26590 Résultats
Classification:
documents textuels
Quantité:
13 file
documents textuels
Quantité:
13 file
Titre:
Article drafts
Article drafts
Numéro de référence:
ARCH241898
Description:
Hays Introduction - drafts by Michael Hays Deamer - drafts of article by Peggy Deamer Kwinter - article drafts by Sanford Kwinter Robbins, Ed - article drafts by Edward Robbins El-Dahdah love letter from Plano - drafts of play by Farès el-Dahdah El-Dahdah Images Rostislav Svácha - Letter from Prague Allen - drafts of article by Stan Allen Graf - drafts of article by Doug Graf Hildner - drafts of article by Jeffrey Hildner Greg Lynn - drafts of article by Greg Lynn Gwathmey Singapore / California House Gwathmey Interview - Charles Gwathmey interviewed by Cynthia Davidson (transcripts)
ARCH241898
Description:
Hays Introduction - drafts by Michael Hays Deamer - drafts of article by Peggy Deamer Kwinter - article drafts by Sanford Kwinter Robbins, Ed - article drafts by Edward Robbins El-Dahdah love letter from Plano - drafts of play by Farès el-Dahdah El-Dahdah Images Rostislav Svácha - Letter from Prague Allen - drafts of article by Stan Allen Graf - drafts of article by Doug Graf Hildner - drafts of article by Jeffrey Hildner Greg Lynn - drafts of article by Greg Lynn Gwathmey Singapore / California House Gwathmey Interview - Charles Gwathmey interviewed by Cynthia Davidson (transcripts)
Personnes et institutions:
Date:
1994-1995
1994-1995
Titre:
Article drafts
Actions:
ARCH241898
Description:
Hays Introduction - drafts by Michael Hays Deamer - drafts of article by Peggy Deamer Kwinter - article drafts by Sanford Kwinter Robbins, Ed - article drafts by Edward Robbins El-Dahdah love letter from Plano - drafts of play by Farès el-Dahdah El-Dahdah Images Rostislav Svácha - Letter from Prague Allen - drafts of article by Stan Allen Graf - drafts of article by Doug Graf Hildner - drafts of article by Jeffrey Hildner Greg Lynn - drafts of article by Greg Lynn Gwathmey Singapore / California House Gwathmey Interview - Charles Gwathmey interviewed by Cynthia Davidson (transcripts)
Article drafts
Actions:
ARCH241898
Description:
Hays Introduction - drafts by Michael Hays Deamer - drafts of article by Peggy Deamer Kwinter - article drafts by Sanford Kwinter Robbins, Ed - article drafts by Edward Robbins El-Dahdah love letter from Plano - drafts of play by Farès el-Dahdah El-Dahdah Images Rostislav Svácha - Letter from Prague Allen - drafts of article by Stan Allen Graf - drafts of article by Doug Graf Hildner - drafts of article by Jeffrey Hildner Greg Lynn - drafts of article by Greg Lynn Gwathmey Singapore / California House Gwathmey Interview - Charles Gwathmey interviewed by Cynthia Davidson (transcripts)
Classification:
documents textuels
Quantité:
13 file
documents textuels
Quantité:
13 file
Date:
1994-1995
1994-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Classification:
expositions
expositions
Description:
Autres résonances : oeuvres choisies de John Hejduk, 1954-1997, la première rétrospective majeure consacrée à l’architecte, explore les thèmes qui ont préoccupé Hejduk tout au long de sa carrière : l’architecture en tant qu’acte social, le mur, la maison, l’église, le passage et la transformation, l’expérience de la ville. L’importance de la place occupée par John Hejduk(...)
Autres résonances : oeuvres choisies de John Hejduk, 1954-1997, la première rétrospective majeure consacrée à l’architecte, explore les thèmes qui ont préoccupé Hejduk tout au long de sa carrière : l’architecture en tant qu’acte social, le mur, la maison, l’église, le passage et la transformation, l’expérience de la ville. L’importance de la place occupée par John Hejduk(...)
Localisation:
Salles principales
Salles principales
Date:
22 octobre 1997 au 15 février 1998
22 octobre 1997 au 15 février 1998
Titre:
Autres résonances : oeuvres choisies de John Hejduk, 1954-1997
Actions:
Description:
Autres résonances : oeuvres choisies de John Hejduk, 1954-1997, la première rétrospective majeure consacrée à l’architecte, explore les thèmes qui ont préoccupé Hejduk tout au long de sa carrière : l’architecture en tant qu’acte social, le mur, la maison, l’église, le passage et la transformation, l’expérience de la ville. L’importance de la place occupée par John Hejduk(...)
