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Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the(...)
Jardins
mars 2005, San Rafael, California
Peter Walker and Partners : defining the craft
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Best known as the firm chosen to work on the World Trade Center Memorial, the landscape architecture projects of Peter Walker and Partners vary both in scale and program: urban design and planning, corporate headquarters and university campuses, parks, plazas, museums, and gardens. Exploring the relationships of art, culture, and context, Walker and the members of the firm re-form the landscape, challenging traditional concepts of design. Through drawing, model-making, computer graphics, and full-size mock-ups, the office moves from defining the program to experimenting with materials and forming the space. The design process, therefore, faithfully reflects the constant exchange occurring with clients, architects, and consultants. A knowledge of history and tradition and an understanding of contemporary needs and patterns of living allow the firm to produce landscapes that are both timeless and unique. This extensive monograph opens with a short essay about the organization and history of the office, the importance of apprenticeship in landscape architectural education, and the particular way that PWP artfully practices the craft of landscape architecture. It features nearly 300 images (with 3 gatefolds) of the firm’s work since 1997, including 16 built landscape projects in the United States, Europe, and Asia. Seven projects in progress include the American Embassy in Beijing, several university campuses, and the World Trade Center Memorial. The 10 site-planning and urban design projects include Millennium Parklands in Sydney, Australia, and the Novartis Headquarters in Basel, Switzerland. Each section begins with a brief introduction by Walker, and the book concludes with four competition entries, including one for 1600 Pennsylvania Avenue.
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mars 2005, San Rafael, California
Jardins
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'Peter Eisenman : barefoot on white-hot walls' - published on the occasion of the eponymous personal exhibition at the MAK Vienna - gives a profound insight into the work of Peter Eisenman. The main focus is on Eisenman's most recent projects, such as the 'City of culture of Galicia' in Santiago de Compostela, Spain, and the 'Memorial of the murdered Jews in Europe' in(...)
Architecture, monographies
mars 2005, Vienna
Peter Eisenman : barefoot on white-hot walls
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'Peter Eisenman : barefoot on white-hot walls' - published on the occasion of the eponymous personal exhibition at the MAK Vienna - gives a profound insight into the work of Peter Eisenman. The main focus is on Eisenman's most recent projects, such as the 'City of culture of Galicia' in Santiago de Compostela, Spain, and the 'Memorial of the murdered Jews in Europe' in Berlin, Germany.
livres
mars 2005, Vienna
Architecture, monographies
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range(...)
avril 2005, Minneapolis
Bits & pieces put together to present a semblance of a whole : Walker Art Center collections
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One of the premier institutions of contemporary art in the country, the Walker Art Center also holds an important collection of over 11,000 objects from the early 20th century to the present. These holdings reflect the Center's renowned multidisciplinary program, and include paintings, sculpture, prints, photography, film, video, installations, and digital arts that range in date from classic early modernist to cutting edge contemporary. While aiming to represent the immense diversity in art-making around the world, the collection also is known for several areas of specialty including Minimalism, Arte Povera, Fluxus, and contemporary printmaking. In-depth representations of work by individual artists, including Matthew Barney, Joseph Beuys, Merce Cunningham, Jasper Johns, William Klein, Robert Motherwell, and Kara Walker reflect the Center's long and close relationships with many of the century's most creative minds. Showcased in this stunning, expansive, well-designed volume are more than 650 beautifully reproduced works of art. Co-authored by the Walker's curators and staff, and more than 30 Walker alumni, this book draws heavily on Walker archival material to serve as both a history of the institution and a primer on modern and contemporary art. Adding further dimension to the polyvocal, multifaceted rendition of this dynamic public art centre are contributions from a select group of acclaimed writers including, A.S. Byatt, Joshua Clover, Arthur Danto, Dave Eggers, Darby English, Annie Proulx, David Shapiro, and others. The catalogue is published in conjunction with the Spring 2005 re-opening of the newly expanded Walker Art Center. Artists include Matthew Barney, Chuck Close, Bruce Conner, Joseph Cornell, Merce Cummingham, Dan Flavin, Robert Gober, Dan Graham, David Hockney, Donald Judd, Ellsworth Kelly, William Klein, Sherrie Levine, Sol Lewitt, Roy Lichtenstein, Sharon Lockhart, Kerry James Marshall, Bruce Nauman, Isamu Noguchi, Claes Oldenburg, Raymond Pettibon, Richard Prince, Charles Ray, Edward Ruscha, Cindy Sherman, Lorna Simpson, Kiki Smith, Frank Stella, Kara Walker, Andy Warhol, and many others. Edited by Joan Rothfuss and Elizabeth Carpenter. Essays by Elizabeth Alexander, A.S. Byatt, Dave Eggers, Arthur C. Danto, Wayne Koestenbaum, James Lingwood, Linda Nochlin, Annie Proulx, David Shapiro, Charles Simic, Howard Singerman, Hamza Walker et al.
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What makes us love our things? Why do we attach certain sentiments to certain items? How is it that sometimes objects can tell stories more eloquently than people? These are questions explored and answered in "The uncommon life of common objects". Author Akiko Busch devotes a chapter to each of 12 common objects, and discusses her and others’ experiences that give(...)
The uncommon life of common objects : essays on design and the everyday
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What makes us love our things? Why do we attach certain sentiments to certain items? How is it that sometimes objects can tell stories more eloquently than people? These are questions explored and answered in "The uncommon life of common objects". Author Akiko Busch devotes a chapter to each of 12 common objects, and discusses her and others’ experiences that give everyday things their significance. Through her examination of : a video camera, a cellular phone, a vegetable peeler, a snowboard, a baby carriage, a chair, a refrigerator, a mailbox, a medicine cabinet, a cereal box, a backpack, and a desk, Busch illuminates the social and personal issues that shape our lives and the ownership of our things. Each of the 12 chapters is accompanied by a four-color drawing. Edited by Diana Murphy. Foreword by Susan S. Szenasy. Original illustrations by George Skelcher.
Design d’intérieur
Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for(...)
Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for hope. Two hundred years ago, Lewis and Clark reported finding in the American Northwest a vast forest of ancient evergreens. In "Turning back", Robert Adams looks again at the region’s trees, discovering evidence both of America’s failure and of a continuing promise. President Jefferson’s primary charge to Lewis and Clark was to prepare the way for American commerce. Today, historians still speculate about why, upon his return, Lewis lapsed into depression and apparently committed suicide. "Going east," Adams suggests, "was more difficult than going west." So then, what is the future? "Turning back" documents two kinds of predictive evidence. On the one hand we observe the results of greed so unrestrained that they are indistinguishable from those of nihilism. On the other we see what still lives, whether by our design or neglect, or Providence; in these 164 pictures the tone is celebratory, as in a prayer book. From coastal landscapes populated with tourists to timber clear-cutting and small family farms in eastern Oregon, here we reflect on what was lost, what is retained, and what we value both regionally and as a people with a common history.
Monographies photo
Friedlander
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in(...)
Friedlander
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in style, and focuses on what he calls America's "social landscape". At the same time, he has pursued a playful dialogue with artistic tradition - as though open-eyed curiosity about the world and a sophisticated taste for the wiles of picture-making were one and the same thing. "Friedlander" takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date.
Monographies photo
livres
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Transport buildings - railway stations, airport terminals, bus and coach stations, motorway service areas, filling stations, and garages - are such a part of everyday scenery they are easily overlooked. This book is the first to take a close look at the architecture of British transport buildings of the twentieth century, a period during which transportation systems,(...)
Structures d’ingénierie
février 2005, New Haven
The Architecture of British transport in the twentieth century
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Transport buildings - railway stations, airport terminals, bus and coach stations, motorway service areas, filling stations, and garages - are such a part of everyday scenery they are easily overlooked. This book is the first to take a close look at the architecture of British transport buildings of the twentieth century, a period during which transportation systems, methods, and even purposes underwent enormous change. The contributors to the book consider both well known and unfamiliar transport buildings from a variety of intriguing viewpoints. They explore the design and promotion of the London Underground, the battle between road and rail, the intentions of architects - to glamorize travel, to calm fears, to accommodate huge numbers of travellers - and the political and cultural significance of the transport buildings that have become a major part of modern life.
livres
février 2005, New Haven
Structures d’ingénierie
From William Morris : building conservation and the arts and crafts cult of authenticity, 1877-1939
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This book takes a fresh and wide-ranging look at the origins of the architectural conservation movement in the United Kingdom. Contributors consider how the modern concept of heritage emerged in the nineteeth century, how politics as well as art and design played a role in the creation of a historic buildings culture, and how the writings and activities of designer(...)
mai 2005, New Haven, London
From William Morris : building conservation and the arts and crafts cult of authenticity, 1877-1939
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This book takes a fresh and wide-ranging look at the origins of the architectural conservation movement in the United Kingdom. Contributors consider how the modern concept of heritage emerged in the nineteeth century, how politics as well as art and design played a role in the creation of a historic buildings culture, and how the writings and activities of designer William Morris and architect Philip Webb shaped thinking about conservation.
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For more than a thousand years, the burial site known as the Wu Family Shrines in the Shandong province of northeastern China has served as a benchmark for the study of the Han Dynasty (206 BCE - 220 CE) - a defining period in Chinese history. This book presents scolarships that prompts significant reexamination of the site's long-accepted implications, including its(...)
Arch Moyen-Orient
mai 2005, New Haven, New York
Recarving China's past : art, archeology, and architecture of the
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For more than a thousand years, the burial site known as the Wu Family Shrines in the Shandong province of northeastern China has served as a benchmark for the study of the Han Dynasty (206 BCE - 220 CE) - a defining period in Chinese history. This book presents scolarships that prompts significant reexamination of the site's long-accepted implications, including its attribution to the Wu family.
Arch Moyen-Orient
New wood architecture
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A detailed and timely look at the resourceful ways wood is being used in some of the world’s most innovative new buildings. Despite its legacy as a traditional building material, timber is experiencing a renaissance as contemporary architects and designers increasingly come to appreciate its sustainability, versatility, and beauty. Lavishly illustrated with over 300(...)
Architecture écologique
avril 2005, New
New wood architecture
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A detailed and timely look at the resourceful ways wood is being used in some of the world’s most innovative new buildings. Despite its legacy as a traditional building material, timber is experiencing a renaissance as contemporary architects and designers increasingly come to appreciate its sustainability, versatility, and beauty. Lavishly illustrated with over 300 photographs and drawings, "New Wood Architecture" features over 40 contemporary projects from around the world by leading architects including Shigeru Ban, Roberto Briccola, Santiago Calatrava, Steven Holl, Herzog + Partner, Herzog and de Meuron, Peter Hübner, Renzo Piano Building Workshop, and Peter Zumthor. Ruth Slavid examines the innovative ways timber is currently being handled and how its use has been expanded by new technologies and experiments with traditional building methods. Featured topics include wood’s natural properties in rural landscapes; its heritage as a vernacular building material; its pragmatic and cost-efficient properties; its versatility; current technological innovations such as the uses of engineered products, laminates, plywoods, and chipboards; the ways wood can be combined with other materials to enhance its structural properties; and its use as a recycled or “green” material in some of the most beautiful and experimental plans being constructed today.
Architecture écologique