Concrete planet : the strange and fascinating story of the world's most common man-made material
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Cocrete : we use it for our buildings, bridges, dams and roads. We walk on it, drive on it and many of us live and work within its walls. But very few of us know what it is.
février 2012
Concrete planet : the strange and fascinating story of the world's most common man-made material
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Cocrete : we use it for our buildings, bridges, dams and roads. We walk on it, drive on it and many of us live and work within its walls. But very few of us know what it is.
$18.00
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in(...)
Red plenty: inside the fifties' soviet dream
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.
Architecture et l'imaginaire
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Between the 1930s and 1960s, the spread of new transportation networks and the democratization of paid vacations struck many observers as a sign that tourism was growing into a folkway of modern American life. Easy mobility and free time lay at the heart of this idealized vision, and vacations were seen as a ritualized expression of the movement and egalitarianism that(...)
The holiday makers: magazines, advertising, and mass tourism in Postwar America
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Between the 1930s and 1960s, the spread of new transportation networks and the democratization of paid vacations struck many observers as a sign that tourism was growing into a folkway of modern American life. Easy mobility and free time lay at the heart of this idealized vision, and vacations were seen as a ritualized expression of the movement and egalitarianism that characterized midcentury modernity. The Holiday Makers tells the story of how advertisers sold tourist travel in popular magazines during this era, transforming consumer culture in the process.
Crabgrass crucible: suburban nature and the rise of environmentalism in twintieth-century America
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Although suburb-building created major environmental problems, Christopher Sellers demonstrates that the environmental movement originated within suburbs--not just in response to unchecked urban sprawl. Drawn to the countryside as early as the late 19th century, new suburbanites turned to taming the wildness of their surroundings. They cultivated a fondness for the(...)
Crabgrass crucible: suburban nature and the rise of environmentalism in twintieth-century America
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Although suburb-building created major environmental problems, Christopher Sellers demonstrates that the environmental movement originated within suburbs--not just in response to unchecked urban sprawl. Drawn to the countryside as early as the late 19th century, new suburbanites turned to taming the wildness of their surroundings. They cultivated a fondness for the natural world around them, and in the decades that followed, they became sensitized to potential threats. Sellers shows how the philosophy, science, and emotions that catalyzed the environmental movement sprang directly from suburbanites' lives and their ideas about nature, as well as the unique ecology of the neighborhoods in which they dwelt. Sellers focuses on the spreading edges of New York and Los Angeles over the middle of the twentieth century to create an intimate portrait of what it was like to live amid suburban nature. As suburbanites learned about their land, became aware of pollution, and saw the forests shrinking around them, the vulnerability of both their bodies and their homes became apparent.
Paysages urbains
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Sustainable Affordable Prefab combines architectural theory and practice in an illustrated account of ecoMOD, the innovative design/build program pioneered by John Quale.
mars 2012
Sustainable, affordable prefab : the ecoMOD project
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Sustainable Affordable Prefab combines architectural theory and practice in an illustrated account of ecoMOD, the innovative design/build program pioneered by John Quale.
$50.00
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Since the 1967 riots that ripped apart the city, Detroit has traditionally been viewed either as a place in ruins or a metropolis on the verge of rejuvenation. In Digital Detroit author Jeff Rice goes beyond the notion of Detroit as simply a city of two ideas. Instead he explores the city as a web of multiple meanings which, in the digital age, come together in the city's(...)
Digital Detroit : rhetoric and space in the age of the network
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Since the 1967 riots that ripped apart the city, Detroit has traditionally been viewed either as a place in ruins or a metropolis on the verge of rejuvenation. In Digital Detroit author Jeff Rice goes beyond the notion of Detroit as simply a city of two ideas. Instead he explores the city as a web of multiple meanings which, in the digital age, come together in the city's spaces to form a network that shapes the writing, the activity, and the very thinking of those around it.
Théorie de l’architecture
Zaha Hadid and suprematism
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This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid,(...)
Architecture, monographies
avril 2012
Zaha Hadid and suprematism
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This volume juxtaposes the dynamic, sweeping planes and angles of the buildings of Zaha Hadid (born 1950) with the equally dynamic art of the Russian Suprematist and Constructivist avant garde-as exemplified in works by Ilya Chashnik, El Lissitzky, Kasimir Malevich, Alexander Rodchenko and Nikolai Suetin. The book documents an exhibition curated and designed by Hadid, which examines this conjunction across four themes or aesthetic qualities: Abstraction, Distortion, Fragmentation and Flotation.
Architecture, monographies
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors,(...)
Lynne Cohen : nothing is hidden
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Nothing is Hidden features both well-known and recent unpublished works by acclaimed Canadian photographer Lynne Cohen, beginning with images from the early 1970s. The book shows the consistency and depth with which she has mined her chosen theme of uninhabited domestic and institutional interior spaces. Depicting formally and not so formally arranged uncanny interiors, Cohen's photographs are sometimes wryly humorous, sometimes bleak, and frequently both. Her vision is informed by a profound feeling for the mystery in the ordinary, what is on the surface but out of sight. This is the first in a series of annual publications to be published by Steidl celebrating the winner of the Scotiabank Photography Award, Canada's largest contemporary photography award for an established Canadian artist. Scotiabank is a leader among Canadian corporations and internationally for its charitable donations and philanthropic activities. The award was established by photographer Edward Burtynsky with Jane Nokes of Scotiabank.
Monographies photo
Orri: Interiors
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Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35mm film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously decaying interiors of(...)
Orri: Interiors
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Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35mm film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously decaying interiors of deserted houses throughout Iceland for the next 12 years, and ''Interiors'' contains the best of these images from 1999 to 2010. Painterly in color, rigorous in composition and lacking people, Orri's photos evoke the personal histories of the inhabitants who long ago abandoned their homes. Interiors is shaped by an uncanny silence and sense of loss, most poignant in the images of objects people left behind--old buttons, newspapers and even a hot water bottle--tokens of vanished lives.
Monographies photo
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Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use photography as "the friendly interpreter of science". Documenting Science explores this work, beginning in 1939 with Abbott's early experiments with scientific imagery, continuing with science-based commercial assignments, and culminating in 1958 with the(...)
Berenice Abbott : documenting science
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Fascination with the scientific advances that were rapidly changing the world motivated Berenice Abbott to use photography as "the friendly interpreter of science". Documenting Science explores this work, beginning in 1939 with Abbott's early experiments with scientific imagery, continuing with science-based commercial assignments, and culminating in 1958 with the Physical Science Study Project at MIT which illustrated a new series of physics textbooks.
Monographies photo