Autres résonances : oeuvres choisies de John Hejduk, 1954-1997
Actions:
Description:
Autres résonances : oeuvres choisies de John Hejduk, 1954-1997, la première rétrospective majeure consacrée à l’architecte, explore les thèmes qui ont préoccupé Hejduk tout au long de sa carrière : l’architecture en tant qu’acte social, le mur, la maison, l’église, le passage et la transformation, l’expérience de la ville. L’importance de la place occupée par John Hejduk(...)
Classification:
expositions
expositions
Date:
22 octobre 1997 au
15 février 1998
22 octobre 1997 au
15 février 1998
Localisation:
Salles principales
Salles principales
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellanea
Miscellanea
Numéro de référence:
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Personnes et institutions:
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Titre:
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Miscellanea
CI001.S2.D6
Description:
The portfolio 'Oeuvre de C. Rohault de Fleury', published in 1884 (DR1974:0002:029), is introduced by a succinct 'Notice Biographique', the author of which remains unknown. It provides valuable information on his family background and a narrative description of his major works (including unexecuted projects), illustrated by the accompanying unbound prints. The commentary is particulary informative concerning Charles Rohault de Fleury's work at the Muséum national d'histoire naturelle, the 1859 opera house project for the Théâtre Imperiale de l'Opera, and his innovative use of iron (reinforced) floors and roof trusses in both his public and domestic projects. Another copy of this portfolio is located in the CCA library. Album DR1974:0002:026:001-038 (1854-1858) contains drawings of architectural ornament by Charles and/or Georges Rohault de Fleury. Some of the drawing are possibly studies of ornament for Charles' architectural projects of the 1850's such as Hôtel Soltykoff, although others appear to be typical student drawings of classical architecture and ornament executed by Georges. Included are twelve drawings of architectural ornament and sculpture submitted by Georges to a newly introduced 'dessin' Prix d'emulation at the École des beaux-arts (see series CI001.S1: Architetural Education).
Niveau de description archivistique:
File 6
File 6
Date:
[ca. 1825-1884]
[ca. 1825-1884]
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH267722
Description:
Documentation pertaining to the Société Suisse des Usine Eternit, including 6 textual records listing the building materials necessary for the construction of prefabricated houses by the company, referred to as “Maisonnettes", and the business card of Armand Boeringer, Engineer. Also contains 2 blueprints showing plans, elevations, and cross sections of prefabricated houses by the Société Suisse des Usine Eternit.
ARCH267722
Description:
Documentation pertaining to the Société Suisse des Usine Eternit, including 6 textual records listing the building materials necessary for the construction of prefabricated houses by the company, referred to as “Maisonnettes", and the business card of Armand Boeringer, Engineer. Also contains 2 blueprints showing plans, elevations, and cross sections of prefabricated houses by the Société Suisse des Usine Eternit.
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Documentation pertaining to the Société Suisse des Usine Eternit
Actions:
ARCH267722
Description:
Documentation pertaining to the Société Suisse des Usine Eternit, including 6 textual records listing the building materials necessary for the construction of prefabricated houses by the company, referred to as “Maisonnettes", and the business card of Armand Boeringer, Engineer. Also contains 2 blueprints showing plans, elevations, and cross sections of prefabricated houses by the Société Suisse des Usine Eternit.
Documentation pertaining to the Société Suisse des Usine Eternit
Actions:
ARCH267722
Description:
Documentation pertaining to the Société Suisse des Usine Eternit, including 6 textual records listing the building materials necessary for the construction of prefabricated houses by the company, referred to as “Maisonnettes", and the business card of Armand Boeringer, Engineer. Also contains 2 blueprints showing plans, elevations, and cross sections of prefabricated houses by the Société Suisse des Usine Eternit.
Classification:
dessins
dessins
Date:
n.d.
n.d.
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH275459
Description:
2 binders labeled "Miscellaneous," contains slides of various architectural projects, exhibtions, sites, and studies. Includes: Art Gallery of Ontario, Center for Inter-American Relations installation, Crysler Building, Regional Municipality of York, Scarborough Town Centre, Campbell House moving techniques, Ontario Trade and Industry Centre Analysis of Site, site photographs, mock-up model, construction phase, St James Town, Penthouse-Canada Square, Cox Townhouses- Site Study, Badr Touristic City Site, China Hotels Study, Site Study for Judicial Complex, Ottawa, Wellington St. West, Site Development, views of sites in Egypt, Hotel Youville,
ARCH275459
Description:
2 binders labeled "Miscellaneous," contains slides of various architectural projects, exhibtions, sites, and studies. Includes: Art Gallery of Ontario, Center for Inter-American Relations installation, Crysler Building, Regional Municipality of York, Scarborough Town Centre, Campbell House moving techniques, Ontario Trade and Industry Centre Analysis of Site, site photographs, mock-up model, construction phase, St James Town, Penthouse-Canada Square, Cox Townhouses- Site Study, Badr Touristic City Site, China Hotels Study, Site Study for Judicial Complex, Ottawa, Wellington St. West, Site Development, views of sites in Egypt, Hotel Youville,
Personnes et institutions:
Date:
ca. 1974-1995
ca. 1974-1995
Titre:
Slides of various architectural projects, exhibtions, sites, and studies
Actions:
ARCH275459
Description:
2 binders labeled "Miscellaneous," contains slides of various architectural projects, exhibtions, sites, and studies. Includes: Art Gallery of Ontario, Center for Inter-American Relations installation, Crysler Building, Regional Municipality of York, Scarborough Town Centre, Campbell House moving techniques, Ontario Trade and Industry Centre Analysis of Site, site photographs, mock-up model, construction phase, St James Town, Penthouse-Canada Square, Cox Townhouses- Site Study, Badr Touristic City Site, China Hotels Study, Site Study for Judicial Complex, Ottawa, Wellington St. West, Site Development, views of sites in Egypt, Hotel Youville,
Slides of various architectural projects, exhibtions, sites, and studies
Actions:
ARCH275459
Description:
2 binders labeled "Miscellaneous," contains slides of various architectural projects, exhibtions, sites, and studies. Includes: Art Gallery of Ontario, Center for Inter-American Relations installation, Crysler Building, Regional Municipality of York, Scarborough Town Centre, Campbell House moving techniques, Ontario Trade and Industry Centre Analysis of Site, site photographs, mock-up model, construction phase, St James Town, Penthouse-Canada Square, Cox Townhouses- Site Study, Badr Touristic City Site, China Hotels Study, Site Study for Judicial Complex, Ottawa, Wellington St. West, Site Development, views of sites in Egypt, Hotel Youville,
Classification:
photographies
photographies
Date:
ca. 1974-1995
ca. 1974-1995
Personnes et institutions:
Classification:
livres
livres
Titre:
The Problem Is
The Problem Is
Numéro de référence:
ARCH253666
Description:
Minimum Cost Housing Group's publication "The Problem is" by Samir Ayad et Witold Rybzynski about a project of prefabricated houses for the developing countries undetaken in 1971.
ARCH253666
Description:
Minimum Cost Housing Group's publication "The Problem is" by Samir Ayad et Witold Rybzynski about a project of prefabricated houses for the developing countries undetaken in 1971.
Personnes et institutions:
Date:
October 1971
October 1971
Titre:
The Problem Is
Actions:
ARCH253666
Description:
Minimum Cost Housing Group's publication "The Problem is" by Samir Ayad et Witold Rybzynski about a project of prefabricated houses for the developing countries undetaken in 1971.
The Problem Is
Actions:
ARCH253666
Description:
Minimum Cost Housing Group's publication "The Problem is" by Samir Ayad et Witold Rybzynski about a project of prefabricated houses for the developing countries undetaken in 1971.
Classification:
livres
livres
Date:
October 1971
October 1971
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH269163
Description:
Group consists of photographs by Suresh Kumar of various buildings in Chandigarh, India (predominantly private houses and commercial buildings) for the architectural and frame control.
ARCH269163
Description:
Group consists of photographs by Suresh Kumar of various buildings in Chandigarh, India (predominantly private houses and commercial buildings) for the architectural and frame control.
Personnes et institutions:
Date:
1951-c.1970
1951-c.1970
Titre:
Photographs of Architectural Control in Chandigarh, India
Actions:
ARCH269163
Description:
Group consists of photographs by Suresh Kumar of various buildings in Chandigarh, India (predominantly private houses and commercial buildings) for the architectural and frame control.
Photographs of Architectural Control in Chandigarh, India
Actions:
ARCH269163
Description:
Group consists of photographs by Suresh Kumar of various buildings in Chandigarh, India (predominantly private houses and commercial buildings) for the architectural and frame control.
Classification:
photographies
photographies
Date:
1951-c.1970
1951-c.1970
Personnes et institutions:
Classification:
photographies
Quantité:
10 photograph(s)
photographies
Quantité:
10 photograph(s)
Titre:
Photographs of Chandigarh
Photographs of Chandigarh
Numéro de référence:
ARCH269674
Description:
Group consists of photographs of Chandigahr, India, including: - University Hostel for Girls at Panjab University in sector 14 - House Type 10-JB in sector 22 - Detail of the cornice of the High Court in the Capitol Complex - Bas-relief of a leaf in concrete - Bas-relief of a snake in concrete - Le Corbusier tapestry for the Chief of Justice in the Big Courtyard in the High Court in the Capitol Complex - Unidentified bas-relief in concrete - The Secretariat in the Capitol Complex - The Secretariat view through the High Court cornice in the Capitol Complex - The High Court in the Capitol Complex
ARCH269674
Description:
Group consists of photographs of Chandigahr, India, including: - University Hostel for Girls at Panjab University in sector 14 - House Type 10-JB in sector 22 - Detail of the cornice of the High Court in the Capitol Complex - Bas-relief of a leaf in concrete - Bas-relief of a snake in concrete - Le Corbusier tapestry for the Chief of Justice in the Big Courtyard in the High Court in the Capitol Complex - Unidentified bas-relief in concrete - The Secretariat in the Capitol Complex - The Secretariat view through the High Court cornice in the Capitol Complex - The High Court in the Capitol Complex
Personnes et institutions:
Date:
between 1951 and 1965
between 1951 and 1965
Titre:
Photographs of Chandigarh
Actions:
ARCH269674
Description:
Group consists of photographs of Chandigahr, India, including: - University Hostel for Girls at Panjab University in sector 14 - House Type 10-JB in sector 22 - Detail of the cornice of the High Court in the Capitol Complex - Bas-relief of a leaf in concrete - Bas-relief of a snake in concrete - Le Corbusier tapestry for the Chief of Justice in the Big Courtyard in the High Court in the Capitol Complex - Unidentified bas-relief in concrete - The Secretariat in the Capitol Complex - The Secretariat view through the High Court cornice in the Capitol Complex - The High Court in the Capitol Complex
Photographs of Chandigarh
Actions:
ARCH269674
Description:
Group consists of photographs of Chandigahr, India, including: - University Hostel for Girls at Panjab University in sector 14 - House Type 10-JB in sector 22 - Detail of the cornice of the High Court in the Capitol Complex - Bas-relief of a leaf in concrete - Bas-relief of a snake in concrete - Le Corbusier tapestry for the Chief of Justice in the Big Courtyard in the High Court in the Capitol Complex - Unidentified bas-relief in concrete - The Secretariat in the Capitol Complex - The Secretariat view through the High Court cornice in the Capitol Complex - The High Court in the Capitol Complex
Classification:
photographies
Quantité:
10 photograph(s)
photographies
Quantité:
10 photograph(s)
Date:
between 1951 and 1965
between 1951 and 1965
Personnes et institutions:
Quantité:
21 videocassette(s)
21 videocassette(s)
Numéro de référence:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
Personnes et institutions:
Titre:
Lectures about Wexner Center, Colombus, Ohio and Banyoles Olympic Hotel, Banyoles, Spain and other projects
Actions:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
Lectures about Wexner Center, Colombus, Ohio and Banyoles Olympic Hotel, Banyoles, Spain and other projects
Actions:
DR1999:0363
Description:
videocassettes include: - 8 mm - undated - Mercator Madrid Pal System - 2/17/94 - Affect, Singularity, Aggregation - April 7th, 1994 - P.E. Penn State - Mica T.V " The New Urban Landscape Exhibition" - Rovereto - TVR - Tokyo Koizumi July 3rd - P.E. Affect Singularity, Aggregation - 4D view - Colegio Oficial De Arquitectos De Madrid - Peter Eisenman - Kinetic Designs Inc. Michael O´Malley - Togo Murano, His House and Other Works - Columbus Convention Center, News & Weather report - P.E. on Charlie Rose - Eisenman Architecture, What a Wonderful World - Banyoles Al Costat de Barcelona - Koizumi - unknown title 88/8/3 - unknown (X2)
Quantité:
21 videocassette(s)
21 videocassette(s)
Personnes et institutions:
