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More than 400 years after his death, Andrea Palladio (1508–80) remains one of the most influential architects of all time. This catalogue explores how the design principles of Palladio have been interpreted, copied and re-imagined across time and continents in very different ways since his death, and how they continue to inspire architects today. It includes previously(...)
Palladian design: the good, the bad and the unexpected
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More than 400 years after his death, Andrea Palladio (1508–80) remains one of the most influential architects of all time. This catalogue explores how the design principles of Palladio have been interpreted, copied and re-imagined across time and continents in very different ways since his death, and how they continue to inspire architects today. It includes previously unexplored works that put Palladio in a new social context and brings out unexpected stories about the impact of his legacy on functionality and style. It also questions how a style and an approach to architecture that Palladio intended to be democratic is now associated with wealth.
Architecture, monographies
$50.00
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In our architectural pursuits, we often seem to be in search of something newer, grander, or more efficient—and this phenomenon is not novel. In the spring of 1910 hundreds of workers labored day and night to demolish the Gillender Building in New York, once the loftiest office tower in the world, in order to make way for a taller skyscraper. The New York Times puzzled(...)
Obsolescence: an architectural history
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In our architectural pursuits, we often seem to be in search of something newer, grander, or more efficient—and this phenomenon is not novel. In the spring of 1910 hundreds of workers labored day and night to demolish the Gillender Building in New York, once the loftiest office tower in the world, in order to make way for a taller skyscraper. The New York Times puzzled over those who would sacrifice the thirteen-year-old structure, “as ruthlessly as though it were some ancient shack.” In New York alone, the Gillender joined the original Grand Central Terminal, the Plaza Hotel, the Western Union Building, and the Tower Building on the list of just one generation’s razed metropolitan monuments.
Théorie de l’architecture
Cultural cues
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Cutural Cues is the sixth book featured the work of the Louis I. Kahn Visiting Assistant Professorship, which brings young innovators in architectural design to the Yale School of Architecture. This book includes the studio research and projects of Joe Day of Deegan Day Design in “NOWplex” a cinema in L.A., Tom Wiscombe of Tom Wiscombe Architecture in “The Broad Redux,”(...)
Architecture contemporaine
septembre 2015
Cultural cues
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Cutural Cues is the sixth book featured the work of the Louis I. Kahn Visiting Assistant Professorship, which brings young innovators in architectural design to the Yale School of Architecture. This book includes the studio research and projects of Joe Day of Deegan Day Design in “NOWplex” a cinema in L.A., Tom Wiscombe of Tom Wiscombe Architecture in “The Broad Redux,” for a new interpretation of the Broad Museum in L.A., and Adib Cure & Carie Penabad of Cure Penabade in the studio “Havana: Housing in the Historic Center.” The studios explore contemporary interpretations of the implications of cinema, the museum, and housing, taking cues from their complex cultural and urban contexts. Along with student work, interviews with the architects about the work of their professional offices and essays framing the themes of the work are combined with insight into the pedagogical approach of these practitioner-educators.
Architecture contemporaine
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Italian cities have been points of reference for much of architect Peter Wilson’s professional life and the many reasons for visiting the country have long presented themselves as not just the easy list – holidays, food, architecture and culture. The grand tour is the most obvious of tropes for framing these things, but it can also serve as a useful vehicle for a more(...)
Some reasons for travelling to Italy
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Italian cities have been points of reference for much of architect Peter Wilson’s professional life and the many reasons for visiting the country have long presented themselves as not just the easy list – holidays, food, architecture and culture. The grand tour is the most obvious of tropes for framing these things, but it can also serve as a useful vehicle for a more ingrained understanding into Italy’s wider architectural habitat and cultural mythology. This book, which accompanies an exhibition of the same title at the AA School in 2016, appears in the form of a latter-day Baedeker
Théorie de l’architecture
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In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic(...)
Picturing space, displacing bodies: anamorphosis in early modern theories of perspective
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In "Picturing Space, Displacing Bodies", Lyle Massey argues that we can only learn how and why certain kinds of spatial representation prevailed over others by carefully considering how Renaissance artists and theorists interpreted perspective. Combining detailed historical studies with broad theoretical and philosophical investigations, this book challenges basic assumptions about the way early modern artists and theorists represented their relationship to the visible world and how they understood these representations. By analyzing technical feats such as anamorphosis (the perspectival distortion of an object to make it viewable only from a certain angle), drawing machines, and printed diagrams, each chapter highlights the moments when perspective theorists failed to unite a singular, ideal viewpoint with the artist’s or viewer’s viewpoint or were unsuccessful at conjoining fictive and lived space. Showing how these “failures” were subsequently incorporated rather than rejected by perspective theorists, the book presents an important reassessment of the standard view of Renaissance perspective.
Théorie de l’architecture
The dissolution of buildings
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Advocating an architecture that is "the opposite of global action," architect Angelo Bucci's work responds to the topography of the city and to its urban environment. In a lecture delivered at Columbia University's Graduate School of Architecture, Planning and Preservation, Bucci discusses work designed with his firm SPBR, projects that span from the scale of the house to(...)
The dissolution of buildings
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Advocating an architecture that is "the opposite of global action," architect Angelo Bucci's work responds to the topography of the city and to its urban environment. In a lecture delivered at Columbia University's Graduate School of Architecture, Planning and Preservation, Bucci discusses work designed with his firm SPBR, projects that span from the scale of the house to the city. His built work is here accompanied by an excerpt from his doctoral dissertation, which explores how the devices available to architecture—and the sectional manipulation of groundplanes in particular—can mitigate some of the inequities and exclusions built in to the fabric of the contemporary city. An essay by Kenneth Frampton frames these projects within the rich lineage of Brazilian house design and members of the Paulista school such as Paulo Mendes da Rocha and João Batista Vilanova Artigas.
Théorie de l’architecture
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This book revisits the history of modernism in architecture through the legacy of one of its protagonists, Armenian architect Gabriel Guevrekian (c. 1900–70). Born in Istanbul, Guevrekian grew up in Tehran and then moved to Vienna to study architecture at the Kunstgewerbeschule; he later worked with Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage and Robert(...)
Gabriel Guevrekian: the elusive modernist
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This book revisits the history of modernism in architecture through the legacy of one of its protagonists, Armenian architect Gabriel Guevrekian (c. 1900–70). Born in Istanbul, Guevrekian grew up in Tehran and then moved to Vienna to study architecture at the Kunstgewerbeschule; he later worked with Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage and Robert Mallet-Stevens. Among Guevrekian’s famous designs are the Cubist Garden for Villa Noailles in France and two houses for the Vienna Werkbund exhibition. Before he turned 30, Guevrekian was recognized as one of the protagonists of the European avant-garde in Paris. During the 1930s, Guevrekian spent a few years in Iran designing public buildings. Later, after the World War II, he took up teaching positions in Europe and America. All of Guevrekian’s various pursuits, and the homes and nationalities he held in Asia, Europe and then America, led the architect to a serial adoption of personae. Guevrekian was an architect, an avant-gardist and a cosmopolitan. He made every discipline meaningful, every city central, every period epochal, simply by his own very tangible engagement with it.
Architecture, monographies
Alberto Kalach: work
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This volume is an extensive compilation of more than 100 of TAX’s built and unbuilt projects. Illustrated with architectural photographs by Iwan Baan and Jaime Navarro as well as Kalach’s personal diagrams and drawings, this volume introduces readers to the work and vision of one of Mexico’s most acclaimed contemporary architects.
Alberto Kalach: work
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This volume is an extensive compilation of more than 100 of TAX’s built and unbuilt projects. Illustrated with architectural photographs by Iwan Baan and Jaime Navarro as well as Kalach’s personal diagrams and drawings, this volume introduces readers to the work and vision of one of Mexico’s most acclaimed contemporary architects.
Architecture, monographies
$92.50
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As founder of the Bauhaus school, Walter Gropius (1883?1969) is one of the icons of 20th century architecture. While his early buildings in Pomerania were still strongly marked by his teacher Peter Behrens, after an expressionistic phase focused on handicraft, he ultimately arrived at geometric abstraction. During the entire period he collaborated with other architects,(...)
Walter Gropius: building and projects
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As founder of the Bauhaus school, Walter Gropius (1883?1969) is one of the icons of 20th century architecture. While his early buildings in Pomerania were still strongly marked by his teacher Peter Behrens, after an expressionistic phase focused on handicraft, he ultimately arrived at geometric abstraction. During the entire period he collaborated with other architects, founding the collective known as "The Architects Collaborative" in the US. The comprehensive monograph documents all 74 of the known buildings by Gropius that were realized, including many early works which he never publicized; but it also critically examines his unbuilt projects. The book is illustrated with new photographs by the author, historical figures, and with as new plans drawn by the author.
Architecture, monographies
$64.00
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The Fondation Louis Vuitton by Frank O. Gehry rises from the Bois de Boulogne as a new landmark in the Parisian skyline. Gehry's dynamic architecture is both glittering and multifaceted: is it a sailing vessel, an iceberg, or a sea monster? It fascinates with its wealth of references and, at the same time, escapes any clear-cut definition. Three outstanding(...)
Architecture, monographies
mars 2019
On the good ship lollipop: Frank O. Gehry's Fondation Louis Vuitton
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The Fondation Louis Vuitton by Frank O. Gehry rises from the Bois de Boulogne as a new landmark in the Parisian skyline. Gehry's dynamic architecture is both glittering and multifaceted: is it a sailing vessel, an iceberg, or a sea monster? It fascinates with its wealth of references and, at the same time, escapes any clear-cut definition. Three outstanding representatives of different generations of art history, James S. Ackerman, Irving Lavin, and Horst Bredekamp have together paid a visit to the Fondation Louis Vuitton. They explore the building in three essays that try to fathom the floating architecture of the "magician" Gehry in the context of both art and architectural history.
Architecture, monographies