be experienced. The enticing range of(...)
$39.95
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Résumé:
This collection offers contributions from eminent theorists across visual culture, architecture, sociology, art, philosophy, and American studies--including Andrew Benjamin, Barry Curtis, Neil Leach, Steven Pile, and David Frisby. Part One covers reading the city as a visual text; Part Two discusses treating the city as a space to be experienced. The enticing range of(...)
Titre:
The hierloglyphics of space : reading and experiencing the modern metropolis
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This collection offers contributions from eminent theorists across visual culture, architecture, sociology, art, philosophy, and American studies--including Andrew Benjamin, Barry Curtis, Neil Leach, Steven Pile, and David Frisby. Part One covers reading the city as a visual text; Part Two discusses treating the city as a space to be experienced. The enticing range of topic and city focus will attract readers worldwide: Venice, Vienna, London, Rome, New York, Berlin, Bucharest, Tokyo, Paris and other cities are treated to a new analysis, viewing the city as a new text through which to read its cultural life.
The hierloglyphics of space : reading and experiencing the modern metropolis
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This collection offers contributions from eminent theorists across visual culture, architecture, sociology, art, philosophy, and American studies--including Andrew Benjamin, Barry Curtis, Neil Leach, Steven Pile, and David Frisby. Part One covers reading the city as a visual text; Part Two discusses treating the city as a space to be experienced. The enticing range of topic and city focus will attract readers worldwide: Venice, Vienna, London, Rome, New York, Berlin, Bucharest, Tokyo, Paris and other cities are treated to a new analysis, viewing the city as a new text through which to read its cultural life.
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livres
livres
Publication:
novembre 2001, London
novembre 2001, London
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects,(...)
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects,(...)
Titre:
Why architecture matters : lessons from Chicago
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects, and sprawling suburbs. Because Chicago serves as a barometer of national design trends, these writings shed new light on American architecture and urbanism during a decade that Kamin labels "The Nervous Nineties"--a period of unparalleled affluence and underlying anxiety, of soothing retro buildings and provocative new ones that express the frenzied state of modern life.
Why architecture matters : lessons from Chicago
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects, and sprawling suburbs. Because Chicago serves as a barometer of national design trends, these writings shed new light on American architecture and urbanism during a decade that Kamin labels "The Nervous Nineties"--a period of unparalleled affluence and underlying anxiety, of soothing retro buildings and provocative new ones that express the frenzied state of modern life.
Classification:
livres
livres
Publication:
juin 2003, Chicago
juin 2003, Chicago
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois (...)
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois (...)
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The Vienna School reader : politics and art historical method in the 1930s
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pächt, and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography.
The Vienna School reader : politics and art historical method in the 1930s
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Résumé:
This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pächt, and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent(...)
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent(...)
Titre:
Friedrich Gilly: Essays on architecture 1796-1799
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent introductory analysis, these new translations of five of Gilly's essays are accompanied by previously unpublished archival records and an illuminating catalog of his personal library. The result is a provocative and novel historical perspective of an artistically vibrant epoch.
Friedrich Gilly: Essays on architecture 1796-1799
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent introductory analysis, these new translations of five of Gilly's essays are accompanied by previously unpublished archival records and an illuminating catalog of his personal library. The result is a provocative and novel historical perspective of an artistically vibrant epoch.
Classification:
livres
livres
Publication:
janvier 1994
janvier 1994
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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Actes du colloque tenu au Musée d'art contemporain de Montréal les 14, 15 et 16 avril 2000. Essais par Christine Bernier, Michel Baridon, Anne Bélanger, Pierre Bonnechere, Thérèse Chabot, Melvin Charney, Danielle Dagenais, Bertrand Dumont, Philip Fry, Catherine Grout, Francine Larivée, Luc Lévesque, Philippe Nys, et Alexander Reford.
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Actes du colloque tenu au Musée d'art contemporain de Montréal les 14, 15 et 16 avril 2000. Essais par Christine Bernier, Michel Baridon, Anne Bélanger, Pierre Bonnechere, Thérèse Chabot, Melvin Charney, Danielle Dagenais, Bertrand Dumont, Philip Fry, Catherine Grout, Francine Larivée, Luc Lévesque, Philippe Nys, et Alexander Reford.
Sujet:
Théorie du paysage
Théorie du paysage
Publication:
septembre 2000, Montréal
septembre 2000, Montréal
Titre:
Art et jardins : nature/culture
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Actes du colloque tenu au Musée d'art contemporain de Montréal les 14, 15 et 16 avril 2000. Essais par Christine Bernier, Michel Baridon, Anne Bélanger, Pierre Bonnechere, Thérèse Chabot, Melvin Charney, Danielle Dagenais, Bertrand Dumont, Philip Fry, Catherine Grout, Francine Larivée, Luc Lévesque, Philippe Nys, et Alexander Reford.
Art et jardins : nature/culture
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Actes du colloque tenu au Musée d'art contemporain de Montréal les 14, 15 et 16 avril 2000. Essais par Christine Bernier, Michel Baridon, Anne Bélanger, Pierre Bonnechere, Thérèse Chabot, Melvin Charney, Danielle Dagenais, Bertrand Dumont, Philip Fry, Catherine Grout, Francine Larivée, Luc Lévesque, Philippe Nys, et Alexander Reford.
Classification:
livres
livres
Publication:
septembre 2000, Montréal
septembre 2000, Montréal
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
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$31.25
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"Sowing Empire" identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires. Planting and transplanting, seeding and reshaping - the landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. From the plantations of the(...)
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"Sowing Empire" identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires. Planting and transplanting, seeding and reshaping - the landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. From the plantations of the(...)
Titre:
Sowing empire : landscape and colonization
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"Sowing Empire" identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires. Planting and transplanting, seeding and reshaping - the landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. From the plantations of the “nabobs” to the island gardens of narrative fiction, from William Beckford’s estate at Fonthill to Marie Antoinette’s ornamented farm, "Sowing Empire" considers imperial relandscaping - its patriarchal organization, heterosexual reproduction, and slavery - and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance - how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape. In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the “heartlands” of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system - as a means of regulating national, sexual, and gender identities - Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as “European.” Utilizing a wide range of both visual and written sources - maps, literature, and travel writing - this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.
Sowing empire : landscape and colonization
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"Sowing Empire" identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires. Planting and transplanting, seeding and reshaping - the landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. From the plantations of the “nabobs” to the island gardens of narrative fiction, from William Beckford’s estate at Fonthill to Marie Antoinette’s ornamented farm, "Sowing Empire" considers imperial relandscaping - its patriarchal organization, heterosexual reproduction, and slavery - and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance - how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape. In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the “heartlands” of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system - as a means of regulating national, sexual, and gender identities - Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as “European.” Utilizing a wide range of both visual and written sources - maps, literature, and travel writing - this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.
Classification:
livres
livres
Publication:
janvier 2005, Minneapolis
janvier 2005, Minneapolis
Sujet:
Théorie du paysage
Théorie du paysage
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livres
livres
Prix:
$30.00
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Résumé:
The Japanese dry landscape garden has long attracted--and long baffled--viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their(...)
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The Japanese dry landscape garden has long attracted--and long baffled--viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their(...)
Titre:
Reading zen in the rocks : the Japanese dry landscape garden
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The Japanese dry landscape garden has long attracted--and long baffled--viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their philosophical and aesthetic significance obscured. Reading Zen in the Rocks, the classic essay on the karesansui garden by French art historian François Berthier, has now been translated by Graham Parkes, giving English-speaking readers a concise, thorough, and beautifully illustrated history of these gardens. Berthier's guided tour of the famous garden of Ryoanji (Temple) in Kyoto leads him into an exposition of the genre, focusing on its Chinese antecedents and affiliations with Taoist ideas and Chinese landscape painting. He traces the roles of Shinto and Zen Buddhism in the evolution of the garden and also considers how manual laborers from the lowest classes in Japan had a hand in creating some of its highest examples. Parkes contributes an equally original and substantive essay which delves into the philosophical importance of rocks and their "language of stone," delineating the difference between Chinese and Japanese rock gardens and their relationship to Buddhism. Together, the two essays compose one of the most comprehensive and elegantly written studies of this haunting garden form.
Reading zen in the rocks : the Japanese dry landscape garden
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$30.00
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The Japanese dry landscape garden has long attracted--and long baffled--viewers from the West. While museums across the United States are replicating these "Zen rock gardens" in their courtyards and miniature versions of the gardens are now office decorations, they remain enigmatic, their philosophical and aesthetic significance obscured. Reading Zen in the Rocks, the classic essay on the karesansui garden by French art historian François Berthier, has now been translated by Graham Parkes, giving English-speaking readers a concise, thorough, and beautifully illustrated history of these gardens. Berthier's guided tour of the famous garden of Ryoanji (Temple) in Kyoto leads him into an exposition of the genre, focusing on its Chinese antecedents and affiliations with Taoist ideas and Chinese landscape painting. He traces the roles of Shinto and Zen Buddhism in the evolution of the garden and also considers how manual laborers from the lowest classes in Japan had a hand in creating some of its highest examples. Parkes contributes an equally original and substantive essay which delves into the philosophical importance of rocks and their "language of stone," delineating the difference between Chinese and Japanese rock gardens and their relationship to Buddhism. Together, the two essays compose one of the most comprehensive and elegantly written studies of this haunting garden form.
Classification:
livres
livres
Publication:
mai 2000, Chicago
mai 2000, Chicago
Sujet:
Théorie du paysage
Théorie du paysage
Classification:
livres
livres
Titre:
La cabane et le labyrinthe
La cabane et le labyrinthe
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Résumé:
Deuxième édition
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Deuxième édition
Titre:
La cabane et le labyrinthe
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Deuxième édition
La cabane et le labyrinthe
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Résumé:
Deuxième édition
Classification:
livres
livres
Publication:
mai 2000, Sprimont
mai 2000, Sprimont
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Prix:
$55.95
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Résumé:
This multi-disciplinary analysis looks ahead to the direction which the study of urban society is likely to take during the twenty-first century. Leading researchers from sociology, geography, anthropology and cultural studies examine the research issues which emerged during the 1990s, particularly from political economy and cultural turn perspectives. Their exploration(...)
$55.95
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Résumé:
This multi-disciplinary analysis looks ahead to the direction which the study of urban society is likely to take during the twenty-first century. Leading researchers from sociology, geography, anthropology and cultural studies examine the research issues which emerged during the 1990s, particularly from political economy and cultural turn perspectives. Their exploration(...)
Titre:
Understanding the city : contemporary and future perspectives
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This multi-disciplinary analysis looks ahead to the direction which the study of urban society is likely to take during the twenty-first century. Leading researchers from sociology, geography, anthropology and cultural studies examine the research issues which emerged during the 1990s, particularly from political economy and cultural turn perspectives. Their exploration reveals both how urban studies has fragmented, and how a new middle ground for future debate and research has arisen. The volume brings together theoretical discussion of urban studies with analyses of urban processes at both regional and local levels around the globe. It enables readers to assess the degree to which differing perspectives have produced dynamic diversity as well as areas of mutual interest, creating exciting possibilities for urban studies locally and globally.
Understanding the city : contemporary and future perspectives
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This multi-disciplinary analysis looks ahead to the direction which the study of urban society is likely to take during the twenty-first century. Leading researchers from sociology, geography, anthropology and cultural studies examine the research issues which emerged during the 1990s, particularly from political economy and cultural turn perspectives. Their exploration reveals both how urban studies has fragmented, and how a new middle ground for future debate and research has arisen. The volume brings together theoretical discussion of urban studies with analyses of urban processes at both regional and local levels around the globe. It enables readers to assess the degree to which differing perspectives have produced dynamic diversity as well as areas of mutual interest, creating exciting possibilities for urban studies locally and globally.
Classification:
livres
livres
Publication:
avril 2002, Oxford
avril 2002, Oxford
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
