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Robots designed to care for people and neglected landscapes of digital trash. The promise of synthetic biology and the panic of living on a dying planet. Wonderful feats of intelligence and systemic acts of violence. Exhilaration and exhaustion. Rosi Braidotti argues that we must think about these apparent contradictions all together in order to make differences that(...)
Posthuman knowledge and the critical posthumanities
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Robots designed to care for people and neglected landscapes of digital trash. The promise of synthetic biology and the panic of living on a dying planet. Wonderful feats of intelligence and systemic acts of violence. Exhilaration and exhaustion. Rosi Braidotti argues that we must think about these apparent contradictions all together in order to make differences that actually matter. "Posthuman knowledge and the critical posthumanities" oscillates between evocations and transections of contemporary conditions, for which Braidotti offers what she calls the "posthuman convergence" as a new paradigm for situating and navigating their problems and possibilities. Reflecting on the knotted situation of the academic humanities, cognitive capitalism, and advanced climate change, she delivers an intersectional critique of humanism and anthropocentrism, and targets their exclusions and aporias to address subjectivity, knowledge production, and academic structures within that posthuman convergence. Braidotti's convergence demands imagination, endurance, connectivity, and perspectives multiplied, embodied, and grounded in the only world we have.
Théorie/ philosophie
The Immaterial
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In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy.(...)
The Immaterial
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In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy. In this volume, Gorz argues instead for the creation of a true knowledge economy. This economy would be based on zero-cost exchange and pooled resources, and knowledge would be treated as humanity's common property. Currently, in order to exploit knowledge and turn it into capital, the capitalist enterprise privatizes specialized knowledge and claims ownership through private licenses and copyright. But as Gorz shows, the traditional foundations of such capitalist economics have begun to crumble because of the immaterial nature of this new form of product, which makes it almost impossible to measure in monetary terms.
Théorie de l’art
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228 pages ; 22 cm.
Paris : Stock, 2010.
Tokyo, ville flottante : scène urbaine, mises en scène / François Laplantine.
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228 pages ; 22 cm.
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Paris : Stock, 2010.
livres
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190 pages : illustrations, cartes ; 21 cm
Paris : Hachette, [1994]
Le monde des villes au Moyen âge : XIe-XVe siècle / Simone Roux ; sous la direction de Michel Balard.
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190 pages : illustrations, cartes ; 21 cm
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Paris : Hachette, [1994]
$225.95
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The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures,(...)
Exteriorless architecture: Form, space, and urbanities of neoliberalism
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The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. These architectural episodes express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures, despite their formal and typological heterogeneity, belong to a common paradigm: the exteriorless. How can an architecture of the exteriorless be defined? How does it differentiate from examples and manifestations of the past? How do notions of legibility, form versus function, typological articulation come into play? In situating the spatialities of contemporary capitalism within the larger debate on Anthropocene, Post-Anthropocene, and Capitalocene, the book attempts to answer those questions by delineating three main characteristics for an architecture of the exteriorless: its physical and symbolic role as interface; its ambiguous condition of being at the same time local and global, isolated and connected, compressed and expanded; and, lastly, its contribution to new forms of urbanity in absence of the traditional city.
Théorie de l’architecture
The Black geographic
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The contributors to ''The Black geographic'' explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to(...)
The Black geographic
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The contributors to ''The Black geographic'' explore the theoretical innovations of Black Geographies scholarship and how it approaches Blackness as historically and spatially situated. In studies that span from Oakland to the Alabama Black Belt to Senegal to Brazil, the contributors draw on ethnography, archival records, digital humanities, literary criticism, and art to show how understanding the spatial dimensions of Black life contributes to a broader understanding of race and space. They examine key sites of inquiry: Black spatial imaginaries, resistance to racial violence, the geographies of racial capitalism, and struggles over urban space. Throughout, the contributors demonstrate that Blackness is itself a situating and place-making force, even as it is shaped by spatial processes and diasporic routes. Whether discussing eighteenth- and nineteenth-century abolitionist print records or migration and surveillance in Niger, this volume demonstrates that Black Geographies is a mode of analyzing Blackness that fundamentally challenges the very foundations of the field of geography and its historical entwinement with colonialism, enslavement, and imperialism. In short, it marks a new step in the evolution of the field.
Social
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In "The politics of collecting," Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation--rather than merit or good taste--are responsible for popular ideas of formal innovation and artistic genius. In doing so,(...)
The politics of collecting: Race and the aestheticization of property
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In "The politics of collecting," Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation--rather than merit or good taste--are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp's canonization has more to do with his patron's donations to museums than it does the quality of Duchamp's work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry's collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
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There have been many things written about Canada’s violent siege of Kanehsatà:ke and Kahnawà:ke in the summer of 1990, but "When the pine needles fall: Indigenous acts of resistance" is the first book from the perspective of Katsi’tsakwas Ellen Gabriel, who was the Kanien’kehá:ka (Mohawk) spokesperson during the siege. "When the pine needles fall," written in a(...)
When the pine needles fall: Indigenous acts of resistance
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There have been many things written about Canada’s violent siege of Kanehsatà:ke and Kahnawà:ke in the summer of 1990, but "When the pine needles fall: Indigenous acts of resistance" is the first book from the perspective of Katsi’tsakwas Ellen Gabriel, who was the Kanien’kehá:ka (Mohawk) spokesperson during the siege. "When the pine needles fall," written in a conversational style by Gabriel with historian Sean Carleton, offers an intimate look at Gabriel’s life leading up to the 1990 siege, her experiences as spokesperson for her community, and her work since then as an Indigenous land defender, human rights activist, and feminist leader. More than just the memoir of an extraordinary individual, "When the pine needles fall" offers insight into Indigenous language, history, and philosophy, reflections on our relationship with the land, and calls to action against both colonialism and capitalism as we face the climate crisis. Gabriel’s hopes for a decolonial future make clear why protecting Indigenous homelands is vital not only for the survival of Indigenous peoples, but for all who live on this planet.
Autochtone
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Since September 11, the war on terrorism, and the war in Iraq, it has been almost impossible to dissociate architecture from its social context. Add to this the massive influence of capitalism on architecture, disturbing demographic developments, and associated political, social, and ecological catastrophes, and the result is a robotic snapshot of a society dominated by(...)
The capsular civilization : on the city in the age of fear
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Since September 11, the war on terrorism, and the war in Iraq, it has been almost impossible to dissociate architecture from its social context. Add to this the massive influence of capitalism on architecture, disturbing demographic developments, and associated political, social, and ecological catastrophes, and the result is a robotic snapshot of a society dominated by fear, exclusion, and simulation. Lieven De Cauter, a leading theoretician on the subject of capsularisation, has worked over the past six years on the essays and articles contained in this book, and has documented and analyzed our changing societies before and after 9/11. For the first time, the link between the global economy, demographic changes, world terror, and the role played by the United States under the Bush admisinstration, are examined in detail in a single publication. De Cauter sketches a realistic and alarming account of the new world order that is an everyday concern for the architects and planners of the contemporary city as well as for its inhabitants and users.
Théorie de l’urbanisme
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.