4078 Résultats
Classification:
expositions
expositions
Titre:
Vie dans l'éponge
Vie dans l'éponge
Actions:
Description:
Simmons Hall est une résidence universitaire primée, conçue par l’architecte Steven Holl, sur le campus du Massachusetts Institute of Technology (MIT) à Cambridge. Inspiré d’une éponge de mer et de son concept de porosité, l’immeuble se distingue autant par sa structure audacieuse que par son objectif de favoriser l’interaction sociale. Vie dans l’éponge est une étude(...)
Simmons Hall est une résidence universitaire primée, conçue par l’architecte Steven Holl, sur le campus du Massachusetts Institute of Technology (MIT) à Cambridge. Inspiré d’une éponge de mer et de son concept de porosité, l’immeuble se distingue autant par sa structure audacieuse que par son objectif de favoriser l’interaction sociale. Vie dans l’éponge est une étude(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
10 août 2006 au 19 novembre 2006
10 août 2006 au 19 novembre 2006
Titre:
Vie dans l'éponge
Actions:
Description:
Simmons Hall est une résidence universitaire primée, conçue par l’architecte Steven Holl, sur le campus du Massachusetts Institute of Technology (MIT) à Cambridge. Inspiré d’une éponge de mer et de son concept de porosité, l’immeuble se distingue autant par sa structure audacieuse que par son objectif de favoriser l’interaction sociale. Vie dans l’éponge est une étude(...)
Vie dans l'éponge
Actions:
Description:
Simmons Hall est une résidence universitaire primée, conçue par l’architecte Steven Holl, sur le campus du Massachusetts Institute of Technology (MIT) à Cambridge. Inspiré d’une éponge de mer et de son concept de porosité, l’immeuble se distingue autant par sa structure audacieuse que par son objectif de favoriser l’interaction sociale. Vie dans l’éponge est une étude(...)
Classification:
expositions
expositions
Date:
10 août 2006 au
19 novembre 2006
10 août 2006 au
19 novembre 2006
Localisation:
Salle octogonale
Salle octogonale
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2021:0006
Description:
The photograph, a still from a video, depicts the artist standing in the living room (possibly his own) of one of Mies van der Rohe’s Lake Shore Drive Apartments in Chicago during one of the record snow falls of December 2000, obliterating any view of the building's surroundings. The mounted photograph is presented together with two hearing protectors.
PH2021:0006
Description:
The photograph, a still from a video, depicts the artist standing in the living room (possibly his own) of one of Mies van der Rohe’s Lake Shore Drive Apartments in Chicago during one of the record snow falls of December 2000, obliterating any view of the building's surroundings. The mounted photograph is presented together with two hearing protectors.
Personnes et institutions:
Date:
2000
2000
Titre:
View of the artist standing inside a modernist apartment by Mies van der Rohe during a whiteout in Chicago, United States
Actions:
PH2021:0006
Description:
The photograph, a still from a video, depicts the artist standing in the living room (possibly his own) of one of Mies van der Rohe’s Lake Shore Drive Apartments in Chicago during one of the record snow falls of December 2000, obliterating any view of the building's surroundings. The mounted photograph is presented together with two hearing protectors.
View of the artist standing inside a modernist apartment by Mies van der Rohe during a whiteout in Chicago, United States
Actions:
PH2021:0006
Description:
The photograph, a still from a video, depicts the artist standing in the living room (possibly his own) of one of Mies van der Rohe’s Lake Shore Drive Apartments in Chicago during one of the record snow falls of December 2000, obliterating any view of the building's surroundings. The mounted photograph is presented together with two hearing protectors.
Classification:
photographies
photographies
Date:
2000
2000
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP178.S1.1998.PR03.SS1.009
Description:
This box includes plans and construction details for the first phase, specially drawings from June 2000. There are also drawings from before the construction, including cadastral maps, plans from the existing building, and plans for the Puerta Real project. It also contains documentation and catalogs from suppliers for the bathrooms, kitchen, video intercoms, and air conditioning system.
AP178.S1.1998.PR03.SS1.009
Description:
This box includes plans and construction details for the first phase, specially drawings from June 2000. There are also drawings from before the construction, including cadastral maps, plans from the existing building, and plans for the Puerta Real project. It also contains documentation and catalogs from suppliers for the bathrooms, kitchen, video intercoms, and air conditioning system.
Personnes et institutions:
Date:
1991-2000
1991-2000
Titre:
Box of plans for the first phase and documentation from suppliers, Edifício Zaida- Habitação e Comércio, Granada
Actions:
AP178.S1.1998.PR03.SS1.009
Description:
This box includes plans and construction details for the first phase, specially drawings from June 2000. There are also drawings from before the construction, including cadastral maps, plans from the existing building, and plans for the Puerta Real project. It also contains documentation and catalogs from suppliers for the bathrooms, kitchen, video intercoms, and air conditioning system.
Box of plans for the first phase and documentation from suppliers, Edifício Zaida- Habitação e Comércio, Granada
Actions:
AP178.S1.1998.PR03.SS1.009
Description:
This box includes plans and construction details for the first phase, specially drawings from June 2000. There are also drawings from before the construction, including cadastral maps, plans from the existing building, and plans for the Puerta Real project. It also contains documentation and catalogs from suppliers for the bathrooms, kitchen, video intercoms, and air conditioning system.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1991-2000
1991-2000
Personnes et institutions:
Classification:
articles
articles
Titre:
Pèlerinage photographique
Pèlerinage photographique
Actions:
Guido Guidi en conversation avec Stefano Graziani et Bas Princen
Mot(s)-clé(s):
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Guido Guidi, conversation, histoire orale
La vie des documents, la photographie en tant que projet, Stefano Graziani et Bas Princen, Guido Guidi, conversation, histoire orale
Publié:
27 juin 2023
27 juin 2023
Titre:
Pèlerinage photographique
Guido Guidi en conversation avec Stefano Graziani et Bas Princen
Actions:
Pèlerinage photographique
Guido Guidi en conversation avec Stefano Graziani et Bas Princen
Actions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Gianni Pettena fonds
Gianni Pettena fonds
Numéro de référence:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Personnes et institutions:
Date:
1960-2019
1960-2019
Titre:
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Gianni Pettena fonds
Actions:
AP207
Résumé:
The Gianni Pettena fonds documents Pettena’s work as an artist, architect, critic, and professor of history of contemporary architecture from the 1960s to the end of the 2010s. It includes one hundred artistic and architectural projects, material related to exhibitions he curated and designed, and his writings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1960-2019
1960-2019
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Applausi [Applause] (1968)
Applausi [Applause] (1968)
Numéro de référence:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Applausi [Applause] (1968)
Actions:
AP207.S1.1968.PR05
Description:
This project series documents Pettena's design for "Applausi", a suitcase split in half to create two flashing signs with the word "Applausi". The signs were designed for the music performance by Vittorio Gelmetti, "La descrittione del gran paese" a post-pop opera for which Pettena was also in charge of the scene direction. The performance was presented at the 6th Festival of Avant-Garde Music at the Teatro Biondo, in Palermo, in December 1968. The signs were placed on each side of the stage, toward the audience. "The text, together with others that indicated the piano, the singer and the cello, reminded the audience of the habits of an illiterate public participating in a televised show." [1] The "Applausi" signs were also presented in the exhibition "The living currency" in Varsaw, at the Teatr Dramatyczny in 2010, and at the 6th Berlin Biennale at the Hau1, Die lebende Münze, in 2010. The project series contains photographs of the 'Applausi' signs, a drawing of the sign, and a draft poster showing the display of the stage for Vittorio Gelmetti performance at the 6th Festival of Avant-Garde Music. The project series also includes photographs of the music performance, a video of Pettena and the sign at the Berlin Biennale in 2010, and project descriptions in English and Italian. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 102.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
Personnes et institutions:
Date:
1988-1989
1988-1989
Titre:
Dome Productions Offices and Studios, Toronto (1988-1989)
Actions:
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
Dome Productions Offices and Studios, Toronto (1988-1989)
Actions:
AP056.S1.1988.PR08
Description:
This project series documents the Dome Productions offices and studio in Toronto from 1988-1989. The office identified the project number as 8804. This project consisted of a two-level office and studio area inside Toronto's SkyDome for the production company that was owned by The Sports Network (TSN). The main purpose of this space was to broadcast sports live from the stadium, but offices for producing, accounting, and marketing were also included. The two floors followed the curved shape of the stadium and were connected to one another by staircases. Visitors entered via large, glass doors into the reception area on the lower level, where they could move to the main lounge with its curved cappuccino bar, integrated into the main staircase. The lower level also held equipment rooms, fan rooms, editing areas, storage and offices. The upper level included two announcing booths, video editing suites, production spaces and conference rooms. The walls were composed of painted gypsum board but granite touches throughout stayed true to the concrete look of the stadium. Aluminum, steel, wood and sandblasted glass were also featured heavily throughout. The project is recorded through drawings and photographs dating from 1988-1989. The drawings are mostly originals and include sketches, presentation drawings, plans, details, elevations, sections, axonometric drawings, and structural drawings. The photographs show the finished interiors of the project.
Niveau de description archivistique:
Project
Project
Date:
1988-1989
1988-1989
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
L’exposition Laboratoires explore comment l’architecture peut réagir au monde incertain de l’après 11 septembre et construire un nouveau cadre de réflexion. Six jeunes agences présentent des environnements ou des installations qui examinent le langage fondamental de la pensée architecturale et réaffirment les pouvoirs civilisateurs de l’imagination. Ont participé à cette(...)
L’exposition Laboratoires explore comment l’architecture peut réagir au monde incertain de l’après 11 septembre et construire un nouveau cadre de réflexion. Six jeunes agences présentent des environnements ou des installations qui examinent le langage fondamental de la pensée architecturale et réaffirment les pouvoirs civilisateurs de l’imagination. Ont participé à cette(...)
Localisation:
Salles principales
Salles principales
Date:
18 avril 2002 au 15 septembre 2002
18 avril 2002 au 15 septembre 2002
Titre:
Laboratoires : Six agences de jeunes architectes dans les salles du CCA
Actions:
Description:
L’exposition Laboratoires explore comment l’architecture peut réagir au monde incertain de l’après 11 septembre et construire un nouveau cadre de réflexion. Six jeunes agences présentent des environnements ou des installations qui examinent le langage fondamental de la pensée architecturale et réaffirment les pouvoirs civilisateurs de l’imagination. Ont participé à cette(...)
Laboratoires : Six agences de jeunes architectes dans les salles du CCA
Actions:
Description:
L’exposition Laboratoires explore comment l’architecture peut réagir au monde incertain de l’après 11 septembre et construire un nouveau cadre de réflexion. Six jeunes agences présentent des environnements ou des installations qui examinent le langage fondamental de la pensée architecturale et réaffirment les pouvoirs civilisateurs de l’imagination. Ont participé à cette(...)
Classification:
expositions
expositions
Date:
18 avril 2002 au
15 septembre 2002
18 avril 2002 au
15 septembre 2002
Localisation:
Salles principales
Salles principales
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S1.044
Description:
Complete contents of CD-R ARCH268273, labeled “3DTFV Phase 3.2 Final Presentation Feb 99 PC Version”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
AP184.S1.044
Description:
Complete contents of CD-R ARCH268273, labeled “3DTFV Phase 3.2 Final Presentation Feb 99 PC Version”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Personnes et institutions:
Date:
25 February 1999
25 February 1999
Titre:
Final executable PC presentation of Three Dimensional Virtual Trading Floor, Phase 3.2, February 1999 (1 of 2)
Actions:
AP184.S1.044
Description:
Complete contents of CD-R ARCH268273, labeled “3DTFV Phase 3.2 Final Presentation Feb 99 PC Version”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Final executable PC presentation of Three Dimensional Virtual Trading Floor, Phase 3.2, February 1999 (1 of 2)
Actions:
AP184.S1.044
Description:
Complete contents of CD-R ARCH268273, labeled “3DTFV Phase 3.2 Final Presentation Feb 99 PC Version”. File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Classification:
né numérique
né numérique
Date:
25 February 1999
25 February 1999
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP184.S1.045
Description:
Complete contents of CD-R ARCH268297, labeled "3DTFV Phase 3.2 Final Presentation 2/26/99 PC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
AP184.S1.045
Description:
Complete contents of CD-R ARCH268297, labeled "3DTFV Phase 3.2 Final Presentation 2/26/99 PC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Personnes et institutions:
Date:
26 February 1999
26 February 1999
Titre:
Final executable PC presentation of Three Dimensional Virtual Trading Floor, Phase 3.2, February 1999 (2 of 2)
Actions:
AP184.S1.045
Description:
Complete contents of CD-R ARCH268297, labeled "3DTFV Phase 3.2 Final Presentation 2/26/99 PC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Final executable PC presentation of Three Dimensional Virtual Trading Floor, Phase 3.2, February 1999 (2 of 2)
Actions:
AP184.S1.045
Description:
Complete contents of CD-R ARCH268297, labeled "3DTFV Phase 3.2 Final Presentation 2/26/99 PC". File includes an .iso disk image of the dual-formatted ISO-9660/HFS disk and digital files exported from the disk image using FTK Imager. Most common file formats: JPEG File Interchange Format, Audio/Video Interleaved Format, Windows Portable Executable.
Classification:
né numérique
né numérique
Date:
26 February 1999
26 February 1999
Personnes et institutions:
