1558 Résultats
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In W. G. Sebald: Image, Archive, Modernity, J. J. Long identifies a wider "meta-problem" in Sebald's work—the problem of modernity. The numerous archival institutions and processes that lie at the heart of modernity are repeatedly explored in Sebald's novels. Photography, museums, libraries, and other institutions for producing and preserving knowledge are among Sebald's(...)
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In W. G. Sebald: Image, Archive, Modernity, J. J. Long identifies a wider "meta-problem" in Sebald's work—the problem of modernity. The numerous archival institutions and processes that lie at the heart of modernity are repeatedly explored in Sebald's novels. Photography, museums, libraries, and other institutions for producing and preserving knowledge are among Sebald's(...)
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W.G. Sebald: Image, archive, modernity
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In W. G. Sebald: Image, Archive, Modernity, J. J. Long identifies a wider "meta-problem" in Sebald's work—the problem of modernity. The numerous archival institutions and processes that lie at the heart of modernity are repeatedly explored in Sebald's novels. Photography, museums, libraries, and other institutions for producing and preserving knowledge are among Sebald's main obsessions. Long advances an interpretation of the author's oeuvre, arguing that Sebald's project needs to be understood as a response not merely to post-Holocaust trauma but to the longer history of modernity.
W.G. Sebald: Image, archive, modernity
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In W. G. Sebald: Image, Archive, Modernity, J. J. Long identifies a wider "meta-problem" in Sebald's work—the problem of modernity. The numerous archival institutions and processes that lie at the heart of modernity are repeatedly explored in Sebald's novels. Photography, museums, libraries, and other institutions for producing and preserving knowledge are among Sebald's main obsessions. Long advances an interpretation of the author's oeuvre, arguing that Sebald's project needs to be understood as a response not merely to post-Holocaust trauma but to the longer history of modernity.
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juillet 2010
juillet 2010
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Théorie de l’art
Théorie de l’art
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2 volumes (xx, 1494 pages) : illustrations, maps ; 25 cm.
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2 volumes (xx, 1494 pages) : illustrations, maps ; 25 cm.
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Leiden ; Boston : Brill, 2008.
Leiden ; Boston : Brill, 2008.
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The city in the Islamic world / general editor, Salma K. Jayyusi ; special editors, Renata Holod, Attilio Petruccioli and André Raymond.
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2 volumes (xx, 1494 pages) : illustrations, maps ; 25 cm.
The city in the Islamic world / general editor, Salma K. Jayyusi ; special editors, Renata Holod, Attilio Petruccioli and André Raymond.
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2 volumes (xx, 1494 pages) : illustrations, maps ; 25 cm.
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Leiden ; Boston : Brill, 2008.
Leiden ; Boston : Brill, 2008.
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xix, 385 pages, 16 unnumbered pages of plates : illustrations (some color) ; 26 cm
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xix, 385 pages, 16 unnumbered pages of plates : illustrations (some color) ; 26 cm
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New York : Routledge, 2011., ©2011
New York : Routledge, 2011., ©2011
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The religious imagination in modern and contemporary architecture : a reader / [edited by] Renata Hejduk and Jim Williamson.
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xix, 385 pages, 16 unnumbered pages of plates : illustrations (some color) ; 26 cm
The religious imagination in modern and contemporary architecture : a reader / [edited by] Renata Hejduk and Jim Williamson.
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xix, 385 pages, 16 unnumbered pages of plates : illustrations (some color) ; 26 cm
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New York : Routledge, 2011., ©2011
New York : Routledge, 2011., ©2011
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The Avery Review 2016
The Avery Review 2016
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The Avery Review 2016
The Avery Review 2016
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xvi, 440 pages, 20 color plates : some color illustrations, 1 map ; 25 cm.
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xvi, 440 pages, 20 color plates : some color illustrations, 1 map ; 25 cm.
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New York : Columbia University Press, [2014], ©2014
New York : Columbia University Press, [2014], ©2014
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Killing the moonlight : modernism in Venice / Jennifer Scappettone.
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xvi, 440 pages, 20 color plates : some color illustrations, 1 map ; 25 cm.
Killing the moonlight : modernism in Venice / Jennifer Scappettone.
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xvi, 440 pages, 20 color plates : some color illustrations, 1 map ; 25 cm.
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New York : Columbia University Press, [2014], ©2014
New York : Columbia University Press, [2014], ©2014
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Ruins of modernity
Ruins of modernity
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$41.95
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Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins(...)
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Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins(...)
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Ruins of modernity
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Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In their introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.
Ruins of modernity
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Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In their introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.
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février 2010
février 2010
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Théorie de l’architecture
Théorie de l’architecture
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Titre:
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
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Publication:
novembre 1998, Cambridge, Mass.
novembre 1998, Cambridge, Mass.
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Théorie de l’architecture
Théorie de l’architecture
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
$35.50
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Titre:
Architecture and modernity : a critique
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$35.50
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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$35.50
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Résumé:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
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Publication:
avril 2000, Cambridge, Mass.
avril 2000, Cambridge, Mass.
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Théorie de l’architecture
Théorie de l’architecture
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ix, 248 pages illustrations 26 cm
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ix, 248 pages illustrations 26 cm
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New York : Routledge, Taylor & Francis Group, 2024.
New York : Routledge, Taylor & Francis Group, 2024.
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Art and modernism in socialist China : unexplored international encounters, 1949-1979 / edited by Shuyu Kong, Julia F. Andrews, and Shengtian Zheng.
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ix, 248 pages illustrations 26 cm
Art and modernism in socialist China : unexplored international encounters, 1949-1979 / edited by Shuyu Kong, Julia F. Andrews, and Shengtian Zheng.
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ix, 248 pages illustrations 26 cm
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New York : Routledge, Taylor & Francis Group, 2024.
New York : Routledge, Taylor & Francis Group, 2024.
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xiii, 337 pages ; 25 cm.
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xiii, 337 pages ; 25 cm.
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Leiden ; Boston : Brill, 2012.
Leiden ; Boston : Brill, 2012.
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New worlds and the Italian Renaissance : contributions to the history of European intellectual culture / edited by Andrea Moudarres and Christiana Purdy Moudarres.
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xiii, 337 pages ; 25 cm.
New worlds and the Italian Renaissance : contributions to the history of European intellectual culture / edited by Andrea Moudarres and Christiana Purdy Moudarres.
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xiii, 337 pages ; 25 cm.
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Leiden ; Boston : Brill, 2012.
Leiden ; Boston : Brill, 2012.
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